Tagged: Marvel Comics

Prepare for Spidey-3

If, while waiting for the release of Spider-Man 3 in about five weeks, you feel you need a recap of the first two movies but you just don’t have the time,you might want to check out 30 Second Bunnies Theatre.

This Starz / Anrgy Alien animated production is a nice, convenient way to remind yourself of the complete cinema saga to date. Like virtually all Marvel-related productions, it even has a Stan Lee cameo.

Oh, yeah. And all the parts are played by cute li’l bunny rabbits.

http://www.starz.com/features/bunnyclub/spiderman/index.html

Stan Lee Media sues Marvel

Oh, how I love financial and legal shenanigans. Stan Lee Media has one of the messier histories in the dot-com boom and bust, with tales of stock manipulation and attempted bribes to Bill and Hillary Clinton by partner Peter Paul. And it looks like we aren’t done yet.

Fresh out of bankruptcy, Stan Lee Media, Inc. filed a $5 billion lawsuit against Marvel Entertainment yesterday in US District Court in NY. In the suit, as reported by Marvel, Stan Lee Media claims it is shares co-ownership of some of Marvel’s superhero characters.  Marvel says the suit is without merit.

The suit claims that Stan Lee throughout his employment with Marvel retained the co-creator rights to all his characters, and in August 1998 when Marvel terminated Stan’s employment, he regained those rights. Stan then went and formed the dotcom firm Stan Lee Media as a way to tap into the Internet boom, and on October 15, 1998, he signed over not only his creations to the new firm, but his likeness as well. Then in November, 1998, Lee individually entered an employment agreement with Marvel, signing over his Marvel characters and likeness to Marvel, despite having already signed over the rights to Stan Lee Media. The suit claims Stan Lee Media informed Marvel of their contract and that Marvel "independently and/or in collusion with Stan Lee, intentionally concealed the material terms" of Marvel’s new agreement from Stan Lee Media, the public and its own shareholders, and that Stan Lee Media is entitled to 50 percent of all revenue going back three years and going forward 50 years. (By law, they can only go back three years, not as far as 1998.)

To make matters even more confusing, Stan the Man himself is no longer affiliated with the recently emerged from bankruptcy Stan Lee Media. In fact, Stan and his current company, POW Entertainment (makers of Who Wants To Be A Superhero?) is suing the principals in Stan Lee Media alleging that they illegally took over his former company and infringed on his trademarks and copyrights. Stan has said that, “I do not support this action and believe the suit to be baseless.”

Marvel Studios promotions

As Marvel’s Iron Man movie heads into production this week, we get word of a lot of promotions and changes of job titles at Marvel Studios. At the top, David Maisel is now Chairman of Marvel Studios and Kevin Feige is President of Production. Maisel, who joined Marvel in 2003, is credited for the conception and execution of the new film production effort, including establishing the strategy for self-financing the endeavor. Feige has worked on all of Marvel’s movies since 2000, and is currently producer on Iron Man and The Incredible Hulk.  In his expanded role, Feige will now also oversee creative for the studio’s animated projects for TV and DVD, as well as video games. 

Additionally, Marvel Studios has recently added and promoted a number of executives in senior management, including:

  • Tim Connors as EVP/Business Affairs and Operations
  • Ross Fanger as EVP/Physical Production
  • Michael Brown as SVP/Marketing
  • Charlie Davis as SVP/Post Production
  • Rod Smith as SVP/Production Finance
  • Elizabeth Lynch as VP/Business and Legal Affairs
  • Jean-Claude Boursiquot as Director/IT and Studio Technology
  • Matt Finick as SVP/Studio Finance and Corporate Development
  • Ryan Potter as Associate Counsel.
  • Eric Rollman as EVP/Animation and Television
  • Ames Kirschen as SVP and Executive Producer/Video Games
  • Craig Kyle as SVP/Animation
  • Jeremy Latcham as VP/Development and Production
  • Stephen Broussard as Creative Executive
  • Joshua Fine as Story Editor/Animation

With everybody moving up a notch or two, someone has to make way at the top — in this case it’s Michael Helfant, President and COO, who will "pursue other opportunities."

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Dennis O’Neil: The Fanatic Conclave, part two

About 370 million years ago, give or take, swimmy little critters biologists now call lobefish developed appendages that were helpful in getting around the bottoms of the ponds and lakes where they lived. Their descendants eventually flopped onto land and those appendages evolved into things that are useful for tap-dancing, kicking field goals and, attached to the likes of Jessica Alba, drawing admiring glances.

Comic books began as a low-common-denominator, novelty entertainment and became an industry and, arguably, an art form. Lobefish spawned, among other phenomona, karate and Ms. Alba’s thighs and comic books spawned, among other phenomona, comic book conventions. These were, at first, quite modest affairs, as described in last week’s installment of this feature, but, like the lobey appendages, have evolved into quite something else. They’re, some of them, held in gigantic auditoriums – the San Diego Convention Center and New York’s Javits Center, to name two – and attended by tens of thousands of participants. And people far more knowledgeable regarding showbiz than I am say that anyone wanting to launch a fantasy or science fiction-themed movie or television show is well-advised, if not required, to do so at one of these mega-soirees.

