Tagged: New Pulp

SPORTS PULP, SPIDER PULP AND OF COURSE AIRSHIP 27 FROM FORTIER FOR 2012!

In his latest flight log for Airship 27 Productions, Publisher and New Pulp leader Ron Fortier discusses what he has coming on the Pulp front personally, including a couple of Sports Anthologies and more, as well as dropping hints about what is on the docket for Airship as well!  Read the entire post at www.airship27.com and find out exactly who and what this fantastic image is!

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Vengeance is a dish best served bloody!

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New Pulp Author Howard Hopkins (The Lone Ranger, The Avenger, The Spider) has announced that his novel, Blood Creek is now available exclusively for Amazon Kindle. Blood Creek is a Western novel of vicious revenge upon those who committed a heinous crime long ago and thought they got away with it, Blood Creek was originally published in hardcover under the Black Horse Western line and in large print Linford Library paperback edition under Howard’s Lance Howard penname. With a completely redesigned cover, this is its first electronic imprint, published under Howard’s own name, and will remain an exclusive Kindle release through arrangement with Amazon.com.

From the Blurb:

Fifteen years ago five unruly sons of rich parents committed a heinous crime against a young Ute woman, only to walk away unpunished.

Now a ruthless killer bent on revenge is stalking them, murdering their wives, and destroying their lives piece by piece.

After manhunter Calin Travers is mysteriously attacked, then lured under false pretenses to Sundown, Colorado, a town to which he swore he’d never return, he discovers himself face to face with old guilts and a brutal killer who has marked him for death.

“This author does miracles with the written word. He takes the reader to the heart of the story and holds them glued to the pages with passion to the very end…”
–Romance and Friends Reviews

“…believable characters and settings will have you breathing 1800s dust and seeing by the flickering light of an oil lamp as you turn every tension-filled page.”
–Tim Greaton, Maine’s Other Author (TM)

Vengeance is a dish best served bloody…Blood Creek by Howard Hopkins
Now available exclusively for Kindle.
http://www.amazon.com/dp/B006QD6VK8

You can learn more about Howard Hopkins at http://howardhopkins.blogspot.com/

New Pulp’s Table Talk – Readers Questions, Take II

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After the success of the first Table Talk with questions from readers, Barry Reese, Bobby Nash, and Mike Bullock decided to continue taking questions “from the audience” every now and again. This week, the guys tackle the topic of archetypes and working with different characters.

New Pulp’s Table Talk – Readers Questions, Take II is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2011/12/table-talk-readers-questions-take-ii.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the guys to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns ASAP.

Thanks!
New Pulp Fiction.com

Doc Savage and the 30% Off Peril!

Over on Facebook, William Patrick Murray posted the following: “‎30% off the hardover DOC SAVAGE: THE DESERT DEMONS. Today (December 20) only. Just type 20DEC in the discount code box on checkout. This book will be so affordable….”

You can find Doc Savage: The Desert Demons novel at http://www.lulu.com/product/hardcover/doc-savage-the-desert-demons/16232886

About Doc Savage: The Desert Demons-

Doc Savage and his band of specialists confront a threat unlike any they ever before faced–weird rust-colored clouds that consume man and machine alike! Set in 1936 Hollywood, this is the first adventure to star the Man of Bronze in nearly 20 years, and the first of a new series, The Wild Adventures of Doc Savage.

GUEST REVIEW-REVIEWER SAYS YES TO YESTERYEAR!

YESteryear

A Review of Tommy Hancock’s Yesteryear by Andrew Salmon

Disclaimer: Tommy Hancock is one of the creators of the New Pulp website.

One of New Pulp’s claims to fame is that time is no longer a factor when it comes to crafting pulp tales. Back in the Golden Age, writers typed until their fingers bled, racing the clock with deadlines looming. Today, New Pulp authors have the freedom to craft stories that are a little more complex than those written in a white heat and on the fly. There’s a chance to explore pulp worlds and characters and you’ll seldom find it done better than in Tommy Hancock’s YESTERYEAR.

