Tagged: Marvel Comics

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ANDREW’S LINKS: I Can Haz Sekrets

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What do you get when LOLcats meets PostSecret? Lolsecretz! [via John Scalzi]

Comics Links

Camden New Journal reports on a “market trader” (is that like a day trader, or does it mean a professional?) whose graphic novel Brodie’s Law has been bought by Hollywood for the proverbial pile of money.

Comic Book Resources talks to Daniel Way about the Origins of Wolverine…well, this year’s version, anyway.

A high school teacher in Connecticut has been forced to resign after giving a female first-year student a copy of Eightball #22, which her parents found inappropriate (to put it mildly).

Comics Reporter lists all of the recent firings at Wizard, among other comings and goings at various comics-publishing outfits.

Some guy at Comics2Film is very, very opinionated about what is and isn’t manga.

Comics Should Be Good, anticipating next year’s April Fool’s Day, reports that all indy publishers are now “selling out.”

Comics Reviews

Forbidden Planet International reviews the first collection of The Boys.

Comics Reporter reviews John Callahan’s 1991 cartoon collection Digesting the Child Within.

Newsarama reviews Gods of Asgard by Erik Evensen.

Chris’s Invincible Super-Blog takes on the Haney-riffic “Saga of the Super-Sons” from the early ‘70s.

Brad Curran of Comics Should Be Good reviews the first issue of Umbrella Academy.

Occasional Superheroine is impressed by the high level of emo in Penance: Relentless.

Occasional Superheroine also reviews Booster Gold #2 and Suicide Squad #1.

From The Savage Critics:

And YesButNoButYes also reviews this week’s comics, starting with Jungle Girl #1.

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Oh, wow. Secret Invasion.

secretinvasion-9997502Hey, you’ll never guess what Marvel’s doing next year!

Go on, guess!

Did I hear you say "ummmm… it can’t be as easy as another mind-numbing, universe-shaking mega-character crossover, can it?" Of course it can. DC and Marvel have but one thought: between them: "hey, let’s do another mind-numbing, universe-shaking mega-character crossover! The fans love it!"

Sadly, this one comes on the heels of that rarest of all superhero comics events: a mind-numbing, universe-shaking mega-character crossover that actually worked. Mostly. Tony Isabella had a nice review of Civil War, and he says it at his own site.

Oh, this new thing is called Secret Invasion; Bendis is writing it; it seems to have something to do with Spider-Woman mating with Iron Man to create a bunch of radioactively charged exoskeleton robo-bugs that enter your comic book collection and rewrite the continuity-du-jour.

This one’s unique, though. It’s got a TRAILER! Well, at least that’s what Marvel’s calling it. It’s really just PowerPoint with public domain music, but it’ll only take a minute out of your life.

Not counting the NFL trailer that is attached to it.

Related: You might be a Skrull if…

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ANDREW’S LINKS: Pipsqueak Wolverine

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Comics Links

Scripps News talked to Mike Carey about his “real” novels, like The Devil You Know, and his graphic novels, like Re-Gifters.

Comic Book Resources interviews Amy Kim Ganter, who creates American Manga.

ICv2 interviews Marvel publisher Dan Buckley.

The Daily Cross Hatch interviews Paul Karasik, who edited the Fletcher Hanks collection I Shall Destroy All the Civilized Planets, among other things.

Comicon interviews Alex Robinson.

Comics Reviews

Bookgasm reviews the collection of the Alan Moore-plotted, old-British-character-filled Albion miniseries.

Augie De Bliecks, Jr.’s Pipeline column at Comic Book Resources looks at the new Marvel Comics Presents #1, the JLA Wedding Special, and other things.

Comics Reporter digs up Lynn Johnston’s 1992 “For Better or For Worse” collection Things Are Looking Up…

Brad Curran of Comics Should Be Good adores Scott Pilgrim.

From The Savage Critics:

Graeme McMillan cocks a snoot at Booster Gold #2 and other fine comics

and also looks at the first issue of the new Suicide Squad series.

Newsarama presents the usual picks of the week. (more…)

Marvel costume contest

asm262-200-4469756This could be fun: Marvel wants to see you in your costume and they’re handing out prizes to the best-dressed Marvel fans.  All you have to do is head over to www.marvel.com/costumecontest right now to enter Marvel’s First Annual Costume Contest!

 

The deadline for submissions is October 22.  Then, from October 23 through October 29, fans will be able to vote on Marvel.com for their favorite entry. Then, before you go trick-or-treating, check Marvel.com on Halloween day to see if you’re one of the winners of Marvel’s First Annual Costume Contest and Marvel Costume Contest Voter Sweepstakes

 

The Grand Prize Winner will receive a personalized ‘handbook style’ page to appear in a Marvel comic book and be spotlighted in a feature article on Marvel.com along with a signed Captain America Omnibus by Ed Brubaker; plus, one randomly selected voter will win a signed Captain America Omnibus by Ed Brubaker for helping judge the competition.

Now if they’re really serious, they’ll make a cover out of the costume.

DENNIS O’NEIL: On Writing Comics

 

I don’t remember a lot about the first time I ever did a cable TV show. It must have been in the 1980s because I know I was working for Marvel, and it was probably on one of those public access channels which still exist but never seem to have anything on them. The evening’s host might have been Carl Gafford. I do recall, to a certainty, that my co-guest was Jo Duffy and we were debating a topic with, surely, international if not cosmic consequence. To wit: which is the better technique for producing comic book scripts, the so-called Marvel method or the full-script method.

Why the networks, or at least the New York Times, did not report this momentous colloquy I know not. Just another example of the ineptitude of American journalism, I suppose.

