Tagged: Marvel Comics

The Weekly Haul: Reviews for May 30, 2008

First things first, a rant. This was a banner week for comics (and don’t those always fall after a holiday, postponing releases ’til Thursday?), but I have a pretty substantial bone to pick. This week’s comics were rife with price-gouging from both DC and Marvel, with pointless cost hikes on several issues. The only semi-understandable $3.99 tag came with Final Crisis, which I reviewed on its own right here.

Now, rant aside, the reviews…

northlanders6-5651961Book of the Week: Northlanders #6 #6 — Brian Wood’s series of Scandinavian mayhem has been hit and miss, but this issue’s on target like a broadsword to the brain. Sven continues to kill as many of Gorm’s allies as he can, brought to life with gloriously gory art.

But the key to this issue is how it’s gradually pulling Sven away from his mindless pursuit of revenge, even if it happens with a way too convenient to plot development.

It’s the story of a leader’s birth, but instead of being told through the rosy view of history and legend, it’s an ugly, bitter and brutal story. It could yet turn into a truly great series, as long as it doesn’t stray too far into the trite territory of Braveheart.

Runners Up:

Thor #9 — J. Michael Straczynski is doing so many things right in this book that it’s impossible to single any one of them out as central to the series’ success. Moving the plot in a new direction, he has Loki playing the Asgardian angles for the umpteenth time, only it’s so sly and written so well that it feels completely fresh, and not just because Loki’s now a woman.

The best moments come from the odd and awkward interactions between the Asgardians and the real world, which is now their world: an awkward love connection between god and mortal and the priceless image of two gods stuck in a small town jail after they had a too-public rumble with some monsters.

Green Lantern #31 — The origin of Hal Jordan as Green Lantern continues, and it’s the same balance of good and bad. On the one hand, Geoff Johns is covering ground that’s been covered too many times already, with Jordan getting his ring and starting training on Oa.

As boring as those moments are, the hidden part of the origin, the shadowy "Darkest Night" prophecy, continues to be endlessly interesting. It draws in so many unexplored pieces of Jordan’s and Sinestro’s backgrounds that it’s a shame Johns decides to waste time on the known aspects.

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Joe Quesada on ‘When I Grow Up’

Any kid worth his Harry Potter books knows who Scholastic is; the multimedia publisher that educates and entertains school children.

As part of their When I Grow Up series of web articles, the publisher recruits adults to tell kids what their jobs are like. The latest grown-up to provide career advice is Joe Quesada, Editor-in-Chief of Marvel Comics.

Here are some of the highlights:

I  play with Spider-Man for a living!

When I was a kid, I wanted to be: A baseball player for the New York Mets.

My father bought me my first comic in 1968 because he had seen in the news that Stan Lee and Marvel were introducing a new comic book that preached against the evils of drug abuse, and he thought it would be a great way to get the message across.

It’s a cute article, aAnd let’s face it, we all want to grow up to be the guy who runs a comic book company, right?

Touchstones, by Elayne Riggs

Has anybody here seen my old friend Bobby
Can you tell me where he’s gone
I thought I saw him walkin’ up over the hill
With Abraham, Martin and John.

Well, last time I did an actual comic book review, and as expected it received almost no comments. So I don’t want to hear from anyone about how this column isn’t about comics!

I could probably make it about comics. After all, I’m going to be discussing the ’60s, which were about many things. Many people my age cut their fanboy and fangirl teeth on Marvel comics of the ’60s. (Me, I didn’t start reading until the mid-’80s or so, even though my late best friend Bill Marcinko tried pretty hard to get me interested in the Marvels of the late ’70s.) But, despite my trepidation about the kind of Google ads this column will attract, today I want to write about something else that happened in the ’60s, and about the persistence of memory.

Last week on the campaign trail, in an interview given to South Dakota’s Argus Leader, a frustrated Hillary Clinton reiterated her response to the "why won’t that bitch just quit?" crowd of media pundits that she’d initially articulated in a Time magazine interview back in March. Her original words: "I think people have short memories. Primary contests used to last a lot longer. We all remember the great tragedy of Bobby Kennedy being assassinated in June in L.A. My husband didn’t wrap up the nomination in 1992 until June. Having a primary contest go through June is nothing particularly unusual."

