Tagged: New Pulp

Derrick Ferguson Suits Up With THE IMPOSTOR

A lot of times I’ll get asked can a superhero be a pulp hero and vice versa.  And I say sure.  Take Batman.  To me, he’s a pulp character who happens to inhabit a superhero universe.  Or the Challengers of The Unknown who to me are also pulp characters.  The lines can get blurry, especially with guys like Thor who is both a legitimate epic fantasy character (or at least he used to be back in the day) and well as being a superhero.  Now guys like Spider-Man, Superman and The Flash, I call them straight up superheroes.
What does all of this have to do with THE IMPOSTOR #0: “Suiting Up” by Richard Lee Byers?  Not much, to be honest with you.  But it was thoughts like that bouncing around in my melon of a head while I read the story.  There’s a lot of New Pulp as well as Classic Pulp for that matter that can also classified as prose superhero fiction.  When it’s done well, it can be just as much fun and as satisfying as a well-drawn or well-written comic book.
The story is as uncomplicated as a glass of milk: Working stiff Matt Brown is on his way home after a hard day of labor when the Earth is invaded by aliens.  But Matt’s Earth is protected by superheroes who valiantly throw themselves into the defense of their planet.  Not all of them survive and Matt himself is captured by the aliens.  He manages to escape and in the process, acquires some of the equipment and powers of the slain superheroes.  Now it’s all up to Matt to take on the invaders.
That’s it.  But considering that it’s an origin story, how much more do you need?  Mr. Byers sets up his character and the premise of the series in a neat, tight bundle that I found highly enjoyable Old School superheroics with a fine Silver Age DC feel to it.  While reading the story I was visualizing the action as if it were drawn by the 60’s Gil Kane.  I dunno if that was the vibe Mr. Byers was going for but that’s the one I got.  And I liked it.
Should you read THE IMPOSTOR #0: “Suiting Up”?  I don’t see why not.  Certainly the price is right.  You can find it here for free.  That’s right, I said, free.  And at 23 pages it makes for a quick, exciting read, just the way all good pulp should go down.  Mr. Byers has promised further adventures of his hero and I’m looking forward to them.

NEW PULP PARTNERS WITH STAN LEE FOUNDATION

NEW PULP ANNOUNCES ROUND ROBIN TO BENEFIT STAN LEE FOUNDATION

New Pulp, a recently organized Branding Movement to unite creators and publishers of modern Pulp fiction under a collective banner, announces today its first collective New Pulp publication. According to New Pulp founder Tommy Hancock, this project is a twenty chapter novel currently being written in a round robin style, that meaning each chapter is written by a different author. This multiple author narrative, entitled PARIAH AND THE PURPLE PRINCE, is the inaugural project of writers and publishers under the New Pulp Banner.

“New Pulp,” according to Hancock, “is a designation that applies to creators and publishers who, having found their inspiration in the stories and style established by the writers of classic Pulp stories in the early Twentieth Century, are continuing to write, draw, and publish tales of action and adventure in that tradition. New characters, new stories, new ideas, all owing a debt to the Pulp greats, but also written to be the two fisted, high octane adventure stories of today and the New Pulp classics of tomorrow.”

“This current project,” Hancock states, “actually sprouted out of the first New Pulp convention, Pulp Ark, held this past May in Arkansas. Possibly the single largest gathering of New Pulp creators to date, more than 25 creators representing at least nine publishers attended this convention and, of course, many ideas and concepts were discussed and debated. One of those discussions centered around how this collection of writers, artists, and publishers, now standing together under the banner of New Pulp could not only present and produce a unified product, a work representative of all the variety that New Pulp has to offer, but also a way that we could contribute something worthwhile, not just great stories. That desire quickly became an idea for a novel, round robin style.”

PARIAH AND THE PURPLE PRINCE is a novel in progress that started with a bare bones minimalist plot suggested by Hancock. Twenty authors were invited to participate in this project, their names being written individually on single strips of paper. As these names were drawn, each writer was assigned a chapter in the order their name was selected, the first writer getting Chapter 1 and so forth. Each writer gets a month to complete their chapter, although Hancock reports that the fourth writer is nearly done with Chapter Four and the project is just over a month along. “We are all taking this very seriously,” Hancock reports, “not only because we want the world to see what New Pulp is about, but also we are excited about the opportunity to give of ourselves, our time and effort and whatever money this novel might raise to not only a worthy cause, but toward something we all have a stake in-Improving education and literacy.”

