Tagged: New York

Mindy Newell: Family, A Love Story

newell-art-130805-6992951I must apologize for not being here last week. We had a family emergency, and the weekend was not fun.

No, not my dad. My mom. She was in the hospital.

I’ve talked about my dad here, but have rarely mentioned my mom.

She comes from a large family. Eleven kids. All of them, the girls as well as the boys, were raised to be independent, to be able to stand on their own two feet. My mom became a nurse, and down through the years, like Cherry Ames, she has worked in many areas of the field.

Laura Newell, Army Nurse. Laura Newell, Labor and Delivery Nurse. Laura Newell, Dialysis Nurse. Laura Newell, School Nurse. Laura Newell, Camp Nurse. Laura Newell, Public Health Nurse. Laura Newell, Emergency Room Nurse.

I thought a lot about my mom this past week. A professional woman before that was unremarkable. Able to sustain a marriage now 65 years in the making while raising two kids and continuing to work before there was daycare and flex-hours. Being in love, married to a man who was as proud of ability to help others heal as he was of her looks and housekeeping skills and never minded if she had to work an extra shift or stay overtime at the hospital? How had she done it? Where did she learn to how to do it?

And then I thought of my grandmother.

It was during the second wave of the East European Jewish immigration (which lasted from 1890 to 1924) that my grandmother, Anna Pecker, with her two young children – my Aunt Ida and my Uncle Phillip – crossed the ocean to America sometime in the early 1900’s. She was from a shtetl (Yiddish for “small town or village”) near Vilna, a city always known for its culture and book-learning, and which was sometimes part of Poland and sometimes part of Russia and is now a major city of Lithuania.

The thing is, no one knows what happened to her first husband. We don’t even know his name.

There are two theories. The first is that, like many young men of the times, he was conscripted into either the Polish or Russian Army and never returned. Her brother advised her by letter to come to America, saying that he could pay the steerage passage.

The second, and this is what makes it such an intriguing story, is that her husband was a miserable lout, always drunk, and always beating her and threatening the children. She hid her brother’s letters from the brute of a husband, as well as secreting money from him, as she saved for the journey from Vilna to Hamburg, Germany, where the ship would be docked. And then one day, young Anna had enough. She waited until her husband was asleep (or in a drunken stupor, or not home), took her kids, the money she had squirreled away, and left.

They mostly traveled by foot, saving money, and Anna would hire herself out as a maid or a cook to earn more, hiding the kids in a field or a forest. Supposedly they only travelled at night because it was safer, especially for a Jewess with two young children.  I don’t know how long it took, but it must have taken weeks, if not months, to get to Hamburg. Either she wrote her brother and sent it from one of her stops along the way, or, reaching the German port, she wrote her brother to wire her the passage money. (No one is sure about that.) At any rate, she paid for and received booking on a steamer to New York.

When they finally reached America and Ellis Island, my Aunt Ida, who was about five, was almost turned back because the immigration doctors said she had tuberculosis. But my grandmother refused to allow that, and my grandmother’s brother, who was waiting for them, must have greased a lot of palms. Ida was allowed to stay, although she had to be in quarantine for about three months. Think little Vito Corleone in Godfather II.

Anna and her children lived with her brother and his family in Bayonne, New Jersey, which had a large and thriving Jewish community. Jacob Yontef, a tall, handsome widower with seven children, and considered a “hot catch” by widows or mothers with marriage-age daughters, saw Anna at a dance, and fell instantly head-over-heels in love. I mean, he only had eyes for her, as the song says.

But Anna wasn’t interested. She literally scoffed at him, or so the story goes.

Was it because Jacob already had seven children? Of course, back then large families were the norm, but still, I think any woman would hesitate inheriting such a large brood. Unless her name is Carol Brady. Or…

Was it because she was still legally married? Was she worried that her husband would track her down? The mind boggles at the possibilities.

But Jacob never gave up.

