Academy Disqualifies ‘Dark Knight’ Score
Hans Zimmer and James Newton Howard collaborated on the score for The Dark Knight and now both men are being notified their efforts are being disqualified for consideration as Best Score by the executive committee of the Academy music branch. This matches their collaboration and disqualification for Batman Begins in 2005.
Zimmer, Howard, music editor Alex Gibson, ambient music designer Mel Wesson, and composer Lorne Balfe all were listed on the music cue sheet, the document judged by the Academy. They all signed an affidavit stating that the score was primarily the work of Zimmer and Howard but that was not good enough for the Academy. A different document provided to the Academy indicated more than 60%, but less than 70% of the score came directly Zimmer and Howard.
According to Variety, the Academy has spent hours and hours on the issue since the use of multiple composers is on the rise throughout theatrical production and this is not an isolated incident.
Zimmer told the trade “that listing multiple names on the cue sheet was a way of financially rewarding parts of the music team who helped make the overall work successful.”

Original webisodes from existing television series has been around for a few years now but increasingly, we’re finding stories about original series being trotted out from major networks, as we’ve
Warner Home Video has announced a sixth DVD box set in their Looney Tunes Golden Collection series. The new set will be released on October 21 with 60 classic, fully re-mastered and restored cartoons, presented in their original un-edited format. Most of the shorts in the collection have never been available on DVD before.
The Fox network wants to make certain college kids can get a chance to see the season premieres of both Terminator: The Sarah Connor Chronicles (September 8) and Fringe (September 9). Students using a log in with an .edu e-mail account will have a chance to see the episode on line at fox.com along with behind-the-scenes footage and music videos as well as cast and producer interviews.
The past few months have brought a swell of attention to indie comics writer Elizabeth Genco, who scored a coup by having a story included in the Tori Amos Comic Book Tattoo collection from Image Comics, and then her graphic novel Blue — a modernization of the Bluebeard legend — sold well in part thanks to a plug from Brian Wood.
Today sees the release of one of the most odd comics projects of late, a compilation of stories based on the music of Tori Amos, Comic Book Tattoo.
While Robert Kirkman is still working away on the screenplay for the movie adaptation of
From Beetlejuice and Batman to Nightmare Before Christmas and the recent remake of Charlie and the Chocolate Factory, Danny Elfman has provided the music that has turned good films into great films, and has been no stranger to scoring the big-screen adaptations of comic books. In a short time, movie-goers will be treated to another pair of Elfman-scored films based on popular comics, as the Emmy-winning and (many times over) Oscar-nominated composer has provided the music for Wanted and Hellboy II: The Golden Army.
