Tagged: Marvel Comics

MICHAEL DAVIS: It’s a real mad mad mad world part 2

michael-davis100-2162058Last week my article started with what I see is an obvious trend among comic book companies. That trend was the ‘mad angry look” that many comic book superheroes spout when they are looking out from a cover or poster. While writing the piece I came upon an idea to create some “Happy Heroes.”

So I created a super group called Happy Heroes! (Happy Heroes tm & copyright Michael Davis 2007 any unauthorized use will result in a harsh letter from the firm of Starve And Die, Attorneys-at-Law.)

When last we left the Happy Heroes, The Grin, Smiley and Gay-Man were being attacked. By the way that’s Gay as in:

1.    Full of light-heartedness and merriment

2.    Brightly colored

3.    Having or showing a carefree spirit

4.    Gives great dinner parties

As I was saying, when last we left the Happy Heroes The Grin, Smiley and Gay-Man were being attacked by their archenemy Dark Comedy. He had already blasted The Grin in the chest and had turned his attention and ray gun to Smiley. Gay-Man was hiding…eh, I mean seeking refuge in a closet so he could plan his next move.  

Page 4.

Panel 1.

Dark Comedy is now pointing his weapon at Smiley. Smiley is looking around for Gay-Man and by Gay I mean:

1.    Full of light-heartedness and merriment

2.    Brightly colored

3.    Having or showing a carefree spirit

4.    Likes Dick…Tracy

Dark Comedy: Where’s Gay-Man?

Smiley: I’ll never tell.

Panel 2.

Dark Comedy shoots Smiley in the kneecap.

Smiley: AHHHHHHHHHGGGG! GAY-MAN IS IN THE CLOSET!!!

Panel 3.

Dark Comedy is standing above Smiley who is rolling around on the floor holding his knee. (more…)

DENNIS O’NEIL: On The Road Again

Jack Kerouac’s novel On The Road is 50 years old.

“And this has exactly what to do with comics?” demands the snotty guy in the corner. Well, actually, not much, but maybe if we stretch, a little something. Patience, please.

If you know people my age, or a bit younger, you may have heard On The Road stories. Mine is pretty banal: I was fairly unhappy at school (I was always fairly unhappy at schools, except when I was actively miserable) and I read and had my mind altered by Kerouac’s book which is, among other things, a paean to travel and the highway. So, one morning, I went down to breakfast, borrowed about forty bucks from my father and, blowing off university exam week, got on a bus for New Orleans.

Once there, I didn’t do much: checked into a Y, hung out, walked around, had a friendly lady on Bourbon Street offer to teach me everything about life for only five dollars. I kind of guessed what she was talking about and, being the Good Catholic Boy that I was, politely declined. Then I boarded another Greyhound and went home. No hitchhiking, not that trip, though there was plenty later. (And, by the way, don’t try this at home. Hitchhiking in the 50s and 60s was not without hazards, but not nearly as dangerous as it is now.)

“Did someone mention comic books? This column, this whole dern website, is supposed to be about comics.” The snotty guy in the corner again. Okay, be at peace, brother, and give me another paragraph or two.

Kerouac was, as I’m sure everyone except the guy in the corner knows, the most famous and visible member of a loose confederation of novelists, poets, and musicians that became known as The Beat Generation. I’ve never heard, or read, any of them even evidencing knowledge that comics existed. But they were contrarians that believed that most conventional wisdom was erroneous, that genuine American values involved peace and understanding and, incidentally, that maybe mainstream literary and critical folk – the Establishment – did not own the last word on artistic matters.

Jump ahead a few years to the mid-60s and here we are, on college campuses, and what are the bright rebels reading? Well, a few – those who still wear ties on Sunday – are still delving into Catcher In The Rye, and a few more are grokking Stranger In A Strange Land, but the real nonconformists, the bright ones, are into comics, particularly Marvel comics.

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Marvel movies made messy by mortgage meltdown?

marvelsuits-7625009My spidey-cents are tingling, and I don’t know that I like what I’m thinking.

