Tagged: movie

Review: ‘The Burning Plain’ on Blu-ray

19889-burningplain3dhirzrgb2-7330555Screenwriter Guillermo Arriaga ([[[21 Grams]]], [[[Babel]]]) was determined to take greater control over his stories by directing and made his debut in the well-intentioned [[[The Burning Plain]]]. The movie, out now on DVD from Magnolia Home Entertainment, played at various festivals before receiving an unsuccessful theatrical release. Starring Charlize Theron and Kim Basinger, the movie is told in Arriaga’s patented nonlinear manner, but keeps us at arm’s distance from the characters.

In short, the story is told in three parallel timelines that eventually begin to converge. Basinger plays Gina, an unhappy mother who is having an affair with Nick (Joaquim de Almeida) and doing a poor job of hiding it from her eldest daughter, Mariana (Jennifer Lawrence). In attempting to keep her family together, Mariana trails them to the trailer they use for their trysts, setting the gas line on fire, hoping to flush them out. Things don’t go well and later, at the funeral for the former lovers, Mariana catches the eye of Nick’s oldest, Santiago (Danny Pino) and the two teens begin an affair.

Years later, Mariana now calls herself Sylvia (Theron) and is a self-destructive, near-suicidal restaurateur in Portland. Her precarious life is thrown into turmoil when the daughter she abandoned is brought to her after Santiago is injured in a crop dusting accident.

Structurally, the movie is well crafted and fascinating to see things fall into place. On the other hand, because two of the three timelines are close in setting, there needed to be more visual cues which storyline we were watching. This is a strong drama about people engaging in happy pursuits but none take any pleasure in their acts and guilt is an overriding undercurrent to all the major players.

The greatest failing, though, is to explore any of the characters. Why was Nick so attractive Gina couldn’t resist? Why was Gina so unhappy at home? What prompted Mariana/Sylvia to abandon Santiago and her daughter? All the characters are there but none of them are deeply written to allow us to really feel for them.

This is a shame because the three main women – Theron, Basinger, and Lawrence – give riveting performances.  In fact, Lawrence justly earned the Marcello Mastroianni prize, for the best young emerging actor/actress at the Venice Film Festival. You want to know more about them, their worlds, and what drives them all but Arriaga lets us and them down. The film is rounded out with many other familiar faces in smaller roles including John Corbett, Robin Tunney, Rachel Ticotin, and Brett Cullen.

Beautifully photographed, it features a haunting soundtrack from Omar Rodríguez-López and Hans Zimmer. All the elements were there for a stronger film.

The Blu-ray comes complete with a 43 minute Making Of featurette where Arriaga goes to great pains to introduce us to all the major players behind the camera. Along the way, we see how the film was shot and the themes of earth, wind, fire, and water that he subtly assigned his characters. A 15 minute piece shows us the unusual collaboration between Rodríguez-López and Zimmer and there’s a four minute puff piece from HD Net.

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Review: ‘The Surrogates’ on Blu-ray

You have to admire Robert Venditti. He was working for Top Shelf, had an inspiration for a story examining how society could be changed if everyone used an avatar, a surrogate if you will, rather than interact with one another. Management loved the idea, bought the story and in 2005, The Surrogates
arrived.

You have to therefore be disappointed by the Jonathan Mostow-directed film version of the graphic novel, Surrogates, which fails to examine any of the fascinating ideas in detail, favoring a tired plot. The movie came and went fairly quickly in September 2009, garnering poor reviews and meager box office. In case you missed it, Touchstone Home Entertainment releases the home video version next week.

Staring Bruce Willis, Radha Mitchell, Rosamund Pike, Ving Rhames, and James Cromwell, one would have hoped for something deeper than what we were given. In a world we’re told has 98% of the population using surrogates — androids wirelessly connected to their human master – an unregistered surrogate is destroyed, killing its human, who turns out to be the son of the man who perfected the technology. Willis and Mitchell’s surrogates investigate and action ensures.

