Tagged: Len Wein

DC Comics July 2012 Solicitations

It’s that time again… okay, it’s a little past that normal time, thanks to the Mix March Madness wrapup, but here are the preview materials for DC Comics releases for July 2012.

What’s on tap this month? More of the Before Watchmen books, with the debut of Ozymandias from Len Wein and Jae Lee, the conclusion of the Court of Owls storyline and crossover in all the Bat-books, and the debut of the done-in-one book, National Comics, featuring the New 52 Debut (coming right at you) of Eternity.

And in the white elephant of desire category, there’s the $300 statue showing the climactic scene from The Dark Knight Returns.

Once more, into the breach? Banzai!

 

As always, spoilers may lurk beyond this point. (more…)

Read Ardden Entertainment’s Flash Gordon #1 And #2 For Free

PRESS RELEASE:

Ardden Entertainment LLC is excited to offer the critically-acclaimed and sold-out FLASH GORDON: THE MERCY WARS #0 and #1 for free! See where Ardden’s Flash Gordon series got started!

Find out why Publishers Weekly, Ain’t It Cool News, Newsarama and others have given it such raves, saying such things as: “With each new issue in (Ardden’s) series we are witnessing the definitive modern take on the Flash Gordon mythos” (Geek Goggle Reviews).

To read FG: TMW #0 and #1, simply click on the following link:

Additionally, any comic book retailer who sends Ardden Entertainment a copy of Dynamite’s FLASH GORDON: ZEITGEIST #1 will receive a FREE copy of FLASH GORDON: THE SECRET HISTORY OF MONGO, the 80 page trade paperback original that features stories by J.M. DeMatteis, Denny O’Neill, Joe Casey, Jim Krueger, Len Wein, Tom DeFalco, and more!

This 80 page book retails for $7.95! For more information, please email us at Ardden.Entertainment@GoogleMail.com or visit us at http://www.ardden-entertainment.com/

Ardden Entertainment LLC was formed in 2008 and is the proud publisher of FLASH GORDON: THE MERCY WARS, FLASH GORDON: INVASION OF THE RED SWORD, and many more quality comics. They are also the publisher of the upcoming Flash Gordon arcs: THE VENGENACE OF MING, in which Ming invades Earth, and KING OF THE IMPOSSIBLE, promising a Flash Gordon unlike any ever seen before!

http://issuu.com/richemms/docs/www.ardden-entertainment.com

The Point Radio: A DC History Lesson From Len Wein

DC’s rich history can best be explained by not only one of their oldest fans, but top creators. The man who gave us SWAMP THING (and much more), LEN WEIN shares a few 75th Anniversary Tales – plus LOCKE & KEY heads to TV.

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

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Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

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FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.

 

 

‘Paul is dead’ and other reactions to the DC Comics restructuring

paul-levitz-dc-3615037It’s ironic that on a day that many people in the world are talking about the Beatles in one form or another, people in the comics industry are asking if Paul is dead.

Certainly, you don’t see this amount of coverage of a man’s life until his funeral. It reminds one of Twain: “They say such nice things at a man’s funeral that it’s a shame I’m going to miss mine by only a couple of days.” Paul Levitz has had many, many nice things said about him. Mark Evanier may have the best post placing Paul’s place in historical context so far:

DC and Marvel could not now interface with Time-Warner and — assuming the deal goes through — Disney if they had not evolved from hot dog joints into real businesses.

Many have taken credit for that evolution, including some who fought it until it became inevitable and a few who resisted even after that time. Among those who honestly do deserve great credit is Paul Levitz.

Kurt Busiek also sums up:

Paul has been at the forefront of just about every industry
development of the last couple of decades, and has been key to how the
industry’s shaped itself over those years. Shifting from a
periodicals-only business to a strong backlist-oriented business with
trade paperbacks and hardcovers, adding imprints like Vertigo, creating
new opportunities for creators and for creator ownership, seeing that
DC gave a fair (or at least fairer) deal to the creators who originated
the concepts that turned up in DC-based movies, from Arkham Asylum and
Lucius Fox to Robin’s motorcycles (yeah, because they called Chris
O’Donnell’s ride the “Redbird” in one of the movies, Paul Levitz saw to
it that Chuck Dixon got money) and more, Paul was an important part of
a huge number of changes that DC’s seen, and that the whole industry’s
seen. Some of them big changes everyone’s noticed, some of them
behind-the-scenes stuff few people know about.

Heidi MacDonald, another one of us who toiled in the vineyards under Paul, said: “Paul is one of the smartest, kindest people I’ve ever worked with. He changed comics for the better in such vast ways that it’s hard to imagine where the industry would be without his stewardship. I wish him all the best.”

Marv Wolfman said: For years now, Paul has talked about retiring someday soon and
returning to writing, his first love. For that reason alone I am so
happy for him because I know that’s what he deeply cares about and has
been wanting. As readers, we are in for some major treats. I
can also say, without fear of rebuttal by anyone who is in the know,
Paul is probably the best, the smartest, the most creative and the most
moral Publisher the business has ever seen. Most fans have no idea how
important Paul is, not only to DC, but to the entire industry. I have
often said, and mean, that without Paul there very well might not be a
comics industry today. I am not speaking in hyperbole. I am being
literal; I mean exactly what I wrote.

And I’m fond of Rich Johnston’s comment: I asked Keith Giffen what was up with Ambush Bug. He told me “He’s taking Paul’s job.”

