Tagged: movie

Mickey Rooney Talks The Fox and the Hound

  • News
  • August 13, 2011

mickey-rooney-photo-6183215In the mid-1920’s, an up-and-coming young animator had a brief encounter with an up-and-coming child star.  Although they only met in passing, Mickey Rooney remembers Walt Disney as “a very charming man.”  More than 50 years later, in 1981, Rooney would find himself starring in one of Walt Disney Studio’s most beloved animated films, The Fox and the Hound.  Rooney voiced the character of Tod, an orphaned fox cub who forms an unlikely friendship with Copper, a coonhound voiced by Kurt Russell.   The film also stars Pearl Bailey, Pat Buttram and Jack Albertson.  The Fox and the Hound and its sequel The Fox and the Hound 2 will be released in a 30th Anniversary 2-Movie Collection on August 9, 2011.

Although he is quick to deny it, Mickey Rooney is the definition of a Hollywood legend.  With a career that spans nine decades, he has defied the odds in an industry that often typecasts performers.  He got his start crashing his parents’ vaudeville act while still a toddler and, just a few years later, he became a silent film sensation; starring in the popular “Mickey McGuire” shorts.  In the 1930’s Rooney made a successful transition to sound films, headlining in the long-running “Andy Hardy” series and teaming with his friend Judy Garland in such classic musicals as Strike Up the Band and Girl Crazy.  Rooney was awarded a special Juvenile Oscar at the 1939 Academy Awards ceremony and the next year was nominated in the competitive Best Actor category for Babes in Arms, the first of four Oscar nominations.   He also won an honorary Academy Award in 1983 in recognition of 50 years of memorable film performances.  Having also won an Emmy and two Golden Globes by that time, many actors would be content to rest on such precious laurels but Mickey Rooney, now 90, continues to work on stage, screen and television and recently wrapped a cameo role in the highly anticipated Walt Disney Pictures Holiday 2011 release, The Muppets. (more…)

Fortier takes on CONAN THE BARBARIAN and Survives!!!

  • News
  • August 3, 2011
ALL PULP REVIEWS-Book Reviews by Ron Fortier

CONAN THE BARBARIAN

By Michael Stackpole

Berkeley Boulevard

Movie Tie-In

292 pages

It appears you just can’t keep a good barbarian down.  Conan the Barbarian is a hero and well known iconic figure in American fantasy. He was created by writer Robert E.Howard in 1932 via a series of fantasy stories sold to Weird Tales Magazine.  Howard was born and raised in Texas and spent most of his life in the town of Cross Plains.  As a boy he dreamed of becoming a writer of adventure fiction but was not successful until the age of twenty-three.

Howard’s Conan is a character whose literary imprint has been compared to such fiction greats as Tarzan, Count Dracula, Sherlock Holmes and James Bond.  With Conan, Howard created the genre known as sword and sorcery, inspiring a legion of imitators and giving him an influence in the fantasy field rivaled only by J.R.R. Tolkein.  On the eve of publishing his first novel, he committed suicide at the age of thirty. That he remains a highly read author, with his best works continuously reprinted speaks volumes for his place in the ranks of American masters.

As for Conan, he has appeared in hundreds of licensed paperbacks, Marvel comics, films, television programs, video games, roleplaying games, and even a board game.  In 1982 he came to big screen portrayed by bodybuilding champion turned actor, Arnold Schwarzenegger who recreated the role in the sequel several years later.  Producer John Milius had planned a trilogy, but the proposed third film, Conan the Conqueror was never produced.  Now, almost three decades later, the famous Cimmerian warrior from the mythological Hyborian age once again comes to the silver screen in a brand new production from Millenium Films, Lionsgate, and Paradox Entertainment.  And to promote what they hope will be a huge summer blockbuster, their marketing department commissioned a novelization of the screenplay by Thomas Dean Donnelly, Joshua Oppenheimer and Sean Hood.  The writer given the job was Michael Stackpole.

Many book lovers detest such novelizations believing them to be mere carbon copy retellings form the screenplays with nothing new to offer readers who plan on seeing the movie. In many cases, that is exactly all they get. On the other hand, when such a task is given to a true fan of the material, then what results is something much deeper and more complete than the screen treatment.  Stackpole is a gifted professional who clearly knows Conan and his original exploits as chronicled by Howard.  He not only tells the story laid out by the screenplay, but at the same time enriches it scene upon scene with authentic references to the Conan canon which totally elevates the narrative beyond being a mere reflection of the movie.