The novel is a compelling read and one you won’t soon forget. Its episodic structure of pulp and superhero origin and adventure tales set around a unifying tell-all book makes the novel a standout in the burgeoning New Pulp field.

Yes, you heard that right, superheroes. Now some pulp fans might wonder what superheroes are doing in a pulp novel and while reading the book one might get the impression that this is more of a superhero prose work than a straight up pulp thriller. The point is a valid one but considering that the classic pulp characters of the Golden Age gave birth to the superheroes that came after, the novel’s historic sweep allows it to fall neatly into both categories, bridging the gap between pulp prose and comics.

As the novel deals with the main plot: the lengths some of these adventurers are willing to take to prevent the book’s publication, Hancock also treats us to numerous excerpts from the controversial work. Heroes rise and fall, alliances are formed and broken while drastic, deadly measures are taken to keep the manuscript from the public eye.

Some might find the jumping around from different time periods to the present day distracting or confusing but a careful read will smooth out these rough spots. Also, Hancock uses different fonts and writing styles to convey the shifts and this reader thought these worked very well. My only knock about this aspect of the novel is that there are a few too many time jumps and that some can be jarring. It’s a great narrative technique but occasionally it is overused here and the whole lacks an overlying cohesion. As this is Hancock’s first novel, one expects these odd rough spots, and occasional wordiness, will be smoothed out in future works.

While on the topic of criticism, this reader found the interior illustrations by Peter Cooper amateurish. With apologies to Mr. Cooper, the art is weak at best and does not measure up to the level of the writing. The cover by Jay Piscopo is striking although it, too, is out of place, seeming better suited to a graphic novel than a prose work, which could confuse readers new to the work.

Criticisms aside, YESTERYEAR is one of the best New Pulp releases of the year and I urge readers to give the book a try. It not only provides an atypical reading experience but also brings a fresh look at classic pulp fiction and superheroes. Hancock has crafted an engaging, refreshing work chock full of ideas, well drawn characters, and action galore. Pick it up, it is well worth your time.

Dr. Dusk Debuts!

Dr. Dusk, the newest New Pulp hero from Runemaster Pulp debuts today on Fourstory.org
Over at his blog (http://www.pulp.runemasterstudios.com/2011/12/dr-dusk-debut.html) Mike Bullock introduced us to his newest creation, Dr. Dusk.

In what has now become affectionately known as “The Age of Adventure,” mystery men patrolled the streets of our bustling cities, stalking the shadows and preying on those who would harm innocent citizens. Doctor Dusk, one such man of mystery, walked the line between order and lawlessness. As the stories go, the man who became Dusk had experimented on himself until he was able to unlock his body’s peak physical potential, making him faster, stronger and more agile than any normal man could ever dream of becoming. Armed with two modified 1911 Colt .45s that fired special rounds, and his heightened physical prowess, the Doctor quickly became the scourge of the underworld. While little else is known of Doctor Dusk, his exploits have recently come to light in a series of journals, found within the walls of an old tenement building on the lower east side. The following was taken from one such journal…

You can read the full story at http://fourstory.org/fiction/installment/home-for-the-holidays/.

Table Talk – Counting Words and Runaway Tales

The wonderful thing about creating stories is the often limitless nature of creating things. There are no boundaries, nothing a creator cannot do in the name of making up a great tale. However, this can often lead to pitfalls and unforeseen circumstances. This week, we check in on Barry Reese, Bobby Nash and Mike Bullock as they discuss applying some structure and what to do when the story bleeds over the lines.

New Pulp’s Table Talk – Counting Words and Runaway Tales 0 is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2011/12/table-talk-counting-words-and-runaway.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the guys to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns.

