Tagged: Pixar

Win a private Jungle Cruise tour skippered by John Lasseter

  • News
  • August 23, 2011

From late 1977 through spring 1978, John Lasseter, before becoming chief creative officer at Walt Disney and Pixar Animation Studios and principal creative advisor for Walt Disney Imagineering, worked at Disneyland, and was a skipper on the Jungle Cruise attraction. Recently, a search for a photo of John skippering the Jungle Cruise came up empty. Surely there must be a photo of Skipper John somewhere? To find one, Pixar has created a contest: the first person to submit a verifiable photo of John as the skipper of the Jungle Cruise from 1977 will win a trip for 4 to the grand opening of Cars Land at Disney California Adventure in summer 2012, and a ride on the Jungle Cruise skippered by none other than John himself!

For details on how to submit, visit Johnofthejungle.com or the official Disney•Pixar Facebook page

Superman: Man of Steel Moved to 2013

  • News
  • July 22, 2011

Time to adjust your movie calendars as Warner Bros admitted today that having Zack Snyder’s Superman: Man of Steel film for Christmas 2012 was impossible. The new date is now June 14, nestled between two Marvel sequels.

Given the effects-heavy movie’s post-production requirements and the fact is has yet to start shooting, it seems likely that production concerns forced Warner’s hand. It’s also theorized that the testosterone-laden film might not play as well during the holidays given the Academy Award contenders that normally crowd multiplexes during that time of the year. There are also other genre competitors that will suck up screens, complicating the planned release including Warners’ own first installment of Peter Jackson’s The Hobbit in addition to Disney’s planned reboot of The Lone Ranger. Back in the far simpler 1970s, Superman the Movie opened for the holidays and performed quite well and Warners was hoping for lightning to strike twice.

Instead, it will now face off against similar competition bringing May 3 with Iron Man 3. DreamWorks’ kid-oriented Turbo precedes Superman on June 7 and is followed by Pixar’s Monster University on June 21 so there’s little live-action, adult competition and now studios know which weekends to avoid. Marvel’s Thor 2 follows a month later on July 26.

The extra six months will afford Snyder plenty of time to perfect the script, which has to be note perfect after the disappointment of this summer’s Green Lantern. It also means producer Christopher Nolan will be done with his The Dark Knight Rises in plenty of time to have a more active role in overseeing the production.

TimeWarner has to release the film in 2013 to satisfy legal obligations arising from the Siegel Estate’s lawsuit that saw elements of the Superman mythos awarded to them, the repercussions of which are being seen this fall in the Superman reboot from TW’s DC Entertainment division.

Spy Cars Like Us

Cars 2, revving up for release later this month, has sent us this cool new featurette:

Here are the rest of the film’s details:

U.S. Release Date: June 24, 2011

Voice Talent: Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, Bonnie Hunt, Tony Shalhoub, Cheech Marin, Jason Isaacs, Joe Mantegna, Peter Jacobson, Thomas Kretschmann, Guido Quaroni, Lloyd Sherr, Paul Dooley, John Ratzenberger, Jenifer Lewis, Michael Wallis, Katherine Helmond, John Turturro, Franco Nero, Vanessa Redgrave, Eddie Izzard, Bruce Campbell, Michel Michelis, Jeff Gordon, Darrell Waltrip, Lewis Hamilton, David Hobbs

Director: John Lasseter

Co-Director: Brad Lewis

Producer: Denise Ream

Story By: John Lasseter, Brad Lewis and Dan Fogelman

Screenplay By: Ben Queen

Composer: Michael Giacchino

Star racecar Lightning McQueen (voice of Owen Wilson) and the incomparable tow truck Mater (voice of Larry the Cable Guy) take their friendship to exciting new places in “Cars 2” when they head overseas to compete in the first-ever World Grand Prix to determine the world’s fastest car. But the road to the championship is filled with plenty of potholes, detours and hilarious surprises when Mater gets caught up in an intriguing adventure of his own: international espionage. Mater finds himself torn between assisting Lightning McQueen in the high-profile race and towing the line in a top-secret mission orchestrated by master British super spy Finn McMissile (voice of Michael Caine) and the stunning rookie field spy Holley Shiftwell (voice of Emily Mortimer). Mater’s action-packed journey leads him on an explosive chase through the streets of Japan and Europe, trailed by his friends and watched by the whole world. The fast-paced fun includes a colorful new all-car cast, complete with menacing villains and international racing competitors.