The graphic novel is set in 2054 while the film merely says fourteen years ago. Still, we know we’re in a near future and as imagined, little has changed except surrogates have filled the streets and subways and offices in lieu of real people. The nature of work and commerce seem unchanged. Leisure time is shown as merely an amped up version of today’s clubbing. In fact, it’s so much like today that one wonders if the surrogate program was a failure. After all, if surrogates are stronger, faster, more agile, and far more indestructible, that would change many things. Also, 98% of the world means the poor from other continents which in turn would change global politics.

Lots of great ideas, none of which are examined. Instead, you get hints of how surrogates are nothing like their hosts or idealized versions while people lie on special chairs, plugged in. We gain no knowledge of how that has changed people’s diet or health (one wonders about muscular atrophy, for example).

Willis’ surrogate is damaged early on and he’s forced to leave his apartment, including his wife who has retreated from reality in the wake of their son’s death years earlier. He’s disoriented at first, but he’s Bruce Willis and quickly adjusts so the investigation continues. His mission takes him the local enclave of those who reject surrogates, forced to live within a fenced portion of the city, where things are considerably less shiny.

In a brisk 89 minutes, Mostow favors action over substance, much as he did in [[[Terminator 3]]]. Everything is nice and shiny, well designed and things blow up real well. Unfortunately, the emotional heart and soul of the graphic novel has been excised.

The Blu-ray disc comes complete with four deleted scenes, including one that shows the surrogates’ prejudice towards a “meat bag” being among them. A great notion that should have been explored not dropped. There’s a 14 minute look at modern day robotics, A More Perfect You, showing how we’re well down the road towards building surrogates. A very brief feature interviews Venditti and Brett Weldele and talks about the graphic novel. A music video rounds things out.

Overall, a wasted cast and concept and a movie that can easily be dismissed.

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Marvel Unveils New Iron Man Armor

As the worlds of film and comics grow ever closer, Marvel this afternoon released this image of Iron Man’s new armor. If it looks awfully similar to the movie version of shellhead, that’s no doubt intentional. Ryan Meinerding, designer on the Iron Man and Thor films helped adapt the movie suit for comics and this debuts in April’s Invincible Iron Man #25.

The series, written by Matt Fraction, has been acclaimed to the point where director Jon Favreau had Fraction consult on the sequel, conveniently due out just weeks later. With a new storyline kicking off, the new mission requires a new kind of armor.

“The inspiration for the new design came from thinking about a sleeker, leaner, tougher Iron Man,” Fraction said in a Marvel press release. “If technology is increasingly getting smaller and lighter it seems like the Iron Man should do the same: ergonomic and aerodynamic. We were looking for something that felt as sleek and glossy as a sports car Tony Stark would covet.  I love what we’ve come up with. It feels like the next evolutionary step in the Iron Man’s design.”

‘Twilight Saga: Eclipse’ goes IMAX

It was almost inevitable.

The Twilight Saga: Eclipse, the third movie in Summit Entertainment’s adaptations of Stephenie Meyer’s Twilight books, will be released in IMAX theatres simultaneously with the movie’s nationwide release on June 30, 2010. The first Twilight movie to be released in IMAX theatres, IMAX Corporation and Summit Entertainment will digitally re-master Eclipse to enhance both the image and sound quality. Eclipse once again stars Kristen Stewart, Robert Pattinson and Taylor Lautner.

The interesting question: for how long? New Moon had a huge opening and didn’t last long, so it will only stay in IMAX for two weeks, then be replaced on July 16th by Christopher Nolan’s Inception.

