Tagged: Kung Fu Panda

Box Office Democracy: Kung Fu Panda 3

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I had no interest in seeing either of the first two Kung Fu Panda movies. I thought they were a place for a brand of Jack Black shtick that I had grown tired of by the time 2008 got here (for the record: peak Jack Black was 2003’s School of Rock). I had a strong idea of what these movies were, and I didn’t want anything to do with it. As far as Kung Fu Panda 3 is concerned, I was wrong. This is a charming movie, a funny movie, sometimes even a touching movie. I regretted nothing about my time spent watching Kung Fu Panda 3, and it’s the first movie of 2016 to make me feel that way.

Kung Fu Panda 3 tells a story I was happy to hear told. Po (Black) is told he needs to start teaching the rest of his action team (voiced by a perplexing mix of stars from Angelina Jolie to David Cross to Jackie Chan) and he’s terrible at it so he needs to find his inner self just as his long lost father returns and an unbeatable opponent returns from beyond the grave. It’s not the most intricate story, and there were things set up that never got paid off to my satisfaction— like a pivotal character always nervously saying he was “sent by the universe” sounds more like an evasion than the actual eventual truth. This isn’t a movie that wants to be deep; it’s a movie that wants to be fake deep and it does a fine job at that. It keeps the jokes apart from the fight scenes and provided some touching moments between Po and his biological father (Bryan Cranston) and his adoptive father (James Hong) that get to some real places.

The action scenes were better than I expected them to be, but I’ve since realized that was a low bar to get over. Dreamworks typically does good work but their action is usually more frenetic than it is good, I suspect it’s hard to get any material that would look as good as humans doing it just because of how their art style tends toward flatter character designs. I thoroughly enjoyed all of the fight scenes particularly because of how they used the individual animals to different effect. A crane did not fight like and alligator did not fight like a panda. The disappointing exceptions were Master Monkey, who is probably just a bit too person-like to have a distinct style, and Master Tigress, who was also just too much like a human to be exciting. Again, not having seen the previous two entries in this series perhaps none of this was new, fresh, or exciting but it was sort of a delight for me.

It feels weird having to say this, or that it feels like a point of recognition, but I appreciated that no one in this movie was doing an accent. There’s a long shameful tradition in Hollywood of over the top accents, and I’m so glad we’re past that here. It feels generally culturally sensitive, although mostly by being so generic about everything that it’s impossible to feel it being specific enough to be offensive. I did not care for their depiction of dumplings being quite so big though— where are these animals getting dumplings that are universally the size of bao?

If this review were itself a movie made for children I would be learning an important lesson about judging a book by its cover, but it isn’t and I’m not. Instead, I think I’m learning a lesson about the ever-improving work coming out of Dreamworks as they move away from being “the House That Shrek Built” and towards being the people that brought you How to Train Your Dragon. It also might be a lesson about coming back to Jack Black after so many years away, he might not be as stale as I thought although I feel for the parents who had to deal with their children responding to everything they were told this weekend with “chitty chitty chat chat” emulating the climax of this film. Kung Fu Panda 3 is a good movie. Although, it is possible that after Norm of the North, any competent animated movie was going to seem like Citizen Kane. It’s probably actually a good movie.

‘We3’ Director Named

Horror site Shock til you Drop reports that Kung Fu Panda director John Stevenson has been tapped to direct the live-action adaptation of Vertigo’s We3 miniseries. The comic, written by Grant Morrison and illustrated by Frank Quitely, was initially optioned years ago by New Line Cinema, which has since been subsumed by parent company Warner Bros.

Producer Don Murphy told the site, "Even though the film is going to be live-action, we brought on the lead director of Kung Fu Panda. He’s attached to direct We3. We’re doing it as an R-rating. It’s not going to be cutesy. There’s killer rabbits and stuff. We’re in the process right now of trying to figure out where we’re going to make it.

"It was at New Line, but the new New Line doesn’t want to do these kinds of movies. We have two really good prospects. [Producer] Susan [Montford] was able to get this film going just based on the treatment before the comic so we’ve been on this a while."

The official synopsis for the project:

We3 tells the unforgettable story of three innocent pets — a dog, a cat and a rabbit who have been converted into deadly cyborgs by a sinister military weapons program. With nervous systems amplified to match their terrifying mechanical exoskeletons, the members of Animal Weapon 3 have the firepower of a battalion between them. But they are just the programs prototypes and, now that their testing is complete, they’re slated to be permanently decommissioned” until they seize their one chance to make a desperate run for freedom! Relentlessly pursued by their makers, the We3 team must navigate a frightening and confusing world where their instincts and heightened abilities make them as much a threat as those hunting them but a world, nonetheless, in which there is something called Home. Action-packed and heart-wrenching, We3 is a new high mark from two of comics greatest talents.”