Born on a battlefield, young Conan grows up amongst the mountain people of Cimmeria and is taught to be a warrior from the day he can hold and wield a sword.  But as he matures, his father relates how his unique birth is regarded by seers as a powerful portent of the fate that awaits Conan. Not only will he be a great fighter amongst his people, but there are signs that he will one day be known throughout the civilized nations as mighty hero of unrivaled strength and daring.

As always, we have to assume that there will be people picking up this book who have absolutely no idea of who Conan is or Robert E.Howard, but have seen the trailers for the movie and are curious about it. For them, this is as good an introduction to Conan as any other that has come along in the past thirty years.  The book is fun and does its job well; it makes you want to go see the film.  So please, save me the aisle seat.

Derrick Ferguson Ducks The Mighty Shield of CAPTAIN AMERICA

  • News
  • August 2, 2011

2011
Marvel Studios/Paramount Pictures
Directed by Joe Johnston
Produced by Kevin Feige
Screenplay by Christopher Markus and Stephen McFeely
Based on “Captain America” created by Joe Simon and Jack Kirby
Before we get into the review, please indulge me for a minute…hit it:
I had hopes that when Jon Favreau snuck in the 1960’s Iron Man theme song, they’d find a way to do it in other movies based on Marvel superheroes.  Such was not the case.  “Star-Spangled Man” was okay, but it can’t beat this song.  Maybe in the sequel.  And I have no doubt that there will be a sequel as CAPTAIN AMERICA is in my head, fighting “Iron Man” and “Thor” as the best Marvel superhero movie made to date.  Joe Johnston doesn’t get a single thing wrong in this movie which is actually two movies in one: it’s not only a superhero movie but it’s a World War II movie as well and never to the two elements clash with each other. 
4F Steve Rogers (Chris Evans) tries time and time again to enlist in the U.S. Army as he desperately wants to do his part and fight the Nazis.  But his list of physical aliments prevents that until chance puts him in the path of Professor Erskine (Stanley Tucci).  The professor left Germany to willingly work for the United States on his greatest experiment: The Super Soldier Serum which can transform a man into the perfect human.  Erskine wants to try his serum on Steve as he is impressed with the man’s heart and compassion.
Colonel Phillips (Tommy Lee Jones) the head of the Super Soldier Project isn’t so sure this scrawny specimen is the right man.  But Agent Peggy Carter (Hayley Atwell) of the Strategic Scientific Reserve agrees with Erskine and the experiment goes ahead.  Steve is endowed with enhanced strength, reflexes, heightened senses and a metabolism that heals him at a faster rate than normal.  Tragedy dims the success of the project and as a result Steve is regulated to being used a mere publicity tool to sell war bonds, going on USO tours as ‘Captain America’ dressed in a gaudy red, white and blue costume.
But over in Europe, the war isn’t waiting for Steve.  Johann Schmidt (Hugo Weaving) is the head of HYDRA, a separate organization within the Nazi party dedicated to developing advanced weaponry for its own purposes.  Schmidt is also known as The Red Skull, due to an unfortunate side effect of Erskine’s Super Soldier Serum which he took himself.  Along with his chief scientist Arnim Zola (Toby Jones) The Red Skull has his own plan of world domination that doesn’t involve Hitler.
Things really kick into high gear when Steve, fed up with being treated as a joke, goes on a one-man rescue mission behind enemies lines to rescue his best friend James Buchanan ‘Bucky’ Barnes (Sebastian Stan) and over four hundred prisoners of war, including a bunch of fightin’ fools known as The Howling Commandos (Neil McDonough, Derek Luke, Kenneth Choi, Bruno Ricci and J.J. Field).
Captain America, now a front line soldier with Bucky and The Howling Commandos backing him up as well as a new protective uniform and shield developed by genius inventor/industrialist/futurist Howard Stark (Dominic Cooper) is regarded as a genuine real American hero.  His battles are rapidly becoming the stuff of legend.  But it’s a legend that may be cut short when he finally confronts The Red Skull…
There are so many things that CAPTAIN AMERICA gets right I could easily take about an hour listing them.  Elements of the origin are moved around but the spirit of the character is intact.  Chris Evans finds exactly the right note for Steve Rogers/Captain America and never strays from it.  Just like when he played Johnny Storm/The Human Torch in the two “Fantastic Four” movies, I get the impression that he took the time to read the comics.
The only problem I have with Tommy Lee Jones is that his character wasn’t named “Happy Sam” Sawyer since to me that’s who he’s playing.  Neil McDonough is absolutely scary in how much he looks like “Dum Dum” Dugan.  And he sounds exactly like I always heard Dugan’s voice in my head while reading those “Sgt. Fury” comic books.  The changes in the relationship between Steve Rogers and Bucky Barnes is one I thought made that relationship even stronger.  I really liked how Tony Stark’s dad got in on a lot of the action and we get to see a lot of where Tony gets his swagger from.  Hugo Weaving and Toby Jones make for an effective pair of bad guys and Hayley Atwell steals every scene she’s in as Peggy Carter, a woman definitely ahead of her time.
But the star behind the scenes is Joe Johnston who I’ve been telling you folks for years now is a genius.  Hopefully the success of CAPTAIN AMERICA will cause people to finally acknowledge “The Rocketeer” as the masterpiece it is.  And “Jurassic Park III” and “The Wolfman” ain’t bad either.
So should you see CAPTAIN AMERICA?  Are you kidding me?  What are you waiting for?  

