Tagged: Mickey Mouse

Mike Gold: How Are You Getting Your Marvel Stories?

zorro-7222306

mickeyspidermanmarveldisney-6401916In this very space last week, I suggested there was a reason Marvel’s sales are off that is in addition to the negative reader reaction to such events as Civil War 2 and Secret Empire.

Let’s spread some numbers around. Buying into these mega-events is expensive. Each consists of dozens and dozens of comics — mini-series, tie-ins, one-shots, and so on. Each event takes about 50 or 60 hours to read in their entirety. The post-event comics come out after that, and you might be compelled to check out a few of the ongoing titles where the event changed the characters therein, although Marvel usually abandons those changes around the time the next relevant movie comes out. That’s more money and more time.

The whole thing takes the better part of a year to unfold; longer, as these days each Marvel event tends to segue into the next. You’ve got to work hard and spend a lot of money to complete a satisfying story, even if – as in the case for many with Civil War 2 and Secret Empire, you didn’t find the story all that satisfying.

However, for roughly the price of three individual comic books you can buy a ticket to the latest Marvel movie and get what is usually a satisfying experience — and your friends can join you in that experience. Of course, one should add the cost of an overpriced box of Snow Caps or some such to the tab.

You can watch as many Marvel teevee shows as you can absorb, and many of them are quite entertaining. Or if you want, you can wheel a cooler filled with snacks and drinks into your bathroom, bring in a tablet or a laptop computer, and stream an entire season of one of Marvel’s many, many Netflix series. As long as nobody else needs that toilet, you’re in superhero heaven with a story complete with a beginning, a middle and an end. I, for one, found the recent Marvel’s The Defenders to be very entertaining. Your opinion might differ, but it really shouldn’t.

marvel-the-defenders-netflix-poster-joe-quesada-2076776If you’re already a Netflix subscriber, it’s free. If not, well one month of Netflix costs a hell of a lot less than one week’s worth of the current Mighty Marvel Event and you get enough other Netflix shows and movies to fill the Pacific Ocean. You will spend less time, energy and money following your favorite Marvel media madness than plowing your way through a pile of event comics that are mediocre at best.

So, I ask you this: even this particular competitive environment… who needs to buy all those comic books? And maybe that’s okay by Marvel’s owner, the Mickey Mouse corporation. They understand how to make and how to market movies and video. This comic book stuff goes against everything the bean-counters learned in MBA school – as far as those suits are concerned, everybody in the comics racket talks like Bizarro Number One.

Indeed, the profit of Marvel’s new comic book output for an entire year is dwarfed by the profit from the last Avengers-themed motion picture alone — even if those publishing profits had somehow mysteriously doubled.

I’m not suggesting Disney might not want to publish new comics, but as a return on investment, those resources might be more profitably allocated to the media side.

Shhhh! Don’t tell the Mouse! He can be a real rat, and rats don’t eat staples.

hail-hydra-1-6849808Many wags think someday Mr. and Ms. Consumer will shout enough is enough and demand superhero shows be replaced by… I dunno, maybe westerns or something equally trendy. I’m sure we won’t be seeing half-billion-dollar cape flicks in the theater with the near-monthly frequency we’re seeing now, but who knows? We’ve always had superhero movies and superhero stories, from the Scarlet Pimpernel to Sherlock Holmes to Zorro to Tarzan. The only question is quantity.

Does Disney care? Well, they’ll say they do, but they own all those Disney properties which, these days, includes the Marvel characters, the Star Wars empire, the Muppets, and Pixar. It’s not like they won’t have anything to whenever the superhero trend fades a bit.

Disney did not do much in the way of original Mickey Mouse and Donald Duck cartoons for several decades, and they don’t do all that much with them today. Yet they continue to sell a lot of Mouse and Duck product of all sorts. They do not need to publish Marvel comic books in order to keep Captain America and Groot in the public mind.

Mike Gold, Mickey Mouse, and Ren & Stimpy’s DNA

Mickey Toon

Listen up. I’m going to tell you a horrible, horrible secret. And it’s about me!

I really don’t care for most Disney animation. The earliest black and white stuff is fun, and there are a few shorts here and there that I enjoy. The features? Not as many. Alice in Wonderland… that’s about it. As Craig Ferguson might ask, “how long have you been in ISIS?”

Floyd-Gottfredsons-Mickey-Mouse-1930Disney comics is a totally different thing. Every time I’m forced to list my all-time favorite comics creators, Floyd Gotfriedson and Carl Barks are always on that list. Gotfriedson’s Mickey Mouse newspaper strip brought depth and characterization to the popular rodent. His adventures were truly adventures, full of wit and charm, brilliant craftsmanship, on-the-button pacing, and heart. Lucky for us, our pals at Fantagraphics have been reprinting them in brilliant hardcover editions.

