Tagged: Marvel Comics

MARTHA THOMASES: Child is father to the man

There is hardly anything more annoying than listening to a bunch of us Baby Boomers talking about the good old days: the music, the sex, the drugs, the sit-ins and be-ins and love-ins, even the comics. We act like we invented rebellion, and we don’t think anyone else will ever care about the world as much as we did, and certainly no one else will make changes as important as the ones we made.

We’re wrong.

A recent article in USA Today describes “Generation Y”, those born since the early 1980s, as one that has endured a lifetime of public tragedies. My generation lived through the Kennedy assassinations and the murder of Martin Luther King, the Kent State shootings, the Viet Nam War and Watergate, and these things were horrible. However, kids today witnessed the Challenger and Columbia space shuttle explosion, the Waco standoff, the Oklahoma City bombing, the attack on the Atlanta Olympics, school attacks on Columbine, the Amish school in Pennsylvania, and the recent Virginia Tech massacre. They’ve seen a tsunami devastate Southeast Asia, and Hurricane Katrina destroy New Orleans. In my day, we watched a half-hour evening news broadcast, while today there is a 24-hour news cycle. They say that Viet Nam was the first war fought on our living room television, but the “Shock and Awe” attacks on Baghdad four years ago had so much advance hype and so many on-the-scene embedded journalists, they practically had official sponsors.

The horrific moments that changed my personal world occurred when my best friend’s brother died in Viet Nam, followed shortly by the Kent State slaughter which was just a few miles from my house. Before that, my feelings, although sincere, were based more on ideas than on events. My son saw the World Trade Center collapse outside his classroom in lower Manhattan, but not before he saw burning bodies falling from the windows.

Just as the Sixties didn’t turn everyone into a protesting hippie peacenik, these events have not shaped a single personality type among today’s twenty-somethings. Most of the mass media would have us believe that the values of this generation establish a new low of shallowness, exalting the likes of Paris Hilton and Lindsay Lohan. But their taste and values go far beyond American Idol or the Pussycat Dolls.

The USA Today article quotes social historian William Strauss: “the Millennials’ baby-boomer parents were anxious about political assassinations because that’s what they witnessed growing up. But their children’s fears are different – because they witnessed mass killings of children by peers whose motives nobody can seem to understand.”

He continues, “The fact that this sort of thing can happen calls into question the super-achieving, high-stress life some of them lead.” He says that Generation Y will be less concerned with “having it all” than with having a balance. Unlike many in my generation, who traded in their values for SUVs, private schools and second houses and the long commute to jobs that paid for everything, there is hope that this generation will enjoy every day with their families as well as meaningful work. (more…)

MICHAEL DAVIS: You’ve got a friend in me… a comic book story

michael-davis100-2510136For most people, comics are a small part of their lives. By that I mean if your comic book collection and your girlfriend were hanging by a cliff and you could only save one your choice would be simple.

Your choice would be simple, right? If not then you should really seek some professional help.

As much as I love comics I have never thought that comics would affect my life in any significant personal way. By personal I mean that outside of my love for the medium and income from the business, comics would not play a major role in my life. I have always thought that comics were an important but small part of my life.

Boy, was I wrong. Sometimes it’s the small things that lead to the big things.

My birthday is Sunday and I have been thinking about my life and my friends lately. Everybody in the comic book industry who knows me knows that Denys Cowan is my best friend. I don’t have a lot of friends (insert your joke here) but those friends I do have are great people. I know I’m a bit hard to get to know-truth be told people meet me and they either love me or (insert your next joke here) hate me.

Of those friends I consider among my best friends: Mike Stradford, Lovern Kindzierski, Roger Klohr, Jason Clark, Ehrich Van Lowe, Lee Speller, Len Wein, Marv Wolfman, David Quinn and Denys. Of those guys Denys has been around the longest except for Lee, and we go back to Junior High. I would take a bullet for every one of those guys. That said, Denys and I grew up and went to school together – even if we did not know it.

So how do you grow up together and not know it? Here’s how. I grew up in Queens, New York: Jamaica, Queens then Rockaway, Queens then back to Jamaica, Queens. In all the years I lived in Jamaica, Denys literately lived around the corner from me and we NEVER met.

