Happy Birthday: Al Gordon

Born in San Francisco in 1953, Alan “Al” Gordon is actually the second comic book artist by that name—the first, who is no relation, was active in the 1950s and worked for Atlas Comics, Lev Gleason Publications, Toby Comics, and Trojan Comics.
The second Alan Gordon started out in the mid-1970s, working as a penciler and inker for independent publisher Star Reach. He began inking for Marvel in 1978, first freelancing on Captain America and then becoming the regular inker on Spider-Woman. In 1982 Gordon left Marvel for DC and began working on Captain Carrot and His Amazing Zoo Crew.
He worked for Eclipse Comics next before going back to Marvel and inking Fantastic Four and other books. In 1987 Gordon began working on Justice League of America with Kevin Maguire and Keith Giffen.
A few years later he followed Giffen to Legion of Super Heroes, and even wrote four issues of the series. In 1992 Gordon created WildStar for Image Comics—Jerry Ordway penciled it and Gordon wrote, inked, edited, and produced it.
More recently he worked with Alan Moore at America’s Best Comics. In 2000 Gordon won two Eisner Awards, one for Tom Strong #1 and one for Tom Strong #4-7.

Nikki Finke of
Born in 1957, Hilary Barta began his comic book career in 1982 when he was hired at Marvel to help ink The Defenders #108. In 1984 he moved to First Comics to ink Warp, and slowly graduated to penciling as well. In 1988, after work for Eclipse, Marvel, and First, Barta launched both Marvel’s What The—?! and DC’s Plastic Man.
Born in 1929, Jon D’Agostino got his comic book start in the 1940s at Timely Comics. In the early 1950s he did work for several different publishers, including Story Comics, Master Publications, and Charlton Comics. D’Agostino continued to work for Charlton on a variety of titles throughout the ’50s and ’60s, though in 1963 he also did the lettering for the first three issues of Marvel Comics’ new title The Amazing Spider-Man.
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