All proceeds resulting from the sale of PARIAH AND THE PURPLE PRINCE will go to The Stan Lee Foundation. Founded to carry on the legacy of Stan Lee, the creative genius behind Marvel Comics and creator of a literal universe of iconic characters, the Stan Lee Foundation’s primary goal is to make literacy, education, and involvement in the arts accessible across America. A non-profit organization, The Stan Lee Foundation develops, designs, and sponsors programs and events with the singular purpose of bringing literacy, knowledge, and artistic enrichment to Americans from coast to coast.

“It is an honor,” Hancock states, “for each and every writer and creator involved in this project to be a part of giving something to an organization started by a man that has given us as fans and the world itself so much. The chance to contribute to The Stan Lee Foundation, to help this group further the fantastic efforts into education it has already initiated, to be just a little part of the progress and success that its various endeavors will see, is the best payday any of us could receive. With the opportunity of New Pulp working with the Stan Lee Foundation in other ways in the future also being possible, we truly want to give our best to this novel project and intend for this work to benefit future artists, learners, and readers everywhere.”

PARIAH AND THE PURPLE PRINCE will be published by Pro Se Press, the New Pulp publisher Hancock is a partner in. The writers contributing a chapter each to the novel include Hancock, Joshua Reynolds, Ron Fortier, Barry Reese, Thomas McNulty, Megan Smith, Wayne Skiver, Terry Alexander, Sean Ellis, Van Allen Plexico, Derrick Ferguson, Nancy Hansen, Adam Garcia, Wayne Reinagel, Mike Bullock, Andrew Salmon, Jim Beard, Bill Craig, Rich Steeves, and Tim Byrd. Collectively, these writers represent work in nearly every genre imaginable, from western to science fiction to crime to horror and beyond within New Pulp and as a group have worked with multiple prose and comic publishers producing the finest New Pulp has to offer.

For more information concerning New Pulp or the round robin novel PARIAH AND THE PURPLE PRINCE, contact Hancock at proseproductions@earthlink.net and follow New Pulp on http://www.newpulpfiction.com/.

GUEST REVIEW AND INTERVIEW-MYSTERY MEN FROM MARVEL COMICS!

ALL PULP thanks Peter Miller – docsavagetales.blogspot.com – very much for providing this Guest Review AND a Creator Interview to go with It!
Mystery Men #1 and #2 of 5
Written by David Liss
Art by Patrick Zircher
Published by Marvel Comics

 
 
DC comics made a big splash when the First Wave Universe premiered. They were making pulp comics in a new way. Not set in the past, not set in the DC Universe, but set in their own universe. They hyped it as cel phones and airships. What they created, combining pieces of the past—Doc Savage, the Avenger, The Spirit—with non-super-powered DC characters like Batman and the Blackhawks, was a failed mess. In most of the books the world seemed just like our own except for an extra airship or two. The best book was the Spirit, but even Spirit fans didn’t seem to love it.

Now Marvel has taken a stab at New Pulp and I think they are on to something great. Mystery Men takes place in New York in the regular Marvel Universe in 1932. As far as I know, this is the earliest a series has been set in the MU. The heroes (thus far) are not super-powered. The villain, however, is another story. He exudes occult mystical powers.

Mystery Men follows a millionaire playboy with a Robin Hood complex. He puts on a mask and calls himself the Operative. The Operative is trying to unravel a criminal conspiracy among the New York elite that is led by a frightening occult powered character called the General. The Operative is trying to find a killer.

Also involved in the case is another masked hero, the Revenant. He looks a bit like Moonknight and acts like the Shadow. He seems to have gotten the corrupt NYPD on his case and after crossing paths with the Operative, he decides they should work together.

The Operative doesn’t want the help and the fact that the Revenant is black doesn’t make it any easier, but we know they’re getting together. Issue #2 introduces the Rockettrix (not her real name, but the best description) with ties to the murder.

David Liss has nicely tied together a trio of pulp characters that I want to see more of. The story is good so far and the characters are charming, crude, tough, fascinating, and believable. I like the book a lot so far. Hopefully sales will be good enough to have the title continue.

