Tagged: movie

EARTH STATION ONE EPISODE 140: SURPRISING SEQUELS

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So many sequels, so few of them have been good! Every once in a while comes one that lives up to the original. Mike Faber, Mike Gordon, Bobby Nash, and special guest Grundy chat reveal their favorites. And speaking of continuing missions, Star Trek/ Doctor Who comic book writer Scott Tipton takes a turn in The Geek Seat. As if that wasn’t enough, we take a look at AMC’s The Walking Dead as it heads into the fall finale. Plus the usual Rants, Raves, Shout Outs, and the ever-popular Khan Report!

Join us for yet another episode of The Earth Station One Podcast we like to call: Surprising Sequels at www.esopodcast.com.
Direct link: http://erthstationone.wordpress.com/2012/12/05/earth-station-one-episode-140-surprising-sequels/

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Dennis O’Neil: Movies, Comics, and Heroes

oneil-art-121129-2964854Okay, first another bow toward my friend and colleague, John Ostrander. No sense in reviewing Skyfall, the new James Bond flick, since, in his November 18th column, John already wrote virtually everything I might have written about the entertainment. Let us agree: best Bond ever, for the reasons John cited.

It’s been a banner year for this kind of show, hasn’t it? We had two of the best superheroes – no, let’s not be mealy mouthed, Marvel’s Avengers and The Dark Knight Rises were, though quite different, the best superhero movies yet. (You want to disagree? Fine. This is only my opinion and, doggone it, I’ve misplaced my cloak of infallibility. Wonder if I could borrow the pope’s…) I think there’s been, among media types, a discernible learning curve. They have learned how to do this kind of material really well. Not that all such material is really good, but now there is the possibility of it being as good as anything out there. And, maybe more important, there has arisen the consensus that it ought to be good; no need to phone it in just because it’s that comic book stuff.

Reasons? Hey, do I look like a savant? Let’s just make one guess and hurry on.  The guess: for the past couple of decades, many (if not most?) of the bright, creative kids have been comics readers. The form is familiar to them and they’re friendly to it. “Of course the movies can be good,” they might say. “Why wouldn’t they be good?”

The first Hollywood guys who tried adapting comics to the screen were on unfamiliar turf; to the current guys it’s home territory.

That was the guess, plus addenda. Now, the moving on, in the form of a confession: When I was a drifting, quasi-beatnik/peacenik, still on the south side of the dreaded 30, Bond was a Guilty Pleasure. A peacenik buddy (who was not as quasi as I was) and I saw the movies, first run, and enjoyed the action and adventure and romance and pretty females – all the Bondian delights – but! There was what I thought was an unhealthy glorification of consumerism – no, whoever has the most toys when he dies doesn’t always wins – and this aspect is, blessedly, almost absent from Skyfall. The other guilt-inducer was a bit thornier: wasn’t James Bond a fascist?

Sure, the word “fascist” has been tossed around and in the process lost some precision, but it usually involves unquestioning obedience to some authority figure, presumably for the common good. (Has any leader ever claimed to act for the common bad?) Strongly implicit in this conduct is that the authority figure gets to decide what the good is. So enter Bond: His friendly neighborhood authority figure, M, tells him to go commit bloody mayhem and he does. No questioning of right or wrong–just do the mayhem, often merrily. Recent history has demonstrated the inadvisability of blind obedience to the boss.

Again, we can pretty much find Skyfall innocent. The authoritarianism is muted, and neither Bond nor M seem to be happy about the mayhem. And they both seem fallible.

Maybe this kind of analysis is bringing too much baggage to what is, after all, just show-biz. But I’m glad I did it 50 years ago, and I don’t think it’s unhealthy to do it now.

FRIDAY: Martha Thomases

 

REVIEW: Patton

In 1970, the Vietnam war was still raging, people were debating and protesting the Asian struggle and the Greatest generation was wondering what happened to duty, service, and love of country. After a period when World War II movies appeared to have exhausted their welcome at the movie theater, along came Patton with a riveting performance of a true American hero from George C. Scott. Few images that year surpassed the one of Patton on the stage, flanked by the largest American flag ever seen. It seared patriotism into our hearts and minds, reminding us all what it took to win a war.

It did not ignite a fresh wave of war films, but it did stand the test of time, often appearing on Best War Films of All Times lists and Scott will be forever connected with Patton. After all, the film earned seven Academy Awards, including Best Picture, Best Actor (George C. Scott), Best Director (Franklin Schaffner), and Best Original Screenplay (Francis Ford Coppola). This 2:52 movie is an unsparing look at a controversial war hero given his rebellious nature, something military command usually frowns on.