Review: ‘X-Men Origins: Wolverine’ on Blu-ray

wolverine-blu-ray-2243133X-Men Origins: Wolverine kicked off the summer season and much of the film review that follows originally appeared on my blog. This past week, 20th Century Fox Home Entertainment released the movie on DVD and Blu-ray, both containing a digital copy as has become standard these days. Since his introduction in 1974 through 2000, people were fascinated by Wolverine. He was a feral, edgy character at a time few other costumed crime fighters were. There was a tragic element to him since he could not recall his past. Through the years, writers teased us with bits and pieces about him, letting us know he was long-lived and had gotten around. But, just where did this Canadian come from?

After the success of [[[X-Men]]] in 2000, it became apparent there would be other mutant movies and the issue of Logan’s origin was no doubt going to be addressed. In 2001, Bill Jemas said the time had come to tell the origin. Better Marvel control the origin elements rather than some unfamiliar screenwriter so in many ways, his miniseries, [[[Origin]]], was a pre-emptive strike. And maybe it was just time.

The Paul Jenkins version beat out several others and became the one Andy Kubert drew in his gorgeous style. This is now the origin, like it or not, that every licensee is obligated to follow. All of this sets the stage for X-Men Origins: Wolverine, a solo project that invited movie audiences to see where Logan came from and how he had his skeleton covered in adamantium.

Good thing there was a roadmap to follow because the changes from the comic showed that in other hands, telling his origin could be disastrous. Far too little is spent setting up James Howlett’s life in Canada before his claws first popped out. The family dynamic is given such short shrift that it felt sketched rather than written. I was particularly bothered by the decision to make Howlett and Victor Creed brothers, an unnecessary and overused Hollywood trope.  Yes, Sabretooth is Wolverine’s great comic book nemesis but he had nothing to do with the origins and shoe-horning him here doesn’t fit.

We know they’re both mutants, both feral in nature, something not well explored by the script. The title sequence successfully shows us how they stayed together, reached adulthood and seemingly stopped aging, but continued to sate their natures by going from war to war. Why they left Canada for America is unexplained nor are we properly shown how they began drifting apart and why Victor relished fighting while James had more of a conscience.  Had the movie taken the opening montage and really delved into his origin, we would have had a more dramatic character-driven origin rather than this testosterone-fueled film overstuffed with extraneous mutants.

James and Victor wound up as part of mutant military brigade under the command of William Stryker. We get to see some mostly familiar mutants including Wade Wilson, whose jabbering was perfect. Anyway, James reached his limit with the squad’s brutality and walked on them, and his brother. In the intervening six years, he found a quiet job as a lumberjack along with the love of a good woman, Kayla Silverfox, until his past came back to haunt him.

Stryker has manipulated James so he agrees to undergo the transformation into a living weapon. A military reason for the Weapon X program as opposed to the evil scientific cabal is another Hollywood cliché that was irritating and Stryker as the mastermind never seemed smart enough or motivated enough to be a real threat.

Bonded to adamantium, James Howlett has now rejected his past, adopting the name Logan and the codename Wolverine (the animal name came from that other Hollywood touch, a story told by his lover in the scene before she is killed). Now seeking Creed, who killed Kayla under Stryker’s command, the second half of the film becomes a revenge tale. (more…)

Eating Your Favorite Film in Brooklyn

If you’ve ever craved cupcakes while watching your favorite movie or set out a themed feast for an afternoon with friends, or just happen to be in Brooklyn for today’s Brooklyn Book Festival, you should meet Daniellan Louie. She got her start baking confections for her friends and family and, in 2006, she opened Ivy Bakery. Now she has a menu with over 300 items, which she makes from scratch herself, specializes in custom orders, and has a list of many impressive clients including Marvel Comics, Columbia Pictures, and the Tribeca Film Festival.

I first ran across mention of Ivy Bakery on Twitter when some friends were tweeting about Princess Bride-themed cupcakes. Since then, I have been following the bakery on Twitter for daily updates on what she is baking ( today’s offerings include: “Red Velvet Cake with Vanilla Buttercream shaped like Kingdom of Hearts Key” ). I know that many people in fandom have dietary restrictions, and may be lamenting the lack of cupcakes in their lives, but Ivy Bakery also has many gluten-free, dairy free, vegan, and sugar free items as well as the traditional ones. I recently had a chance to ask Daniellan Louie a few questions about Ivy Bakery, and especially about her awesome movie-themed cupcakes – which she decorates by hand!