I haven’t mentioned the art yet. The art is GREAT. Patrick Zircher’s style feels right for the period, but is modern at the same time. The entire first issue is done with horizontal panels, giving it a very cinematic style. The art is clear and direct and reminds me a little bit of Steve Bryant (Athena Voltaire). That is a compliment, by the way.

The second issue continues with the horizontal panels, but does break them up a bit. The colors by Andy Troy are also excellent, clean and subdued, but with color motifs to help define locations.

The final page of each issue so far has been an essay. Issue One’s article is by the writer, David Liss, and he discusses the thrill of adding to the beginning of the Marvel canon. He relates how he decided that the social issues of the 1930s would not be glossed over—that racism, sexism, poverty, and worker’s rights would play a part in the narrative. They do, and I think he has used them in his story well.

In the second issue, artist Patrick Zircher discusses the design path of the character’s looks.

I really hope these essays continue.

Go out and buy this great bit of New Pulp, you won’t be disappointed.

Interview with David Liss

mystery-men-2_1308796982-3390572
The first two issues of Mystery Men are out and they are terrific. The essay at the back of the first issue tells a bit about the genesis of the project, but I was wondering about your background with pulp and the history of the 1930s. Had you studied the era or was this an excuse to do just that?

It really was more of an excuse to learn about the 1930s. Over the years I’ve read various things from and about the period, and, of course, there are films. Like anyone who enjoys comics, I have always found a lot to love in the pulp era, but this was my first serious creative engagement with the period.

Have you read much original pulp of the era? If so, what titles or characters are you familiar with?

I’ve read a lot of pulp crime over the years, and I’ve read most of Robert E. Howard’s Conan stories. I have not actually read that much of the primary heroic pulp, though I have read the original stories of some characters like Doc Savage and the Spider. And then, of course, many of these characters have ongoing legacies in comics and other media that I’ve read.

Are you aware of the “New Pulp” movement – contemporary authors writing new stories set in the classic pulp era?

Yes, I have several friends who have contributed to some of these new pulp anthologies, and I have another new pulp project of my own in the works, though I can’t yet talk about it. I love the revival.

So far it seems that the 3 main characters – The Operative, The Revenant, and Sarah Starr have no innate super-powers. The villains do. Will we be seeing super-powered heroes in Mystery Men?

Hmm. Best to stay away from spoilers, but I will say that the amulet the General is after is packed with all kinds of surprises.

How did you go from writing historical mystery novels to comics?

I was asked! Marvel editor, and pulp-enthusiast, Bill Rosemann read one of my books and contacted me to ask if I liked comics and would I be interested in writing them. The answer was yes & yes. My first project for Marvel featured the pulp hero, the Phantom Reporter.

Are you a long time comics reader or are you new to the genre?

I was away from comics for the period of time I was in graduate school, when I lacked the time and money for comics — or just about any leisure activity — but otherwise I’m a lifelong fan.

What titles or characters are your favorites?

Some of my long-time faves include Daredevil, Spider-Man, Punisher, Captain America, Batman, Superman, Legion of Super-Heroes & Martian Manhunter, but I’ve always followed the story more than the character. My investment has always been less in titles and individual heroes than which creators are putting together good comics, so I’ll read just about anything with a cool story.

What writers or artists excite you?


On the writing side, these days my favorite creators are probably Robert Kirkman, Mark Millar, Brian Bendis and Ed Brubaker. I feel like I’ve been very lucky, because in my projects at Marvel I’ve been paired with some of the best artists out there. Francesco Francavilla and Jefte Palo, who have been doing the art for Black Panther, are both fantastic. And then, of course, there’s Patrick Zircher’s phenomenal work on Mystery Men. In terms of detail and beauty, as well as art that advances character and story, Patrick’s work on this book is about as good as it gets.

ALL PULP SEEKS NEWSHOUNDS, KEYBOARD JOCKEYS, AND VERBAL PAPARAZZI!