Dylan Dog

I first encountered the legend of Dylan Dog back when I was trying to cover foreign comics while at Comics Scene and then wrote about the film adaptation a while back over at Famous Monster of Filmland. A PI in the world of things that go bump in the night sounded like a lot of fun. That the Italian comic has been running for decades also spoke to its creative spark and the genius of Tiziano Sclavi. Then I saw that this was going to Brandon Routh’s third film based on a comic book and figured he was 1 for 2 so far (entertaining in Scott Pilgrim, not served well by Superman Return’s lousy script) and might improve his average. He had certainly improved as an actor, as witnessed by Fear Itself and his recurring role on Chuck.

The trailers certainly made the movie look lighthearted and wonky, much like the comic source material so there was reason to be encouraged. The movie then opened and closed so fast there was little time to determine what went wrong (and if anything went right). 20th Century Home Entertainment pulled out all the stops (including a fun, interactive Facebook page) to promote the DVD, which arrived last week, making you think maybe this was some sort of overlook gem that just needed better marketing.

Nope. The film is still a creative misfire that pays the barest lip-service to the comics and carved its own niche of awfulness. Set in a supernatural New Orleans, the film features Routh as Dylan Dog, a former PI specializing in monsters but now just down on his luck. He’s lured back in to the world of vampires, werewolves, and zombies by those who wish to keep their existence low key so angry mobs don’t show up on a weekly basis. He’s hired by Elizabeth (Anita Briem), who saw a werewolf murder her father and steal the movie’s McGuffin, the Heart of Belial. Yes, rather than your typical investigation, Dylan immediately gets dragged back into the monster realm in time to prevent the end of the world. (more…)

Scarface Comes to Blu-ray in Style

  • News
  • June 29, 2011

scarface-beauty-shot-rendering_mps_rev-300x235-4222185Coming in September is the Blu-ray debut of the classic Al Pacino film Scarface on September 6. Universal Home Entertainment is sparing nothing to make certain this becomes quite the event. There have been art contests and now there’s the imminent arrival of the Scarface-themed humidor.

For the ultimate collector and cigar enthusiast, an elegantly hand-crafted Scarface-themed humidor will be made available in an exclusive, never-before-available, limited edition, along with the new Scarface Special Limited Edition Blu-ray.

Created by the renowned Daniel Marshall, the humidor’s exterior is hand painted and polished with the Marshall’s trademark “1000 coat brilliant finish.”  The interior – made with untreated Spanish cedar – will properly condition and age approximately 100 cigars at optimal humidity levels. Limited to 1,000 worldwide, each individually numbered humidor comes embellished with custom medallions inspired by the iconic film and includes a certificate of authenticity.

