Tagged: Marvel

Avengers Second Screen App now Available

Marvel Studios has announced that people with iPods and iPads can now download the Avengers Second Screen app to access additional bonus material to extend your Avengers film experience.

Here’s the fact sheet:

App Overview:                     Second Screen transforms the movie watching experience by allowing viewers to explore the story behind the film perfectly synched on a second device, like an iPad™ or laptop, without interrupting their enjoyment of the movie. By accessing the Second Screen companion application on their Internet-connected device, consumers are able to dive deeper into the film by engaging with key elements of the movie.

This groundbreaking new application allows users to interact with their Blu-ray™ player by simply starting the Blu-ray movie, and then syncing Second Screen to the film automatically by following the easy on-screen instructions.  Once connected, they can explore interactive galleries, play games, and learn interesting facts about the scenes they’re watching.

Features:                              Enter the S.H.I.E.L.D. database on your second screen device accessing personnel files, comic book origins and exclusive interactive content with The Avengers Initiative: A Marvel Second Screen Experience. By downloading the app, you can:

–          Become a S.H.I.E.L.D. agent and participate in the Item 47 Comic-Con experience either remotely or in the field.

–          Examine the confidential files of the Avengers including heroes, agents and villains.

–          Sync to the movie and explore exclusive behind-the-scenes interactive content such as visual effects labs where you can explore sequences layer by layer.

–          Seamlessly link the characters, stories, and scenes of the movie back to their comic book origins through the interactive Marvel digital reader.

–          View the major events of the Marvel Cinematic Universe – Phase 1 on the definitive timeline of all 6 movies.

Devices:                                                iPad or PC/MAC computer with FLASH

Formats:                               Optimized for Blu-ray™ and included in Combo Pack releases.

NEW – Now works with iTunes Extras

Access:                                  Visit http://itunes.apple.com/us/app/avengers-initiative-marvel/id539555261?mt=8

Select your version (either iPad™ or Web)

Sync to the movie or explore on your own

Currently only available in US and English-speaking Canada

Watch the Trailer for Avengers DVD

The Marvel Movie Universe has been an amazing success story and Disney is taking things to the next level with this fall’s release of Avengers on DVD. First, you can have the film in a variety of formats.

Or, you can buy the mega box set called Phase One containing:

  •  Marvel’s The Avengers (Blu-ray 3D and Blu-ray)
  • Captain America: The First Avenger (Blu-ray 3D and Blu-ray)
  • Thor (Blu-ray 3D and Blu-ray)
  • Iron Man 2 (Blu-ray)
  • The Incredible Hulk (Blu-ray)
  • Iron Man (Blu-ray)
  • Bonus Disc – “The Phase One Archives” (Blu-ray)
  • Collectible packaging with exclusive memorabilia from the Marvel Cinematic Universe

I suspect most of us own some or all of these, but the memorabilia may make us think twice. It is certainly a nice collection for late-comers or for that special someone’s holiday list.

Archie Comics hires Jim Sokolowski; promotes Alex Segura, Harold Buchholz, Paul Kaminski

archie-comics-announces-additions-promotions-to-companys-executive-team-5213316 Jim Sokolowski, formerly of Marvel and DC Comics, joins Archie Comics as Senior Vice President – Sales and Business Development. “Ski” will oversee the company’s sales efforts in the direct, bookstore, digital and newsstand markets and guide plans to expand the reach of the company’s iconic characters and storylines. “Ski” brings a wealth of experience to the company, having previously served as Chief Operating Officer at Marvel and Executive Director of Publishing Operations at DC Comics.

In addition to the new faces, Archie Comics is proud to announce the promotion of a few key staff members to executive positions.

• Harold Buchholz has been promoted from Executive Director of Publishing and Operations to Senior Vice President – Publishing and Operations. Buchholz will continue to oversee the company’s distribution, printing and packaging in order to maximize sales through various channels. Thanks to Buchholz’s diligent efforts, Archie has seen a significant spike in graphic novel output, profitability and visibility – reaching a previously untapped number of new and returning fans. Prior to Archie, Buchholz worked with Jimmy Gownley and Renaissance Press on the popular Amelia Rules! line of graphic novels and was president of Acredale Media, an all-ages comic book print brokerage and consulting service. In addition to his work at Archie, Buchholz is also a cartoonist and writer, and has taught animation and entrepreneurship on the college level.