Jo had the Marvel side of the dialogue and I championed the full-script side. I have no idea what either of us said or did, but it’s now years later and we’re both still alive, so it couldn’t have been too bloody.

Which brings us, via a prolix pre-digression, to this week’s topic. I put it to you, my friend: which is better, Marvel style or full script?

But before you answer, let’s be sure we’re all talking about the same things and that’ll require some definitions. Here we go.

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Graphics Noir: GrimJack Returns

gj-06-proof-8433220John Gaunt is GrimJack, a hard-bitten mercenary and private detective in Cynosure, a city at the nexus of dimensions. Raised in the Pits to fight for the amusement of the public, Gaunt lives by his finely honed wits. He can and does fight demons, sharpshooters, magicians and gangsters.

Since its first appearance as a back-up in Starslayer in 1983, GrimJack has been a fan favorite. The stories blend genres – the hard-boiled detective stories of Raymond Chandler and Dashiell Hammet get combined with the sword and sorcery of Robert E, Howard. GrimJack can and has done science fiction, horror, fantasy, and even westerns, with a streak of dark humor and strong, strange characters running all the way through.

In his newest adventure, exclusively on ComixMix.com every Tuesday starting October 2nd, Gaunt goes in search of The Manx Cat, a statuette made of fossilized dreams. Why do so many want to possess it? What happens when it “goes walkabout”? Why is Gaunt seemingly immune to it and how did he become that way? What price did he pay?

The saga of the Manx Cat has been part of the GrimJack legend since the very first story. Here, at last, Ostrander and Truman reveal the legend’s roots – as John Gaunt must attempt to declaw the Cat once and for all!

John Ostrander wrote some of the most important and influential comics of the past 25 years. After studying theology and training under Del Close at Chicago’s legendary Second City, he used this knowledge of story and character to bring a unique voice to the marketplace. Ostrander started his career as a professional writer as a playwright. He co-wrote his best known effort, Bloody Bess, with actor William J. Norris. The production, directed by the noted Stuart Gordon, starred Dennis Franz and Joe Mantegna. Bloody Bess has toured all over North America and Europe, and is frequently revived.

From Warp, his first published comics work in 1983, based on the series of science fiction adventure plays, he went on to create GrimJack with Timothy Truman. He’s since written Batman, The Spectre, Manhunter, Firestorm, Hawkman, Martian Manhunter, Suicide Squad, Justice League and more for DC Comics. At Marvel Comics, Ostrander has also worked on X-Men, Bishop, Quicksilver, Heroes for Hire and The Punisher. From the mid-1980s until her death from breast cancer in 1997, Ostrander frequently co-wrote with his wife Kim Yale. It was while working with her that he made what is probably his most lasting contribution to the DC Universe: the recasting of Barbara Gordon, the former Batgirl, into the information and computer specialist Oracle.

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Wachoski Brothers No More!

wachowshis-5019789Yes, it’s true. The Wachowski Brothers, who started writing comics for Marvel before they went on to direct The Matrix trilogy, wrote and produced the V For Vendetta movie, publish Burlyman Comics (home of Doc Frankenstein and Shaolin Cowboy), and now making Speed Racer, exist no longer.

Why? Well, one of them’s not a brother anymore.

Larry Wachowski has completed his gender reassignment and is now going by the name Lana. From now on, Lana and brother Andy will now be known simply as "The Wachowskis", and it’s expected that Andy will be handling the press junkets for Speed Racer.

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In Memoriam: Carol Kalish

carolkalish-3047402Sixteen years ago today, Carol Kalish, vice president of new product development at Marvel Comics died suddenly at the age of 38.

The best tribute, to this day, came from Peter David in his But I Digress column for the Comic Buyer’s Guide.

We still miss her.

Photo by Alan Light, taken at the 1982 San Diego Comic-Con.

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COMICS LINKS: Completely Random

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Comics Links

Eddie Campbell tries to define what a graphic novel is. (Illustration of Campbell deep in thought by Campbell.)

The LA Times has an article about the webcomic A.D.: New Orleans After the Deluge.

Publishers Weekly interviews Satoru Kannagi, writer of Only the Ring Finger Knows.

PW also reports on the massive Japanese convention Comiket.

Comic Book Galaxy interviews the always-sunny Harvey Pekar.

Comics Should Be Good takes their usual monthly look at Marvel’s December covers.

Newsarama talks with the creators of Punks: the Comic.

Comic Bloc interviews Mike Baron.

The CBC interviews For Better or Worse cartoonist Lynn Johnston.

Comics Reviews

Dana of Comics Fodder reviews this week’s Marvel comics.

Sequart’s Rob Clough reviews three volumes of Graphic Classics.

Sequential Tart reviews the new The Spirit comic.

Reviews from The Savage Critics:

 

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Saturday Morning Cartoons: Happy birthday, Transformers!

microman_mini-4620021Twenty-three years ago today, Hasbro brought the Autobots and Decepticons to store shelves all across America. Initially reusing previously-released toys from the Japanese Takara toylines Diaclone and Microman, Hasbro issued the toys under the name Transformers. The basic back-story of the toyline and subsequent comic books and cartoons was developed by the Marvel Comics writers Jim Shooter and ComicMix‘s Dennis O’Neil; it was O’Neil who actually changed Convoy’s name to Optimus Prime.

Oh, and speaking of Optimus Prime, he now seems to be doing reviews with Alan Kistler, reviewing such recent fare as the new Bionic Woman pilot, the new Flash Gordon series, Eureka and Torchwood. But be warned — Optimus Prime has gone through a few transformations of his own.

If you haven’t heard yet, Transformers: The Movie will be released in IMAX September 21 with extended footage. And finally, we have the most impressive Transformer costumes that I’ve ever come across…