 

 

 

John Lasseter returns to the driver’s seat to direct this follow-up to his 2006 Golden Globe®-winning “Cars.” “Cars 2” is co-directed by Brad Lewis, producer of the Oscar®-winning film “Ratatouille,” and produced by visual effects industry veteran Denise Ream (associate producer, “Up”; visual effects executive producer, “Star Wars: Episode III – Revenge of the Sith”). The film hits the track on June 24, 2011, and will be presented in Disney Digital 3D™ and IMAX® 3D in select theaters.

 

 

 

Notes:

 

· John Lasseter made his feature film directing debut with “Toy Story” in 1995. He has since directed such Disney•Pixar classics as “A Bug’s Life,” “Toy Story 2” and “Cars” and served as executive producer of all other Pixar films to date. He is currently the chief creative officer of Walt Disney and Pixar Animation Studios and principal creative advisor of Walt Disney Imagineering.

 

· “Cars 2” is the 12th feature-length animated film from Pixar Animation Studios (its first 11 have earned $6.5 billion at the global box office). Pixar, which has earned 29 Academy Awards® and seven Golden Globes®, celebrates its 25th Anniversary in 2011.

 

· “Cars” originally released on June 9, 2006, and grossed nearly $462 million worldwide. It was nominated for two Oscars® and one Golden Globe®, winning the first ever Golden Globe for Best Animated Feature Film.

 

When star racecar Lightning McQueen (voice of Owen Wilson) and the incomparable tow truck Mater (voice of Larry the Cable Guy) head overseas to compete in the first-ever World Grand Prix, Mater gets caught up in an intriguing adventure of his own: international espionage.

Review: ‘Up’, Pixar and Storytelling

One of the things that I love about Pixar is that they
remember what a lot of filmmakers – and sadly, particularly those working in
the CG medium – have forgotten:


A film needs a story.

So many films today focus on technological dazzle, shock value, making pretty
pictures, or cleverness. None of these are bad things; any and all of them can
add enjoyment, but for me a good story is more important than anything else. I’ll
enjoy the spectacle, the beauty, the wit, but what stays with me is the story.
If story is absent, everything else fades quickly. Pixar’s films have had
consistently strong storytelling, letting the characters carry the viewer along
on their adventures, and this summer’s offering, [[[Up]]], is no exception.

Up doesn’t come near to matching the sheer dazzling brilliance of last
summer’s [[[Wall-E]]], but it is a sweet and charming movie in its own right,
and like Wall-E, it remembered to have a story.
Not only that, but Up takes a startling number of storytelling risks,
particularly for a movie aimed at children.

First there was the absolutely heartbreaking montage of Carl
and Ellie trying to save for their dream trip, and having their dream
constantly derailed by crisis after crisis, only to have Ellie fall ill and die
just as the trip was finally in their reach. This montage is also a rare
instance of a wedding being the beginning of a couple’s story rather than the
“happily ever after.” Seeing Carl lose the legal battle to stay in his home was
also painful.

(more…)

ComicMix Radio: Big Future For The Wimpy Kid

Best selling graphic novelist Jeff Kinney has another Wimpy Kid book set for release right after the New Year, and hopefully more to follow, but don’t look for The Kid to age too much. we’ll explain that today, plus:

  • A new Pixar trailer this weekend
  • An original Avengers story already set for Free Comic Book Day 2009
  • X-Men Noir disappears from shelves

It’s all joyful and triumphant  when you Press the Button!


