Tagged: Oxford Comics

Review: ‘Secret Invasion’ #1

The first issue of Marvel’s big [[[Secret Invasion Summer Extravaganza Skrullfest ’08]]] (or whatever they’re calling it) is here, and there’s just too much to talk about for it to fit in my Weekly Haul reviews roundup. So let’s break this one down between the good, the bad and the ugly. And, be warned if you haven’t read it, spoilers lurk below.

The Good:

First, let me just say how happy I am that Marvel let Brian Michael Bendis continue his partnership with Leinil Yu, who is quickly becoming one of my favorites. His art has a uniquely nervy feel, and it would’ve been easy for Marvel to peg someone more “safe” for their big event. And while I like Yu’s work better when it isn’t inked, his inked work in [[[Secret Invasion]]] is still quite good.

Another strongpoint is the barrel-full of action, making this issue the complete antithesis of the yawner of an opener to House of M. Things develop quickly and the final pages are bang-bang-bang with big reveals and bigger reveals. In a sequence of just a few pages the SWORD base explodes, the negative zone is unleashed in NYC, Iron Man is taken out, Reed Richards is taken out, the “other” heroes show up and a Skrull army says hello.

I also got a kick out of the little details Bendis wrote in. For instance, every Skrull reveal is foreshadowed throughout the book by the art. Every character who is shown only in complete black outline somewhere in the issue turns out to be a Skrull. Well, aside from Sentry and Wolverine, who haven’t been outed yet.

The Bad:

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Review: ‘Jenny Finn’ and ‘The Stardust Kid’

Boom! Studios has made a name for itself as a comic book version of the Spike TV network, but this week the publisher released two new collections that step away from that formula.

jenny-finn_tpb-1-2427366The first, Jenny Finn: Doom Messiah ($14.99) is a collection of the three original Jenny Finn issues and the all new fourth and concluding chapter. The book is written by Mike Mignola and is his truest channeling of Lovecraft yet. In fact, the story closely echoes one of Lovecraft’s stories (I forget the name) about a fishing town being invaded by mysterious sea creatures.

That’s not to say the story isn’t original – it’s more elaborate and bizarre, with typical Mignola flourishes, like the constant appearance of fish that mutter, "Doom."

The narrative is simple enough – an average Joe finds himself mired in otherworldly terror and tries to fight (and think) his way out of it – but the plot never falls into stereotype and every few pages brings a new surprise.

Troy Nixey served as artist on the first three issues and perfectly captures the ethereal horror of Mignola’s script (and, thankfully, doesn’t ape Mignola’s artistic style). Farel Dalrymple illustrated the fourth chapter, and while I love his work, this probably isn’t the best project for him.

That bit of criticism aside, Jenny Finn is a great piece of haunted fun. And I forgot the best part: plenty of tentacles.

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The Weekly Haul: Reviews for March 27, 2008

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  • March 27, 2008

This week has all the makings, as an underdog wins book of the week honors, Marvel tries its darndest to rev up Skrullfest ’08 and Atlanta traffic finally almost kills me. Without further ado, the reviews…

Book of the Week: Blue Beetle #25 — When this first series first started up, I loved the concept but found it too hit-or-miss to pick up on a regular basis. After reading this latest issue, I can firmly say that not only has writer John Rogers found his stride, he’s turned this book into one of DC’s best.

In the conclusion to an epic whole-world-at-stake storyline, Jaime finally comes into his own as a hero, using a whole lot of trickeration and stick-to-it-ive-ness to defeat the bad aliens. Rogers uses those evil aliens (who are in a way the scarab’s source) to effectively entrench Jaime as the definitive Blue Beetle – no small feat.

It’s a perfectly executed balancing act between superhero fun and tense action, with plenty of credit owed to Rafael Albuquerque’s art. The two hilarious intrusions by Guy Gardner and Booster Gold put this book over the top.

Runners Up:

New Avengers #39 — Of the three books that crammed the upcoming Secret Invasion down my throat, only this one had any effect. Brian Michael Bendis combines the expected handful of brilliant personal exchanges with an intense fight between a mysteriously super-powered Skrull and Echo and Wolverine. Ultimately, it’s a tense and foreboding book, although I’m still on the fence about the big event.