This time around the phrasing was only slightly different: "My husband didn’t wrap up the nomination in 1992 until he won the California primary somewhere in the middle of June. We all remember Bobby Kennedy was assassinated in June in California. You know I just don’t understand it," the "it" in question being the pundits’ incessant and unprecedented calls for a leading candidate to step aside (as if the media were orchestrating the process rather than the voters of each state). In March, nobody seemed to notice; this time, with the anti-Clinton hysteria ratcheted up as high as it’s been since the Whitewater nonsense, suddenly all sorts of folks were up in arms. (more…)

More Gene Colan Fundraisers and Announcements

Updating our earlier coverage of efforts to raise money for industry legend Gene Colan, Marvel and Hero Initiative recently announced plans for a series of limited print sales and auctions of Colan’s Iron Man art, among other offerings.

From the Hero Initiative announcement:

The Hero Initiative in conjunction with Marvel Comics is launching a series of Gene Colan-themed products, starting with a limited edition print of Gene’s cover art to Invincible Iron Man #1, available at Wizard World Philadelphia, May 30-June 1. Only 200 prints will be available at the show at a cost of $25 each. Net proceeds from sales of these prints by The Hero Initiative will benefit Gene Colan. Another 50 prints will be available at a later date, with plans to have them autographed by both Gene Colan and Stan Lee.

Also at Wizard World Philadelphia, guest writers and artists at the Marvel Comics booth will be signing and sketching two large poster-sized boards, which Hero will auction benefiting Gene at a later date.

And that’s just the start. Wizard World Chicago, June 26-29, will see the release of a second print featuring the cover art to Daredevil #47, the legendary “Brother, Take My Hand” story by Stan Lee and Gene Colan. A third print will be available later in the year, along with other products.

For August, a Gene Colan Tomb of Dracula poster will be available for order via Marvel Previews with proceeds routed to Gene; and in September, a special book reprinting some of Gene’s greatest stories will be made available. In addition to these items, The Hero Initiative will take additional steps to help Gene in his convalescence.

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Piling It On, by Mike Gold

With great power comes… bloggers.

One of the first lessons I learned writing an Internet column – both here and on my soon-to-be-revived political rant Weird Scenes Inside The Gold Mind – is also the first lesson I learned when I started on radio shortly after Marconi found the electricity outlet: if you say it, some people will buy it. Either way, if it’s big enough people will debate it.

Joey Goebbels had some success with this concept… for a while.

We here at ComicMix strive for responsibility, and in that spirit I’ve had a great many column ideas that I rejected simply because they weren’t true. Oh, sure, I thought about selling them to Michael Davis, but then it dawned on me I can squeeze this column out of my spiked copy. Ergo, without further ado, here’s a bunch of columns I won’t get around to writing.

•     •     •     •     •

Oh, sure, Marvel rebooted Spidey to much loathing, but the reboot sells and if there’s one concept in comics that is engraved in stone it’s this: “Fool ‘em once, make big money. Fool ‘em twice and they’ll double-bag it.” In this spirit, Marvel has announced two exciting new projects. (more…)

Happy Birthday: Marv Wolfman

homeland-1397145Born in Brooklyn, New York in 1946, Marvin A. “Marv” Wolfman got his start in comic book fandom before joining DC in 1968. In 1972, he moved to Marvel Comics under editor Roy Thomas.

After Thomas left, Wolfman’s friend Len Wein became editor-in-chief, but  a year later he passed the position on to Wolfman. Wolfman missed writing, however, and chose to step down as editor-in-chief a few years later so he could return to creating the comics himself.

While at Marvel, Wolfman wrote for Amazing Spider-Man, Fantastic Four, and Doctor Strange, but he is possibly best known for his work on Tomb of Dracula, including the creation of the vampire-hunter Blade.

In 1980, Wolfman returned to DC and created The New Teen Titans. He worked on Superman and Night Force, revived Dial H for Hero, and then launched the pivotal Crisis on Infinite Earths.

During the ’90s, Wolfman focused more on animation and television, and in the 2000s he has written a novel based on Crisis on Infinite Earths, the novelization of Superman Returns, and an animated movie, Condor, for Stan Lee’s Pow Entertainment. Wolfman recently took over the writing for DC’s Nightwing series.

In 2007, he wrote a nonfiction book, Homeland: The Illustrated History of the State of Israel, which won the National Jewish Book Award and the Moonbeam Children’s Book Award, among other honors.

I Got Nothing… by Michael Davis

My mind is a blank. I can’t think of anything to write about. I read a bunch of comics and I came back with zip. I watched the news and was left with nada. I’m in the middle of a few great projects but don’t want to write about them yet.

Wow…writer’s block. I have never been at a lost for something to say or better yet to rant about.