The new Blu-ray release from 20th Century Home Entertainment is most welcome and a vast upgrade from the 2008 Blu-ray edition. That was an early conversion of an older film and it didn’t work terribly well, but this new release is fully restored and brings the grime and grit of the European Theater of War into sharp focus. The 65mm production has finally been brought to modern discs in a way that embraces the subject matter and makes for good viewing at home.

General George S. Patton Jr.  was a military genius and he was the first to admit it. He was a harsh, brutal megalomaniac who was also a brilliant strategist. He had the highest casualty count among generals in the field, but he was also the one the Nazi regime feared the most. There is a definite connection between the two facts and exploring that propels the film. Coppola’s script does a fine job exploring the contradictory nature of the man. Additionally, this is one of the first films to portray a less than idealized version of the Allied effort, showing rivalries between American generals and a less than stellar relationship between the British and American commands. Patton himself was driven and therefore drove his men beyond endurance. Nothing would stand in his way, be it shell-shocked soldiers (who deserved a slap in the face, not sympathy) or mules that blocked the road. He gets him comeuppance, though, sent by Dwight D. Eisenhower as a decoy to keep the Germans from stumbling over the Normandy invasion.

The original assortment of special features from the 2008 release are all here in standard definition and it’s fun to hear Coppola in the intro and commentary talk about these early days in his career. The highlight though is History Through the Lens: Patton: A Rebel Revisited (1:30), a feature-length documentary by Ken Burns on the real Patton. Additionally, there are Patton’s Ghost Corps (46:38), giving dozens of surviving veterans a chance to share their memories of serving under Patton; Michael Arick’s 1997 The Making of Patton (49:46), with Scott, Oliver Stone, Richard Zanuck, Jerry Goldsmith, and others talking about the production; Production Still Gallery (36:24); and a Behind the Scenes Gallery (53:19).

DOC SAVAGE IS COMING TO THANKSGIVING DINNER

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Well, at least in book form. The Big Book of Bronze #5 goes on sale November 23.

Press Release:

The Big Book of Bronze #5 will be released November 23rd on Lulu.com. At 282 pages, this tome of Doc Savage information, by the leading Doc Savage authorities of our time, holds insights into the Man of Bronze that you will be thrilled to read and ponder. In addition to the documentation of Doc Savage musings, you will find the must have companion to the new Jazz CD (Bronze Nemesis) by Scott Robinson about the music and his meeting with James Bama, the Ron Ely interview conducted in September where Ron discusses the movie in detail with Steve Ringgenberg, the detailed reflections of a meeting with Norma Dent by Dean Russell and an article by the current Kenneth Robeson: Will Murray.

Check out the great Doc Savage reading below and order your books in time for Christmas!