That’s nothing special until you consider that we went to the same specialized high school, The High School Of Art & Design in Manhattan and we still never met.

cowanzaffino-8503686Consider this: Denys and I lived around the corner from each other, we rode the same bus, from the same bus stop took the same subway train from the same subway station everyday. We then had to walk the same blocks to the same school in Manhattan. We did this for years and never met. What are the odds?

How did we meet? Why did we meet?

Comics.

We literally met at Marvel Comics years after high school because a mutual friend of ours thought that two black guys working (or in my case trying to work) in comics should know each other. We both resisted that meeting but our friend Darlene was smarter than both of us and arranged it. She asked me to have dinner with her one day and told me to meet her at Marvel where she was the receptionist. When I got there she asked me to Xerox something for her. I went to the Xerox machine and standing there was Denys Cowan. (more…)

DENNIS O’NEIL: Who knows what evil lurks…? Part 3

I had it easier than many comics writers. I began in the business as an assistant to Stan Lee in 1965, when Marvel was just completing its metamorphosis from obscure Timely Comics to publishing phenomenon, and Stan’s vision of what a comic book company could be was pretty much complete. Implicit in the writing part of the job was the requirement that I imitate Stan’s style – after all, Stan’s style was Marvel. That made the job simple: imitate Mr. Lee successfully and I was doing it right.

Of course, I bridled a bit at having to imitate anyone. After all, I was in my 20s and had been doing comics for about two days, and therefore, according to my lights, I was deeply wise and fully knowledgeable about…oh, name it, and don’t forget to include comics. As Bob Dylan sang, “I was so much older then, I’m younger than that now.” Now, in my sexagenarian salad days, I’m grateful for my Marvel initiation because everyone begins by imitating someone, and I didn’t have to seek a model or wait for the churning of the universe to provide one – I learned the trade by having to imitate the comic book scripter who was at that time, arguably, the best.

Here are a few words from a man who is well on his way to becoming my favorite mainstream writer: “Most artists are brought to their vocation when their own nascent gifts are awakened by the work of a master… Inspiration could be called inhaling the memory of an act never experienced.” Those observations are from a Harper’s Magazine piece by Jonathan Lethem titled “The Ecstasy of Influence,” which you can read on Harper’s website. They bring us, at last and via the long way around, to the subject of this installment of the arc (or miniseries, or series-within-a-series or whatever the hell it is) that began with what we called “Who Knows What Evil… Part 1.” Those of you who were kind enough to read the earlier installments may remember that I suggested that the creators of Batman may have been…well, call it “intensely aware” of The Shadow and other popular culture creations.

Let’s assume that they were. Did that make them wicked, weaselly thieves? No, no, and again, no. Remember: everyone begins by imitating someone. As Anthony Tollin said in a phone conversation, those early comics guys (who were barely out of adolescence and in the process of inventing a medium) had no one to emulate except authors from other forms and the newspaper strip fraternity. Since they were generally not from society’s loftier precincts, with ready access to elitist amusements, their entertainment was comic strips, movies, the pulps, and maybe radio, and it was natural – inevitable? – that they’d seek inspiration in those media. Where else?

(more…)

MARTHA THOMASES: Kiss Kiss Bang Bang

3178_2_001-7722403The horrific events this week at Virginia Tech have elicited the usual pompous political rhetoric about the evils of Hollywood entertainment – violent video games, rap music, movies and television are to blame. “Our kids are being trained to be murderers,” thunder the politicians. “They learn to shoot at their enemies instead of reasoning with them. They become calloused by this violence, which dehumanizes others. Let us regulate this evil, lest our children slaughter us in our beds.”

Except that’s not how it works. If the media were that effective, we would all be effective code crackers, physically fit from our active lifestyles, enjoying out fabulously large New York apartments. That’s what the non-violent media teaches.

I’ve been a non-violent activist since high school, where I regularly risked expulsion by distributing an anti-war magazine. I dropped out of college for 18 months to work with the War Resisters League, and I now serve on the Board of Directors for the A. J. Muste Institute (http://www.ajmuste.org). Doing this work, I’ve met a lot of people who are deeply and thoughtfully concerned about popular culture, and think it degrades people. After decades of rational and reasonable conversation, I need to disagree.

