Tagged: movie

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Play MSTie for me? Sort of.

had_sm-1957154Three of the good folks behind Mystery Science Theater 3000 – Kevin Murphy, Bill Corbett and Mike Nelson – have done some work in various media as The Film Crew. On July 10th,  they’ll be reuniting for a series of D2DVDs distributed by the Shout! Factory label.

According to the official MST3K news site Satellite News, here’s the premise: Determined to provide a commentary track for every movie, the guys settle into the dank basement of an office building, where, each day, their boss, entertainment mogul Bob Honcho, calls them on speakerphone and tells them which bad movie they will riff. There’ll be breaks in the riffing action for sketches and, best of all, no worries about whether they can eat and breathe!

kfs_sm-4330721First up from The Film Crew: Hollywood After Dark, the 1968 blockbuster starring Rue McClannahan, later of Golden Girls fame. Warning for the prudes and the peculiar: Rue’s got a strip scene. Three more "episodes" are in the can and will be released in upcoming months:  Giant of Marathon (1959, starring Steve Reeves), Killers from Space (1954, starring Peter Graves) and The Wild Women of Wongo (1958).

Retail price will be $19.99.

Spider-Man 3 $$$?

Congratulations may or may not be in order for Spider-Man 3, depending upon how you feel about Hollywood budgets.  According to Radar Online, the upcoming webcrawler sequel is on track to be the most expensive movie of all time. "Industry insiders claim that Sony spent $350 million or more on production alone," writes Radar’s Kim Masters.  "With marketing and promotion factored in, the total price tag will approach a half billion dollars."

That’s at least double what the financial fiasco Cleopatra cost, even adjusted to today’s dollars. Sony is hotly denying the numbers, but producer Laura Ziskin does admit it was pretty dear. "I refuse to say the [real] number because it makes me choke. Spider-Man 3 was a super-expensive movie — the most expensive film we’ve ever made. But there’s no way you can get to $300 million."  Certainly not without choking.

 

JOHN OSTRANDER: Perverse Pleasures

c86650lf4qn-8422755We all know what a “guilty pleasure” is – some movie, book, song, whatever that we are ashamed to say we actually like – nay, sometimes love. While we may be embarrassed by our affection we should, at the very least, be able to claim, “Well, anyway, I like it.” Even if nobody else does. I have my list of those and I suspect you do as well.

This is not the same as the strange, little known things that you love that are, in fact, pretty good. I have my list of those things also and it might be useful to talk about these odd delights at some other time.

Neither of the above are the same as what I call my “perverse pleasures.” I’m not talking about sexual kinks and peccadilloes. I’m talking about music, books, movies and so on that I know, in fact, are awful and that I don’t like but feel a weird compulsion to own them anyway.

On to confession.

The first item is Pat Boone’s 1997 CD In a Metal Mood; No More Mr. Nice Guy wherein the King of White Bread Music decides to do his covers of Heavy Metal songs. We’re talking songs such as Stairway to Heaven, Smoke on the Water, Love Hurts, Enter Sandman and plenty of others. Oh, my ears! He doesn’t do them as Heavy Metal, of course; his arrangements turns them into Big Band tunes. When Mr. Boone sings, he’s usually off the rhythm, flat, or just speaks the lyrics. I have yet to get through a complete cut.

This is completed with a cover shot of the aging Mr. Boone in leather pants, leather vest, and no shirt, fixing the buyer with a steely stare that defies said buyer not to purchase the CD. I, of course, succumbed.

To top it all off, I was doing a guest shot on my friend Bill Nutt’s radio show, The Nutt House, on WNTI. I decided to play a cut of the CD on his show. Hey, they’re not my ratings. My better half, the lovely and talented Mary Mitchell, was listening in. I should explain that Mary is a heavy metal fan. Most people wouldn’t suspect it to look at her but she’s pretty knowledgeable and has her criterion: a good heavy metal band should look and sound like trolls. Pat Boone comes nowhere near that ideal.

Mary asked me what was on my mind to play that track. I explained that none of us at the radio station actually listened to it; we turned off the monitors about thirty seconds into the song so we didn’t have to listen to it. I think that’s where I lost Mary as a regular listener to my radio hijinks. She did listen to the track all the way through.

This is one of my definitions of love – despite having trick-bagged her into listening to something that I couldn’t, she still cares about me.

If Mary hasn’t found the CD, I probably still have it around somewhere.

Wandering over to the DVD section, I find my copy of Barb Wire. I knew the Dark Horse comic on which the movie was based and stumbled on the movie starring Pamela Lee Anderson while channel surfing late one night. I, like millions of Americans, ignored it in its theatrical release but I thought it was worth pausing long enough to see if Pam popped out of whatever she was wearing. It was late night and my standards of viewing are pretty low after midnight. (more…)

Grindhouse to amoeba?