Finally, at least three years later, though some in my family say it was more, Jacob won his woman.

And Anna Pecker became Anna Yontef.

And into this family was born my mother, Loretta Yontef, called Laura by everyone. Three years later, another girl, Anita, who would almost immediately be rechristened Augie – though that’s a tale for another time – was born.

Eleven kids.

And it wasn’t until I was 19, after my grandmother’s passing, that not only did I hear this story for the first time while we sat shiva (a period of mourning) but also learned that only my mom and my Aunt Augie shared parents.

Now my mom is 87, the matriarch of the family, the last surviving member of a true Yiddisher mischpacha (“family” in English, pronounced mish-PA-cha, the cha as in Chanukah – a sound that is like clearing your throat.)

Last month she fell, but thankfully did not break her hip. Still, for the last four weeks she has been in a great deal of pain and she was finding it hard to walk. Then last Friday I got a call. My mother was in the ER. There was a reason for her constant pain of the last month. No, she hadn’t broken her hip. (Thank God, for that would have been a horrible nightmare.) But the fall had caused a linear fracture of her lower pelvis, and of course walking around for the last four weeks had exacerbated it.

There really isn’t anything to do for a fractured pelvis (dependent on the severity, of course) but to rest it and allow it to heal, which means bed rest and wheelchair, with appropriate physical therapy.

So now my mom is in the same rehab/nursing home facility as my dad. We tried to get them into the same room, but weren’t able to, which, in fact, is a blessing in disguise, because knowing my dad, he would most certainly get up in the middle of the night to check on her and considering his fragile state – he is confined to a wheelchair these days and his cognitive state is not good, to say the least – well, I don’t even want to go there in terms of what that could lead to…But my mom is three doors down, and they spend their days together. I tease them about “wheelchair races.”

Yesterday, after a wonderful day partying and celebrating my niece Isabel’s 13th birthday, we brought my parents back to the nursing home/rehab center. They were both exhausted. The nurses said they would put them to bed for us.

But before they were wheeled off to their separate bedrooms (something that is hard for me to watch), they leaned towards each other, and kissed each other good night.

That’s 65 years of marriage.

That’s mishpacha.

That’s love.

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

Russell Simmons and Common Team for Jazz Age Animated Hero, The Harlem Shadow!

 
 

Music and fashion mogul Russell Simmons announced in an interview with Entertainment Weekly that The Harlem Shadow, a new animated online superhero series that will be set in the Jazz Age, will be revealed at the New York Comic-Con in October. The Harlem Shadow will feature hip-hop star Common (currently seen in AMC’s Hell on Wheels) in the title voice role and is executive produced by David Uslan.

After the NYCC debut in October, look for The Harlem Shadow content will be online by the end of the year at All Def Digital, the YouTube channel from Simmons and Awesomeness TV’s Brian Robbins.

The Harlem Shadow is an adaptation of the indie small-press series of the same name from RavenHammer Comics and the creative team of Brian Williams and Christian Colbert.

About the comic book:
THE HARLEM SHADOW
BIRTH OF THE COOL

Born at the tail end of the Harlem Renaissance, The Harlem Shadow is the first official Black paranormal crime-fighter that hit the streets of New York around 1929-1930. He was known for his scary appearance, his vicious hand to hand

combat skills and his mastery of two lethal revolvers, used to maim and disarm his enemies but never kill. In 1950 as a result of the Black Mask Act…Harlem Shadow was hunted down by New York City Police, lynch mob style, and unmasked. His name was Linden Somerset, a school teacher and librarian, and he served a twenty year jail sentence at Alcatraz Island. This is his story.

You can read the entire EW interview here.

Dennis O’Neil: Being “There”

oneil-art-130725-7613148Did you see me there?

