Tagged: Martha Thomases

MARTHA THOMASES: I love my shirt

martha100-3391212When I left DC Comics in 1999, I stopped traveling to comic book conventions. I’d still go to the Big Apple shows and MoCCA Art Festivals to see my friends, but these take place in New York City, which, coincidentally, is also where my closets are. Now, for the first time in this century, I’m going to shows again.

At DC, those of us in the marketing department were required to wear t-shirts promoting the company’s characters, or with one of the company’s logos. At ComicMix, we wear our logos as well while we’re on duty. When I go to local shows to see my friends, I figure they already like me, and I’m not particularly going to make any new pals.

This is the long way to say that I don’t especially worry about my appearance at comic book conventions. Either someone has made that decision for me, or I was going to see someone who already had formed an opinion about me.

None of this is not to say I didn’t obsess over my appearance. I do. I worry constantly that people look at me and think, “Who let that fat old woman out of the house? Aren’t there laws against such public displays of cellulite? Is it really possible for flesh to sag that much in so many different places?” However, when going to a comic book event, I didn’t worry about these questions any more than I do when going to get a newspaper, or mail a letter.

To me, comic book conventions were a professional obligation. I presented myself as my profession requires, just as I wear a suit to meetings with journalists or clients, and a sweater to the yarn store. When a comic book convention is a social occasion, I’ll dress as my peers dress, perhaps taking the occasion to wear some cute shoes my friends can admire.

I do not consider conventions to make new friends. In fact, I never went to one before I worked at DC (except to go to parties when I first started working in comics, but, as a freelancer, I needed the free hors d’oeuvres). Even though I’ve been reading comics since 1958, I never socialized around them. Comics were something I liked, like rock’n’roll music, or blueberries. My friends were more likely to come from my political activism or the swim team or, later, from jobs or parents with kids the same age as mine.

Until recently, I’d guess most women at comic book conventions also didn’t worry too much about their appearance. As Heidi MacDonald has observed, most women at comic events were “dragalongs,” women who were attending because their boyfriends, husbands or sons liked comics, not because they were fans themselves. The best thing about going to a show used to be that there were never any lines for the ladies room.

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ComicMix comes to Poppa

While my ComicMix colleagues are having the time of their lives in Charlotte or Philly, I’m moping here in NY with a bad case of the sufferin’ sciaticas.  It breaks my heart, I love Heroes Con and really wanted to be a part of its big silver anniversary celebration.  Oh well, at least I can catch up on comics reading while hearing about all the cool stuff to come (PAD on She-Hulk!  Dwayne on JLA!  MWaid back on Flash!  Oh yes, I’m a happy fangirl) and, of course, bring you the weekly columnist wrap-up:

Meanwhile, Mellifluous Mike Raub marches on with his Big ComicMix Broadcasts:

Hope my fellow ‘Mixers bring me back some goodies from down south!

MARTHA THOMASES: Daddy’s Home

martha100-3974448My husband really liked the column I did on Mothers’ Day (Brilliant Disguise #4). My stepmother also liked it. As a result, I feel a huge amount of pressure this week, as Fathers’ Day approaches.

Perhaps this is as it should be. Fathers, at least in literature, exert pressure. So do mothers, but fathers are much more stern about it, and send out much more of a mixed message. Zeus’ father ate him, for crying out loud. Jesus’ father sent him to die for our sins. Lear punished the only daughter who dared to tell him the truth. Jor-El proved his love by sending his son a universe away.

Fathers are stern. Fathers are cruel but fair. Fathers are distant. Tony Soprano? Please. Even today, on television, the best father, on Everybody Hates Chris, proves his love by working so many jobs he’s only home long enough to sleep and offer a bit of advice, if he’s lucky. In comics, the kindly fathers (or father figures) of Ben Parker and Thomas Wayne are all dead, inspiration only or motive for revenge. Jonathan Kent is the exception that proves the rule, depending on which continuity you’re in.

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A June tune to make you swoon

Sooner or later our ComicMix columns will be on automatic front-page accessibility.  Until then, I’ll be here just about every Sunday to round ’em up for you:

And congrats to Mellifluous Mike Raub on reaching his Big ComicMix Broadcast #50 and beyond!:

Now back to my own never-ending catchup…

MARTHA THOMASES: Gangster of Love

martha100-8677944This may come as something of a shock, but tomorrow night is the last episode of The Sopranos.