ALL PULP (www.allpulp.blogspot.com) , a leading site for news related to Pulp fiction in any medium, announces today a talent search for open staff reporter/reviewer positions.  Started in September, 2010, ALL PULP quickly became the go to site for news, reviews, interviews, and columns related to Pulp fiction, both classic and New Pulp.  Started by a group of New Pulp creators that became known as The Spectacled Seven, All Pulp has strived to provide interesting, current, and topical news and views on a daily basis.   In order to continue the tradition and standards that the site has set for itself, the Spectacled Seven, headed up by Editor in Chief Tommy Hancock, have determined that ALL PULP is in need of additional staff to work as reporters, reviewers, and columnists to provide content for the site.

“We are looking for,” Hancock states, “3-5 individuals who have either an interest in the Pulp genre/field of writing, a background or interest in journalism, or a combination of the two.   In order to stay on top of all the news that happens in Pulp every day, an amount that is increasing on a weekly basis, ALL PULP needs a dedicated staff of field reporters collecting news releases, conducting interviews, and writing columns and reviews of the latest Pulp available as well as all the classic Pulp available to the public today.  We have the Spectacled Seven and a handful of other contributors who provide content as they acquire it or as they can, but what is needed is a small select group of people providing 3-5 pieces of news a week.  Length is not an issue, it can be a 5,000 word column or a 300 word newsbyte.  ALL PULP is about making sure the news is delivered to its readers consistently, concisely, and regularly.”

Hancock notes that there is currently no monetary compensation for these open positions or any position currently filled at ALL PULP, including his own.  “This is all volunteer at this time, but other benefit do exist.  The opportunity to be a part of known pop culture news site, to interact with publishers, writers, artists, and personalities in the Pulp field, and to expand the coverage ALL PULP already has are all advantages one would gain by being a part of ALL PULP.”

Anyone interested in applying for the open positions can submit a mock interview, review, column or news story (or an actual story written for another publication) to Hancock at allpulp@yahoo.com.

Modern "New Pulp" Classics?

Everyone knows what old pulp classics “should” be on everyone’s reading list but what about the New Pulp novels and stories that have been produced in the last decade or so? What titles would you present to someone new to the genre as representative of the best of New Pulp? Would you push The Khan Dynasty by Wayne Reinagel into their hands? Or The Hounds of Hell by Fortier and Linzner? What about the vast libraries of Wild Cat Books, Airship 27 or even newer publishers like Age of Adventure or Pro Se? Post your lists either here on the Comments section or on our Facebook page! We’ll try to compile a list once we’ve heard from everyone.

NEW PULP’S LATEST PULPED! IS LIVE!

Mon, 27 June 2011

newpulpseal_copy1-3089412 PULPED! The Official New Pulp Podcast-Episode 2-Chronologies get PULPED!

PULPED! is a Podcast dedicated to the creators and fans of New Pulp! New Pulp, heroic fiction by modern artists written with the sensibility and in the tradition of the Pulp genre! This week, Tommy and Ron take on the hosting duties and visit with Jeff Deischer, Pulp Writer and Chronologist about his latest book! THE WAY THEY WERE contains essays on various and sundry points about Doc Savage, The Avenger, Dracula, Captain Nemo, Gullivar of Mars, and other noted Pulp and literary characters! And if you don’t think this is New Pulp, then listen and learn, children!

Then, New Pulp’s own Diva of Justice, The Pulptress swings in with a review of CROSSOVERS by Win Scott Eckert, Noted Pulp Author and Chronologist! Tune in, listen, and be sure to get PULPED!

PULPED! will post each Monday!

Check out PULPED! and the New Pulp Movement at www.newpulpfiction.com and at the New Pulp forum hosted by Comic Related at http://www.comicrelated.com/forums/ under NEW PULP! Also, like New Pulp on Facebook!

Ron Fortier-www.airship27.com

Tommy Hancock-www.pulpmachine.blogspot.com

Barry Reese-www.barryreese.net

Derrick Ferguson-www.dillon-dlferguson.blogspot.com

Like Barry’s Writer Page, Tommy’s Writer Page, and Airship 27 on Facebook!

ALL PULP INTERVIEWS ANDREW SALMON ON iPULP RELEASE!

