Tagged: Michael Jackson

Michael Davis: I Am Not Tyrone

hulkthug-6387832

I am Not Tyrone Cash… but I’ll get to that later.

Let me make some things clear. I bare no ill will towards Milestone 2.0. I’m doing what I need to do to deal with my bouts of depression and because my business requires I do so now.

What is it I need to do, exactly?

Telling what transpired so to destroy any and all doubts, there was something unprofessional about me that caused my former partners and friends to dismiss me with not a word before or since as to why.

Derek Dingle gave a hint (before he hung up on me) that when I left Milestone 20 plus years ago. It was my lawsuit that prompted it all. OK, that’s revisionist history if ever there was.

There was no lawsuit. And even if there had been, so fucking what?

Derek if you’re reading this I suggest you take a look at the memos from that time. If you lack some, don’t worry I have them all. Including the letter from DC and Milestone that Clarence Avant called me enraged over.

You know the one it involved my status at Milestone and DC. I was speaking to Clarence not too long ago about that very letter; he’s not too happy about it now either.

Like I said, I’m not looking to hurt Milestone; for almost two years I’ve written very supported articles. Yeah, some digs but much more positives.  The only public statements attributed to them concerning me was I was not lead creator on Static I was ‘one of five guys in the room.”

Well, I can prove otherwise. Can they?

As I said I’m not trying to hurt them, I just want to help me.

I’m also not telling my side of the story. I’m saying what happened to me; there’s a difference. Everything I write I can prove with validation.

But not today.

This was to be another installment of my Milestone 2.0 narrative. I’d like to get what happened to me on the record before Rich Johnson goes live with his story but this is trivial shit compared to what’s crucial in Black America, chief among that the recent crop of unarmed Black men killed by police.

I thought I’d attempt to explain to those readers at ComicMix how it affects us as comic book creators but more importantly as black men.

Regardless if it’s a huge misunderstanding or horrible decision making the odds of Derek Dingle, Reggie Hudlin, Denys Cowan and Michael Davis coming together are slim to you must be out of your motherfucking mind.

That does not mean I don’t care about them. I do.

We may not be on the same page regarding Milestone but as black men, we are united because we are all seen as one in eyes of some in law-enforcement. If one of those men were felled by a policeman’s bullet, it would hurt me beyond measure.

And I would know, I would know without a shadow of a doubt they were wrongly targeted. Because they live the kind of life that defy that ending to theirs as do I.

It won’t matter, any black men is subject to capital punishment no matter if talking to friends, selling cigarettes or reaching for what an officer asked for.

Mothers of young inner-city black boys’ have one thought over all, how to keep their child alive.  Poor parents of any race face the same problem. Black parents face the added danger of protecting their sons from those who are entrusted to protect them, the police.

Soon, very soon, I will be off probation. Why was I on probation? Two white people harassed me all night at a Karaoke bar. I ignored what they were saying. Their goal for was for me to engage them.

As I was leaving, I heard something along these lines: “Don’t forget to bring your grandmother and sister some crack.”

That’s not an exact quote (music was playing), however sister and grandmother I understood.

There was no way they could know both my sister and grandmother died horrible deaths at someone’s hand it was just another series of insults to them.

I didn’t give a fuck. They went there.

I waited for the music to stop and the applauds to die down before I went here:

“Fuck you and your families.”

They ran across the floor towards me punched me in my face a couple of times and wanted to hurt me badly that was clear.

The man currently residing in a tree lined lovely community left, and the guy from Far Rockaway, and South Jamaica Queens showed up.

That was the wrong nigger to fuck with as they found out.

Once they met that guy they pussied away. Just as quick the person from the tree lined block returned, saying goodbye to the bartender and my waitress who both asked me if I was alright telling me those guys are never coming back.

I was under the impression the bartender was going to call the cops. I told him if he needed a statement from me I’d be happy to oblige and the moment I said that I regretted it.

Rule # 1: If A Black Man, Never Talk To The Cops Unless You Absolutely Have To.

Then I thought, I had not done anything wrong, plus the whole thing was captured on tape. I went home secure in the knowledge I’d done nothing wrong and had ample proof to such.

Witnesses?

Check!

Videotape?

Check!

A warm send-off from the staff?

Check!

I was the one attacked?

Check!

The deck was stacked extremely high in my favor. What possibly could go wrong? I thought of every conceivable way it could go south and came up with only one answer.

I was black. When I was asked to give a statement some days later I was accompanied by my lawyer. Witnesses, videotape, warm send off from the staff and a high priced attorney.  Now that’s what I call stacked!

As it turned out, I had nothing to worry about, exactly what I thought would happen, happened.

I was arrested. Did I mention the whole thing captured on tape?  The tape that showed they attacked me? I did say that right?

This incident is not unusual at all to black men. Those who had no doubt I was lying included the two who attacked me, the police and DA.