Table Talk – Questions from the Readers 1.0

As you may have seen, last week we opened up Table Talk to questions from the readers at the request of C. William Russette. While a few crickets chirped briefly, the questions did start rolling in. Now, Barry Reese, Bobby Nash and Mike Bullock have answered the first two reader questions, while discussing the merits of removing limbs from a certain New Pulp character the three of them know and love.
Recently, a reader of the Table Talk columns asked if Barry Reese, Bobby Nash, and Mike Bullock would answer questions from readers. Well, the guys liked the idea so much they’ve decided to open this up to all the fine readers of newpulpfiction.com. Today marked the first installment of the column with reader questions. Due to the positive feedback, we want to keep this going.

New Pulp’s Table Talk – Questions from the Readers 1.0 is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2011/12/table-talk-questions-from-readers-10.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the guys to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns ASAP.

Thanks!
New Pulp Fiction.com

HANCOCK TIPS HIS HAT TO THE BEST NEW PULP NOVEL EVER!

Tippin’ Hancock’s Hat-Reviews of All Things Pulp by Tommy Hancock

FUN & GAMES
by Duane Swierczynski
Mulholland Books
287 Pages
Published June 2011

The debate is settled.  The argument is over.   The conundrum has been solved.

There can be New Pulp that satisfies all sides of the ‘Classic Feel versus Modern Relevance’ discussion that some of us have been involved with for a tentful of Sundays.  Yes, the perfect expression of New Pulp does exist in between two covers, Virginia.

Duane Swierczynski, noted author and comic scribe, released “the first of three explosive Pulp thrillers” this past June under the title FUN & GAMES.  And I’ll tell you, it’s definitely both.   Swierczynski hits all the points that Pulp has to hit to be Pulp.  Even with that, though, he presents us not with a perfect hero, but one replete with flaws, weaknesses, and scars.   Charlie Hardie’s inherent goodness, however, is the perfect part of him, the piece that even when he himself doubts it, does not crumble and break away.  This gives him the steel and nerve he needs to be the perfect Pulp hero.

Hardie, as he’s introduced, is a Housesitter on his way to sit the house of a major player in the movie business.   A few years prior, he’d been a ‘consultant’ of sorts for the Philadelphia Police Department and used various skills to help his best friend end some of the crime and corruption in the city.   Tragically, Charlie’s best friend and family are killed when Charlie is basically set up to birddog them for the bad guys.  Nearly killed himself (he earns the nickname Unkillable Chuck because it seems like he’s almost impossible to kill.  He earns that nickname time and again in this book), Charlie makes sure his own wife and child are protected and dives headfirst into a bottle and the life of a housesitting gypsy, which is how he ends up in LA in FUN & GAMES.

The book opens with a B movie actress with quite a history of wild times and drug use racing in her car around the twisted back roads of LA, another car in hot pursuit.   She’s sure they are trying to kill her, but it simply might be coincidence.  Until she’s rear ended and someone approaches her and sticks a syringe in her arm.  She stumbles off the road and out of sight.

Hardie gets to his current assignment, has issues getting in as the key left for him is gone, and is stabbed almost immediately in the chest by a mike stand being projected at him from a somewhat high, beaten up, dirty but beautiful lady hiding in the house.  As she rambles about a group of people trying to kill her and make it look like an accident and how she barely escaped after they rear ended her and drugged her with something, Hardie has to decide rather quickly how to handle all of this.  Why?  Because the people who are trying to kill the actress are already outside the house and determined to get in.

Much of FUN & GAMES takes place IN the house.   It feels very much like a compact version of Die Hard as Hardie and his new charge fight with each other, then the baddies just to stay alive.  Once the action moves beyond the domicile, it amps up even more.  The pacing of this book is frenetic, but well focused and controlled.  Swierczynski knows each and every character inside and out and this allows him to inject them into this breakneck, high octane ride that he’s concocted around one of the coolest concepts I’ve seen in fiction lately.