• Paul Kaminski, editor of SONIC THE HEDGEHOG, SONIC UNIVERSE, MEGA MAN, STAN LEE AND THE MIGHTY SEVEN and NEW CRUSADERS, has been promoted to Executive Director of Editorial. In his new role, Paul will oversee the editorial side of Archie’s graphic novel and comic book output and coordinate the editorial side of Archie’s entire line of titles and imprints. Kaminski saw Archie’s licensed titles, including SONIC and MEGA MAN, rise to new heights of success during his tenure as editor, and will bring his keen editorial insight and managerial style to the company as a whole. A BFA graduate of the School of Visual Arts, Kaminski brings a lifelong love of comics, music and pop culture to his work.

• Alex Segura has been promoted from Executive Director of Publicity and Marketing to Vice President – Publicity and Marketing, and will continue to oversee the company’s external messaging to the press, social media and marketing outlets. Since his arrival at Archie, the company has seen an unprecedented spike in attention and critical praise, including regular and focused news, feature and review attention in the mainstream, book trade and pop culture press, including THE NEW YORK TIMES, THE ASSOCIATED PRESS, CBS NEWS, THE DAILY MAIL and more. Before coming to Archie, Segura worked at DC Comics. In addition to his publicity and marketing work for the company, Segura was also the writer of the best-selling ARCHIE MEETS KISS storyline among other stories.

Sunday Cinema: Donald F. Glut’s “Spider-Man” fan film

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This is the first ever documented Spider-Man fan film, and the first (unofficial) live action appearance of Spider-Man from way back in 1969. This was produced by Donald F. Glut, who at the time was writing for Warren Magazines (Creepy and Eerie) and would later go on to write Captain America, The Invaders, Conan, and Kull for Marvel, and what he may still best be known for, writing the novelization for Star Wars: The Empire Strikes Back.

This was Don’s last amateur film (he had produced many other fan films before this) before moving on to write for classic cartoons like Transformers and Spider-Man and His Amazing Friends.

“In Our Mothers’ House” Restricted Access in Utah School District

in-our-mothers-house-restricted-access-in-utah-school-district-8316062With the President’s recent open approval of same-sex marriage; a federal appeals court striking down the Defense of Marriage Act (claiming it unconstitutional); the success of Life with Archie #16, featuring the marriage of a gay character; and Marvel and DC’s inclusion of prominent storylines about gay characters, one may surmise it is easy for everyone to access constitutionally-protected LGBT materials. This is not the case, as students in a school district north of Salt Lake City will have to get parental permission before checking out a book about a lesbian couple raising a family, according to a recent article on the Huffington Post.

The book In Our Mothers’ House by Patricia Polacco is at the center of these prohibitive policies due to a complaint by the mother of a student who checked out the book, which features a family led by a lesbian couple and how they use love to give them the strength to overcome intolerance.

From the Huffington Post article by Jennifer Dolner:

Students in a Utah school district will need permission from their parents to read a book about a lesbian couple raising a family following the decision by a special committee to keep it behind library counters instead of on bookshelves.

The book In Our Mothers’ House, by Patricia Polacco, became the subject of controversy in January when the mother of a student who brought the book home complained to the school.

‘The book is still in the library and children can still have access to the book as long as they have written permission from their parents,’ said Chris Williams, a spokesman for the Davis School District, which covers an area north of Salt Lake City.

Dolner goes on to relate that the book has been challenged in libraries around the country:

The Davis district is not the first place parents have raised concerns about the book, which was published in 2009. A 2011 report by the American Civil Liberties Union of Texas shows the book was banned in several schools in that state.

Williams said a school-level committee made up of teachers, administrators and parents decided that access to In Our Mothers’ House should be restricted to students in grades 3 through 6. When that didn’t satisfy the parent, a district committee was petitioned to address the issue.

In late April, the district committee voted 6-1 that the book could stay in the collection, but should be kept behind the counter, instead of on shelves. A letter informing parents of the decision was sent out in May.

Williams said in the article that what’s objectionable to one person is not to another. Thusly, a person’s objection to legal material (that is not defined as offensive or profane by law) has led to a subjective decision to restrict access to said material. These policies, therefore, are based on personal ideologies, not law, and are in violation of a national canon of free expression.

Similar outcries and boycotts have been made by special interest groups, such as One Million Moms, against the comic industry for its depiction of gay characters. In February, One Million Moms lobbied to have an Archie comic removed from shelves and encouraged people to boycott the comic.

From a CBLDF article by Betsy Gomez:

One Million Moms — a division of the American Family Association, a conservative non-profit organization that ‘promotes traditional family values’ — recently made news over their boycott of retailer JC Penney over hiring lesbian TV host Ellen DeGeneres as a spokesperson. They are in the news again with recent reports that they will be boycotting Toys ‘R’ Us over the display and sale of Life with Archie #16, which features the marriage of openly gay character Kevin Keller.