Where’s there? Oh, come on…The San Diego Comic-Con! Where else? And, as I type this on Monday evening, are you perhaps just getting home. Are you frazzled? Exhausted? And are you happy? Was the adventure all you’d hoped it might be? Do you have, encased in plastic and two slabs of thick cardboard and tucked into your carry-on, that one special issue, the one you’ve sought for years. the one whose absence has left as yawning crater in the middle of your collection – finally, triumphantly yours? Have you met the person of your dreams, wearing, perhaps, an X-Men costume? Or had your picture taken with the celebrity who occupies a god niche in your psyche? (Okay, it cost you what you pay for a week’s groceries, but some treasures are beyond price.)

Hooray. That’s all well and good. But now the important question: Did you see me there?

If you did, I must have had some Dr. Strangey astral projection mojo working, because I haven’t been anywhere near Southern California this year. (Denver is as close as I got.) So – either I astrally projected (while napping?) or you saw some other septuagenarian chrome dome. I didn’t do any disembodied jaunting last week but…I did do something similar.

The late Arthur C. Clarke once said that any sufficiently advanced technology would appear to be magic to primitive people. (Let’s assume that “primitive” is relative.) Well, abra my cadabra, because while sitting upstairs in the dining room I spoke to a group of people in Lima, Peru – gave a talk and then answered questions. Mr. O the bilocated – at once in New York and Peru! Be in awe, you primitives!

The magic was, of course, technology, and not cutting edge technology, either. (Though, come to think of it, maybe this story would be better if it were.) What we were using, the attendees of the Lima Book Fair and I, was Skype, which is surely old news to many of you. Too me – not so old. I’d used it once before, to record something for use on YouTube, but I had the advantage of a tech savvy offspring at my elbow on that occasion. This time, Marifran and I were pretty much on our own, though we did have help from Eduardo, an affable cyberwizard from – where else? – Peru. I won’t say that all proceeded glitchlessly. (Does Dr. Strange ever suffer interference from, say, a snotty kid riding a Hogwarts broomstick?) But the glitches were minor and the event, I’ve been assured, was a success.

And just recently, a book I wrote about a dozen years ago became available as an e-book. So I guess I’m being dragged into the twenty first century, That, or I’ve taken up residence where eldritch forces are manifest. Either way, as the great prophet Bobby told us, the times they are a’changin’, and, there being nothing to do about it, let’s enjoy the ride.

Did you see me at the Con? Are you sure?

THURSDAY AFTERNOON: Martin Pasko and the Big Show

FRIDAY MORNING: Martha Thomases and Sexy Kitties

 

 

 

Arrow’s Kelly Hu Never Knew Danger Like Kissing Kirk Cameron on Growing Pains

kirkcameron-kellyhu-5125396Danger surrounds actress Kelly Hu today.

As the nefarious China White in Arrow, she plays the head of an assassins syndicate that goes head-to-head with Green Arrow; and in her new role as Cece on The CW’s The Hundred, she’ll be facing incredible odds in an enthralling, futuristic thriller.

But at no time was she in more danger than when she kissed Kirk Cameron in her debut role on Growing Pains.

Hu is among several notable actors whose careers took flight after taking their initial bow in a guest appearance during Season Three of Growing Pains. Four-time Academy Award nominee Brad Pitt played his first character with an actual name in the ninth episode of the season, “Who’s Zoomin’ Who?”; The Hangover star Heather Graham doubled that feat by portraying her first two “name” characters as Cindy in “Michaelgate” and as Samantha in “Some Enchanted Evening”; and Butch Hartman, best known as the creator of the popular Nick animated series The Fairly Oddparents, had one of his first credited roles in the “Michaelgate” episode.

Season Three of Growing Pains is now available as a three-disk DVD set through the Warner Archive Collection.

For Hu, Growing Pains was truly a launching pad for a very busy career. Fresh out of high school, Hu filmed the episode – a season-opening two-parter entitled “Aloha” – and then moved to Los Angeles before it aired.