Andrew Salmon Secret Agent X iPulp Launch Interview
With the upcoming June 27 release of his Secret Agent X tale, The Icarus Terror, All Pulp sat down with Andrew Salmon to get the skinny on Secret Agent X and the digital revolution.
AP: Tell us a little about yourself and where readers can find out more about you and your work?
AS: All right. I was born in Montreal, Canada but my wife and I now live in Vancouver. I’ve been writing pulp for more than three years now and really feel at home in the genre. I’ve had the great good fortune to have picked up three award nominations for my pulp work in the last couple of years and am still amazed I actually won a Pulp Factory Award for Best Pulp Short Story in ’09 for my contribution to Airship 27’s Sherlock Holmes Consulting Detective Volume One. Folks interested in my output to date can check out my author page on amazon. It’s got it all. Plus you’ll find almost all of my stuff on Airship 27’s various sites.
AP: How did you become involved with Secret Agent X?
AS: When I first hooked up with Airship 27 I was completely new to the pulp genre having read three or four Shadows and a couple dozen Docs. But I fell in love with the genre immediately and leapt at the chance to try my hand writing it. Well, my inexperience led Airship’s Ron Fortier to assign me a Jim Anthony tale since Anthony was a Doc Savage clone and I’d read more Docs than anything else at that point. So I banged out an Anthony tale and had a ball doing it! So much so that when I was done, I was hungry for more! Around the same time, Airship 27 was re-issuing the titles they had originally published with Wild Cat Books during their brief association and their first Secret Agent X anthology was on deck. Thing was, one of the contributors to that release decided, for whatever reason, to bow out of Airship 27’s re-issue of the book. My Anthony tale had not been released at this point and X was the next book they had on the flight deck. Ron knew I was chomping at the bit to officially become part of what has now become the New Pulp movement and offered me the slot – if I could bang out a Secret Agent X tale quickly. I did . They loved it. And I got the spot! I made my pulp debut with Secret Agent X and have loved the Agent ever since! 
AP: Who is Secret Agent X? What makes pulp characters like Secret Agent X appeal to you as a writer and a reader?
AS: X is just a great character! He can be anyone and the fun in writing and reading X tales is to discover where he’s going to turn up next. The mysterious element to the character is what really drew me in. Along with his abilities as a master of disguise, readers are never sure who he really is as his true identity is never revealed. That’s a lot for a pulp writer to play around with and makes X novels and stories a delight to read. X is the Bond of his time and yet has a selfless dedication to duty. He has no time for martinis and fair ladies. He’s got a job to do and he does whatever it takes to get that job done. Also, in a way, he’s the quintessence of what pulp is all about. Very little time is spent on X’s background. Oh, he’s got a regular cast and a love interest, but X tales are all about action, misdirection, gadgets and disguises. Bond meets Mission: Impossible – that’s Secret Agent X!
AP: Digital content has changed the publishing landscape. As a creator, what excites you about digital content? As a reader?
AS: Well, this is the burning question of our time – right across the publishing landscape. The digital world has exploded traditional publishing in a good way. It’s easy to get stuff out there and doing so digitally means you can keep prices down. Everyone is pinching pennies these days and folks are careful about what they spend their money on. People want bang for their buck and tend to stick with content and creators they know to be, in their minds, a sure investment.
However, with digital publishing, readers can now branch out. Whether it be with a tablet, an e-reader or their cell phones thanks to iPulp, content, both good and bad, is now readily available at a great price. Pulp creators and fans have seen the impact the internet has had on creating the New Pulp revolution. Now with the surge in e-readers and the like, it’s not so big a gamble to try something other than whatever is on the Best Seller’s list at any given moment. What once was a $15-$30 roll of the dice can now be had for $3 or even $1 with iPulp. There are a lot of really great writers out there and their voices can now be heard thanks to the digital revolution. Readers can take chances now, branch out and it won’t break the bank. It’s great! I can’t tell you the number of writers I now read regularly that I’d have never heard of if not for the digital explosion. Or, if I’d heard of them, I probably couldn’t afford to take a chance on. No more! Now dabbling is easier than ever and it’s just great to wade into the tidal wave of New Pulp authors and artists. For avid readers, the digital boom is a dream come true!
newholmescovervolume1-3687421
AP: Your Secret Agent X story, “THE ICARUS TERROR” is currently available in print and as an eBook from Airship 27, and soon to be released individually at iPulp Fiction. What can you tell us about this story?
AS: My simple rule for an X tale is to have the thing start pedal to the metal and not let up for a heartbeat. That’s what I did for “The Icarus Terror” and the result is a wild ride. Imagine 1930s New York and an airship festival – airships and blimps hovering over the city, blocking out the sun. Then imagine those ships descending, squeezing between the towering, concrete spires of the city and before anyone can figure out what’s happening, the helium-filled airships begin to explode! How is it being done? Is some evil genius behind it? Is the city being held hostage? Can Secret Agent X get to the bottom of the mystery before more of the airships explode? Talk about bang for your buck! With iPulp offering “The Icarus Terror” for only $1, truer words were never spoken. Edge of your seat thrills await!  
AP: Airship 27 currently has three Secret Agent X anthologies in print and available as eBooks with several of those stories soon to be released individually at iPulp Fiction. What’s next for these pulp heroes?
AS: I’ve got a Secret Agent X tale in the third Airship anthology and I’m hoping it will one day make its way to iPulp along with the other X tales they’ve done to date. X is made for this format. The stories are fast-paced, action-packed – just the sort of thing to read on the go or during brief breaks or down time on the job. They will get your heart pumping! As for the future of the great pulp heroes, the sky really is the limit. Back in the Golden Age of pulp fiction, the exploits of these great heroes were great escapism from the everyday. Folks in the 1930s craved these kinds of adventures and nothing has really changed. Action movies, books, video games and the like are still as popular as ever. Pulp fiction and the great pulp heroes of yesterday and today can still thrill while providing that much needed escapism we all need from time to time. Getting pulp tales out in all different formats means that readers looking for a white-knuckle thrill ride can access these tales however they prefer. A Mount Everest of pulp thrills was compiled during the heyday of pulp fiction and millions of readers enjoyed the terrific exploits of these timeless characters. Most of that stuff is becoming available for today’s readers. But, more importantly, a sister peak is being compiled of New Pulp tales, characters, exploits with a modern sensibility, currently created by talented writers and artists for today’s readers. It’s all breaking at the same time. Tons of great reading you do not want to miss! Whether you’re an old pulp fan or someone coming to the genre for the first time, you will find something you like. I guarantee it. Get your feet wet digitally if your wallet is a little light. Try an Airship PDF for $3 or an iPulp tale for $1. For less than the cost of a cup of coffee, you’re in for a real treat! Once you see what a wonderful reading experience one can have with pulp, you can upgrade to printed books to stock your library if you want or fill up the memory on your tablet with as much pulp as it’ll hold. You won’t be sorry.