WHO IS FRED FORINO? by William Lampkin
HIS NAME WAS DOC SAVAGE by Fred Forino
WHO IS JACK JUKA? by Joe DeVito
COLLECTING ORIGINAL DOC SAVAGE ART by Jack Juka
WHO IS JAY RYAN? by Terry Allen
A GLEAMING SPIKE OF STEAL AND BRICK by Jay Ryan
THE RED DEATH’S ELEPHANT GUN by Jay Ryan
A FLOOR BY ANY OTHER NAME… by Jay Ryan
BULLETS OVER BROADWAY by Jay Ryan
WHO IS JEFF DEISCHER?
COMING DOWN OUT OF THE TREES by Jeff Deischer
WHO IS STEVE DONOSO?
THE BRONZE ARCHIVE by Steve Donoso
WHO IS MATT HIEBERT? by Lokke Heiss
FOUNDATIONS FOR DOC SAVAGE’S PHYSICAL DEVELOPMENT by Matt Hiebert
WHO IS JULIAN PUGA?
THE LAST REGISTERED DOC SAVAGE ADVENTURE by Julián Puga
WHO IS DAFYDD NEAL DYAR? by Allyson Dyar
DOC SAVAGE AND THE WORLD OF TOMORROW by Dafydd Neal Dyar
WHO IS COURTNEY ROGERS? by Pat Lilja
THE MYSTERY OF THE DOUBLE-USE PFEIFFER COVER by Courtney Rogers
WHO IS DEAN RUSSELL? by Jay Ryan
REFLECTING ON NORMA DENT by Dean Russell
WHO IS WILL MURRAY? by Matt Moring
MAN OF MIGHT by Will Murray
WHO IS SCOTT CRANFORD? by Wayne Skiver
THE ADVENTURES OF A BRONZE PAINTING by Scott Cranford
WHO IS JIM COX?
DOC SAVAGE AND THE ASIAN MARTIAL ARTS by Jim Cox
WHO IS RICK LAI? by Art Sippo
DOC SAVAGE AND THE CAGLIOSTRO LEGACY by Rick Lai
FIRST SIGHTING (Part Two) by Fred Forino
FIRST SIGHTING (Part Three) by Fred Forino
WHO IS DUANE SPURLOCK? by Chuck Welch
DENT’S HARD BOILED DOC: SATAN BLACK by Duane Spurlock
WHO IS TIM FAUROTE? by Bert Ehrmann
DOC SAVAGE: THE MAN OF…PLASTIC by Tim Faurote
WHO IS ARTHUR C. SIPPO MD, MPH? by Rick Lai
DOC’S LEGAL AIDE: AN APPRECIATION OF HAM BROOKS, ESQUIRE by Art Sippo
WHO IS SCOTT ROBINSON? by Michael Steinman
BRONZE NEMESIS: THE MAKING OF A MUSICAL ADVENTURE by Scott Robinson
WHO IS STEVE RINGGENBERG?
DOC SAVAGE SPEAKS: RON ELY! by Steve Ringgenberg

Learn more about The Big Book of Bronze series here.

Toys on the Hudson offers Holiday Shopping Alternative

Jersey City, NJ (November 8, 2012) – Toys on the Hudson is pleased to announce the tri-state area’s first family-focused toy fair. Developed as a shopping alternative to Black Friday, Toys on the Hudson offers families and collectors an opportunity to discover unique gifts, meet celebrities and enjoy photo opportunities in more than 18,000 square feet of floor space.

Featured will be over 100 tables of vintage and current hard-to-find toys, comics and collectibles covering unique gift ideas for lovers of movie memorabilia, DVDs, Disney, anime, small antiques, action figures, tin, sports & non-sports, Barbie, original art and classic monster collectibles.

“We’re excited to offer a fun, alternative family activity during the busy post-Thanksgiving weekend,” said Phil DeMario, co-promoter of Toys on the Hudson. “This is a great event for both families and seasoned collectors who are looking for a different shopping experience and unique gift after they’ve fought the mall crowds.”

Many celebrities will be on hand including Steve Savino from the Toy Hunter TV series with visits by Jordan Hembrough, The “Pizza Boss” TV Pizza Tossing sensation Michael Testa, The Brady Bunch’s Geri Reischl, A Christmas Story’s Ian Patrella and many more movie and TV celebrities. Toys on the Hudson will also offer great photo opportunities for families and fans with the Batmobile, the Joker, the Riddler, the Penguin and Star Wars costumed characters.

“Toys on the Hudson is the perfect place to shop for the comic collector on your holiday list, as the entire Grand Ballroom is transformed into a Comic Collectors dream with over 50 tables of vintage and collectible comics, artists, authors and related merchandise,” said Mike Spino, co-promoter of Toys on the Hudson.

There will be a mix of vintage and new toys at show.  “We’re excited to bring our newest Captain Action toys and collectibles to Toys on the Hudson for this exciting weekend,” said retropreneur Ed Catto, co-founder of Captain Action Enterprises.

“Toys on the Hudson might be a great way to sell your own treasures, too. Attendees can bring a toy or collectible and have it appraised by one of the many on site appraisers,” added Phil DeMario.

For the “serious-must-have-first” collector, the show opens Black Friday Evening with a Preview Night for anyone who wants a chance to shop while the dealers put the finishing touches to their booths.

The 3 day event starts on Black Friday, November 23, 2012 at 5:00 pm and continues all weekend. The event is held at the Westin Newport Hotel, on the banks of the Hudson River, adjacent to Newport Mall, 495 Washington Blvd Jersey City, N.J.  The hotel is accessible from PATH, NYC and all NJ public transit. Parking is adjacent to hotel and is validated by select local restaurants.  More detailed information can be found on Toys on the Hudson facebook page or at  www.toysonthehudson.com  .