In Killing Monsters: Why Children Need Fantasy, Super Heroes, and Make-Believe Violence, author (and sometimes comic book writer) Gerard Jones examines why children enjoy playing at violence, and why it can be a good thing for them. If I may grossly over-simplify an entire book into a few sentences, he says that children play to work out their feelings, including anger, frustration and helplessness. It’s far better to pretend to kill the monsters with rayguns or laser beams than to hit another kid because he’s got better stuff in his lunchbox than you do.

Kids aren’t the only ones who feel this way. As a human being and a New Yorker, I face frustration dozens of times a day. The traffic lights are slow, the tourists don’t know how to walk down a city sidewalk so other people can pass them, my neighbors don’t clean up after their dogs. I think about killing them all the time. Because I’m an adult, and because I understand that actions have consequences, I don’t do these things. Instead, I watch Kill Bill or read Punisher.

I also understand that other people have feelings. This understanding did as much to shape my politics as anything else – I saw people on television, dying in Viet Nam, realized I didn’t want to die, and the people I saw, even the Communists, probably didn’t want to die, either. From there, I could see that the people making the decisions to go to war weren’t the ones fighting, but they and their friends were getting rich. (more…)

More Marvel video games

pixelavengers-4857502

If you’re going to appear in a Marvel movie, you might as well try to get into the video games as well.

Marvel Entertainment has expanded its deal with Sega Europe and Sega of America, under which they will develop and distribute games based on Marvel’s upcoming feature films, The Incredible Hulk, Captain America, and Thor.  This new exclusive, multi-year licensing deal follows Marvel and Sega’s pact to create game titles based on Marvel’s upcoming Iron Man movie, with both game and movie set for release in May 2008.

Pixel Avengers by Ben Cooper. Check out the rest of the roster here.

Marvel movie madness

 

Marvel Entertainment has announced a new sweepstakes, the winner of which will win a walk-on role in an upcoming Marvel Studios movie.  Usually these things are only reserved for folks like Stan Lee and Joe Quesada, so it’s nice to see regular ol’ folks given the chance at unpaid, uncredited extra work.

Sweepstakes entries are here. If you don’t win the Grand Prize, there are also three First Prizes (that never sounded right to me, shouldn’t First Prizes be the top ones rather than Grand Prizes?) where you could win a collected edition of Marvel comics and 15 Second Prizes for a 12 issue sub to one of their books.

The sweepstakes began on Tuesday and runs through August 10, so it’s not like you have to rush. Only one entry per person.

Marvel draws a blank

fallen-son-captain-america-sketch-cover-3796531In a gimmick reminiscent of Time Magazine naming the second person singular "You" as Person of the Year for 2006 using a reflective cover, thus skirting any responsibility for actually choosing a Person of the Year, Marvel has decided to give its usual cover artists a break by putting out a blank cover for its first edition of Fallen Son: The Death of Captain America.

They’re technically calling this a "sketch cover," suggesting that "fans will have the opportunity to get an original sketch on the cover, get it signed by top Marvel creators, or perhaps even draw their own alternate cover! How’s that for one of a kind?"

While the gimmick is sure to be a hit with that portion of readers which attends conventions and patiently waits in queues for sketches, as well as with some aspiring professionals, I’m not sure the artist who might have made a couple hundred bucks illustrating that cover is very appreciative of the lost income.

(Note: When DC Comics published a blank cover on Wasteland, the artist never received payment.)

Ghost Rider goes to court

marvel-spotlight-05-6300116Long-time comics writer Gary Friedrich has sued Marvel Comics, Sony Pictures and their Columbia TriStar Motion Picture Group, Relativity Media, Crystal Sky Pictures, Michael De Luca Productions, Hasbro Inc. and Take-Two Interactive for copyright infringement over his version of Ghost Rider.

Filed last week in Illinois, Friedrich claims 21 separate copyright and trademark violations based upon the “production and marketing” of the recent blockbuster motion picture. He claims the copyrights used by the defendants reverted from Marvel to him in 2001.

