Tagged: Marvel

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Avi Arad Takes Credit for Marvel Studios’ Success

Supreme Court Decision To Hear Jack Kirby Case Against Marvel Coming Soon

avengers-comics-sales-history-five-decades-assembled-9770220Jack Kirby will be getting some marquee attention from the Justices of the Supreme Court. Attention that could lead to Marvel and Disney arguing in front of the High Court against the Kirby estate over the rights to the numerous characters from the X-Men to The Avengers and the Fantastic Four and many more that the comic legend co-created.

On May 15, the nine Justices will debate in private conference whether or not to get involved in the Kirby estate’s 5-year attempt to gain back the rights from the media giant. If the High Court agrees to the March 21 filed petition from Lisa Kirby, Neal Kirby, Susan Kirby and Barbara Kirby, an oral argument date will be scheduled later this month for the SCOTUS’ next term.

via Supreme Court Decision To Hear Jack Kirby Rights Case Against Marvel & Disney Expected This Month – Deadline.com.

Dennis O’Neil: Synergy

To the best of my knowledge, it was only done once before, and that was in 1912, when audiences were treated to a simultaneous telling of one story in two media, film and print.  What Happened to Mary (a statement, not a question) was a serialized movie, the kind that was shown in sections, or chapters, stretched over many weeks, the better to lure customers back to find out what happened next. While what was happening to Mary was appearing on local screens, the a prose version of the same story was running, serialized, in McClure’s Magazine.

Voila!  Synergy, 102 years ago!

My Mary information is sketchy at best, and so I don’t know if the stunt did whatever its perpetrators wanted it to do.  Was it successful?  (A question, not a statement.) I can’t say, but I’d guess not, if only because it doesn’t seem to have been repeated, anywhere, any time.

Until now, that is.  The increasingly vast, Disney-nurtured entertainment enterprise that is Marvel, has given us both Captain America: The Winter Soldier,  which has earned $476 million so far, and it is a long way from the finish line, and an episode in the television series Agents of S.H.I.E.L.D. that tells another part of the same story.  They did it right: you can see either the movie or the video alone, without even knowing of the existence of the other, and get full value.  But see them both and you experience a much fuller version of the story.

The job must have required some thought and effort and the professional yarn spinner in me would like to know exactly what the procedure was.  Outlines?  Flow charts? Computer programs?  What?  Or, oh my gosh, did the writers keep it all in their heads?  Or did the glitches get edited out post-production?

Some mixture of all the above?

The only complaint I have applies only to the movie and its a complaint I’ve offered before.  Hey, guys, ever hear that less is more?  There are so many explosions and other noisy events, and the climactic battles goes on for so long, that sitting there in the dark theater I grew a little weary.  Bang bang and more bang, beyond whatever narrative use could be gotten from all that flash and clash

I wonder: do the creators of superhero movies feel that the explosions are what the audience expects in an era where the ka-blooies of video games may be helping to shape our sensibilities? Do they think that the folk in the seats expect rackety pyrotechnics in massive doses? Or even demand them?  And if so, are they right?  I hope not.

The noise level on the S.H.I.E.L.D. episode was quite reasonable, possibly because television drama has a more modest gunpowder budget than motion pictures.  Score one for the tube.

So, was the experiment a success?  For me, it was, and I’d be happy too see something like it again.  Only maybe a little more quiet?

Dennis O’Neil Wants Credit For Captain America: The Winter Soldier

You probably don’t know this because it almost certainly isn’t in any of the books about the comic book racket and it happened before most you were born — in the neighborhood of 50 years — and even if you’d been there, in the offices of Marvel comics when Marvel was part of a parent company, Magazine Management, you might not have known about it and if you did know about it you might have forgotten by now because we are talking a half-century here, but… I once wrote Captain America and I’m pretty sure I used fewer words than are in this sentence.

And — stand aside now and watch your head — I hereby claim credit for the current, and generally excellent Captain America: The Winter Soldier, a film now playing at a theater near you, unless you live somewhere that is seriously rural.

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“Captain America” smashes box office, preps clash with “Man Of Steel” sequel

‘Captain America’ socks box office, eyes titanic clash (via AFP)

“Captain America: The Winter Soldier” shot straight to the top of North America’s box office this weekend — socking rivals with the biggest US April opening of all time, figures showed. And buoyed by the news, Marvel filmmakers announced they will…

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Every Spider-Man in History Unite for SPIDER-VERSE!