Despite the group’s efforts, the comic stayed on the shelves and even sold out.

More recently, the group has taken similar actions against Marvel’s Astonishing X-men #51, featuring the marriage of the mutant Northstar to his same-sex partner, and DC’s “outing” of the Green Lantern, according to an ICv2.com article.

From the ICv2 article:

American Family Association ‘project’ One Million Moms has added Marvel and DC to the list of comic publishers that it opposes because of their inclusion of gay characters. The group argues that the companies ‘want to indoctrate [sic] impressionable young minds by placing these gay characters on pedestals in a positive light.’ The group was reacting to the announcement by Marvel that its character Northstar would marry his same sex partner in Astonishing X-Men #51 (see A Gay Wedding for Marvel). DC announced this week that a major, iconic DC character would be revealed as gay next month (see DC Character to Come Out). ‘These companies are heavily influencing our youth by using children’s superheroes to desensitize and brainwash them in thinking that a gay lifestyle choice is normal and desirable,’ the group said.”

Though One Million Moms public objections are constitutionally protected speech, banning comics and books (as in the case of Texas schools banning In Our Mothers’ House) due to moral, political or religious ideologies violate these First Amendment rights.

From the First Amendment Center’s website FAQs concerning speech, schools and books:

School officials cannot pull books off library shelves simply because they dislike the ideas in those books. In Board of Education v. Pico, the Supreme Court ruled that school officials in New York violated the First Amendment by removing several books from junior high school library shelves for being too controversial.

The Court said the First Amendment protects students’ right to receive information and ideas and that the principal place for such information is the library.

However, in Pico, the Supreme Court also said school officials could remove books from library shelves if they were ‘pervasively vulgar.’ The Court noted that its decision did not involve school officials’ control over the curriculum or even the acquisition of books for school libraries.
•••
School districts should develop policies on how to handle challenges to books, and how to ensure that decisions regarding removal of books from the library or the curriculum respect the Constitution and reflect sound educational policy. School officials must also ensure that a book is not removed simply because a concerned parent or special-interest group dislikes its content.”

Visit the non-profit organization First Amendment Center’s website for more information.

LGBT publications, from books to comics, are often challenged, banned or subject to restrictive access policies in libraries. These materials are legal, non-obscene, and protected speech, but they often suffer the consequences of personal, religious, and moral dogmas that infringe on free speech and free access.

Please help support CBLDF’s important First Amendment work and reporting on issues such as this by making a donation or becoming a member of the CBLDF!

Justin Brown is a journalism graduate of the Indiana University of Pennsylvania.

New Pulp Writers Visit Earth Station One Podcast

Earth Station One Episode 114: More Assembly Required

ESO REASSEMBLE!!! This week, the ESO crew follows up on The Avengers movie review to focus on the long-running comic series that inspired one of the biggest blockbusters of all-time. ESO hosts Mike Faber, Mike Gordon, and Bobby Nash are joined by Van Allen Plexico (www.AvengersAssemble.net) to discuss what makes this band of Marvel misfits the Earth’s Mightiest Heroes. We also interview writer/editor Win Scott Eckert as he takes a turn in The Geek Seat. And we are proud to introduce the newest podcast to the ESO Network family, Transmissions from Atlantis with hosts Jason and Rita de la Torre! All this, plus the usual Rants, Raves, Khan Report, and Shout Outs!

Join us for yet another episode of The Earth Station One Podcast we like to call: More Assembly Required at www.esopodcast.com.
Direct link: http://erthstationone.wordpress.com/2012/06/07/earth-station-one-episode-114-more-assembly-required/

Happy 35th Anniversary, Star Wars– thanks for saving the comic book industry!

star-wars-1-5262987A long time ago… 35 years, to be precise… what were you doing?

On May 25th, 1977, theaters across the country premiered a little film that you might have heard of… and thereby saved the comic book industry. After the Star Wars comic came out, Marvel sold millions of copies, going back to press for numerous reprintings and outselling Marvel’s best-selling title Amazing Spider-Man by a factor of five.

So thank you, George Lucas, Roy Thomas and Howard Chaykin, for that six issue miniseries that staved off the Marvel Implosion.

For more information, read Jim Shooter’s take on how Roy Thomas saved Marvel, and the more detailed history at io9.