Andrew Salmon (on left)

AP: Any upcoming projects you would like to plug?
AS: I’m currently working feverishly on a pulp novel featuring German pulp heroes called All-Men: The Shadow-Line. The book, if I can ever get the darn thing finished, is going to be something very different and, I hope, very eye-opening for pulp fans. I’m going out on more limbs than I can keep track of but I’m risking the fall in the hopes of providing readers with a reading experience they’ve not encountered with pulp to date. The novel is taking up almost all of my writing time these days but that doesn’t mean I don’t have other irons in the fire. I’ve contributed an easter-egg laden, hardboiled detective tale for an anthology Airship 27 is putting together featuring a PI named Rick Ruby and that was a lot of fun. I also collaborated with Mark Halegua crafting the first tale with his hero, the Red Badge, which is forthcoming as part of Airship 27’s Mystery Men & Women Volume Two which should be out before the end of the year. There are a lot of other things on the horizon both with Airship 27 and Pro Se that I’m not at liberty to talk about at the moment. Let’s just say that the pulp world hasn’t seen the last of me yet and leave it at that. I’m having a ton of fun writing pulp and it’s my hope that readers are having as much run reading what I’ve churned out so far. Hang on to your fedoras folks, you ain’t seen nothing yet!
AP: Thanks, Andrew.
For more information on iPulp Fiction’s offerings, please visit www.ipulpfiction.com
For more information on Airship 27 Productions’ offerings, please visit www.gopulp.info

NEW PODCAST FOCUSED ON NEW PULP DEBUTS-Go Get PULPED!