As seen in the photo above, The Scarface Special Limited Edition Blu-ray also includes art cards from the “Scarface Kingpins of Design” fan art contest where fans had a once-in-a-lifetime opportunity to design Scarface-inspired artwork using classic Tony Montana images from the film. (more…)

BATMAN BRAVE & BOLD – Always A Best Bet

pt067211-2715659

Looking for something new to watch this summer – catch up on Cartoon Network‘s BATMAN:BRAVE & BOLD. We’ve got The Caped Crusader himself, Diedrich Bader, to talk about his later take on the darker knight. Plus no less than THREE comics get movie deals this week!

Check out The Point Radio for constant pop culture updates – and please check us out on Facebook right here & toss us a “like”.

FLASH GORDON (1936)

  • News
  • June 26, 2011

FLASH GORDON (1936)
1936
Universal Pictures
Directed by Frederick Stephani
Produced by Henry MacRae
Written by Basil Dickey, Ella O’Neill, George H. Plympton
Based on the comic strip by Alex Raymond
Say whatever you want about The Internet.  It’s done all right by me so far.  It’s a never ending source of delight to me that I can find and rediscover movies, books, comics and old TV shows that I thought I’d never see or experience again.  But it’s all out there and thanks to the wonderful technology we now have, it’s a joy to be able to relive some of my childhood pleasures.  This is one of ‘em.
Set The Wayback Machine for pre-Netflix days, Sherman. (I’m talking about the 70’s and 80’s, folks) when the only way I could see cliffhanger serials from the 30’s and 40’s was to either borrow them from the library and hope the VHS tape hadn’t been dubbed from a poor copy or wait until they were shown on PBS.  Usually during the summer PBS would have a Saturday night marathon showing of “Spy Smasher” “Perils of Nyoka” “The Masked Marvel” or “Manhunt of Mystery Island” in their original form.  Much more common were the edited versions of cliffhangers that Channel 9 or Channel 11 here in New York would show on Saturday afternoons.  15 chapters were edited down into 90 minutes.  It gave you a good flavor of what cliffhangers were like but that was all.
But now we’ve got Netflix and it was while accidentally finding they had “King of The Rocketmen” available, I hunted up some other serials as well.  Including what is probably the best known and best loved cliffhanger serial of all; FLASH GORDON starring Larry “Buster” Crabbe.   The man was known as The King of The Serials due to his playing in serials arguably the three most popular comic strip heroes at that time: Buck Rogers, Flash Gordon and Tarzan.  Talk about your hat tricks.
But there’s a reason why Mr. Crabbe got to play such heroes.  The cat looks like a hero.   He had the genuine square chin, steely eyes and a build most guys would give ten years off their life for.  But I think that Buster Crabbe’s real appeal in this serial lay in his Everyman quality.  His Flash Gordon isn’t the smartest guy in the room.  And he’s okay with that.  He’s more than happy to let Dr. Zarkov be the brains of the outfit while he does the dirty work.   He’s clever and resourceful.  He’s got morals and compassion for the little guy.  And when it comes to kicking ass all over Mongo, just step back and give Flash some fightin’ room.
By now, the story is legend.  The planet Mongo is hurtling toward Earth on what appears to be a collision course.  Earth’s weather is going crazy as well as the populace.  Flash Gordon is on one of the last cross country flights as he wishes to be with his scientist father when the end comes.  Also on the plane is Dale Arden (Jean Rogers).  Due to the severity of the weather, Flash and Dale are forced to bail out by parachute and happen to land right near the spaceship of Dr. Hans Zarkov (Frank Shannon) who talks them into a suicide mission to fly through space to the planet Mongo and somehow stop it from crashing into Earth.
Flash and Dale agree to go along and our intrepid heroes successfully make it to Mongo where they are promptly captured by Captain Torch (Earl Askam) who takes them to his Emperor: Ming The Merciless (Charles Middleton) who rules Mongo by fear and terror.  Ming and Flash take an instant dislike to each other.  However, Ming’s daughter Princess Aura (Priscilla Lawson) falls immediately in love with Flash and tries to save him when her daddy throws Flash in the Arena of Death with three brutal ape men.  Now mind you, this is just the first chapter and I didn’t even describe half of what happens.
The next 12 chapters are a goofy blizzard of classic space opera pulp adventure as Flash and his friends are chased, captured, enslaved, escape, battle and struggle against Ming while making friends and allies with Vultan (John Lipson) King of The Hawkmen, Prince Barin (Richard Alexander) the rightful ruler of Mongo and Prince Thun (James Pierce) of The Lionmen.