This sucks.

Come on Davis. THINK, THINK, THINK!!

Nothing. I got nothing.

I know, I’ll make a list. That always sparks my imagination. Let’s see now, I can’t do a best dressed list or most sexy list. I have to do something that’s classy. I have to do something that shows that I am above the petty stupid lists that Hollywood produces.

Got it!

10 people I would like to pimp slap.

1. Paris Hilton
2. Kim Kardashian
3. Lindsay Lohan
4. Jeremiah Wright
5. The Real World Creator
6. Amy Winehouse
7. Charles Manson
8. Rush Limbaugh
9. Dr. Laura
10. Naomi Campbell

Damn. Still nothing. I am really barren today. What else can I do to spark my imagination?

I got nothing.

I’ll try another list.

(more…)

Video: Iron Man and Batman in ‘Hi, I’m a Marvel… and I’m a DC’

A little while ago, we told you about the "ItsJustSomeRandomGuy" panel at New York Comic Con featuring the popular YouTube filmmaker and his series of action-figure films based on Marvel and DC characters.

Late last week, his latest film hit the InterWebs — just in time for the debut of Iron Man in theaters (you can read the ComicMix reviews of the film here and here). While RandomGuy’s series has been sort of hit-or-miss for me up to this point, this one’s a keeper.

This time around, Iron Man and Batman address some of the similarities between their origins and their upcoming films.

 


 

On a side note, here’s hoping ItsJustSomeRandomGuy can finally replace that weird "Thorbuster" Iron Man figure now that Ol’ Shellhead has line of movie-based figures hitting shelves.

Interview: Paul Azaceta on Daredevil, Monkey Art and ‘B.P.R.D: 1946’

  • News
  • April 30, 2008

bprd19464fcfnl-2651836One of this year’s big additions to the Hellboy universe has been the series BPRD: 1946, which features Hellboy’s father-figure, Trevor Bruttenholm, as he investigates the occult legacy of the Third Reich.

I recently spoke with series artist Paul Azaceta, who discussed the ins and outs of playing in Mike Mignola’s sandbox. Azaceta also provided insight on his many other projects for Marvel and BOOM! Studios, and on the joys of drawing monkeys.

Though still a relative newcomer to the comics scene, Azaceta has churned out an impressive amount of books in the past few years. His future looks to remain busy, with the possibility of more B.P.R.D. and a mystery project for Marvel. 

COMICMIX: How did you get your start in comics? I noticed that you worked on manga books a few years back.

PAUL AZACETA: Oh CPM, how I miss you. Those old manga books are when I first got into the business but not as an artist. Those were the good old days when C.B. Cebulski was the editor of a manga line and I was his assistant. I used to make copies for him and scan in manga art and other things I’m not too proud of. C.B. was a very loving boss.

CMix: How did you end up making the connection with BOOM! Studios?

PA: After doing a couple of small books here and there, I met [BOOM! Publisher] Ross Richie through a friend and it just so happened he was looking for someone to draw these two gritty-type books. When I heard that Mr. Mark Waid was behind one of those books, I jumped at the chance.

(more…)

itsjustsomerandomguy01-3163960

ItsJustSomeRandomGuy and ‘Hi, I’m a Marvel… and I’m a DC’ at NYCC

  • News
  • April 25, 2008

itsjustsomerandomguy01-3163960It started out so innocently. Michael Agrusso made a silly video for his girlfriend. He thought it was too funny not to share, so he created a YouTube account with the username ItsJustSomeRandomGuy — just in case someone decided to sue. So began the Internet sensation “I’m a Marvel… And I’m a DC”.

Fast-forward a bit and not only has he not been sued, but some of the companies he’s lampooned have featured him on their official sites. Next thing you know, he’s got his own panel at the New York Comic Con.

Agrusso began the Saturday panel with a confession: He forgot to buy his girlfriend and co-producer of the videos, ItsJustSomeRandomGal, an airline ticket. His girlfriend was kind enough to her regards via YouTube, however.

The video side of Agrusso’s presentation continued with a DC-centric promotional film the New York Comic Con had commissioned that was created but not released on the Internet at the request of DC. Let’s just say Wonder Woman got hit on at the convention a lot.

The filmmaker then he announced that the series that grew out of his initial efforts, Marvel/DC Happy Hour, wll be launching its second season — with actual sets, special effects and bigger storylines. Same silly jokes, though. The first two-part episode of Season Two is posted after the jump:

(more…)

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