That concept?  The bad guys.  Good Pulp needs Great Villains and Swierczynski gives Hardie the best.  An organization nicknamed ‘the Accident People’ by the actress they’re pursuing is actually a well peopled, extremely connected group that essentially deals with people, especially celebrities, when they become a problem for someone with enough funds to pay the Accident People.   Overdoses, suicides, car accidents, all the tragic things that befall people in the limelight are basically due to the manipulations and machinations of the Accident People.  Filled with mostly directors, actors, and others from the film industry, this group approaches each job like a movie, insuring the narrative goes the destructive way they want it to.  At every turn, Hardie finds victory only to get handed more defeat by the director of the narrative he fell into, a lady by the name of Mann.  The Accident People are clearly a great template for what Pulp Villains should be.

Equally, Hardie is a perfect example of a New Pulp Hero.  An angel by no means, Hardie wars with himself as much as he does the villains after him.  He’s definitely in a pit of despair and destruction and doesn’t really climb out of it before the book ends.  But he is clearly heroic.  He will not admit he’s an expert in anything, but he does have what he refers to as his ‘lizard brain’, something that he relies on when he simply cannot easily get out of a situation.   This innate primal instinct turns Charlie into a juggernaut of terror against any who stand in his way.

FUN & GAMES simply is the best example of New Pulp at its best I have ever read.  The beginning of the book will jar you, the ending will blow you away…and force you to go out and get the second one.

FIVE OUT OF FIVE TIPS OF THE HAT-Oh yeah.