First off let me say up front that you have to have a love of this kind of thing from Jump Street or at least be curious to learn more about this genre.  This entire serial was made for less than a million bucks which today wouldn’t even pay for the catering for some of today’s movie.  So we’re talking about production values that are downright laughable by today’s standards.  The acting is nothing to brag about.  But it is sincere.  Buster Crabbe sells it with all his heart.  When he’s up there on screen he convinces you that he’s in the deadliest of peril even while fighting the most obvious rubber octopus in the history of movies.  And the rest of the cast follow suit.  Especially John Lipson as Vultan who I was afraid would belly laugh himself a hernia, that’s how much he’s enjoying playing the Falstaffian King of The Hawkmen.
Jean Rogers as Dale Arden is kinda blah, even for this material.  She mostly just stands around looking gorgeous in her flowing, gossamer robes.  Mongo must really be hard up for women since everybody who meets Dale wants to marry her.  Her contribution to the story consists of either fainting or screaming at least once every chapter.  I gotta give her props, though.  Not many actresses even today could give so many inflections to one line; “What have you done with Flash?” which is usually all she gets to say.
Princess Aura is much more fun to watch as she’s the real woman of action here.  She’s always pulling a ray gun on someone, even on her own father to rescue Flash.  Something she does a surprising number of times.  There’s even a scene where Aura tells Dale that if Dale really cared about Flash, she’d do something and not just stand there cramming her fist in her mouth to hold back yet another scream.  Whenever she hears Flash has been captured yet again, Aura grabs  the nearest ray gun, holds up her dress so as not to trip and runs off in her marvelously high heels to save him.
Frank Shannon is amazing as Dr. Hans Zarkov, one of the greatest Mad Scientists in fiction.  There’s a scene in the spaceship that made me laugh out loud:  Our Heroes are heading for Mongo when Flash asks Zarkov if he’s ever done this before.  Zarkov admits that he hasn’t but he’s tested with models.  “What happened to them?” Flash asks.  “They never came back,” Zarkov sheepishly admits.  If you watch this serial, check out the expression on Flash’s face.  Priceless.
And while I’m sure that Mr. Crabbe didn’t mind having to wear shorts through the whole production, I would think Frank Shannon and Richard Alexander did since they don’t have the legs to pull that look off.  At least Charles Middleton didn’t have to.  He doesn’t have the fabulous wardrobe Max Von Sydow sported in the 1980 movie but he does have the sufficient gravitas to make us take Ming seriously.  Flash Gordon vs Ming The Merciless is one of the most celebrated hero/villain pairings in heroic fiction and I believe it’s largely due to the work Mr. Crabbe and Mr. Middleton do in this serial as well as the two sequels.  They are never less than convincing and in their best moments they make us forget the cheapness of the production.
So should you see the 1936 serial version of FLASH GORDON?  It depends.  Are you just looking for a casual Friday or Saturday night movie? Then  go Netflix the 1980 version starring Sam J. Jones as Flash and Max Von Sydow as Ming with the absolutely kickass Queen soundtrack.
But if you consider yourself a student of pulp fiction, of heroic fiction in film, of the cliffhanger serial or of the science fiction movie genre or of just plain movies then I say that there is no way you can call yourself a student of any/all those genres and not watch the 1936 FLASH GORDON at least once.  It’s the great-grandfather of 90% of filmic space opera that came after it and need I remind you that the major reason George Lucas created “Star Wars” is because he couldn’t get the rights to do FLASH GORDON, which is really what he wanted to do.  If things had turned out different we might have been watching Flash Gordon, Prince Thun and Prince Barin wielding those lightsabers.
Ideally you should do it the right way and watch one chapter a week on Saturday to get the real effect of watching Saturday morning cliffhangers but I’m a greedy bastard and watched it all in one day with 15 minutes breaks in between.  No, it’s not the same but I kinda think that after the first two of three chapters, you’re gonna keep watching.
Taken as a cultural artifact it is a superior example of a style of film storytelling that isn’t done anymore.  As a gateway drug into pulp in general and as cliffhanger serials in particular, there are few better examples than FLASH GORDON.  Load it up on Netflix and enjoy.
FLASH GORDON has no rating but be advised that it is a culturally and racial insensitive movie by our standard today.  If you’re willing to overlook that and understand it was made in a less socially enlightened time, fine.  If not, give it a pass.
245 minutes (13 Episodes)

DOWNLOADS, DETECTIVES, AND DOC FROM RADIO ARCHIVES!!