The only people on my side was everybody else in the bar. That includes a witness from Japan, and I’ll never forget her name: Sony Camera.

So, I looked forward to my day in court so I could quickly take a plea.

Why did I take a plea? When the D.A. refuses to look at the videotape but is ready to go to trial the two witness statements used to arrest me were written by the two people who ran across the room and attacked me and all other eyewitness accounts are ignored, if you’re a black man it’s time to take a plea.

I took a plea because I could afford what a good lawyer charges. I can’t afford what the criminal justice system may cost me.  No black man has that kind of wealth. When a black man with the means to fight goes to court, he may be found innocent, but we’re suspects all our lives.

Michael Jackson was considered innocent in the eyes of the law, but every effort is being made to ensure he remains guilty in the eyes of history. Now they find kiddie porn? Ya think that would have been useful during the trial?

Name a famous black person once acquitted not still thought of as guilty.

They found kiddie porn now?

That’s some Tyrone Cash bullshit and by Tyrone Cash bullshit I mean stupid. Cash is a Mark Millar creation. In a nutshell, he’s a genius scientist who figures out the formula that gives him the powers of the Hulk.

When his brilliant mind becomes a simple one he no longer understands the complex theories of gamma radiation all he wants to do is smash, like the other Hulk Dr. Bruce Banner.

Sorry, I forgot Tyrone Cash is black.

He retains his intellect and uses his Hulk powers to become a drug dealer! Why? The same reason some police would shoot an incident hard working man reaching for his identification, it’s easy to believe all we are is thugs. That’s what FOX News tells everyone, we’re thugs on television, we’re criminals in the movies, and now the Republican Party Nominee is telling the world African Americans are thugs.

In other news, as soon as I’m officially off probation I’m suing some individuals over what they did to my life. In civil court they won’t refuse to look at the tape and all those witness reports will also come into play.

It’s a little thing but someone needs to answer this question, I was attacked, so why I was arrested? I’m going loud on this with a little help from some well-placed friends. I’m not Tyrone Cash I’m not a thug nor is most black men. So why must we fight and die to prove it?

Martin Pasko: The Age of Michael Jackson Comics

pasko-art-130801-5917889Before I Do This Thang for the week: I’ve been getting messages from readers. Apparently, I do have them. Or, as Bob Hope might have said, “I know you’re out there, because why else would Dolores be propping me up in that direction?”

These messages I’m talking about are all “Why do you use so many links?” Clearly, if you’re asking this, you’re not clicking on them. Hint: Some – not all, or even most, but some – of them don’t lead where you might assume they do. They are instead meant to be weird, “disconnective,” hit-or-miss jokes in and of themselves. So, as the most celebrated member of The Hair Club For Men once put it, “’Nuff said.”

Now, on to That Thang. Meaning I have to stop vamping with jokes about what I didn’t learn in San Diego the weekend before last, and, God help me, actually come up with a third and final part of my highly speculative and putatively uninformed rant to go with the first and second parts. [I say “putatively” because Richard Feder of Fort Lee, New Jersey, writes, “Aren’t the comics selling better than ever? What should I do?” (And, no; no link this time. Get off your fat ass and Google it.)]

If you’re just joining me here for the first time, please feel free – unless your ass really is too fat to allow you to lean over and reach your mouse or trackpad – to check out those previous parts. And maybe click on some on those links you’ve been skipping over. Go ahead. I’ll wait. It’s not like I have anything better to do.

Back now? Good.

One thing Iwasn’t joking about last week: SDCC really didn’t shed much light on whether the Big Two might be incrementally but profoundly changing how they think about creating and marketing comics. Specifically, that they might have to take back total creative control from the freelance talent, to better justify their claim that comics help generate new, original movie and TV properties – titles and characters that aren’t mere spin-offs from the oldest, best-known super hero “brands.”

But I remained in the dark not, as I facetiously suggested, because of the conditions endemic to the con itself, but, rather, because the Big Two’s massive “booths” at least appear to still be doing their dog-and-pony shows in much the samo-samo way as they have been since the beginning of The Gastrotrich Super-Star era and the annual “continuity stunt.” You know – the age of what I like to call Michael Jackson Comics. As in, “We’re going to keep rearranging our face because it gets us publicity even though we don’t entertain anybody anymore. (But we do have a few pet chimps who clap for us when we do it.)”

At first, superficial glance, little seems to have changed this year. There were the same long lines of people waiting for something, but you couldn’t quite be sure what because the crowds were too dense. And there were the same old book signings by the Flavors Of The Week – those comic book “creators” who have been rocketing out of obscurity and vanishing back into it just as fast, ever since Hollywood’s “‘bankable’ star” mentality was first applied to four-color pamphlets by, if memory serves, Jenette Kahn. She was the first Big Two publisher to wonder, for example, whether Superman might not sell better if it were John Byrne’s Superman.

And it did.

For a while.

Thirty years ago.