HANCOCK TIPS HIS HAT TO MYSTERY MEN (& WOMEN) VOLUME 2!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
MYSTERY MEN (& WOMEN) VOLUME TWO
Written by Various Authors
Cover by Mike Fyles
Interior Art and Design by Rob Davis
Published by Airship 27 Productions
New Pulp is such an interesting creature.  It is organic, something sprouting from the past, but as it grows and blossoms, it becomes its own thing.   And there are Publishers and Writers today who continue to care for this beautiful thing we call New Pulp, making sure that it remains available, that it stands out as innovative and different, not derivative and unoriginal.    A leading Publisher in doing just that is Airship 27 Productions, a company that divides itself between New Pulp based on Public Domain pulp characters as well as new and original characters blazing trails through New Pulp. 
One of the titles that showcases the movement of original characters in Airship is their MYSTERY MEN (& WOMEN) series of books.  Four stories in the first volume introduced the idea and it has been continued in a second volume.  Overall, the book is enjoyable, a hoot to read, and wonderful to view.   Individually, the stories vary in style and quality. 
THE RED BADGE ATTACKS- by Mark Halegua and Andrew Salmon
This is not only the debut of the vigilante known as The Red Badge, but it’s also the first story published by the Badge’s creator, Mark Halegua.   The premise is simple.  A vigilante is in the city taking out the bad guys as quickly and violently as possible. Throw into that the fact that the identity of the Badge is a mystery, even up until the very end, but a mystery with a myriad of suspects.
The Red Badge has definite potential as a concept.  The path traveled by this story is well worn, but its also one that could be done with twists and turns.  Unfortunately, that’s not done nearly enough with this tale.  Yes, some of the action scenes sing like a chorus of tommy guns, but others drag like they’re falling on dead chambers.  The same with the dialogue-There’s a few solid exchanges, but overall it’s stilted and weak.   The strongest point of this story is you can see what Halegua (with help from Salmon) wants the Red Badge to be, which gives one hope he may get there in future tales.
TWO OUT OF FIVE TIPS OF THE HAT
LAIR OF THE MOLE PEOPLE- by Greg Bastianelli
One of the neatest stories in Pulp is when you take a person in an occupation that isn’t cop, adventurer, spy, and you throw them into a Pulp over the top adventure tale and it works!   Bastianelli does this with his character Jack Minch, Ace Reporter in this tale and does it so well and with such skill that the story was over before I even realized it.    The premise, again like with the previous story, is straightforward.  Minch opens a message from a woman who had left it behind to be opened if she disappeared, which she did.  This action leads this spunky, two fisted typewriter jockey into a world beneath the city, as indicated by the title, and at that point, the real fun begins. 
This story crackles with solid characterization, strong dialogue, and enough jump-from-around the corner action to keep any Pulp fan enticed and most definitely wanting more!
FIVE OUT OF FIVE TIPS OF THE HAT
DOCK DOYLE AND THE WANDERING CITY by Adam Lance Garcia
This story gave me fits.  Here’s why.
Dock Doyle is a great American Hero and Movie Star, legends galore attached to his name.  And this story takes him on an adventure deep into the Jungle for what is apparently another film job, but Doyle finds out far too late that things are not at all what they seem.  And the reader finds that out as well, even about the central character himself.
This is quite possibly one of the best stories I have ever read.  No kidding.    Looking at it as an avid bibliophile who reads across all genres and recognizes all the movements, nuances, and influences in literature, mainstream and otherwise, this story is one of the best examples of post modern deconstruction I have found in a long time.
Looking at it as a reviewer of Pulp….It isn’t.  It simply isn’t a Pulp Tale. 
Don’t get me wrong.  Some key elements are woven in.  Action.  Quick Pacing.  Exotic locales.  Defiance of death.  All of that is there.  Where this fails as a Pulp story is in the characters, especially the lead himself. Garcia paints vivid pictures and builds characters from the ground up.  But they’re not Pulp characters.  And trust me, I don’t feel Pulp characters have to be two dimensional or all good or all bad….but with Dock Doyle, there’s far too much gray even in the lead character…especially in the lead character…for this to be a Pulp Tale.
THREE OUT OF FIVE TIPS OF THE HAT- It ain’t Pulp, but it is damned good.
A MAN CALLED MONGREL by Derrick Ferguson
One of the great things about a good author…no, about a great author, is that he/she can deliver consistently, even when they are writing characters with some similarities in the same field of literature.  And not just consistently in terms of quality, but also consistently in terms of differentiation-in making their work stand out solidly from what has come before.  
Derrick Ferguson is just such an author.  A master of the art.
Mongrel is a member of a family who essentially has a corner on the genius gene pool.   When an attempt is made on the life of a family member, Mongrel swings into action against a Family that is focused on taking down leading corporations in the world via super science.   But not while Mongrel Henderson is on the job.
This tale is raucous, over the top, and yet grounded in strong values.  Family connections, pure heroism, and the battle of intellect versus emotion are all not only clearly on display in this story, but turned up to Eleven and broadcast in every single word.  These characters, particularly Mongrel, exude excitement, action, as well as humanity.    Mongrel can take on nearly any baddie that wants to stand with him, but he still cowers when called down by his mother.  Ferguson’s strong suit in all his work is that the action is relentless, the violence is pointed and necessary, and the characters ooze the good and bad of simply being human, although the smartest, toughest, and most righteous or vile humans ever seen anywhere.  This story stands out as the best in the entire volume and likely in the entire MYSTERY MEN (& WOMEN) series to date.
FIVE OUT OF FIVE TIPS OF THE HAT
Design and Art-Even though I said what I did about Dock Doyle’s debut story, the first image of Dock to be seen, the cover of this volume, is phenomenal.    Award winning artist Mike Fyles delivers once again and proves he understands the concept of what Pulp covers are and what they need to convey. 
Likewise the interior art and design of the book by Rob Davis does just what both of those things are supposed to.   Davis’ work supports all the stories, the images bringing out in wonderful line work and iconic imagery exact moments from the stories and the format of the book makes one feel as if they’re holding a Pulp from a news kiosk back in the Thirties.    Even the back cover design as well as the ads included add to that authentic feel.
FIVE OUT FIVE TIPS OF THE HAT
Even though every story wasn’t a grand slam and one might be better suited in another volume, MYSTERY MEN (& WOMEN) VOLUME TWO as a whole delivers.
OVERALL-FOUR OUT OF FIVE TIPS OF THE HAT!