  • News
  • June 17, 2011


June 17, 2011

Get Your First Digital Download from RadioArchives.com for Just 99 Cents!

* Download Detective Adventures with Philip Marlowe
* Just Released: Orson Welles in The Lives of Harry Lime, Volume 3
* Now Available: Doc Savage in Python Isle Audiobook
* In the Treasure Chest This Week
* New in Pulp Fiction: Doc Savage Volume 48 and The Shadow Volume 49
* New: Hollywood Classics in The Lux Radio Theatre, Volume 2
Download Detective Adventures with Philip Marlowe

His name is synonymous with classic detective fiction. Whether on the silver screen or on the air, Philip Marlowe personifies everything we know and love about the gumshoes of the 1940s: the snap brim fedora, the seedy office, the mean streets of Los Angeles, and a hard working detective just trying to make an honest living without getting punched or shot down in cold blood.

“The Adventures of Philip Marlowe” is a classic in the grand tradition of dramatic radio entertainment – and now, to introduce you to the New Digital Downloads available from RadioArchives.com, twelve of Marlowe’s most exciting cases can be yours to download – for Just 99 Cents!

Visit RadioArchives.com today and, to the right on our home page, look for the graphic that will take you directly to “The Adventures of Philip Marlowe, Volume 3”. Place your order, pay Just 99 Cents and, within minutes, you’ll be enjoying edge of your seat thrills from this detective classic, playable on your home computer or on your favorite portable device.

In the weeks to come, be sure to visit the Digital Downloads page at RadioArchives.com often to see what’s new. Whether it’s detective action with Philip Marlowe, the star-studded motion picture classics of “The Lux Radio Theatre”, or “The Adventures of Doc Savage”, you’ll find great audio entertainment waiting for you with Digital Downloads from RadioArchives.com!Just Released: Orson Welles in The Lives of Harry Lime, Volume 3

For film buffs, it’s a memorable image: Harry Lime – criminal, thief, and black market racketeer – has been killed by a runaway car in the ravaged streets of postwar Vienna. But suddenly, out of the darkness of a moonlit night, a stray spotlight happens upon a doorway – and there he is: Harry Lime, in the flesh, alive…and smiling.

“The Third Man” is a film noir classic, combining a stellar cast, an intriguing story, and images of a once glamorous European city damaged by war, greed, and intrigue. Though brief, Orson Welles performance as Harry Lime remains one of the most memorable characterizations in his long and varied career. Luckily, for fans of audio entertainment, Welles revisited his role in “The Lives of Harry Lime”, a radio series that recounted the adventures of this memorable scoundrel in a series of tongue in cheek adventures that remain some of the best and most imaginative programs ever produced for radio.

In “The Lives of Harry Lime, Volume 3”, RadioArchives.com brings you ten more light-hearted and colorful tales of crime and criminals starring the legendary Orson Welles. Available as a five-CD audio collection for just $14.98 or a five-hour digital download for just $9.98, these fascinating programs have been transferred directly from original transcriptions and fully restored for sparkling audio fidelity. Visit RadioArchives.com and pick up your copy right away!

Python Isle Audiobook

Now Available: Doc Savage in
For over eighty years, the name Doc Savage has meant thrills and excitement to millions of readers worldwide. Now, for the very first time, the Man of Bronze comes to vivid life in “Python Isle”, the first audiobook adventure from RadioArchives.com!

In “Python Isle”, a long-lost pioneer flyer returns to civilization accompanied by an exotic woman who speaks in a lost tongue. From his towering skyscraper headquarters in New York, through a dangerous Zeppelin journey to Cape Town, climaxing on a serpent-haunted island in the forbidden reaches of the Indian Ocean, Doc Savage and his iron comrades race to untangle a weird puzzle so deep that the only clues can be found in the Bible!