“The day (the episode aired), I put a full page add in Variety and sent out letters to agents announcing that I was ‘now available for west coast representation’,” Hu recalls. “I got 20 calls from agents before the show even aired that night.”

She also got fan mail. More to the point, hate mail. In the episodes, the Seavers take a family vacation to Hawaii – where Mike (Kirk Cameron) became infatuated with a young local girl named Melia (Hu). The island romance sent Cameron’s legion of young female fans into a tizzy.

“Kirk Cameron was my first on-camera kiss,” Hu says with a knowing smile, “and I got all kinds of death threats from little girls who were jealous that I got to kiss him.”

Now a veteran of more than 40 primetime series, not to mention films like X2, The Scorpion King and The Doors, Hu says the Growing Pains experience represented one new lesson after another. Even at the craft services table.

“It was on the set at breakfast my first day shooting in LA that I saw my first bagel,” Hu says. “I pointed at it and asked out loud, ‘Is that a bagel?’ and Tracy Gold, in her very New York accent, replied, ‘You don’t know what a bagel looks like!?’  I didn’t.  I was a little girl from Hawaii. There was a lot I still hadn’t been exposed to yet.”

WILL MURRAY DELIVERS AN EPITAPH FOR THE WESTERN

Premiering at Pulpfest is Wordslingers: An Epitaph for the Western by Will Murray from Altus Press.

PRESS RELEASE

About Wordslingers: An Epitaph for the Western:
The Writers of the Purple Wage have long since taken the last trail into dusty memory. But, now, they live again––to retell tall tales of those distant days when they helped forge the fabled West of American Imagination.

They’re all here!

*The Popular hacks!
*The Spicy bestsellers!
*The Thrilling myths!

Those amazing million-words-a-year men!
True Westerners born on the Range!
Broadway cowboys never West of Hoboken!

Join Max Brand, Luke Short, Johnston McCulley, Ernest Haycox, Walt Coburn, Frank Gruber, Ryerson Johnson, & a hard-working, fast-drawing posse of freelance fictioneers!

And those two-fisted foremen of New York’s fiction factories–magazine editors Frank Blackwell, Rogers Terrill, Leo Margulies, Robert Lowndes & Fanny Ellsworth!

Together, in their own words, these veteran pulpsters & others offer startling inside stories of how they created the mythology of the Golden West!

*Blazing action! Savage characterization! Real emotion!

Ride with the Old West’s top gunhands, greatest pulpsmiths & legendary brands. From Buffalo Bill, Deadwood Dick & Hopalong Cassidy to Gunsmoke & Louis L’Amour, this is their saga.

Armed with forgotten interviews, controversial essays & candid letters first not seen in generations, acclaimed pulp historian Will Murray, author of The Wild Adventures of Doc Savage. reveals the epic life & frequent deaths of the Pulp West!

469 pages, approx. 6″x9″

Softcover: $29.95 | Hardcover: $39.95 (only 100 made) | Ebook: $TBD

Learn more at www.altuspress.com.

REVIEW: Cleopatra

CleopatraThere is a sumptuousness and exotic look and feel to the Ancient Egyptian culture that I have always been drawn to. The clothing, décor, architecture – it has always been utterly fascinating and their monarchies and dynasties are as rich as any in Europe. One of the best biographies I read in the last few years was Stacy Schiff’s Cleopatra, which mined all known existing records about the Queen and attempts to weave together the most likely version of her storied life and death.

On the other hand, the 1963 spectacle of the same name merely adapted Plutarch’s version of events. Today, Cleopatra has become shorthand for a bloated misfire of a film and is always cited as the one that nearly caused 20th Century-Fox to crumble. The studio survived and has had the last laugh, making a fortune off the film ever since. Out now is the overdue Blu-ray edition and they have lavished much attention on the production so it’s the best version you will find for home viewing.