10m-3779307Grindhouse executive producer Harvey Weinstein has been on a spree explaining why the movie  tanked last weekend. Without revealing the fact that the reviews and word-of-mouth generally noted people’s tastes running towards one of the two movies on the double bill and against the other – with little consensus on which is better – Weinstein said the three hour running time was a major deterrent to sales. Certainly, film exhibitors agree.

So he’s floating a trial balloon. He’s "thinking" about rereleasing Grindhouse as two individual movies: Robert Rodriquez’s  Planet Terror and Quentin Tarantino’s Death Proof. That should do wonders for this weekend’s box office.

But here’s Weinstein’s dirty little secret: when they made Planet Terror and Death Proof, extra footage was shot. Yeah, that’s always the case. But in the case of these two movies, a lot of extra footage was shot. Enough to add at least 20 minutes to each movie. The plan, of course, was to release "extended versions" on DVD and to seperate the movies for some overseas audiences. Now, it looks like these extra 40 minutes (give or take) is becoming Plan B.

Thus making Grindhouse ironically the longest trailer ever released.

You can listen to Matt Raub’s review on today’s ComicMix Podcast (below) or do a search for his ComicMix print review, which we ran last week.

Spidey 3 gets sneaked for MySpace members

MySpace will host a "Black Curtain Screening" for Spider-Man 3 on April 30, 2007, exclusively for its members, several days prior to Sony’s release of the movie on May 4.  Where the screening will be held is entirely up to MySpace members, who can cast their vote now for one of ten cities at http://www.myspace.com/blackcurtain . The choices are Cleveland, OH; Cincinnati, OH; Honolulu, HI; Indianapolis, IN; Kansas City, MO; Louisville, KY; Salt Lake City, UT; San Jose, CA; Savannah, GA; Tampa/St. Petersburg, FL.

And their continued assault on ComicSpace continues…

Honolulu?

 

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More 300 views

300thumb-3140836You know something’s become a cultural phenomenon when it’s used as a springboard for humor pieces, on the assumption that viewers and readers will "get it" because the source material has become firmly embedded in our collective consciousness.  So it was with great amusement that I read Dr. PZ Myers’ take on 300 wherein he reveals that the movie is really about "a retelling of the creation-evolution struggle!" Next up, his similar interpretation of Grindhouse!

On a more serious note is artist Chris Weston’s I Hate 300 analysis, in which he pulls no punches in finding the movie "the most racist, homophobic and conservative film that I’ve ever had the misfortune to endure."  Weston later confesses that it took him about a week to get over the experience, so for good or ill the movie seems to be making quite an impact.

Another comic book movie for Nic Cage

sadhu-8957790AP is reporting that Nicolas Cage has signed to star in the movie adaptation of the Virgin comic The Sadhu.  The movie’s script will be written by self-help maven Deepak Chopra, the father of Virgin’s chief creative officer Gotham Chopra, and is slated to be directed by Indian filmmaker Shekhar Kapur (The Four Feathers).

Chopra the younger says, "Our goal is to start filming in India in early 2008," and explains a little about the title.  "The sadhu is an iconic character. He is an Indian equivalent of the samurai. He is the spiritual warrior of the mind."

No word on whether flaming heads or motorcycles will be involved.

Edward Gorey Movies

According to The Hollywood Reporter, the work of everyone’s favorite creepy cartoonist, Edward Gorey, will be made into a movie. The project is being developed by Walden Media (the people who brought you the Narnia movie), the Jim Henson Company, and Fox 3000. 

Brad Peyton will direct from a script written by Matthew Huffman.

It’s hard to come up with a creature that you’ve never seen before in any medium, and he’s a unique little creation who is very appealing without being cute or cloying," Jim Henson Co. co-CEO Lisa Henson said. "He’s sophisticated yet simple at the same time, but it’s not overly juvenile. Adults can find him cute, too."

No word yet on a cast, or if the film will be live action or animated.

Dying to get on television?

The SCI FI Channel is hosting a national casting call/contest for entrants for its "SCI FI Saturday: The Most Dangerous Night of Television". One viewer will win a Die-On role in a future SCI FI original movie which will debut within the Saturday 9pm time period. The winning entrant will be selected at random and receive a trip for two to the filming location of the SCI FI original movie. The deadline to enter is May 26, 2007.

With any luck, you’ll be cast in Mansquito 2: The Itchening. But personally, I wouldn’t be caught dead in one of those films.

Fantasticar photos

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The Car Connection has pictures of the Fantastic Four’s new car from their upcoming movie, Fantastic Four: Rise of the Silver Surfer. Although no one explains how they get through Manhattan’s traffic, the Fantasticar has a HEMI that allegedly will let them go at 550 miles per hour. 

Chrysler Group chief stylist Trevor Creed participated in the car’s design, with Tim Flattery. According to the New York Daily News, the car can break into three sections and travel at 30,000 feet.

Which might be high enough to reach the head of a certain planet eater.