‘Wall*E’ Leads DVD Sales

Heading into the holiday season, home video companies are hoping for a surge in shopping as sales for standard and Blu-ray discs combined to drop with a 9% increase in the third quarter compared with #Q 2007.  There remain rays of hope with WallE topping the charts for the week ending November 23. In second place in sales, but first in rentals, is Ben Stiller’s Tropic Thunder.

As one would expect during a holiday period, kids fare did very well with Kung Fu Panda taking first the week prior with 117,954 units sold according to Billboard.  What was a surprise, though, was the sales and rental strength of Hellboy II: The Golden Army. This bodes well for encouraging Universal to add the third film in the series to Guillermo del Toro’s crowded schedule.

A disappointment, according to The Numbers, has been Indiana Jones and the Kingdom of the Crystal Skull has disappointed with 4.8 million in sales. Iron Man continues to top the charts but last year, nine other titles had stronger sales. WallE is likely to supplant Alvin and the Chipmunks for top animated film of the year.

Blu-ray sales are an encouraging sign as more people are finally ready to buy upgraded players now that the format war ended in Blu-ray’s favor.  Studios have been rushing out current and classic films in the more expensive format in the hopes of improving their bottom lines. Overall, estimates show that to date more than 14 million Blu-rays discs have been sold this year with is an increase of 233% from 2007. Industry goals were to sell 40 million units and reach $1 billion in sales but that was before the economy tanked and people slowed discretionary spending.

An increasing trend has been for initial releases to come with a digital copy on disc that can be downloaded to computers and iPods, encouraging the mobilization of home video and in turn, increased sales through multiple channels (download, standard or Blu-ray, on demand). (more…)

A Noir Puppet Movie?

angel puppetIn an act that almost feels like it should have the name "Joss Whedon" attached to it, the Jim Henson Company has announced the development of a new film project called The Happytime Murders. This original film noir murder mystery will fall under the company’s Henson Alternative banner, a division that develops projects not intended for children (such as Puppet Up! and Tinseltown). From writer Todd Berger:

"In a world where humans and puppets live together (not exactly in harmony), the puppet cast of an ’80s children’s TV show called The Happytime Gang begins to get muderered one by one. It’s then up to a disgraced puppet LAPD detective turned private eye to take the case. Based on a story Dee Austin Robertson and Todd Berger, the original feature film will feature the well-known Henson style of irreverence and parody while presenting a unique twist on the film noir genre. Todd Berger (Kung Fu Panda: Secrets of the Furious Five) has penned the screenplay and Brian Henson (of Muppet fame) is attached to direct."

The plot is said to be a mix between Pulp Fiction and Avenue Q with a plethora of sex, violence, and outrageous puppet-humor. The plot may also seem a bit familiar to fans of the TV series Angel from a episode in season five titled "Smile Time" in which Angel becomes a puppet after investigating a series of murders that take place on a children’s show of the same name (not to be confused with "Happytime"). We’ll be sure to keep you updated on the film as more details develop.

Mixed Bag for ‘Incredible Hulk’ Opening

The opening weekend results for Marvel’s The Incredible Hulk pretty closely mirrored my experience catching the film on Friday afternoon: The theater wasn’t packed, but everyone had a good time.

According to USA Today, the new Hulk came through with $54.5 million for its first weekend take, which is actually less than Ang Lee’s Hulk took in the opening weekend in 2003 ($62 million). And while critics didn’t especially love the new take on the green goliath (Rotten Tomatoes gives it approval from 64 percent of reviewers), fans seemed to dig the Louis Letterier-Edward Norton combo.

CinemaScore notes the new Hulk earned a very solid A- from viewers, which bodes well for continued success. The 2003 version brought in almost nothing after the first week on the way to becoming a massive flop.

The showing I caught was between half and two-thirds full, and for the most part the audience seemed completely sucked into the movie. The only complaint came after the semi-endless credits when no extra features rolled. For what it’s worth, I enjoyed the flick.

This was also a pretty competitive weekend for movies. According to USA Today ticket sales increased from the same weekend last year, and a string of movies did well. Kung Fu Panda took second with $34.3 million, M. Night Shyamalan’s The Happening took third with $30.5 million and a couple others were above $13 million.