Starring Elizabeth Taylor, she was in her thirties and at her optimal beauty, making her the ideal lead for the movie. Her stardom was such that the studio was willing to plunk a cool million for her services, setting a new record for actors. They budgeted $2 million for the film but the costly production swelled to a then-record $44 million (over $325 million today) until the next $44-million record film budget, which was, of course, Star Trek: The Motion Picture.

The film was a labor of love for Joseph L. Mankiewicz, who codirected, cowrote, and coproduced the film. While it made headlines for Taylor’s salary and affair with costar Richard Burton, it also brought home four Oscar Awards, including Best Cinematography and Best Effects, Special Visual Effects so it couldn’t have been all bad. And it’s not.

1963_cleo_rex_harrisonWe start in 48 B.C. and end with her death in 30 B.C. and during that time Cleopatra VII rose to rule then oversaw her country’s absorption into the Roman Empire, loving Julius Caesar while using that relationship to protect her people. Gaius Julius Caesar (Rex Harrison) chases Pompey to lush Egypt, just in time for a civil conflict as Pharaoh Ptolemy XIII (Richard O’Sullivan) has sent his sister Cleopatra out of the capital city of Alexandria. Caesar and Cleopatra meet, scheme together, and in the process, fall in love, changing the fate of two governments.

They produce just one son, Caesarion, a living symbol of the two countries’ enduring unity but he is so besotted with the Queen, he neglects his duties back home long enough to stir talk of rebellion. In time, he goes home and soon after she comes to visit, he is named dictator for life and subsequently assassinated. Mark Anthony (Richard Burton), the new ruler, eventually follows Cleopatra back to Egypt where they start their own torrid affair, allowing Caesar’s nephew Octavian (Roddy McDowall) to plot his own overthrow.

Taylor 2 Cleopatra

This is a long film, with a lot of lingering views of temples, pyramids, courts, and costumes. Taylor had a record-setting 62 costume changes in this production and we must pause to notice every bangle. The pacing, thanks to two editors, is a little uneven and 20th balked at the length, trimming after its premiere and destroying much of the cut footage. What we get is the 151 minute New York premiere edition, complete with Overture, Entr’acte and Exit Music.

Thankfully, the restoration is brilliant and gorgeous to watch. The colors are vibrant and the action a pleasure to watch. Similarly, the DTS-HD Master Audio 5.1 track is a match so you can hear the sand crushed beneath the sandals.

Given the film’s running time, it is split over two discs but comes with a ton of extras starting with an examination of  Cleopatra’s Missing Footage (9:00), wherein film historian Brad Geagley and 20th Century Fox film archivist Schawn Belston take you through the history.

In Fox Legacy with Tom Rothman, the studio CEO reviews the tortured production, trying to separate truth from myth (30). Cleopatra Through the Ages: A Cultural History offers us Professor and Chair of Anthropology at UC Santa Barbara Stuart Tyson Smith as he talks about the historic personage (8:00).

The Cleopatra Papers: A Private Correspondence lets us glimpse at the work retinaed by publicists Jack Brodsky, based in Rome, and Nathan Weiss, in New York until they swapped places. were the publicists for 20th Century Fox during the epic production of Cleopatra. One was stationed in Rome, the other in New York – then they switched places.

cleopatra-1963-300x199You also get the 2001 Commentary track with  Chris Mankiewicz, Tom Mankiewicz, costar Martin Landau and publicist Jack Brodsky.

The second disc offers up Cleopatra: The Film That Changed Hollywood, a two-hour film about the making of Cleopatra, which explains that the blockbuster was competing with television, keeping the studios relevant to audiences. As narrated by the great Robert Culp, this makes compelling viewing.

The Fourth Star of Cleopatra is a ten minute short showing some behind the scenes footage of the massive set constructions.

Hard to believe they still had Fox Movietone News in the 1960s, but the disc has footage from the  New York and Hollywood Premieres. (7:00 min).  Finally, all three movie trailers are included.