All-Star Superman #10 — This book is so consistently entertaining and touching that it’s like clockwork. Now, if only it was like clockwork regarding the release schedule… That aside, the story of Superman’s impending demise continues and (maybe?) concludes in this issue, which essentially serves as an elegy to his glorious life. Beyond the affecting contemplations on mortality, what Grant Morrison does especially well here is capture the sense of round-the-clock heroism of Superman’s life.

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The Weekly Haul: Reviews for March 6, 2008

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  • March 6, 2008

Welcome to the inaugural Weekly Haul, a collection of reviews of this week’s comic book issues brought to you by none other than ComicMix. It was a big week for floppies, with four new series worth giving a read and several old standbys seeing new developments. Without further ado, let’s get to the reviews.

atom-8126234Book of the Week: The All-New Atom #21 — Anyone wondering whether this title would keep being a must-read after Gail Simone stepped aside as writer and Rick Remender took the reins can go ahead and relax. The All-New Atom is better than ever in this issue, which takes the classic archetypal conflict of man vs. himself and gives it one heck of a twist.

While trying to figure out if Ray Palmer’s experiments were responsible for Ivy Town’s craziness, the new Atom, Ryan, shrinks down to explore a sample of his own blood (sounds weird, but it makes sense). Remender makes that effort alone a pulse-pounder, but then Ryan finds some terrible infestation in his blood and all hell breaks loose.

While still a bit text heavy, the series remains just as zany as under Simone’s watch and is a bit more focused. Good stuff all the way around.

Runners Up:

Logan #1 — Brian K. Vaughan and Eduardo Risso taking on the most famous mutant is pretty well guaranteed to be a quality read. And while this issue is far from mind-blowing, it’s a far superior story of Wolverine getting his memory back than anything we’ve seen in Wolverine: Origins. The downside is Marvel once again arbitrarily slapping a $3.99 price tag on a book for no good reason.

Northlanders #4 — This is the classic "from bad to worse" part of the story, but Brian Wood pulls it off well. The best quality of this vikings series is how Wood gives depth to his characters and doesn’t let any of them fall too far into stereotypical roles of heroes and villains. Life is complicated, especially for blood-hungry Scandinavians.

Omega the Unknown #6 — For the most touching tribute yet to the recently deceased Steve Gerber, this issue merits a purchase. It’s also another darn fine bit of comics by Jonathan Lethem and Farel Dalrymple. After all the action of the past few issues, this one serves as a bit of set up to the coming battle with the robots before culminating with a well done metatextual flourish.

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Review: Teen Titans Year One

teentitansy1-6915716The other day I was talking to James Kochalka, creator of Superf*ckers and the upcoming Johnny Boo children’s books, and he mentioned how difficult it is to find superhero books for his kids. Such offerings are mostly limited to comic book adaptations of cartoon series that were adapted from comics, he said, and “they’ve been pretty bad.”

For DC, the lifeline to younger readers has long been the Teen Titans, most recently through the TV spinoff Teen Titans Go! and Tiny Titans, which is almost too innocent for its own good. Now we also have Teen Titans Year One (issue #3 is out tomorrow), the “origin” story from writer Amy Wolfram.

The book succeeds on a number of levels, primarily in how it manages to be appropriate for kids without dumbing down. There are serious threats and the group faces violence and danger and interpersonal hangups. The art also perfectly fits the tone.

While I’ve enjoyed the series thus far, I doubt it’ll serve as a jumping-on point for any kid looking to get into comics. Another thing Kochalka complained about was how the youth-oriented Marvel and DC comics rely on readers coming into the book to have a firm understanding of the mythos, and that’s certainly the case with [[[Teen Titans Year One]]]. New comics readers will be fairly lost, if not out and out discouraged by the lack of exposition.

The Year One tag also only hampers the series, forcing it into a ridiculously incongruous existence amid decades-old comics. For instance, these Titans use cell phones and instant messaging, devices that weren’t around when the Teen Titans debuted. That’s nit-picking, to be sure, but when an editor’s note tells me this storyline happened right after [[[The Brave and the Bold]]] #54, I can’t help but be yanked out of the plot.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

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