Press Release-
Four New Pulp creators and proclaimed members of what some are calling The New Pulp Movement, announced today that they have united to present the world with the first official New Pulp Podcast!  PULPED!, a podcast focused on the works and trends that comprise and contribute to works created after the heyday of the Pulps that have the sensibilities of classic Pulp works and yet are new tales, debuted with its first episode on June 20th.
Tommy Hancock, Barry Reese, Derrick Ferguson, and Ron Fortier, all noted pulp authors and personalities within New Pulp, make up the core circle behind PULPED!  Functioning as a rotating circle of hosts, the PULPED! Four will spotlight different creators and New Pulp works each week as well as discussing trends in the sub genre.  There will be a News section of the podcast, but it will be slightly different than traditional newscasts.  Each co-host will bring a topic of New Pulp news to the table and then the assembled hosts will discuss and/or debate it.  Also, PULPED! will be the home of reviews done by THE PULPTRESS, the spokesperson for New Pulp!  Each week, she will deliver a review of current New Pulp books, audio, movies, tv, and other things that qualify as New Pulp.
“New Pulp,” said Tommy Hancock, “is a vibrant, relevant part of the fiction Pulp fans love and enjoy.  Edgy at times, traditional at others, New Pulp shows that the fantastic heroic adventure fiction enjoyed by so many in the early 20th Century is not only still alive and well, but is on the verge of being an important part of literature of the 21st Century.  PULPED!’s focus will not simply be on books, but on all aspects of how New Pulp permeates our society. It will also focus on everyone from major players in publishing and other fields right down to the small press publishers and independent creators that truly are the lifeblood of this movement.”
PULPED! will post a new episode every Monday at http://www.pulped.libsyn.com/ and will be available in the coming weeks via ITunes and other providers.
“Anyone who is a writer, artist, publisher,” Hancock stated, “that wants to be a guest on PULPED!, all they need to do is to send an email to braedenalex@centurytel.net or contact any of the four hosts.”
The first episode is now available at http://www.pulped.libsyn.com/ and its description is as follows-
PULPED! The Official New Pulp Podcast-Episode 1-PULPED! For The First Time!

PULPED! is a Podcast dedicated to the creators and fans of New Pulp!  New Pulp, heroic fiction by modern artists written with the sensibility and in the tradition of the Pulp genre!  Pulp creators Barry Reese, Derrick Ferguson, Ron Fortier, and Tommy Hancock kick off this podcast dedicated to the promotion of The New Pulp Movement by explaining what the podcast is about, defining and discussing New Pulp, and letting know listeners what they’re in store for. 

Then Tommy and Barry take off their hosts hats and climb in the guest spotlight to discuss Barry’s latest book, THE ROOK-VOLUME SIX, published by Hancock through the company he’s a partner in, Pro Se Productions.  The origins of the Rook, Reese’s inspirations, and the logic behind Pro Se acquiring the Rook as well as future plans for the well known character are discussed in length.  Following that, our intrepid co-hosts take on the PULPED! News.  Each week, the co-hosts will bring one topic of New Pulp news to the table and they will discuss, analyze, explore, and debate it!  If you like your fiction heroic, if you seek adventure and action in every word you read, then come on in, take a seat, and get PULPED!

PULPED! will post each Monday!

Check out PULPED! and the New Pulp Movement at www.newpulpfiction.com and at the New Pulp forum hosted by Comic Related at
http://www.comicrelated.com/forums/ under NEW PULP!  Also, like New Pulp on Facebook!

GUEST REVIEW OF UNIT 13 BY ANDREW SALMON! CANADIANS UNITE!

A Review Of Granton City Press’s UNIT 13 By Andrew Salmon

  
unit_13_cover-4554289
With the New Pulp movement in full swing these days it’s high time pulp fans took a look at what our fellow pulpsters north of the border are up to. Case in point: Unit 13 The Horrors of Altenschatten by Calvin Daniels and Tyrell Tinnin.
    
I really enjoyed this book and am anxious to see where further adventures will take this colorful cast of characters.
    
The novel gives us the inaugural adventure of Unit 13, a secret, elite military force fighting in France during World War One. Lead by Sergeant T.S. Crake, Unit 13 is not your average squad. In fact the war to end all wars depicted here is not your great, great grandfather’s fight. No, this conflict is more in keeping with Kurt Busiek’s Arrowsmith. Magic abounds and mythical creatures are fighting on both sides. Here’s where Unit 13 comes in.
    
Comprised of an enormously powerful Tollgre named Grymm, The Starling – a sultry female sniper/assassin, a wily First Nation Indian named Smoke, Solstice – an African-American with gloves which harness the power of the sun and Centurion a steampunk cyborg, Unit 13 takes on all comers and this is not a group you want to mess with.
    