One more thing that I’ve been told that I haven’t seen mentioned: Paul contributed tremendous numbers of comics to Len Wein when he lost his collection in the recent fire. Huge numbers.

So now what? Me, I’m just waiting for those great Legion stories… hey, and what is it with guys who write Legion going on to become head honchos at comics companies? Paul Levitz, Jim Shooter with Marvel, Valiant and Defiant, Mark Waid at BOOM!… what makes it such a prerequisite?

Len Wein house fire

Harlan Ellison just posted the following on his website:

Monday, April 6 2009 11:55:36 EXTREMELY BAD NEWS

 Len Wein called this morning. More than half of his house burned down earlier today. Len and Chris Valada and Chris’s son, Michael, got out okay, but their beloved dog, Sheba, ran back inside and is gone. In addition to both bedrooms, the bathroom, and much of the office, what was burned first was the original art for the first Wolverine story, the cover of GIANT X-MEN #1 and other art pieces worth hundreds of thousands of dollars. Susan and I will be over there as soon as I pick up my car today, and as soon as I’ve met the dental appointment we have scheduled. This is a major catastrophe for one of my oldest and closest friends. Like your Host, Len is a lifetime freelancer and, even though he remains a star of the comics world, even though he created Wolverine and Storm–among other characters–he goes from day to day earning a freelancer’s living, as do I… and these are frightening economic times for those of us out there, to paraphrase Arthur Miller, “on a few words and a shoeshine.”

As bad as the news is, we’re relieved to hear that Len, Christine and Michael are okay. We’ll pass along whatever additional information that we can.

ComicMix Radio: Battlestar Galactica Heads Back To SciFi


The next time someone asks you "When is Battlestar coming back?" you have an answer and we give it to you here, plus:

  • Two Final Crisis sell outs
  • Len Wein joins Bloodfire
  • Lots of new comics and DVDs all hit the stores

And remember, ComicMix Radio will be broadcasting direct from the floor of ComicCon 2008 starting tomorrow night (Wednesday) for Preview Night. We will have extended broadcasts every day right through Sunday, and to join us all you have to do is Press the Button!

Don’t forget you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-2246862 or RSS!

 

DENNIS O’NEIL: One Upon A Time

dennyoneil10017-7473629Once upon a time, way back, I was just a tiny bit afraid that the stepchild of American publishing wherein I labored, comics, would not be properly documented – that the right people weren’t being interviewed, the right information preserved. I needn’t have worried. Thanks largely to an army of scholars-without-portfolios – we called them fans – I think comics are likely to be the best documented art form in history. These people, and more recently the academics that involve themselves with popular culture, must have found sources of information completely unknown to me, and I applaud them for it.

Among my current sprinkling of projects is writing introductions for a collection of essays concerning what I guess we can unblushingly call the Batman mythos. More documentation and, I’d like to believe, welcome. The next intro I’ll do will be for a piece by Paul Lytle on Arkham Asylum. That name – Arkham Asylum – is familiar to Batman devotees and maybe to some folk not quite so devoted because it played a prominent part in the last mega-budget Batman movie. It is, for you who are not devotees and those who weren’t paying attention while you watched Batman Begins, the place where the criminally insane of Batman’s rollicking home town, Gotham City, are sent for incarceration and rehabilitation though, judging from results, the staff of the institution aren’t very good at either task.

But – here comes our big reveal, and I’m mostly addressing devotees, though the rest of you can stay – have you ever wondered where that distinctive name came from? Oh sure, the better read among you will recognize the word “Arkham” from H.P. Lovecraft’s tales – Arkham was the spooky burg where Lovecraft’s things went bump in the night. But who had the inspiration to associate it with the residence of Gotham’s host of loonies? I was pretty sure I knew, but, as you may remember, a couple of columns ago I trusted my memory and erred. So I sent an email. Here, in part, is the reply:

Our original conversation regarding where criminals such as the Joker and Two-Face should be incarcerated took place in March of 1974, when you and Len Wein were guest speakers at Jim Dever’s and my comics history course at the Philadelphia College of Art (now the University of the Arts). The first mention of Arkham was in your Two-Face story that appeared in Batman #258, which was cover dated September, 1974.

 

 – JCH

 

The JCH that signs the letter stands for Jack C. Harris, a veteran writer, editor, historian and, for the past decade, give or take, a comics writing teacher at the School of Visual Arts in lower Manhattan. Credit where it’s due – where it’s long overdue.

If Jack were here, I’d ask him to take a bow.

RECOMMENDED READING: Awareness, by Anthony de Mello. Those of you who look at this blather every week may have guessed that I’m not a huge fan of organized religion these days, largely because of the misuses to which it’s currently being put, and the book recommended above is by a Jesuit. Well, if the Jebbies who presided over my university years were like de Mello, I might lay some bucks on the alumni fund once in a while.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Miller’s movie opens to accolades

IESB reports that the movie adaptation of Frank Miller’s graphic novel 300 received a standing ovation at its world premiere last night at the Berlin Film Festival.  "The screening was interrupted again and again by spontaneous applause and cheers from the 1700 strong audience," adds the movie site.  This would seem to jibe with earlier mostly positive reviews by folks who have seen sneak previews, including Len Wein and Marv Wolfman, and fly in the face of the chorus of boos reported at the earlier press screening.