This November, prepare for every Spider-Man…ever! Marvel is proud to announce Spider-Verse, the biggest Spider-Man story of the year from New York Times Best-Selling Spider-Scribe Dan Slott and blockbuster artist Olivier Coipel!

Kicking off this November in Amazing Spider-Man #9 (with a special lead-in story on Free Comic Book Day), Slott and Coipel assemble an legion of Spider-Men from every corner of every universe. Peter Parker, Miguel O’Hara, Miles Morales and many, many more must unite to stop a seemingly insurmountable super-powered foe. Morlun, an incredibly powerful villain has returned with a singular and terrifying goal – exterminate every Spider-Man in every universe! It will take thousands of spider-powered heroes to battle back the greatest threat to this universe or any other!

“The scope of this event is so big, the word ‘epic’ just doesn’t do it justice,” says editor Nick Lowe. “The story is just huge and heartbreaking and has necessitated spreadsheets to organize all the Spider-Men. Luckily we have a writer who has proven time and time again he can thread impossible story-needles [Slott] and the most versatile character artist in the business [Coipel].”

Fans can see the first hints of this event in April’s Amazing Spider-Man #1 but will get their first real taste of Spider-Verse in Marvel’s Free Comic Book Day Guardians of the Galaxy issue this with a special 5-page lead-in story available for free at all participating comic shops on May 3rd. This fall, Spider-Verse unites every Spider-Man in history to drive back the forces of darkness. But will an army of Spiders be enough?

Don’t miss the blockbuster Spider-Man event that will have the Marvel Universe on the edge of its seat when Spider-Verse hits comic shops this November! Plus, don’t miss the start of the next big chapter in Spider-Man history in Amazing Spider-Man #1 on-sale this April!

Mindy Newell: The Patient Nurse Conversation

I had a good conversation with Mr. Gold on the phone yesterday, as in Mike, editor and columnist here at ComicMix and a columnist over at Michael Davis World, as in Michael Davis who is also a columnist on this site.  Did I ever mention that the comics industry can be a bit professionally incestuous?

Back to Mike, the gourmet of invisible doughnuts (here)—oh, and btw, although once in a while I’ve seen patients respond to anesthesia the way Mike did, I’ve never seen or heard of, and no one I spoke to at work has ever seen or heard of, anyone munching down on invisible donuts while in the ICU—I apologized for not warning him about just how miserable shoulder replacement surgery, and its immediate aftermath, can be.  “I didn’t want to scare you,” I said.  “Especially after seeing the X-ray you sent me.  To be perfectly honest, Michael, my professional reaction was, “HOLY SHIT!” (In other words, guys, Mike had no shoulder left.)

Mike, surprisingly, at least to me, said, and with no malice at all, “Why not?”  I guess better the devil you know, y’know?

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The Devil Comes to San Francisco This March in DAREDEVIL #1!

This March, the Eisner Award winning creative team returns for the next chapter in the saga of Matt Murdock, as the Man Without Fear rushes headlong into All-New Marvel NOW! Marvel is proud to present your first look at Daredevil #1 – from the blockbuster creative team of Mark Waid & Chris Samnee!

Gifted with an imperceptible radar sense, blind lawyer Matt Murdock patrols the streets with a billy club and a passion for justice. Only this time – it’s a brand new city, with even more dangerous foes. Join Matt Murdock as he journeys from the dark streets of Hell’s Kitchen to the sun-drenched boulevards of San Francisco.

“With a new status quo that demanded an ALL-NEW MARVEL NOW! launch,” says Editor Ellie Pyle, “this is a perfect time to jump on to Daredevil.”

“With the Eisner-Award winning creative team and the kick-butt San Francisco setting (and did we mention the Netflix series starting next year?) you’re crazy not to give Daredevil #1 a try!”

And the scenery isn’t the only new thing in store for Ol’ Hornhead. A world of changes are in store for Matt Murdock as old haunts and familiar faces rise up to give the devil his due. Changes that will turn his life upside down yet again! Don’t miss one moment of the highly anticipated series this March when Daredevil #1 comes to comic shops and digital devices!

DAREDEVIL #1 (JAN140630)
Written by MARK WAID
Art & Cover by CHRIS SAMNEE
75th Anniversary Variant by ALEX ROSS (JAN140633)
75th Anniversary Sketch Variant by ALEX ROSS (JAN140632)
Variant Cover by PAOLO RIVERA (JAN140631)
Animal Variant by CHRIS SAMNEE (JAN140634)
Young Variant by SKOTTIE YOUNG (JAN140635)

FOC –02/24/14 On-Sale -03/19/14

A Team Divided – Your First Look at SECRET AVENGERS #1

This March, run the mission, don’t get seen, save the world. The covert branch of Earth’s Mightiest is back with a new mission, new enemies, and even deadlier threats. Today, Marvel is pleased to present your first look at SECRET AVENGERS #1 from the critically acclaimed creative team of Ales Kot and Michael Walsh!

