From V.T. Hamlin in the 1920s and Etta Hulme during the mid-century, through the Superman books of Kerry Gammill in times more recent, Tarrant County, Texas, has long yielded a wealth of storytelling artistry to the comics industry at large.
An ambitious new representative of that regional-breakout scene is graphic novelist Ian Shaughnessy, of Arlington, Texas. Shaughnessy’s books for Portland, Oregon-based Oni Press – including an edgy comedy-of-errors called Shenanigans, with the Canadian illustrator Mike Holmes – bespeak a childhood fascination with comics, filtered through a lifelong love of language and an interest in taking the words-and-pictures medium to provocative literary levels more commonly associated with the present day’s independent filmmaking sector.
“I find myself writing under the direct influence of Billy Wilder,” says Shaughnessy, 24, invoking the name of a great screenwriter-director whose career spanned from 1929 into the 1980s. “I discovered Wilder during the 1990s with The Apartment [1960], then with Double Indemnity [1944], and found myself very inspired – in a lasting way.
“With Shenanigans, I found myself attempting to honor the spirit of Billy Wilder – that mastery that he had of romantic tensions, with finding the humor in awkward situations – as a key influence.”
Any such talent needs a practical springboard. With V.T. Hamlin, the creator of a famous comic strip called Alley Oop that has survived him by many years, the springboard was a cartooning job at the Fort Worth Star-Telegram. Hamlin spent much of the 1920s at the daily paper, generating such local-interest attractions as a serialized feature about a formidable minor-league baseball club, the Fort Worth Cats. (A retrospective collection of Hamlin’s Oop-prototype Panther Kitten cartoons is in preparation, along with an earlier Hamlin gag strip called The Hired Hand, whose booklet edition has been out of print since the 1920s.)
For Etta Hulme, the Star-Telegram’s signature opinion-page cartoonist since 1972, an early breakthrough lay in a post-WWII comic-book series about a cowboy critter named “Red” Rabbit. Graphic designer and Web publisher Kerry Gammill spent the 1980s and earlier ’90s as an illustrator with Marvel and DC, then moved into motion-picture conceptual art on such productions as 1998’s Blues Brothers 2000 and 1999’s Storm of the Century.
(more…)