According to Reuters, Friedrich alleges copyright infringement and accuses Marvel of waste for failing “to properly utilize and capitalize” on his character. Marvel’s attempts to do so, Friedrich claims, have only damaged the value of his work by failing to properly promote and protect the characters and by accepting inadequate royalties from co-defendants. Friedrich also claims that toymaker Hasbro and videogame firm Take-Two have improperly created merchandise based on the characters.

Even though Marvel has published this version of Ghost Rider off-and-on since 1971, it’s predecessor company, Magazine Management, failed to register the work with the Copyright Office, according to Friedrich’s complaint.  He states that, following federal law, he regained the copyrights to Ghost Rider in 2001.

As of this writing, neither Marvel nor Sony has responded to the suit. It is expected they will adopt the initial position that the complaint “bares no merit,” as if it did, the crack of the whip could severely undermine the profitability of both Marvel and DC Comics and their parent companies.

MIKE GOLD: You say you want an evolution…

wonder-woman-6594318I like Martha Thomases’ idea of 365, as reported on ComicMix yesterday. A full-length comic book story each and every day for a year. Now that would be an event.

Sadly, most such comic book events aren’t worth the effort, let alone the price. The stories are overblown, their effects on their “universe” temporary – either in the sense that they will be countermanded or, at best, castrated in the next such event.

(Hmmm. There’s a phrase I’ve never written before. “At best, castrated.”)

By the time they’re over, most events turn out to be nothing more than marketing gimmicks, and an endless sea of marketing gimmicks doth not a universe make. As of this writing Captain America is dead but Bucky is alive – something he’d managed to avoid for over 40 years. As Denny O’Neil pointed out in his recent ComicMix column, death has no permanence in comics. As a plot point, it is hackneyed: it may have collectibility, but it has no credibility.

Wonder Woman has been redefined, resurrected, rebooted, and retold differently so many times since 1965 (arguably her first real reboot) that I’m surprised she doesn’t bump into Tony Soprano at her shrink’s office.

Of the two major universes, Marvel’s is the most consistent – but only by comparison to DC, whose universe had to be cobbled together retroactively by combining the efforts of five publishing houses over 70 years: DC, All-American, Quality, Fawcett and Charlton – and maybe Fox, depending how you, ahhh, look at Phantom Lady. But by and large, in the past couple decades Marvel’s change has been evolutionary and not stop-and-start-over. Spider-Man went step by step from being a four-eyed high school wallflower with a secret identity to becoming a publicly known married-to-an-actress superhero and, oh yeah, menace to his nation. Marvel never stopped and said “Oh, now everything you know is wrong; this is the way it is and the way it will be until we need to burrow into your pockets again.”

(more…)

Marvel to Launch 365

Saying, "Anything DC can do, we can do better," Marvel Editor-in-Chief Joe Quesada today announced plans for next summer’s big event.  "365 will be a daily comic," he said.  "Every single day, including weekends and holidays."

Like 52, the new series will have a team of writers and artists.  Twenty-eight writers, including Marvel All-Stars Ed Brubaker, Garth Ennis, Mark Millar, Chris Claremont, Tom DeFalco, Peter David, Brian Bendis, Mike Carey, Robert Kirkman, Paul Jenkins and Roy Thomas, among others.  All will follow the direction of "show runner," Andrew Helfer, who is coming on board to see that all the deadlines are met.

"We have everything in place," Quesada said.  "Andy lined up Bill Sienkiewicz and George Perez to alternate covers." 

The first issue of 365 will go on sale on a year from today.  Cover price will be $10.00 each issue.  "That’s what it took for Diamond to handle the shipping," Quesada said.

In retaliation, Dan DiDio announced that DC would launch The Hundred Years War.  "Superman, Batman,  Wonder Woman and other super-heroes get stuck in a line at the Motor Vehicles Bureau,"  he explained.  "It’s up to the rest of the DC Universe to fight  the universe-threatening evil.  Can Comet the Super-Horse and Ambush Bug save the day?  Will someone die?  Will anyone live?  You might think you don’t care, but you will."