First we have a piece from the Financial Times (via Salon) that says MGM may have delays in raising funding for a number of upcoming blockbuster movies, including the next installments in the James Bond and Terminator franchises due to the global credit crunch that is causing chaos in financial markets. Then we have a piece in Variety that shows that the bill for Endemol, the European production giant famous for "Big Brother" and "Deal or No Deal," has become a bit pricier thanks to the same credit crunch, and that it’s also put a hold on the planned sales of Virgin Media, the U.K. cable outfit.

So now I’m thinking about the $525 million in financing that Merrill Lynch has lined up for Marvel to produce its slate of films, which is really little more than a credit line — and I’m wondering how stable it really is. Does anybody how secure Marvel’s financing really is at this moment?

The Big ComicMix Broadcast #84

The Big ComicMix Broadcast is back home and raring to dive into all the new comics & DVDs for the week, plus we give you some news on the future of Spawn, DC’s new Shazam! for kids, cheaper game systems, and new anime on TV. Then there’s another Free Comic Day for Marvel– this time at the baseball parks– and do you remember the hits of the group "Magic Circle"?  You do — trust us!!

Come on, let’s get started — PRESS THE BUTTON!

 

Getting wind of what’s been happening

Once again we’re away from Second City comic book happenings here in the First City, but at least we can all share Chicago nickname puns as well as the Perseid meteor showers this evening from pretty much wherever we live.  That, and the ComicMix columns from this past week:

As you might expect, Mellifluous Mike Raub is in attendance at WizWorld Chicago, meaning more Big ComicMix Broadcasts than usual:

The interesting thing about many vacations is how much you want to do at the beginning and how little you’ve done at the end.  Mine has gone according to plan in terms of reading (see my column linked above) but not writing.  Ah well, maybe next time…

WW-CHICAGO: Three to the fourth power!

stampsmarvel250-4325020Today the Big ComicMix Broadcast is at Wizard World Chicago, where the US Post Office kicked off the way by unveiling the Marvel Stamp Collection, plus the debut of the Ultimate Spider-Man Project from the Hero Initiative which was unleashed here as well. DC dropped a few news bombs which we cover and then there’s a new Venom series to talk about from Marvel and so much more.

PRESS THE BUTTON now so we can dish!

 

 

JOHN OSTRANDER: America, George Bush and … Marvel Comics?

eagleflag-1890653I received an urgent, earnest e-mail asking me to sign a petition expressing my indignation at how the Democrats went belly-up once more to the White House bullying tactics and passed the Security Bill which limits our freedoms just so they won’t appear weak on security in the next election.

Sorry, gang, but the indignation ain’t in me this round.

It’s not that I don’t feel that the legislation isn’t an assault on our liberties or that is unnecessary and useless; I do. I just don’t think the Dems can be shamed into changing their vote at this point. Despite their pre-election rhetoric before the elections in ’06, they haven’t voted to end the war in Iraq or cut off the funding for it because they are more concerned about maintaining and widening their control in Congress and gaining the White House as well. That, more than anything else, is their real objective.

Power.

Same as anyone else in politics.

It’s turned into the political Catch-22. To do anything, you must gain power. To continue to have the ability to do anything, you must maintain power. Actually do anything and you risk losing power. So instead we get smoke, mirrors, theatrics, and power plays. That’s on both sides of the aisle.

The Bush Administration has, at least, understood the concept of using the power accrued; they’ve just made a terrible hash of it. Can we all agree that the WMDS were always an excuse, that 9/11 had nothing to do with Saddam Hussein, and that the Bushies knew it, know it, and didn’t and don’t care? The real basic premise of the Bush Neo-Cons was to get rid of a murderous dictator that even the other Arabs didn’t much care for and, in his place, create a functioning democracy that, by its success and example, would begin to change the face of the Mideast. 9/11 simply offered a justification. All in all, it was a seemingly laudable goal but it was attempted by a crew that didn’t know the language, didn’t know the culture or the people, and couldn’t be bothered to learn. There was no contingency planning. It was a perfect storm of arrogance and ignorance.

I’ve seen that kind of mixture before, on a much lesser scale, when Ron Perelman bought Marvel in 1989. With him came business types who were going to apply sound business theory to Marvel. Comic books were just another set of widgets and they would apply their Universal Business theories to make Marvel a combination of Disney and McDonald’s. (I’m not exaggerating or making this up; that’s what I was told by a Marvel insider at the time.) They took a company that had maybe 70% or more of a strong market and then bankrupted the company while nearly destroying the market. Again, a combination of arrogance and ignorance. Perelman and his people knew everything; they didn’t ask for the advice of people in the industry. They already knew better. Except they didn’t. They made choices that made everyone in the industry who did know something about how it was run start scratching their heads.