What movie-themed cupcakes have you made in the past?
I
just started making the movie-themed cupcakes this summer, but have
made many cakes related to movie/tv characters. The movie cupcake
collection currently consists of The Breakfast Club, Twilight, and The
Princess Bride, the next set coming in the fall will be The Little
Mermaid. I put a pause on the work because it’s been a very slow and
rough summer. I’ve also done characters like Yoda from Star Wars and
would definitely like to do several sets on popular Sci-Fi movies like
Back To The Future, Ghostbusters, Harry Potter.

If you were to make movie themed cupcakes just for yourself, what movie would you choose?
Hmmm,
one of them would be The Princess Bride, but I already made that. For
myself I’d actually be more interested in doing Mario Brothers theme or
classic video games from the past.

If you haven’t yet, would you ever do a Lord of the Rings trilogy triple batch of themed cupcakes?
Definitely,
I haven’t made them yet, but it’s on the to do list, along with Star
Wars, Twilight Series & the Harry Potter Series

Of all the themed items you have made, what was your favorite?
It
would probably be the first Twilight movie. I think the cupcakes came
out very well, I did a double batch with 24 cupcakes since there were
so many characters.

I saw on your site that you had a Pac-Man themed cake. Do you get a lot of 80’s pop-culture nostalgia orders?

I
do, the Pac-Man cake was one of my favorites to make. I’ve also done
Mario Brothers, Sesame Street and a few others that I can’t quite
remember off the top of my head.

 Anime and Manga are very big right now. Have you ever made a cake based on one?
I
haven’t yet, but it’s only a matter of time. I have a friend who
actually draws a lot of Anime and I’m always saying how we should get
together and do cupcakes or cake designs. It would be fun to do a
Sailor Moon cupcake set, I’m not sure if that’s cool or in, but I
remember watching that when I was younger.

Your client list
is impressive! I’m sure our readers are most interested in the fact
that you have baked for Marvel. Can you tell us what you made for them?

Ahh,
Marvel, I’ve never done any custom designs for them, it was all just
corporate orders, cupcakes, cookies, brownies for the office. But if I
was ever approached to do something I would love to. My friend who used
to work at Marvel suggested I do a set of Marvel/DC Logos for the
different heros and villians.

Have you ever catered for a Science Fiction convention?
No, I haven’t, but I would love to, it would be a lot of fun I bet.

I love following your Twitter feed of what you are baking throughout
the day! Most bakeries don’t seem to be online.  Has your internet
presence made a difference for your business?

Definitely, I like
to keep up to date with what’s going on with pop culture in terms of
technology and the net. If everyone is on Facebook, Ivy Bakery has to
be on Facebook, same with Twitter and all the other networking sites.
Twitter has gotten me a number of new customers and exposure throughout
the country. I have so many people asking about my sweets from other
states and wishing that I was closer to them that I would love to go on
a baking tour and bake for anyone who wanted me to. All I need now is a
sponsor.

Review: ‘I Sell the Dead’

Are you looking to round out your Summer with a campy “horror” movie? Look no further than [[[I Sell the Dead]]]. This amusing film, written and directed by Glenn McQuaid, follows the recollections of a young grave robber named Arthur Blake (Dominic Monaghan) on the eve of his execution.

Set in 18th century England (some of our group thought Ireland), the general campy tone of the movie is hinted to early on when Father Duffy (Ron Perlman) is on his way to hear Blake’s confessions and passes what appears to be the skeletal remains of a chihuahua in the dungeon. In recounting how he became a grave robber, we are treated to humorous flashbacks of how Blake became a grave robber and, later, a “ghoul” – one who acquired and sells the undead. We soon discover that Blake and his grave robbing partner, Willie Grimes (Larry Fessenden) are up against a rival gang of brutal ghouls who are happy to use any means necessary to get their hands on the undead.