Maybe You Can Hire The Suicide Squad!

secret-agent-6-4644688

Altus Press has announced the release of The Secret 6 Classics: Blood, Sweat and Bullets by Emile C. Tepperman.

Press release:

Another day, another new release!

The Secret 6 Classics: Blood, Sweat and Bullets by Emile C. Tepperman

The Suicide Squad returns in six more adventures:

Coffins for the Suicide Squad: Boldly, New York’s crime czar flung bis challenge before the F.B.I., daring the full might of America’s prize crime-fighting machine to a finish war! And Washington answered with the Suicide Squad—three grinning, fighting Volunteers of Death—to tame a murder empire!

The Coffin Barricade: Eight young special agents went out to get the Undertaker, unknown Czar of the Corpse Bazaar. Eight came hack—in caskets and embalmed! So the Chief sent out the Suicide Squad—Murdoch, Kerrigan and Klaw. He figured they’d lived close enough to Death to be able to find the Undertaker—and put him six feet under!

The Suicide Squad Meets the Rising Sun: We are all engaged in the defense of our great nation. But, in one of the most amazing chapters of this war, it became the grim task of Kerrigan, Murdoch and Klaw, three lone champions of democracy, to find and destroy a Japanese Army of nine thousand brutal fanatics—who were hidden here in the United States!

altuspress-hp5-9722188

So Sorry, Mr. Hirohito!: Kerrigan, Murdoch and Klaw, the famed Suicide Squad, had always fought side to side, welcoming any odds. But on that nightmare night in Valparaiso, Johnny Kerrigan stood alone against the Jap horde, while Steve Klaw went to wrest the great ship-building works from the Axis—with a thirteen-year-old girl as his only ally!

Targets for the Flaming Arrow: They had no clues, nothing but the charred arrow which had snuffed out the life of the American diplomat. But more important, Kerrigan, Murdoch and Klaw had almost no time at all in which to work, for within four days, the Flaming Arrow’s medieval minions were scheduled to destroy America’s vast war effort. Could even the famed Suicide Squad stop this Axis grand coup—before they too became living targets for the Flaming Arrow…?

Blood, Sweat and Bullets: The Ox had America neatly packaged to deliver to Hitler on Christmas morning. And, with only five shopping days left to Christmas, Kerrigan and Murdoch bartered their partner’s life as the price of her freedom. But Steve Klaw found that he had to chase death three thousand miles to seal his bargain—while Kerrigan and Murdoch were helpless save to rush him to his doom!

305 pages, approx. 6″x9″

Order the paperback from Amazon: $24.95
Order the limited edition hardcover: $34.95 (only 100 made)

Learn more at http://www.altuspress.com/projects/the-secret-6-classics-blood-sweat-and-bullets/

Scholastic Unveils New Cover for Harry Potter’s 15th Anniversary

Harry Potter 15thHard to believe that it’s been 15 years since J.K. Rowling’s boy wizard first came to America. To celebrate, Scholastic announced this morning that a new covers will grace anniversary editions of the seven-book mega-best-selling series. In an interesting move, Kazu Kibuishi, the creator behind the over-hyped Amulet series, will be providing the new covers, replacing Mary GrandPré’s now classic images. Here’s the first cover for your viewing and personally, I think it’s an improvement. It’d be nice, as part of the celebration, they used the original title, Harry Potter and the Philosopher’s Stone, but that’s not going to happen.

Here’s the formal release with all the anniversary details.

New York, NY (February 13, 2013) – Harry Potter fans and young readers just starting their journey through the world of Harry Potter will have something new and exciting to add to their bookshelves this September.  Scholastic (NASDAQ: SCHL), the global children’s publishing, education and media company, today unveiled an all new cover for Harry Potter and the Sorcerer’s Stone – the first of seven new covers to appear on U.S. trade paperback editions coming in September 2013 to celebrate the 15th anniversary of the U.S. publication of Harry Potter and the Sorcerer’s Stone, the original book in J.K. Rowling’s best-selling Harry Potter series.