Now, I’m not the world’s most dedicated fan. I came late to the party, not tuning in regularly until the second season. I tend to be suspicious of critical darlings, afraid they might be uplifting and good for me, or depressing and bleak. However, in this case, my husband and my son were both enthusiastic, I recognized the name of creator David Chase from The Rockford Files, and so, one night, I didn’t get out of my chair when the distinctive theme song came on.

It would be nice if I could say that I was hooked on the brilliant acting, the profound scripts, even the incredibly realistic portrait of middle-class values in New Jersey. That would be a lie. I tuned in to watch Michael Imperioli, because I thought he was really cute.

Over the years, though, I got sucked in. Watching these characters week in and week out (not counting the breaks that lasted over a year) helped me to identify with them. No, I’m not part of organized crime, but I, too, tend to offer my loved ones food when they come to tell me about their problems. I’m not a hired killer, but I’ve been angry enough to want to take someone out to the woods and leave them there.

Serial fiction, like soap opera, comics and Harry Potter books, are especially good at enmeshing the audience with the cast of characters. What The Sopranos has done so well with the form is to take people who are evil, who kill and steal, and make them so mundanely human.

When I read a Superman comic every week, I feel like I’m spending time with a friend I’ve known since I was five years old. He’s in the media in a major media market, probably knows a bunch of the same people I know. Bruce Wayne has a penthouse in midtown, and is a big part of the city’s party circuit, a beat I’ve covered. The Legion of Super-Heroes is like a big dorm, and I lived in dormitories through high school and college.

So, even extremely unrealistic comic book characters present no challenge to me. I can bond with them no matter how inane nor how two-dimensional the writing. Even though they have super-powers (or at least super-human self-discipline), I can find things in common that make it possible for me to relate to them.

But Tony Soprano? He lives in (gasp!) New Jersey! He works in a strip club. Both of those things put me off, even before we get to the guns and the beatings. Carmella wears a lot of make-up, has lunch with her lady friends a lot, and seems to care about jewelry. These are not qualities common to my friends or me. How do I relate?

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Beat the heat and read

This little homebody has had enough of running around in The City.  Sometimes you just have to stay home and collapse before facing another workweek, and what better way to relax than with another reading of some fine ComicMix columns?:

And some listening to Mellifluous Mike Raub‘s most recent podcasts?:

And by phrasing everything in the form of a question?

MARTHA THOMASES: Last Man Standing

martha100-5988441When I was a teenager, the environment of my hometown became poisonous. To save me, my parents sent me to an alien environment that seemed to be a universe away, filled with people so different from me they might have been a different species altogether. No one knew anything about my home, nor about my people’s civilization and customs. Instead, I had to hide my true self until I understood how I fit in and what I had to offer the strangers with whom I lived.

No, I’m not Supergirl. I understand how you could be confused, because the resemblance is striking. However, I did find myself in a similar situation to Kara Zor-El. Instead of being a Kryptonian from Argo City sent in a rocket ship to Earth, I was a Jew from Ohio sent to an Episcopalian boarding school in Connecticut. Instead of being part of the majority as I was at my public school in Youngstown (there were so few kids in class during the High Holy Days that they could bring comics to school!), I had to go to chapel five times a week while the priest swung incense.

Many of my classmates had never seen a Jew before. Others, more worldly, would say things to me like, “You’re from Ohio? I have a friend in Wyoming. Do you know her?” For the first time in my life, I wasn’t part of the majority culture. I learned what it was like to be a minority.

There’s a lot to be learned from the majority culture.  Not the least of it is learning where you, as a minority, fit in. You learn your place. You learn how to get by. You learn another point of view, that of the majority.  That’s what taught in school. That’s what you see on television and in movies.

If you’re lucky, you take your experience as a minority and use it to understand how other minorities feel. You know what it’s like to be on the outside, looking in. In my case, as a Midwestern Jew, I could imagine how it would feel to be African-American, or gay, or Asian. I could take my own experience as a minority to imagine the experience of people who were other kinds of minorities.

Fiction helps. For example, when I read Amy Tan’s The Joy-Luck Club, I read about a society where, no matter what you did for your parents, it wasn’t enough, and that it was more important in a marriage to find a husband with money than with imagination. I was convinced that being Chinese felt just like being Jewish.