The film is chock-full of vibrant (and often drunk) characters. It is also well-stocked with monsters and over-abundant artificial fog somewhat reminiscent of classic campy horror films. I Sell the Dead does not fail to deliver the laughs they seem to be aiming for. The film also uses a very stylized method for changing scenes, wherein the end of a scene goes still and is then inked over to have the look of a scene from an old pulp comic. If you are looking for a modern, action-packed horror movie with a lot of shock and gore, this is not the film for you. Fans of Dominic Monaghan will enjoy getting to see him on screen again, and his comic timing is excellent as always. Those who prefer classic horror films or who want a break from the ordinary will find I Sell the Dead clever and amusing. If you are planning to see a fun and different flick with a group of friends, check this one out!

A reply from Imagi about ‘Astro Boy’

astro-boy-media1-11-7264049

imagi-reply1-6557076With regards to the recent C&D letter from Imagi’s lawyers, we’ve received the following:

August 4, 2009

Mr. Glenn Hauman
ComicMix.com

Dear Glenn:

Imagi Studios apologizes for any misunderstanding or inconvenience caused by the legal letter of July 29 regarding the image posted with your story about Astro Boy. This letter, which truly resulted from a miscommunication, was sent in error, and is hereby retracted. We thank you in advance for your understanding.

We would only like to point out that the image which appeared on your site is not from the movie as it is early concept art, and therefore we would greatly appreciate it if you could replace this image with one of the new stills from the Astro Boy movie, which are attached herewith.

Imagi Studios prides itself on being collaborative with the media by providing images as well as access to filmmakers and executives, and we hope to further our relationship with you in this way as well. We would also like to express our warm appreciation of your support and that of ComicMix.com to date, and we look forward to sharing updates on Astro Boy and future projects with you and the ComicMix community.

Best regards,

Erin Corbett
President, IMAGI STUDIOS U.S. & Chief Marketing Officer Worldwide

Erin, your apology is accepted. We’ve restored the articles to the site, and while we won’t replace the image, lest we be accused of histroical revisionism, we’re happy to make an annotation to the article indicating it’s early art and share the newer images with the rest of the world– starting with the one above, which I think is one we haven’t seen before.

#SDCC: Astro Boy Panel

astroboy-cgi-1-6729055A new CG-animated version of the classic manga and anime, “Astro Boy,” created by the “god of manga,” Osamu Tezuka in the 1950’s, debuted clips at Comic-Con 2009. This seminal work about a heroic boy robot was a generation’s first exposure to the Japanese art form when it aired in the U.S. in the 60’s, and is set to hopefully gain a whole new audience.

Director David Bowers, producer Maryann Garger, and stars Freddie
Highmore (Astro) and Kristen Bell (Cora) were there to answer audience questions.

Deb Aoki tweets from the panel:

  • Very
    nice clips from astro boy — saw at least 3 nods to tezuka in the first
    clip
  • Director david bowers: “macoto tezuka will be doing voice of the tezuka character in the japanese version of astro boy movie”
  • Also announced: Samuel l. Jackson, a.k.a. Mr. Comic-con is the voice of zog the junkyard robot in astro boy
  • Actually, this
    was the most positive, enthusiastic response to an astro boy movie
    preview that I’ve seen they’ve started to promo it
  • Nicolas cage,
    the voice of dr. Tenma was not at astro boy movie panel, but was
    described as a passionate Anime & manga fan. 

According to IGN news, Charlize Theron will also be voicing a character in the film.

USA Today has an article about the film, with lots of images.

(UPDATE 8/5: The artwork is early concept art for the movie, newer images (and a bit of an explanation) can be found here.)