The stunning art for the new editions is by critically acclaimed artist Kazu Kibuishi, best known for his #1 New York Times bestselling graphic novel series, Amulet.  Kibuishi is a longtime Harry Potter fan who called this opportunity, “more than a little surreal.”  Each of the seven new covers will depict a distinctive and memorable moment from the respective book.  The collection, which will also be released in September as a boxed set, will offer new readers just reaching the age to begin the series a glimpse of J.K. Rowling’s magical world and the epic story they are about to enter.

“The Harry Potter covers by Mary GrandPré are so fantastic and iconic,” said Kibuishi.  “When I was asked to submit samples, I initially hesitated because I didn’t want to see them reinterpreted!  However, I felt that if I were to handle the project, I could bring something to it that many other designers and illustrators probably couldn’t, and that was that I was also a writer of my own series of middle grade fiction. As an author myself, I tried to answer the question, ‘If I were the author of the books – and they were like my own children – how would I want them to be seen years from now?’ When illustrating the covers, I tried to think of classic perennial paperback editions of famous novels and how those illustrations tend to feel.  In a way, the project became a tribute to both Harry Potter and the literary classics.”

The inspired original art for the series, created by the talented Mary GrandPré will continue to be featured on the U.S. hardcover and digest paperback editions.

According to Ellie Berger, President, Scholastic Trade Publishing, “The brilliant artist Kazu Kibuishi offers his unique vision of the world of Harry Potter, making each cover an incredible adventure that will transport new readers just discovering Harry Potter for the first time directly into the rich world of J.K. Rowling’s imagination.”

Scholastic also announced that in November 2013, the company will release the first boxed set of the complete Hogwarts Library in the U.S., including Quidditch Through the Ages, Fantastic Beasts and Where to Find Them, and The Tales of Beedle the Bard.  Sales of the Hogwarts Library will support two charities selected by the author, J.K. Rowling:  Lumos, a charity founded by J.K. Rowling which works to end the institutionalization of children, and Comic Relief, a UK-based charity that strives to create a just world free from poverty.

Fifteen years after the first U.S. publication of J.K. Rowling’s first book, Harry Potter and the Sorcerer’s Stone in September 1998, there are more than 150 million Harry Potter books in print in the United States alone and the series still hits bestseller lists regularly. The seven Harry Potter books are published in over 200 territories in 73 languages and have sold more than 450 million copies worldwide.

DOC SAVAGE MEETS KING KONG IN NEXT WILD ADVENTURE FROM ALTUS PRESS!

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Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most
kingkongstylea-8500100popular and influential pulp superheroes ever to hit the American scene.
Doc Savage was the greatest adventure and scientist of his era, and
while his magazine ended in 1949, he influenced the creators of
Superman, Batman, Star Trek, The Man from UNCLE and the Marvel
Universe—to name only a few.

While that first issue of Doc Savage was fresh on Depression newsstands,
RKO Pictures released one of the most important fantasy films of
all time. Everyone knows the story of how King Kong was discovered on
Skull Island and hauled back to New York in chains, only to perish
tragically atop the world’s tallest skyscraper, the Empire State
Building.

As it happened, that was where Doc Savage had his world headquarters.
For decades, fans have wondered: Where was Doc the day Kong fell?

On the eightieth anniversary of these fictional giants, Altus Press is
proud to release the first authorized clash between The Man of Bronze
and the Eighth Wonder of the World—Doc Savage: Skull Island.Written
by Will Murray in collaboration with Joe DeVito, creator of KONG: King
of Skull Island, Doc Savage: Skull Island is a new pulp epic.

The story opens when Doc returns from his Fortress of Solitude in the
North Pole to discover the cold corpse of Kong lying on his doorstep.