Carl Barks was the master behind Disney’s Donald Duck family of comics, published by Dell and later Gold Key. You’ve probably heard of him: he’s one of the very, very few Disney comics creators who’s adapted work was screen-credited, in Duck Tales. Unca Carl created Uncle Scrooge, the Beagle Boys, Magica De Spell, and a great many other pillars of the Disneyverse. His comics are that good; even better. You will often hear geriatric baby boomers mentioning Barks in the same breath as Will Eisner and Jack Kirby. Here, too, Fantagraphics been reprinting them in brilliant hardcover editions.

But three years ago, my animation preferences expanded to include some work produced by the current Disney studio. I haven’t opened my heart to more of the “original” material; I’m enjoying the new series of Mouse cartoons (featuring the entire Disney-toon cast), available on the appropriate Disney cable channels – excluding ESPN – and on sundry Disney apps for smartphones, tablets, AppleTV… they made it really easy for me to find this stuff.

donald-p3And who do we have to thank for it?

I’d say Ren and Stimpy.

These shorts, which average a paltry 210 seconds, have damn near everything the classics do not: they are anarchistic, irreverent, self-parodying, and wacky as shit. In other words, they’re entertaining – even to a guy un-American enough to not worship about a half century of Disney animated output. The style, also reminiscent of Ren and Stimpy (and even more reminiscent of small budgets and short deadlines), works perfectly for the pacing.

Of course this material won’t replace those I consider to be the masters of animation such as Bob Clampett, Tex Avery, and the Fleischer family. Cartoons aren’t profitable enough to warrant such budgets. But after more than two decades of soulless mainframe computer hyper-modeled “3-D” crap, these new Disney shorts are a breath of fresh air. Damn near all of them. And there’s a lot out there, too.

Give a few a test-drive. Like I said, each takes about three-and-one-half minutes out of your life.

And, because I now like some Disney animation, there’s one less reason to send me to Gitmo.

Michael Davis: New Rules For Comics

newrulessign-8864786I love comics.

God help me I love the comics industry even more. My reason for this foolishness? The comics industry is full of really wonderful, wonderful (YEP TWICE) people. On the flipside, if you’ve met me you’re aware more than a few assholes stalk the floor at Comic Con.

I know it’s hard to believe but there are people in the industry who think I’m an asshole. I’m not the kind of person to label others because they label me. I’m above all that high school crap. I refuse to create falsehoods in response to falsehoods created about me. I deal in facts, people, and it’s a fact the people who think I’m an asshole fall into one of three categories: (more…)

Mike Gold: The Watch’s Comics Roots

wrist-radio-9899748Time for a bit of a comics history lesson… but first, a word from our sponsor.

Monday Apple revealed its latest toy, the Watch. Like most Apple products, it looks pretty cool but seems overpriced, and like most Apple products, once you look at what you’re getting it’s not really overpriced, just expensive. That’s true with the Watch, but I’ll admit it’s doubtful I’ll buy the first generation version.

Apple WatchThis is because for the past many decades my watch choice decisions were limited to “Timex” and “Swatch.” So $350 – or, more likely, $700 for the version I deem best for me – is a lot of money. But there are no shortage of watches with such a price tag: Movado, Breitling, Panerai, Invicta, the $600,000 de Grisogono Meccanico dG S25D… and the most recent and the one with the best name – Shinola.

No shit folks: a Shinola watch runs about $850, give or take a couple hundred depending on the model. Their high-end watch runs $1,500 – maybe more; that’s the best offered at the Shinola shop in Manhattan’s Chelsea district when I was there a couple weeks ago (to buy shoe polish). But I digress.

The first Mickey Mouse watch was manufactured in 1933 by the Ingersoll Company, which probably is not related to our ComicMix columnist of the same name. It was part of America’s first massive, integrated merchandising campaign based upon a cartoon or comics character, and was set up to take advantage of the Century of Progress World’s Fair in Chicago. The whole operation was set up by a man named Kay Kamen – a true legend. According to Tomart’s Disneyana Update, “Kay Kamen invented the whole licensing industry. Not just for Disney, alone; others followed suit.”

Thirteen years later, visionary cartoonist Chester Gould “invented” the two-way wrist radio as a fictional tool for policemen in general and his Dick Tracy in particular. This triggered a merchandising blitz of Mickey Mouse proportions and became the reference standard for cool gizmos. Actually, in Chet’s story the watch was a deus ex machina – Gould had Tracy in one of his classic deathtraps and the detective used his watch to summon help.