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Comics All Over The Place

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Comics Reporter reviews 1-800-MICE #2, All Flash #1, and Magic Hour #2.

Chris’s Invincible Super-Blog reviews this week’s comics, starting with All Flash #1.

Greg Burgas of Comics Should Be Good also reviews this week’s comics, but he starts with Annihilation: Conquest – Quasar #1.

At the All-New, All-Different Savage Critic(s):

  • Graeme McMillan reviews World War Hulk #2
  • Douglas Wolk reviews mostly the advertisements in Giant-Sized Marvel Adventures The Avengers #1
  • McMillan is back to review All Flash #1
  • And someone named Jog really likes Brendan McCarthy and Peter Milligan’s Rogan Gosh one-shot from 1994.

 

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MICHAEL DAVIS: Do Over

michael-davis100-5644230The other day I met a young lady at an airport. She looked around 16 or so. I noticed her looking at the comic book I was reading. When I was done I gave it to her. We started talking. She is a young artist who is struggling with her weight. She is being picked on at school and has one real friend. She wants to be a comic artist and is a big fan of Static Shock. She rarely goes outside and says that she sometimes wishes she were not born. She also has a family, which is a little odd. I told her that her family does not define her and that one day what is happening to her will help her. She wished she could start over. Before I could tell her anything else her father noticed we were talking and told her to “Get the **** over here.’

I never got her name, but I hope she remembers the ComicMix information I gave her so she can read this. This is for her…

When I was in grade school I had a terrible reputation. I was known as a punk kid who could not fight. When I was very young I was raised by my mom, my sister and my grandmother. Being raised by three women you tend to get a lot of advice like this,

“You are better than that.”

“Just walk away.”

“Sticks and stones.”

From time to time, my sister would have a different slant on things. Her advice really depended on how she felt that day. I would get, ‘Who cares what he said?’ Or ‘I can’t believe you did not kick his ass!’ That kind of mixed advice is enough to land any kid in therapy.

Living in the projects the last thing you want to known as is a punk. If you are then you better hook up with a group of friends or a gang who can look after you. Either that or you need a family member who was crazy so people would leave you alone for fear of that crazy relative of yours. I actually have a crazy cousin. He murdered four people in a drug-induced state. He was my favorite cousin until he did that. I have not spoken to him in more than 30 years; that’s how long he’s been in jail. I am not one of those people who think that blood is thicker than water.

Nope. Not me, I’m not that guy.

I don’t care who you are, you murder four innocent people to support your drug habit, then you are out of my life, period. Before I get all kinds of comments saying that I am heartless and that family is everything consider this: you may stick by a family member no matter what and I respect that, but I’m not you. As loud as I can get sometimes I am a real simple guy. My simplicity is almost comical to my family and friends. I only need one thing to make me content, that one thing is piece of mind.

If he ever gets out of jail then do I really want him around me? Do I really want to hear him explain why he did it? Do I really want to share holidays with this stranger? Make no mistake, the moment he killed four people he was no longer my favorite cousin, he was a stranger because the cousin I knew would not have done that. Yes, I have forgiven him, but that’s not even the point because the people he needs to forgive him is the family of those kids (yes, kids) he killed.

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civil-war-3780394

Today’s Smoky Comics Links

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Marvel editor Tom Brevoort posts Mark Millar’s original memo/pitch for Civil War.

Comic Book Resources presents the third part of their look at Homosexuality in Comics.

Blogcritics reviews a pile of DC and Image comics, starting with Dynamo 5 #3.

Blogcritics also has a Marvel comics review, and is particularly fond of Nova #4.

Forbidden Planet International reviews a couple of Marvel Comics from years past..

Comics Reporter reviews Ted May’s Injury #1.

Chris’s Invincible Super-Blog reviews the saga of the Mighty Marvel MegaMorphs.

Hannibal Tabu reviews his purchases this week for Comic Book Resources.

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