But this year at SDCC, when I took a closer look at those exhibits, and let my eye follow carefully where that long line was snaking to, it seemed as if more and more of those people were queueing up for a chance to glimpse some “teaser” footage from an upcoming movie or TV show, and the lines to buy signed copies of Flavor of the Week’s Superman or Smokin’ Hot Newcomer’s Spider-Man were shorter. The “brand” – the property – was what was making the loudest ka-ching, ka-ching.

But the people who decide what will be presented in these exhibits seem not to notice, and persist in announcing new comic book titles whose selling point is presumably the name of the creative talent rather than the super hero brand. Meanwhile, superhero feature films continue to succeed without being dependent on major stars in their casts, a phenomenon that is a reflection of a larger, industry-wide paradigm shift.

The early warning signs might be barely noticeable, but I really think they’re there. And it’s getting harder not to wonder whether someday – maybe sooner than even cynical me suspects – Disney and Warners will have convinced themselves that they can endlessly exploit their existing brands, through reboots not unlike those in the old annual face-changing stunts, without any help from their four-color pamphleteers. And if their comic book divisions will have ceased to yield new brands they can add to the product mix as break-out hits, they might start to wonder whether all those Flavors of the Week and their pamphlets are any use to them at all.

LATER TODAY: Emily S. Whitten Returns!

FRIDAY MORNING: Martha Thomases

SATURDAY MORNING: Marc Alan Fishman

 

 

One more tragic connection between Michael Jackson and comics

The one Michael Jackson comics reference I haven’t seen mentioned yet is from Wasteland #16 from DC Comics, in a story entitled “Heartshadow” written by John Ostrander and drawn by Rick Magyar. It’s a story where a young fan of “a dark prince named Michael” commits suicide.

Now, in the wake of Jackson’s death, reports are coming in of Michael Jackson fans committing suicide:

Fans of MICHAEL JACKSON have
been hit hard by the star’s death – 12 devotees have allegedly killed
themselves following the tragic news.

The King Of Pop passed away on Thursday (25Jun09) from a cardiac arrest and millions of his fans worldwide went into mourning.

But several of them found it too hard to cope and subsequently
ended their own lives, according to the founder of an online Jackson
fanclub.

Gary Taylor, president and owner of MJJcommunity.com, says, “I
know there has been an increase (in deaths), I now believe the figure
is 12. It is a serious situation that these people are going through
but Michael Jackson would never want this. He would want them to live.

“They (fans) can’t accept it, they feel in some sort of different
reality. I’m stunned that he’s dead. One minute he is coming here for
concerts and the next he is gone. I think the funeral will be where the
reality kicks in that he is gone and won’t be coming back, there will
be a huge depression in the fan community when that happens.”

Michael Jackson tribute comic from Bluewater

The company that made all those quick political comics is at it again:

‘TRIBUTE: MICHAEL JACKSON, KING OF POP COMIC BOOK OFFERS LASTING REMEMBRANCE FOR FANS FROM BLUEWATER

To millions he was the King of Pop; one of the world’s most
cherished entertainers and a celebrated international icon. With his
untimely passing, Michael Jackson left an extraordinary and tragic
legacy. Bluewater Productions is paying tribute in October to his
memory and legacy with a special collectors edition biography comic.

The newest addition to the publisher’s critically acclaimed
biography library will trace Jackson’s rise as a musical prodigy with
the “Jackson 5” through last Thursdays sad end. The book will feature
highlights from his storied career and cover his enigmatic private life.

“Michael Jackson’s music served as the soundtrack to countless lives…including mine,” said Bluewater president Darren G. Davis, “His influence on our culture has been profound.”

“TRIBUTE: Michael Jackson, King of Pop,” features a wraparound cover
and foreword by “The Official Michael Jackson Fan Club’s” Giuseppe
Mazzola. Mazzola was also Jackson’s personal friend. The issue is being
written by Wey-Yuih Loh, (Political Power: Colin Powell” and “Political
Power: Joe Biden) and illustrated by Giovanni Timpano (Vincent Price Presents). Noted cover artist Vinnie Tartamella will also provide an alternate wraparound cover.

On the bright side, there won’t be a comic three years down the line where Michael returns because he was in a cave at the beginning of time. Probably.

Michael Jackson is on Fire

Today in 1984, Jermaine Jackson did what was all too firmly engrained in his once show biz kid ways — he knew the show had to go on. That, or he was completely oblivious to the fact that in the background of a Pepsi commercial shoot, his superstar brother, Michael, was aflame — literally. Michael Jackson’s hair burst into flame during a take and there was Jermaine–strumming and rocking away. And this wasn’t a closed set, mind you–it was a live performance with 3,000 Michael lovers, experiencing some serious dramatic irony when they saw their beloved turn victim to malfunctioning pyrotechnics as his brother kept the show going. MJ turned out ok though, didn’t he…sigh…