His editor rejected the concept. Deploying a deus ex machina usually is a cop out, something the writer pulls out of his ass to resolve the problem. Think of Green Arrow’s quiver. Gould’s defense was that there was an actual two-way wrist radio invented by Al Gross, the guy who created the Walkie-Talkie. Al also developed the garage door opener, the cordless phone, and the cellphone, but he couldn’t acquire financing to put them into production and his patents expired. He, himself, expired in 2000.

Amusingly, Apple offers as one of its many, many “watch faces” the animated visage of Mickey Mouse (above). I strongly suspect that decision had a lot more to do with marketing concerns than historical tribute, but, knowing Apple, I wouldn’t be surprised if the subject came up.

As for Dick Tracy, well, I’m sorry to suggest that his most famous crime-fighting tool is now available to every Tom, Dick, and Henrietta who has between $350 and $17,000 to spare. I assume the high-end version incorporates both transporter and phaser technologies.

That original Mickey Mouse watch cost about $3.50, which would be a bit over $61.00 in 2014 money. Today, Ingersoll offers an “exact” replica of the original model – but with modern mechanics – for a mere $299.00. And it’s just a replica.

Hey, it looks like that Watch isn’t so expensive after all!

 

Mickey Mouse: Soldier of Satan, by John Ostrander

As reported here on ComicMix last Monday by Matt Raub via AP : “A sheik from Saudi Arabia, a former diplomat posted in Washington, has put out a fatwa on Mickey Mouse, calling him the new enemy of Islam. ‘Mickey Mouse is a soldier of Satan, and everything he touches becomes impure,” said Sheik Muhammad al-Munajid.

‘Mickey Mouse has become an awesome character, even though according to Islamic law, Mickey Mouse should be killed in all cases. According to sharia law, the mouse is a repugnant and corrupting animal,’ he said during a show broadcast by Al-Majd television.”

So. There’s a fatwa on Mickey Mouse.

It should be noted that a fatwa, in and of itself, is not necessarily a death sentence. As Matt noted, “a “fatwa” is a ruling on a point of Islamic law that is given by a recognized authority.” In that respect, it’s not that different when the Pope speaks ex cathedra. It certainly isn’t different that when the Popes called for the Crusades to free the Holy Land.

This is not the first time that Disney has butted heads with religious types. Donald Wildmon of the American Family Association began a nine-year boycott of Disney, citing they were too friendly to gays. The Southern Baptists were part of that boycott and if there was ever a group in Western culture that I think was capable of issuing fatwas, it would be the Southern Baptists.

It’s all part of a continuing war on pop culture that is usually conducted by the conservative and/or reactionary elements of society. It’s not only religious groups, either. The comic book medium in the 1950s came under the scrutiny of Congress who felt that comics were degenerative and an unwholesome influence on America’s youth. To fend off possible Congressional controls, the comic book publishers of the day instituted the Comics Code – a straitjacket that bound and confined the comic book medium for decades and stunted its artistic growth. (more…)

ComicMix Radio: It’s Business As Usual Again, So Let’s Go Comic Shopping!

It’s a new week and a new round of comic books and DVDs to ponder, plus:

— The next step for the Wolverine manga series (art at right is not final)

— Stan Lee and his next "New Universe"

— Move over, Mickey Mouse, Marvel gets a a theme park!

It’s only been a a day, so you know how to press the button!

 

 

  And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-1575629 or RSS!

 

Hamas Kills Mickey Mouse!

491710401_0db68d30e9_m-2394004I can’t make this stuff up. Well, I mean, I can, but why the hell would I want to?

You may have heard things have been getting a little hot over in the Gaza Strip, even by local standards. The Associated Press reported Friday that a Mickey Mouse lookalike who preached Islamic domination on a Hamas-affiliated children’s television program was beaten to death in the show’s final episode Friday.

Go back and re-read that paragraph. Now look at the photo.

Yep, that’s right. Hamas killed Mickey Mouse – and blamed the Israelis.

The way the story goes, an Israeli official was trying to buy the land of the show’s hero, Farfour the Mouse, who looks and sounds exactly like Mickey. The mouse called the Israeli a "terrorist" and the Israeli killed him. According to the AP: "Farfour was martyred while defending his land," said Sara, the teen presenter. He was killed "by the killers of children," she added.

This was the last episode of Farfour. Israeli officials have denounced the program.
 
Artwork copyright Disney. Or Hamas. You pick ’em. All Rights Reserved.

Running the Mickey Mouse outfit

The New York Times has a long article on John Lasseter, who has been tapped to become the chief creative officer of animation for the Walt Disney Company after founding Pixar. Good reading, particularly with Lasseter reviving the 2-D animation department – with a strong focus on story.

Yes, story. The New Disney. It ain’t just pretty pictures anymore.