Yeah, there’s something for everyone in this unit.
    
But the fun doesn’t stop there. Early in the tale they encounter Chimera who is the product of German medical experiments to create an army of super soldiers. Like his namesake, Chimera is half-lion, half-lizard and one dangerous customer. Once converted to the side of right, Chimera fills them in on the horrible experiments being conducted at Altenshchatten Castle to which the capture Grymm has been taken.
    
It’s Unit 13 to the rescue! And the bodies, body parts, blood and guts begin to fly!
    
The novel is a great action ride that should satisfy any fan of pulp or adventure fiction. The writing can be a little uneven at times and the narrative jumps around, sometimes jarringly, but there’s still more than enough thrills to keep you turning pages.
As this is the first adventure of the group, a goodly portion of the text is given to filling in character back stories while laying the groundwork for future tales. Here the jumping around nature of the novel is a benefit as we don’t linger too long with any one character, or group of characters, at one time.
All in all, the book is a great read which I recommend. At only $13.99 you get 218 pages of WWI excitement mixed with magic, mayhem, superheroic action, a little romance and some betrayal to sweeten the pot.
    
 Unit 13 The Horrors of Altenschatten is one of the best examples of what the New Pulp movement is all about. Check it out.

PRO SE PROUDLY PRESENTS REESE’S ‘THE ROOK: VOLUME SIX!’

THE ROOK: VOLUME SIX FLIES HIGH FROM ITS NEW HOME-PRO SE PRESS!
Press Release
Pro Se Productions
Tommy Hancock, Editor in Chief
06/09/2011
Pro Se Press, a leader in New Pulp fiction, is extremely proud to announce the first of many releases penned by Veteran Pulp Author Barry Reese and starring Reese’s best known creation, THE ROOK!  THE ROOK: VOLUME SIX by Reese is now available from Pro Se Press!
Already established as one of the best known heroes of The New Pulp Movement, The Rook takes on his greatest adventures in VOLUME SIX.  Reese ups the ante significantly for Max Davies, millionaire and vision driven vigilante, by setting The Rook against Sun Koh, Prince of Atlantis in the lead story, THE SCORCHED GOD!  A character from German pulps of the 1930s, Sun Koh is essentially the Germanic Doc Savage and comes up against The Rook in order to take his supposed rightful place as ruler of the world.  Assisted by a variety of interesting villains, most notably The Furies, three women, each one representing an Axis nation.  What chance does any mere mortal man have against a near Godlike being and his bevy of deadly beauties?  Fortunately, there is nothing ‘mere’ about The Rook in ‘THE SCORCHED GOD!’
The Rook continues to deliver two fisted justice in two other tales included in VOLUME SIX!  Taking a trip to the Old West like no one ever has, The Rook hopes to help lost souls clear up ‘SINS OF THE PAST’!  And The Rook appears for the first time ever in a story with Reese’s latest and greatest New Pulp hero!  Lazarus Gray, of Pro Se’s SOVEREIGN CITY PROJECT, stands side by side with The Rook as they take on evil and injustice in ‘DARKNESS, SPREADING ITS WINGS OF BLACK’! 
This volume also includes an introduction by Pro Se Editor in Chief Tommy Hancock, an interview with the author, and a timeline for The Rook and the various and sundry tales told within that universe!
“Clearly, Pro Se is more than proud and pleased to be able to put out THE ROOK: VOLUME SIX,” stated Tommy Hancock, EIC of Pro Se Press.  “Barry has clearly set a standard for what a New Pulp Author and a New Pulp hero should be!  And this volume is not just chocked full with adventure, but the extras give it a more rounded feel as well.  Also, this represents another step toward Pro Se’s own house style of formatting, developed and designed by our own Sean Ali.”
AVAILABLE NOW-THE ROOK: VOLUME SIX by Barry Reese from Pro Se Press!
No shelf of New Pulp Fiction will be complete without this volume!
Pro Se Productions-Putting the Monthly Back into New Pulp!
ISBN-13: 978-1463548995  
ISBN-10: 1463548990
Release date: 06/09/11
Retail Price: $12.00
On-Line Store – https://www.createspace.com/3623250
Available NOW at http://www.amazon.com/