Comics help even more, if only because they are produced more quickly than novels. In The Legion of Super-Heroes, we can see how Chameleon can shape change to fit in – but chooses not to. Princess Projectra tried to hide her snake form at first, but learned to exult in it. The theme of three X-Men movies has been a metaphor for the dangers of the closet, of hiding your true self to pass for straight or, in this case, non-mutant.

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A memorable week

Hope you’re having a terrific Memorial Day weekend, at least in the US; readers from elsewhere in the world must content themselves with, we hope, lovely spring or fall weather.  Regardless, what better way to while away a lszy Sunday than with a week of ComicMix columns?:

Of course, for your listening pleasure we present Mellifluous Mike Raub‘s most recent podcasts:

Hope your memories of this weekend are happy ones!

Our weekly haul

By the time this posts I should be nearing my comic shop (which I’m visiting for the first time in ages) to pick up the last couple weeks’ worth of comics, so why not treat y’all to the last week of ComicMix columns first?:

And crank up that MP3 player for Mellifluous Mike Raub‘s most recent podcasts:

That should keep us all pretty busy for awhile!

MARTHA THOMASES: Hey, Kids! Comics!

martha100-9148764Once a week, I volunteer in the pediatric department of a local hospital. I teach knitting to kids and caregivers. I’d like to say I do this because I’m a spiritual person, more evolved than you – better, in fact – but that’s not true. I do it because it’s the best part of my week, and whatever problems I might have in my adult life disappear when I spend a few hours with these kids. It gives me a chance to talk about color and texture and sheep instead of war and money and politics.

Because I go to the hospital on Wednesdays, I stop on the way at the local comic book near the subway for my weekly fix. The subway ride is long enough to read at least one book, and sometimes I get uptown early enough to sit in a playground and read more, weather permitting.

For the past few months, when I’ve bought a Simpsons comic or the Jonny DC Legion series, I’ve given them away at the hospital. Again, this isn’t altruism, but efficiency. There are enough comics in my apartment without adding any extras.

I’d give them all away, but most comics are too serialized to give away at random, and it is not my wish to see these kids in the hospital every week. It would be better for them to get better and go home. And I’m not giving a kid Garth’s Wormwood, no matter what.

This may surprise you, but children are excited to get comics. They like them. Even in a room filled with computers and video games and flat screen televisions (and flowers and get well cards and relatives), kids put down what they’re doing and start leafing through the pages, looking at the colorful pictures.

For more than twenty years, those of us who love comics have insisted that the medium is one that can support great literature and complex ideas. We’re right. We’ve said “Comics aren’t just for kids,” and that’s true. Just as prose can be written for different audiences, graphic storytelling can reach many different audiences and tastes.

And yet, for some reason, a lot of people think that comics shouldn’t be for kids. I’m not just talking about the arts police, the ones who think every kind of entertainment needs a rating and a warning sticker. When I worked at a major comics publisher, my boss (who was a vice-president of marketing) once explained to me how the company would make plenty of money if no kid ever bought another comic, and our audience was exclusively males in the prized 18-to-25 demographic.

Even those who aren’t in it for the money often think that comics for kids aren’t necessary. In the early days of the direct market, when there were suddenly all kinds of comics for all kinds of niche tastes (“The Good Old Days”), I would often go to a local store with my toddler son. I’d buy a variety of comics, including a fair number of independents, but the emphasis for me has always been super-heroes. The clerk would sneer at me as he added up the prices on the colorful covers. “I don’t read this crap,” he would say. “I prefer the more challenging literature. Like Love and Rockets.”

No disrespect meant to Los Bros Hernandez, whose work I admire greatly, but I don’t find them to be the ultimate literary expression available to humanity (nor do they, I suspect). And why should I feel defensive about my purchases? It’s no surprise to me that this store is no longer in business. The stores that survive in the competitive Manhattan market are the ones that understand that all kinds of customers enjoy all kinds of comics.

Even these good comic book stores have relatively few comics for kids. American publishers aren’t publishing them. Manga is great, but there’s an awful lot of it, with lots of extended stories, and it’s hard for a newbie to jump in without a guide.

Comics may not be just for kids anymore, but do we have to shut them out?

Writer and creator of Marvel Comics’ Dakota North and contributor to their Epic Illustrated, Martha Thomases also has toiled for such publishers as DC Comics and NBM before becoming Media Queen of ComicMix.com.