The Earth is in danger. And only the world’s most effective secret squad can save it. Too bad that’s NOT the Secret Avengers! Three missions kick off at the same time: one in the air, one on the ground, and one in…space?! And no one is ready for what comes next – except the attackers! Now, Fury, Coulson, Hawkeye, Black Widow, Spider-Woman, Maria Hill, and even the villainous M.O.D.O.K. must work together if they hope to achieve the impossible. But first, they’ll have to survive!

“A possible strength – and also a possible weak spot – lies in the group’s capacity to work together,” says writer Ales Kot in an interview with Marvel.com. “Unless they learn how to do that, they will be picked off one by one. Because something is coming for them. And not just from one direction.”

Personalities clash as the bullets (and arrows) fly this March when the high-stakes, action-packed espionage comes to All-New Marvel NOW! with a bang in SECRET AVENGERS #!

SECRET AVENGERS #1 (JAN140679)

Written by ALES KOT

Art by MICHAEL WALSH

Cover by TRADD MOORE

Variant Cover by MIKE DEODATO (JAN140680)
Animal Variant by KATIE COOK (JAN140681)

FOC –02/17/14 On-Sale -03/12/14

Dennis O’Neil: S.H.I.E.L.D and the Long Game

oneil-art-140130-150x94-2439867So there it was, that kind of news item. We might once have seen something like it – a second cousin? – in the comics fanzines hobbyists published now. I find stuff like it virtually every day in Yahoo’s news section. This particular item speculated that Marvels Agents of S.H.I.E.L.D., which is, as you must know if you access this particular website, a television series broadcast on Tuesday night on ABC stations, is playing a long game. (Where do I collect my tortured syntax award?)

It is maybe also common knowledge among you aficionados that the program is a disappointment in the ratings. Not doing too well, there on Tuesday night. We can speculate, as some already have, that viewers may feel that they have been prey to the old bait-and-switch gaff, promised one thing and presented with another. The TV honchos make a big deal of the show’s comic book origins, even including the word “Marvel” in the title, and prefacing every episode with the same montage of comic book images that precedes Marvel’s movies. So it’s reasonable to expect the kind of entertainment Marvel is most associated with, superhero stories. (If you’re a Marvel fan who cherishes the memory of Millie the Model, well… bless you!) But instead of superheroes, what do they give us?  An action show. No flying, no awesome feats of strength, no grotesque superfoes, not even the odd cape or mask, Just, you know, fights and guns and car chases and stuff.

Not a bad action show, actually. Decent acting and dialogue, and stunts that seems to me to be a bit better than what’s usually found on the tube. And the plots are often flavored with science fiction, which could partially justify the superhero connection.

But, at the end of the hour… no superheroes. Wonder what’s on the Comedy Channel?

So they’re playing the long game? I interpret “long game” to mean that they’ll take their time, and ours, introducing characters and plot elements that will justify membership in the superhero club.

Comics got there first.

Twice, in my years behind editorial desks, the long game question arose, though we didn’t call it that. In one instance, a previous editor had promised the writer a five-year story. Awkward. I didn’t want to disappoint the writer, a good guy, and I may have been reluctant to make my predecessor a liar. But I doubted that any comic continuity of that era could be stretched so far. That’s the kind of decision editors are paid to make and sometimes the job can be a bitch.

We struck a deal. The long storyline could continue as long as sales remained above a certain number. Lagging circulation got the title cancelled and I was off the hook, and I hope the writer bears no ill memories of the incident.

The second long game was not being played on my turf, exactly, but because I was a big honkin’ group editor I had to notice it. If memory serves (and won’t that be the day?) the scripter planned to reveal certain crucial story elements several years into the run. The book didn’t last that long. Not even close.

The lesson we can take away from all this is that the long game won’t work unless you build an audience. Give ‘em solid reasons to keep coming back, episode after episode. Promising something, even implicitly, and then putting it on indefinite hold is not a good strategy.

THURSDAY AFTERNOON: Tweeks!

FRIDAY MORNING: Martha Thomases

SATURDAY MORNING: Marc Alan Fishman