Written by Will Murray and produced and directed by Roger Rittner – the same team that brought you “The Adventures of Doc Savage” radio series – “Python Isle” features dramatic narration by Michael McConnohie, cover art by Joe DeVito, and two exclusive interviews with Will Murray on the history of Doc Savage and the discovery of author Lester Dent’s long lost manuscripts.

“Python Isle”, the first in a new series of unabridged audiobooks from RadioArchives.com, is available now as an eight audio CD set, priced at just $25.98, or as a digital download for just $17.98. In the weeks to come, be sure to visit RadioArchives.com often for more exciting audiobook adventures featuring the top heroes of pulp fiction, including The Spider, Secret Agent X, and many, many more. If you’re looking for adventure, excitement, and suspense, you’ll find it on “Python Isle”, available now from RadioArchives.com!

In the Treasure Chest This Week

If you subscribe to our newsletter, you’re certainly familiar with the Treasure Chest Bonus deals that are available to you every day at RadioArchives.com. But what you may not know is that, each week, from Friday thru Monday, you’ll find our newest compact disc collection offered at an amazingly low bargain price. That’s right: our brand new collection of classic radio shows, priced so low that you’ll find it almost impossible to resist. Of course, for fans of pulp fiction, books, or other entertainment, the Treasure Chest offers you great deals as well – and, since these deals change on a regular basis, you’ll want to visit RadioArchives.com often and see what’s waiting for you. Here, for example, are the bargains you’ll find waiting for you this week:* Today through Monday June 20th, you can get our newest CD set – “The Lives of Harry Lime, Volume 3”, a $14.98 value – for Just 99 Cents when you submit an order of $35.00 or more.

* On Tuesday June 21st, pulp fiction’s legendary Knight of Darkness returns in “The Shadow Volume 14”, featuring two classic stories from pulp fiction’s Golden Age: “The Grove of Doom” and “The Masked Lady”. This beautifully reformatted double-novel reprint is normally priced at $12.95 – but you can enjoy these two exciting adventures for Just 99 Cents when you submit an order of $35.00 or more.

* On Wednesday June 22nd and Thursday June 23rd, Richard Kollmar stars in “Boston Blackie, Volume 1”, a ten-CD collection featuring twenty exciting detective adventures. This audio compact disc collection normally sells for $29.98 – but, for one day only, it can be yours for Just 99 Cents when you submit an order of $35.00 or more.Make it a habit to visit RadioArchives.com often and see what’s waiting for you in the Treasure Chest. You’ll find a deal we know you won’t want to miss!
New in Pulp Fiction: Doc Savage Volume 48 and The Shadow Volume 49
If you just can’t get enough of the page-turning adventures of the great pulp heroes, stop by RadioArchives.com today for two new double novel pulp reprints:In “Doc Savage Volume 48”, priced at just $14.95, you’ll thrill to the classic adventures of the Man of Bronze in two original novels by Lester Dent, writing as Kenneth Robeson. First, what is the bizarre connection between the appearance of “Red Snow” and the disappearance of a United States senator? Our national security may depend on Doc Savage’s discovery of the sinister secret! Then, in “Death Had Yellow Eyes”, Monk Mayfair is abducted while the Man of Bronze is framed for bank robbery and murder. This classic pulp reprint is available in two editions: one features the original color pulp covers by Walter M. Baumhofer and Modest Stein, while the alternate edition features an impressive painting by Bantam artist James Bama. Both feature Paul Orban’s classic interior illustrations and historical commentary by historian Will Murray.

Next, the radio origins of the Knight of Darkness are showcased in “The Shadow Volume 49”, priced at just $14.95 and featuring two classic pulp novels by Walter Gibson, writing as Maxwell Grant. First, the Dark Avenger teams with Secret Service agent Vic Marquette to investigate a far-reaching counterfeiting ring in “The Shadow Laughs!”, the landmark novel that introduced the real Lamont Cranston. Then, how can The Shadow prove that an innocent man is not a murderer when several witnesses have identified the young man as the “Voice of Death”? This instant collector’s item features the original color pulp covers by Jerome Rozen and Graves Gladney, classic interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular-culture historians Will Murray and Anthony Tollin.