“I know this creature,” he tells his dumbfounded men.

Tasked to dispose of the remains, the Man of Bronze then tells the
untold story of his epic encounter with Kong back in 1920, after Doc
returns from service in World War I, long before Kong became King Kong.

Doc Savage: Skull Island is a multi-generational story in which Doc and
his father—the man who placed him in the hands of scientists who
made him into a superman—sail to the Indian Ocean in search of Doc’s
grandfather, the legendary Stormalong Savage, whose famous ship has been
discovered floating, deserted, her masts snapped by some incredible
force.

The quest for Stormalong Savage leads to the fog-shrouded Indian
Ocean—and Skull Island! There, Doc Savage faces his first great test
as he encounters its prehistoric dangers and tangles with the towering,
unstoppable Kong.

“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it
had to be written with reverence for both of these immortal characters.
So I used the locale of Skull Island to tell a larger story, an untold
origin for Doc Savage. It all started back on Skull Island….”

Doc Savage: Skull Island has already been hailed as “The Doc Savage
novel that Doc fans have been waiting on for 80 years!”

Doc Savage: Skull Island is will be released in March, as the fifth
entry in Altus Press’ popular Wild Adventures of Doc Savage series.
Cover by Joe DeVito.
Source(s): Altus Press http://www.altuspress.com/

altus-2951758


Eighty years ago in February, 1933 the Street & Smith company released
the first issue of Doc Savage Magazine, introducing one of the most
popular and influential pulp superheroes ever to hit the American scene.
Doc Savage was the greatest adventure and scientist of his era, and
while his magazine ended in 1949, he influenced the creators of
Superman, Batman, Star Trek, The Man from UNCLE and the Marvel
Universe—to name only a few.

While that first issue of Doc Savage was fresh on Depression newsstands,
Universal Studios released one of the most important fantasy films of
all time. Everyone knows the story of how King Kong was discovered on
Skull Island and hauled back to New York in chains, only to perish
tragically atop the world’s tallest skyscraper, the Empire State
Building.

As it happened, that was where Doc Savage had his world headquarters.
For decades, fans have wondered: Where was Doc the day Kong fell?

On the eightieth anniversary of these fictional giants, Altus Press is
proud to release the first authorized clash between The Man of Bronze
and the Eighth Wonder of the World—Doc Savage: Skull Island.Written
by Will Murray in collaboration with Joe DeVito, creator of KONG: King
of Skull Island, Doc Savage: Skull Island is a new pulp epic.

The story opens when Doc returns from his Fortress of Solitude in the
North Pole to discover the cold corpse of Kong lying on his doorstep.

“I know this creature,” he tells his dumbfounded men.

Tasked to dispose of the remains, the Man of Bronze then tells the
untold story of his epic encounter with Kong back in 1920, after Doc
returns from service in World War I, long before Kong became King Kong.

Doc Savage: Skull Island is a multi-generational story in which Doc and
his father—the man who placed him in the hands of scientists who
made him into a superman—sail to the Indian Ocean in search of Doc’s
grandfather, the legendary Stormalong Savage, whose famous ship has been
discovered floating, deserted, her masts snapped by some incredible
force.

The quest for Stormalong Savage leads to the fog-shrouded Indian
Ocean—and Skull Island! There, Doc Savage faces his first great test
as he encounters its prehistoric dangers and tangles with the towering,
unstoppable Kong.

“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it
had to be written with reverence for both of these immortal characters.
So I used the locale of Skull Island to tell a larger story, an untold
origin for Doc Savage. It all started back on Skull Island….”

Doc Savage: Skull Island has already been hailed as “The Doc Savage
novel that Doc fans have been waiting on for 80 years!”

Doc Savage: Skull Island is will be released in March, as the fifth
entry in Altus Press’ popular Wild Adventures of Doc Savage series.
Cover by Joe DeVito.
Source(s): Altus Press http://www.altuspress.com/