Dennis O’Neil: So, Who Didn’t Like The Avengers?

oneil-column-art-120510-8103994

Yeah, yeah. I know it’s early in the summer movie season – I do have a calendar, after all – and two of the three big superhero flicks won’t be on screens for weeks yet. But for now, let us proclaim; Joss Whedon is king of the superheroes!

A couple of days ago, Mari suggested we go to the movies and I said no, I had work to do, and then, about ten minutes later I said yes, let’s go to the movies, and we did.

Marvel’s The Avengers, of course.

I don’t attend the 21-plex to criticize – to pry faults out of what’s intended to entertain me and maybe convince myself that I’m really a smart guy. I used to do that for money – the fault-prying part – and though it was okay for me then, it wouldn’t be okay now. I don’t want to criticize, I want to get out from under it. Not to have to think for a little while.

And yet… I don’t want my intelligence insulted, either. When that happens, the magic is gone and there I am, right back under it. So, for example, I loved the Indiana Jones flicks because they delivered the escapism I sought and didn’t expect me to forgive plot glitches, which tend to get in the way of enjoying the escapism. Anything that pulls me out of the story, that makes me question did he director and writer intend what I just saw or is it a mistake? – anything that does that sabotages the experience.

The Avengers verdict: not guilty.

Mr. Whedon understands the appeal of the early Marvel comics, the ones he read as a kid, and what made them work: the broad, extravagant action, the rough edges on the heroes, the occasional flashes of humor, the juxtaposition of larger-than-life characters with realistic settings. (That sure looks like the real New York City the villains are trashing.) He’s translated these from the language of comic books to the language of movies, filled in some blanks, provided some motivations, hired good actors who didn’t condescend to the material any more than he did, gave them decent dialogue and then put the special effects wizards to work and…

Presto! Behold what I think is the best Marvel movie yet (though the first Iron Man might also be worthy of that title).

Did I mention that Joss Whedon, of teevee’s Buffy the Vampire Slayer, the Dollhouse and Firefly wrote and directed The Avengers? No, I didn’t – my bad – but you figured that out, if you didn’t already know it before you started reading this. Well, that same Joss Whedon had this to say to a Time magazine journalist: “I love fantasy…I love it because of the scope and the chance to talk about humanity that is very close to the heart but not wearing the same skin.”

Go buy yourself a movie ticket and see what he’s talking about.

FRIDAY: Martha Thomases On Alien Sex

 

US sues Apple and book publishers over e-book prices– are digital comics next?

300px-us-deptofjustice-seal-svg_3-7958399Uh-oh…

The Justice Department has at last filed an anti-trust complaint in New York against Apple and five publishers over an alleged price fixing conspiracy. The decision to sue comes after weeks of media leaks that suggested the government was trying to pressure the parties into a settlement.

The issue turns on whether five publishers colluded with Apple to implement “agency pricing” in which the publishers set a price and the retailer takes a commission.

<snip>

The heart of the allegations turn on whether Apple acted as the hub of a conspiracy in which the publishers sought to freeze Amazon out of the e-book market unless it changed its pricing structure. Amazon had been using a wholesale model in which it bought books from the publishers and then charged what it liked.

Amazon often sold the e-books below cost in order to build market share and, in doing so, publishers believed it was setting an artificially low floor for prices.

via It’s on — US sues Apple, publishers over e-book prices — paidContent.

The relevant question, of course, is: if agency pricing for e-books is found to be illegal, how long will the same price point hold for digital versions of comic books? Or does it not matter because DC, Marvel, et al are licensing their books to Comixology and Graphicly, which could be construed as a much stronger form of agency?

Needless to say, we’ll be watching this case with great interest.

REVIEW: JLA: DOOM

justice-league-doom1-300x4021-2474974When Mark Waid joined the creative team on JLA, he told a pretty terrific story about Batman’s secret protocols for neutralizing the Justice League of America falling into Ra’s al Ghul’s hands. In the “Tower of Babel” story, he used it to take out the League in order to execute a plan for world domination.  It made for a fine story arc that allowed Batman to leave the team for time and resonated with fans given the weighty thematic material. It has endured in memory and prompted Warner Premiere to approve JLA: Doom, an adaptation as a part of their ongoing series of direct-to-DVD animated features

The resulting production, on sale tomorrow, is bittersweet because it marks the final script from the talented Dwayne MacDuffie. And it needed series editing which clearly was not done, making it a deeply flawed adaptation of the source material. The dramatic core is here, but given short shrift in two brief scenes while the remainder of the story is a series of chaotic and badly choreographed fights strung together. Any semblance of characterization for the heroes or villains is seemingly accidental as the story allowed the JLA to trade blows with a variety of familiar villains. (more…)