There’s nothing like the action and excitement you’ll get from a great pulp fiction adventure story. Visit RadioArchives.com and browse our extensive array of pulp classics right away.New: Hollywood Classics in The Lux Radio Theatre, Volume 2

During radio’s Golden Age, many dramatic programs capitalized on the tinsel and glamour of Hollywood – but none was more successful or legendary than “The Lux Radio Theatre”. Hosted by pioneer director Cecil B. DeMille, the show was a weekly habit for millions of avid listeners who tuned in to hear their favorite screen stars in hour-long adaptations of their recent film successes.

Star studded and lavishly produced, “The Lux Radio Theatre” remains a stylish part of both radio and motion picture entertainment – and, in a second collection of original programs, RadioArchives.com brings you six fully restored broadcasts featuring such superstars as Errol Flynn, Miriam Hopkins, Leslie Howard, and Olivia DeHavilland. Hearing them is just like taking a trip back to the 1930s and spending an evening at a glittering movie palace.

If you’re a movie or radio buff, you’ll love “The Lux Radio Theatre, Volume 2”. Available as a six audio CD set for just $17.98 or as a digital download for just $11.98, be sure to stop by RadioArchives.com and order your copy right away!

We’d love to hear from you! Send an e-mail to wlmailhtml:{644E46D6-5320-46BA-B54B-03E16FFA582F}mid://00000118/!x-usc:mailto:Service@RadioArchives.com or call us toll free at 800-886-0551 with your comments, questions, or suggestions.

Listen to this Newsletter!

Sit back, relax, and enjoy this newsletter as an Audio Podcast! Click anywhere in the colorful banner at the top and you’ll automatically hear the Radio Archives Newsletter, enhanced with narration, music, and clips from our latest compact disc collections! This audio version of our regular newsletter is a pleasant and convenient way to hear all about our latest CD sets, as well as the newest pulp fiction reprints, special offers, and much, much more!

Kermit Leaves Muppets for the Green Lantern Corps?

  • News
  • June 16, 2011

One look at this pic and we had to drop everything and post this.

Everything is pointing to the forthcoming Muppet movie as a return to its roots as a genuinely funny film without resorting to crudity or nudity, just their patented absurdity. The picture was accompanied by the following note:

Hi ho! Kermit the Frog here!  I sure hope you enjoy this “Being Green” trailer…and our other parody trailers—“Green with Envy” “Fuzzy Pack”.  Now,  after much ado—and Miss Piggy’s insistence that she get final cut—we’re finally ready for the world premiere of the official trailer for our upcoming movie, “The Muppets”.  You can watch it everywhere on Monday June 20th at 8 am Pacific Time.  Be sure not to miss it! – Amphibiously yours, Kermit The Frog

The November 23 release will star Kermit the Frog, Miss Piggy, Fozzie Bear, Gonzo, Animal, Jason Segel, Amy Adams, Chris Cooper and Walter. Directed by James Bobin from a script by Jason Segel and Nicholas Stoller, the movie will be the first Muppet feature in 11 years and probably the first funny one in closer to two decades.

The official synopsis:

On vacation in Los Angeles, Walter, the world’s biggest Muppet fan, and his friends Gary (Jason Segel) and Mary (Amy Adams) from Smalltown, USA, discover the nefarious plan of oilman Tex Richman (Chris Cooper) to raze the Muppet Theater and drill for the oil recently discovered beneath the Muppets’ former stomping grounds. To stage The Greatest Muppet Telethon Ever and raise the $10 million needed to save the theater, Walter, Mary and Gary help Kermit reunite the Muppets, who have all gone their separate ways: Fozzie now performs with a Reno casino tribute band called the Moopets, Miss Piggy is a plus-size fashion editor at Vogue Paris, Animal is in a Santa Barbara clinic for anger management, and Gonzo is a high-powered plumbing magnate.

Ryan Reynolds Slips Into Green Lantern

This week, DC steps into the Box Office arena with the movie debut of one of their most iconic characters – GREEN LANTERN.  Can Ryan Reynolds hold his own against THOR and X-MEN? We talk to him about the pressures in doing the role, plus what it was like to NOT wear that suit. And would you like to be in a super hero film? Grab a ticket to Cleveland (or Pittsburgh) and you just might be!

Can GREEN LANTERN make it as a film, or is it too “CGI heavy”?  Drop us a comment below!

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks