Tagged: music

Academy Disqualifies ‘Dark Knight’ Score

the-dark-knight-6101596Hans Zimmer and James Newton Howard collaborated on the score for The Dark Knight and now both men are being notified their efforts are being disqualified for consideration as Best Score by the executive committee of the Academy music branch. This matches their collaboration and disqualification for Batman Begins in 2005.

Zimmer, Howard, music editor Alex Gibson, ambient music designer Mel Wesson, and composer Lorne Balfe all were listed on the music cue sheet, the document judged by the Academy. They all signed an affidavit stating that the score was primarily the work of Zimmer and Howard but that was not good enough for the Academy. A different document provided to the Academy indicated more than 60%, but less than 70% of the score came directly Zimmer and Howard.

According to Variety, the Academy has spent hours and hours on the issue since the use of multiple composers is on the rise throughout theatrical production and this is not an isolated incident.

Zimmer told the trade “that listing multiple names on the cue sheet was a way of financially rewarding parts of the music team who helped make the overall work successful.”

FEARNet Launches new Web Series

dark-path-chronicles-341x182-9664204Original webisodes from existing television series has been around for a few years now but increasingly, we’re finding stories about original series being trotted out from major networks, as we’ve reported, or other entertainment sites.  The latest begins on November 6 over at FEARnet, Comcast’s horror channel and site.

The Dark Path Chronicles is being described as a music-themed vampire series. Helmed by Mary Lambert, the series will feature music by up and coming Goth bands like Zombi, Junius, Jesu, Watch Me Burn, and Prophet 7:13.  It’s said to involve a young vampire and the teenage girl he meets and they will explore a parallel reality.

Lambert is known to most the director of Pet Semetary but she’s also directed music videos featuring Madonna and Janet Jackson.

The website will have a second season of its Street of Fear reality series. Ten new creepy streets will be profiles complete with ghost stories including Mt. Misery Road in Huntington NY, where a Woman in White was supposedly burned alive in a hospital fire and still haunts the area.

‘Looney Tunes Golden Collection Vol. 6’ Coming in October

looneytunes-gcv6-final-1-3305514Warner Home Video has announced a sixth DVD box set in their Looney Tunes Golden Collection series.  The new set will be released on October 21 with 60 classic, fully re-mastered and restored cartoons, presented in their original un-edited format. Most of the shorts in the collection have never been available on DVD before.

Retailing for $64.92, the set will feature a disc dedicated to Bosko, Buddy and Merrie Melodies while the bonus features includes a never-before-seen documentary on voice genius Mel Blanc.

A smaller Looney Tunes Spotlight Collection Volume Six will also be released that day with material drawn from both Looney Tunes Golden Collection Volume Six and Volume Two for $26.99.
 

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Fox Offers College Students Terminator, Fringe Deal

The Fox network wants to make certain college kids can get a chance to see the season premieres of both Terminator: The Sarah Connor Chronicles (September 8) and Fringe (September 9). Students using a log in with an .edu e-mail account will have a chance to see the episode on line at fox.com along with behind-the-scenes footage and music videos as well as cast and producer interviews.

Interview: Elizabeth Genco of ‘Comic Book Tattoo’ and ‘Blue’

cbt_coverjasonlevesque-3160861The past few months have brought a swell of attention to indie comics writer Elizabeth Genco, who scored a coup by having a story included in the Tori Amos Comic Book Tattoo collection from Image Comics, and then her graphic novel Blue — a modernization of the Bluebeard legend — sold well in part thanks to a plug from Brian Wood.

Genco took the time out of her busy schedule to chat with ComicMix about her music-infused projects and what it was like to work with an idol in Amos.

ComicMix: Let’s talk about the Tori Amos project first, since it’s the book of the moment. How did you get connected to that gig? Were you a fan of Amos previously?

Elizabeth Genco: I’ve been a fan of Tori’s for almost 15 years. Both she and her music have been hugely influential, especially in my creative life. Tori is very smart about how to create a creative career while staying true to your vision, and I learn from her. Of course, like many of her fans, her music has helped me through some dark times.

As for how I got involved, a few years ago, editor Rantz Hoseley and I got acquainted via Warren Ellis’ old board, The Enginge; he and I have been pals ever since. When he extended the invitation, I jumped onboard immediately.

CMix: How did you approach the assignment? Comics is such a visual medium, it’s not that common to hear creators be inspired by sound.

EG: I want to say that I’m not inspired by sound so much as I am by words — that is, lyrics. But the interesting thing about lyrics, of course, is that they take on a completely different meaning when you add the music. I would even go as far to say that 99 percent of the time, song lyrics are incomplete without the music. (Music is a huge influence on me, and I’ve aspired to be professional musician at several points in my life, especially when I was very young. So I’ve thought about this a lot, actually.)

Music inspires my writing quite often, and the process is usually the same. A line will capture my attention, and I’ll start noodling — following the thread, seeing where it goes. In this case, I decidedon the song and then went looking for that line.

As for the song itself ("Here. In My Head"), well, I spent all this time going through Tori’s catalog trying to find the right one before going, "Duh!" It’s been my favorite Tori song for years, so it wasthe obvious choice.

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Robert Kirkman’s Creator-Owned Call-Out?

Reaction to Robert Kirkman’s recent "mission statement" video has been creating quite the buzz around the comics industry lately, and rather than surfing every message board, column and blog in the comics world to find out what everyone’s saying, there are a few good places to go for roundups.

First off, here’s the video that started all of the hub-bub:

 

 

 

While the banjo music used in the video has actually prompted a discussion of its own on some sites, JK Parkin over at Blog@ has put together an exceptionally comprehensive roundup of who’s saying what and where it’s being said around the ‘Tubes. Naturally, one of the busiest (and awesomely snarky) chats about the video is currently underway over at The Bendis Board, including this bit from Bendis himself: " … coming soon from image comics: MASSIVE GENERALIZATIONS!!" More can be found at the sites Parkin lists in the roundup, with others poppingup here and there on various other sites. (Or possibly, this one?)

Behind the Scenes of Tori Amos’ ‘Comic Book Tattoo’

cbt_coverjasonlevesque-9091117Today sees the release of one of the most odd comics projects of late, a compilation of stories based on the music of Tori Amos, Comic Book Tattoo.

Spinner has a lengthy interview with Amos on the subject, as well as chats with many of the project’s creators. Read it all right here.

Amos offers her reaction to the book:

I’m not offended by this book, but I’m shocked. And it’s shocked in a way that makes me laugh, sometimes makes my skin crawl, sometimes makes me have to go back and dive back into that song again. I had given a brief to Rantz. I said, "This is not about people trying to, line by line, interpret and do a visual cover version of this song." Because I just didn’t find that intriguing at all. The comics that I was introduced to, which was ‘The Sandman,’ had integrity to me. And sometimes in the storyline, things didn’t always end up OK. Sometimes people die. Sometimes life does not triumph over all.

Review: ‘Bluesman’ by Vollmar & Callejo

Bluesman
By Rob Vollmar and Pablo G. Callejo
NBM, August 2008, $24.95

[[[Bluesman]]] was published once before, as three album-sized collections, but this is the first time the entire story has been collected between two covers. It’s a moody tale, told in black and white – but mostly in grays, from the background to the characters.

Lem Taylor is a blues guitarist, wandering through the rural Mississippi Delta in the late ‘20s, hungry and foot-sore. With him is a blues pianist, Ironwood Malcott, and together they make some excellent music. But that doesn’t put food in their bellies half the time, let alone a roof over the heads and a bed at night more than every so often.

As the book begins, their luck is beginning to look up: they get a decent gig at a popular juke house called Shug’s and are invited up to Memphis to record some sides by J.L. Dougherty, a traveling salesman who also acts as a talent scout.

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Animated ‘Invincible’ on the Way, Sort Of

While Robert Kirkman is still working away on the screenplay for the movie adaptation of Invincible, his superhero is headed toward screens in another way. Very small screens, that is.

According to a story in the New York Times, David Gale, the executive VP of MTV New Media, is developing along with Gain Enterprises a somewhat animated version of Invincible. It’ll appear on iTunes, cell phones and MTV2.

The process starts with digital scans of the actual comic book pages. They are turned into an audio-visual experience through a process called Bomb-xx developed by Gain. In the end, the formerly two-dimensional comic book suddenly pulses with music, while word balloons pop up and fill in as actors recite the dialogue and panels zoom in and out and pivot in all directions. The frenetic energy is not unlike that of an MTV video.

Of all the comics to “animate,” why start with Invincible? “When you’re looking for a movie property or television property, first and foremost you look for a great story,” Mr. Gale said. “It’s a single creator following a great story arc.”

First six episodes will be previewed at Comic-Con International.

Danny Elfman on Scoring Films Based on Comics

From Beetlejuice and Batman to Nightmare Before Christmas and the recent remake of Charlie and the Chocolate Factory, Danny Elfman has provided the music that has turned good films into great films, and has been no stranger to scoring the big-screen adaptations of comic books. In a short time, movie-goers will be treated to another pair of Elfman-scored films based on popular comics, as the Emmy-winning and (many times over) Oscar-nominated composer has provided the music for Wanted and Hellboy II: The Golden Army.

SuperHeroHype recently snagged Elfman for a short interview about the process of finding the right sound for comic books, his inspiration and the difference between the two films from his perspective.

CS/SHH!: Was "Wanted," which has much edgier music, more fun?

Elfman: Well, they are each fun in a different way. "Hellboy" was a little more romantic and traditional, but I love paying homage to Bernard Herrmann, who for me is my master. Any time I get to do that it’s a great joy. "Wanted" is like a whole other ballgame. I did a whole different thing: more synthesizers, percussion, and guitars. I had my guitar out. I was so glad that the two of them were so different.

Check out the full interview on SuperHeroHype.