REVIEW: Ruby Sparks

A writer’s character coming to life is nothing new. It was done effectively on The Twilight Zone and Sharon Stone even portrayed a muse come to life to bedevil Albert Brooks. As a result, the premise behind the charming Ruby Sparks is not at all fresh but the approach is what makes this small film well worth your time and attention.  That it is heartfelt and well-constructed is to be expected considering the movie comes from Jonathan Dayton and Valerie Faris who first caught our attention with Little Miss Sunshine. They have been missed.

Paul Dano is Calvin, an author who hit his first novel out of the park and has been struggling to remain commercially relevant ever since (think Jonathan Franzen). Then, finally, he creates a character, Ruby, who genuinely stirs his soul thanks to a prompt given him by his therapist (Elliott Gould). The pages flow easily for the first time in a decade. A week later, though, Ruby (Zoe Kazan) has come to life and is found sitting on his couch, ready to experience life. Ruby is 26, doesn’t own a computer and always roots for the underdog, something Calvin most certainly is.

What does one do when the woman of his dreams is made manifest? If he imagined her to life, can he or should he alter her to his exact specifications? And that is what propels the remainder of the film, a sitcom version of magical realism. Does he share her with the world, make love to her, or admire her from afar? His brother Harry (Chris Messina) says jump her after realizing she is the women Calvin has been writing about.

What starts out as a pretty funny comedy takes on serious tones as we progress and the shifting mood isn’t smoothly handled. It raises some interesting question and only partially answers them, leaving you somewhat entertained, somewhat dissatisfied. This is about Calvin growing up and we watch him flail all over the place despite a support system including his mom and his step-father (nice cameos from Annette Bening and Antonio Banderas). Calvin remains a mess, still in pain after breaking up with his last girlfriend (Deborah Ann Woll), and has a tough relationship with his lousy literary agent (Steve Coogan).

Dano and Kazan are wonderful together, ably supported by the deep, veteran cast. They rise above the film when the material gets weak or meanders but overall leave you entertained from beginning to end. This could have benefitted from a stronger script but still remains entertaining and thoughtful, not at all a bad combination.

The transfer to Blu-ray by 20th Century Home Entertainment is excellent and the disc comes with the standard assortment of special features. Most feel like they came from the press materials with little shot specifically for the disc. You get a handful of pieces ranging in length from three minutes to four minutes, never letting you delve deep into the film itself.

Mike Gold: Why I Didn’t Cold-Cock Walter Simonson

gold-art-121107-7949877There’s been a lot of high-quality books lately that reprint classic stories straight from the original. My friends at IDW do a lot of those, so they’ll be deeply depressed that I’m not going to be talking about one of theirs. And of course there’s no reason to believe a comp list wouldn’t change my attitude.

Return with us now to those thrilling days of yesteryear; in this case, about two months ago. We’re at the vaunted Baltimore Comic-Con – in specific, the Harvey Awards dinner. Walter Simonson had an advance copy of Titan Books’ hardcover collection of the Alien movie adaptation, as done by Walter and the late and much, much missed Archie Goodwin. This book was the exception that proved my point that doing an absolutely first-rate adaptation of a movie is a near-impossibility.

The needs and treasures of the comic book medium are different from those of the movie medium: we have total control of time and space and we’ve got a special effects budget that is limited only by the collective minds of the producing talent. Movies, on the other hand, have going for them music, motion and the benefit of the shared-experience. Apples and oranges.

The Goodwin-Simonson Alien was one of those rare exceptions; perhaps the best of those exceptions. Either way, it was and is worthy of this new high-quality format.

So when Walter was showing off his advance copy like a proud papa before an audience of some of the most talented people in the artform (Mark Wheatley snuck me in), I thought about doing what every other red-blooded comic book fan would think of doing: cold-cocking the son of a bitch, stealing his book, jumping into my Ford Focus and driving back to Connecticut, laughing hysterically while leaving my daughter to fend for herself.

I maneuvered into position in the darkened room, avoiding Louise Simonson. While I’d take Walter on, I do not have what it takes to take on any person who could be so gifted and so nice after working for James Warren. Then, and only then, did I have an epiphany.

I’ve known Walter for decades and decades. We lived near each other on Manhattan’s Upper West Side, we played on the same volleyball team. We’ve dined hither and yon – he once drew a massive prehistoric landscape on the linen tablecloth at a Skokie Illinois restaurant in order to “illustrate” a point. I respect and admire Walter as one of the nicest human beings on the planet… with the exception of the volleyball courts.