They have become an integral part of the huge modern monster media and I wonder if they’re not more influential as that than as places for hobbyists to gather and share enthusiasms. Further – I wonder if some folks forget that the “comi” in comicon refers to these visual narratives still being published in glorified pamphlet form.

A lot more entertainment seekers will see the forthcoming Fantastic Four movie (starring our friend Jessica, by the way) than will read any years’ worth of Marvel’s Fantastic Four comic books. And how many of the millions of ticket buyers who made Ghost Rider the box office champ for two weeks running, despite iffy reviews, even realized that the character had been born as a Marvel superhero?

I think it’s clear that the term comic book is in the process of redefinition, though what it will mean in 10 years I don’t know. It certainly won’t be merely a noun referring to the aforementioned pamphleted narratives. Nor will it any longer be a modifier meaning low, dumb, semi-literate, borderline immoral, as it has been until recently, and might still be in some venues. Probably it’ll describe a genre, or combination of multi-media genres. Or, could be, it’ll be entirely forgotten. After all, we don’t call legs lobes, do we?

And now, in the spirit of Jon Stewart, who on The Daily Show has his moment of Zen, we have our Recommended Reading: Superhero: The Secret Origin of a Genre, by Peter Coogan. Full disclosure: I wrote the book’s introduction. But I won’t profit if you buy it. I recommend it because it is, quite simply, the best treatment of the subject I’ve encountered.

He’s dead, Fred

hembeck-8465728Discussion about the death of Captain America probably won’t die down for awhile, and that’s just how Marvel likes it.  But that doesn’t mean we can’t glean all the humor we can out of this event.  To that end, in Episode 95 of The Fred Hembeck Show, the cartoonist presents a scenario wherein he sees dead people.  Right said, Fred.

Keep your eye on the body

dailynewscapdead-5664270I got a note from a long time comic book reader on Wednesday. He was incensed that Marvel disgraced themselves by killing Captain America. Worse, they did it sneakily, without telling the retailers this was the issue so it sold out to the fan boys before the general public could see the bloody body for themselves.

Marvel certainly got a nice boost from the coast-to-coast coverage Captain America’s death received.

But, is Captain America – Steve Rogers – really dead?

It used to be that a death to a major character was a major event. Writers would find themselves running out of interesting stories to tell with a character and decided to shake up the title character’s life by killing off a familiar face. Spider-Man writer Gerry Conway has always said that’s why Gwen Stacy had to go.

That happened time and again, at both DC and Marvel and it made the fans uneasy, since you never knew what would happen next. That certainly helped sell comics for a while. Then, killing the title character seemed the next logical step. Jim Shooter and Jim Starlin helped pioneer that with the Death of Captain Marvel graphic novel and then there was the phone in stunt that saw Jason Todd, the second Robin bite the big one.

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DC and Marvel month-to-month sales, January ’07

The Beat has all the Marvel and DC sales info that the hardcore stats junkies want. Nothing truly surprising, except for all of the books held for the end of Civil War, some serious drop offs in the numbers on the Ultimate books over the last few years, and lateness on a lot of DC books from people working in Hollywood.

Marvel gets Fooled

For those who enjoyed yesterday’s brief look at Marvel’s financials and want to see and understand more, the Motley Fool has done some of the heavy lifting for you. What’s telling is that the entire piece is spent detailing the financing behind Marvel’s movie production and licensing (which, admittedly, has been the object of speculation and is somewhat complex) but not a whit on the comics themselves.

Marvel’s 4th quarter

Here’s the good news: Marvel’s publishing segment ended 2006 on a strong note with sales up 22% to $28.6 million and operating income ahead 35% to $11.6 million in the fourth quarter. For the full year, operating income rose 21% to $44.1 million, on a 17% sales increase to $108.5 million.

Trade paperbacks and hardcovers sold into both the book channel and the direct market led the gains. In the fourth quarter, comic book sales were bolstered by sales associated with Civil War. Sales also benefited from a strong increase in custom publishing sales. Marvel said that for 2007 it expects modest top-line and bottom-line growth from the publishing division.

And if all Marvel made its money from was its publishing arm, that would be great. However, Marvel makes the vast amount of its income from licensing — and here, it got clobbered. Its fourth-quarter net sales were $25.5 million, down from $81.7 million the year-ago period.

All told, Marvel Entertainment’s fourth-quarter net income dropped to $11.7 million, or 14 cents per share, from $25.9 million, or 26 cents per share, last year.

This has led to the stock price getting hammered: Shares of the Marvel closed Monday down 95 cents, or 3.1%, at $29.96, with a further drop on Tuesday of $1.63, or 5.4%, to close at $28.33.

NYCC — Marvel exclusive signings

champoins-3270387Announced last night at the Marvel panel, Barry Kitson and Stefano Casselli have been signed to exclusive contracts with the House of M.

More information (like when Barry’s run on Legion of Super Heroes will end) as we get it.