But that’s not why I didn’t cold-cock Walter Simonson. Clearly I’ve gotten old, an aging lion gumming his dinner in the corner of the cage while the younguns are preening themselves for pussy.

No, I didn’t cold-cock him because I remembered I already ordered the book. So stealing his simply wasn’t worth the energy.

But it was worth the wait. Buy it before it sells out.

Alien : The Illustrated Story (Original Art Edition) by Archie Goodwin and Walter Simonson • Titan Books • 96 oversized pages • $75.00 retail

THURSDAY: Dennis O’Neil, who’s also a very nice guy

 

 

REVIEW: The French Connection

french-connection-blu-2012-300-2506419The escapades of New York Police detective Jimmy “Popeye” Doyle was well known even in the early 1960s and attempts to tell his story fell through until he was captured in print in the best-selling Robin Cook book The French Connection. William Friedkin helmed a film adaptation that made Doyle the poster boy for brutal but effective policemen for the next decade and catapulted character actor Gene Hackman into leading man status. The French Connection is very much a product of the 1970s as filmmakers were shaking off the restrictions of the now-dead studio system and a new wave of filmmakers were stretching their muscles, trying things that were new and fresh in terms of structure, production, and performance.

As part of 20th Century Home Entertainment’s Signature collection of classics now on Blu-ray, this film is a reminder of just how good a movie can be when all the right elements fall into place. When first released in Blu-ray back in 2009, Friedkin was intimately involved in the transfer and touted its improvements. Overlaying a saturated color print over a black and white print, Friedkin obtained a washed out color palette that he felt properly represented his vision and while purists howled. This new version is also approved by both Friedkin and Cinematographer Owen Roizman and looks good, certainly better than the original DVD. The transfer captures Manhattan at a time when it teetered on the brink of grime and bankruptcy.

Why did this win the Best Picture Award in 1971? It’s a story of good versus evil, drugs, an immortal car chase and terrific performances by an ensemble that featured Roy Scheider as Doyle’s partner Buddy “Cloudy” Russo, ex-con-turned-coffee shop owner named Sal Boca (Tony Lo Bianco), and French shipping executive Alain Charnier (Fernando Rey), who is trying to brink 120 lbs. of heroin into the city. The core story is the attempt by Doyle and Russo to find out when the shipment will arrive and arresting Charnier, but getting the facts and then executing the arrest propels the movie with the tempo of a finely tuned race car. Doyle is the center, profane, racists, crude and mesmerizing.

Speaking of races, the car chase is a class as Doyle commandeered a civilian’s Pontiac LeMans and chased an elevated train carrying an escaping hitman. Shot in the Bensonhurst section of Brooklyn, it followed the BMT West End Line (now the D and B lines) until the subway collided with another. The front mounted cameras was undercranked so the speed appeared higher than it was but was an adrenaline-pumping sequence that elevated the film to the upper echelon of action pics at the time.

The disc re-presents the 2001 DVD’s extras including two audio commentary tracks – one from Friedkin, the second with Hackman and Scheider. The deleted scenes are accompanied with Friedkin’s interesting commentary and there are two documentaries: the BBC-produced The Poughkeepsie Shuffle and Untold Stories of The French Connection – 30th Anniversary Special. New to Blu-ray are seven new pieces: Anatomy of a Chase; Hackman on Doyle; Friedkin and Grosso Remember the Real French Connection; Scene of the Crime; Color Timing The French Connection; Cop Jazz: The Music of Don Ellis, and Rogue Cop: The Noir Connection, with historians James Ursini and Alain Silver. Like others in the Signature series, it comes with a glossy booklet with tons of information on the film.

THE SHADOW FAN PODCAST RETURNS

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Episode 2 of The Shadow Fan Podcast is now live at http://theshadowfan.libsyn.com/the-case-of-the-shrieking-skeletons.

This episode Barry Reese takes a look at Dynamite’s upcoming Shadow comics, reviews the Dark Horse crossover between The Shadow & Doc Savage, talks about the 1994 movie novelization, and gets into some listener feedback.

The Point Radio: WALKING DEAD Comics, TV and….Movies?

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Robert Kirkman, the brain behind THE WALKING dead talks to us about the comics, the TV show – and if the two will ever meet. Or better yet, what about a WD movie? Plus ARGO‘s director-producer-star, Ben Affleck, explains why that film is generating so much Oscar buzz, and why Marvel is using A List talent on new B List books.


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