 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-6910921 or RSS!

 

Review: ‘Wall*E’

Pixar movies are the kind of family movie you can enjoy without the family.  There’s something there for the adults and the themes tend to be universal ones. Pixar’s creators understand how to think and laugh like a kid and tailor their movies for the broadest possible audience without feeling the need to dumb down the content or characterization.  Instead, their movies are smart and funny and usually heartwarming.

For the first time, a socially responsible theme became a focal point in [[[Wall*E]]] and it’s a welcome one. The movie, out on DVD today, tells of an Earth where consumerism has ruined the planet, making it uninhabitable.

The Wall*E units tried to keep up with the trash but failed, until one is left.  Humanity is long gone, mostly relocated to a pleasure yacht voyaging amongst the stars.  Wall*E has gained an unusual degree of artificial intelligence and as a result has wistful thoughts about being with others, hence his repeated watching of [[[Hello, Dolly]]] on a battered video tape.  His longing to hold another’s hand is heartbreaking.

His years of solitary toil end when an exploratory craft comes and dispatches an EVE unit to seek evidence of organic life symbolizing the planet being ready for repopulating. Wall*E is, of course, smitten with the sleek, rounded object.  Slowly, she exerts her own individuality and budding friendship forms.

Wall*E follows her back to the ship and by then, the beeps and clicks are supplemented with other sounds including human voices.  We meet the last remnants of humanity, soft, obese forms that had mechanical support in every aspect of their lives.  When Wall* E arrives, several are woken up to learn there are other ways to live.

As Wall*E pursues EVE, the ship’s captain is fascinated about returning to earth and what that would mean.  He comes into conflict with the ship’s Auto Pilot who is fulfilling its final commands from the original designers: Earth is dead, you cannot come home.

The struggle to exert free will is the overall theme of the film but told in such a delightful way that you don’t realize until you sit to write the review. Watching the 98 film, you laugh at the winks and nods to other SF classic movies and the patented Pixar humor. There’s little doubt they succeeded given its universal praise and steep box office receipts.

The three DVD set comes complete with a digital copy disc along with bonuses galore. “Presto”, the de rigueur Pixar short that opened with Wall* E is here and is a salute to Loony Tunes.  A new short focuses on Burn*E, a repair robot and is cleverly intertwined with the film’s events so you can see how frustrating it is to fix a light pole when Wall* E is around.

There are some legitimate deleted scenes along with director Andrew Stanton’s commentary.

The second disc is replete with the usual Disney assortment of background pieces including “[[[The Pixar Story]]]”, additional deleted scenes (yes, they should have all been on one disc) and Making Of featurettes. For the youngsters, there an interactive storybook. Al together, this is a must have item and certainly should find its way under many a Christmas tree this season.

Meet Burn-E, Wall-E’s Nemesis

  • News
  • November 16, 2008

Disney and Pixar have added a short subject spotlighting Burn-E, the one robot not charmed by Wall-E in the summer blockbuster film.  The short will be included on the DVD of Wall-E coming to stores on Tuesday in a single disc, three-disc collector’s edition, and Blu-ray.

Disney and Pixar Go Boom

Boom! Studios has announced they’ll be publishing comic book adaptations of Pixar cartoon properties, with the first announced being an Incredibles project.

The news comes as an early announcement from Comic-Con International, which is just getting underway. Boom EiC Mark Waid will be writing the Incredibles series, featuring covert art from Darwyn Cooke.

"Today, American comic books are aimed primarily at an older readership. Comics produced for an upcoming generation of readers are scarce – and BOOM! Studios aims to do something about that," said Waid. "There will be comics for kids again!"

To commemorate this historic partnership, BOOM! will be releasing a special preview book featuring sneak previews of upcoming projects using the characters from TOY STORY, FINDING NEMO, and MONSTERS, INC. Featuring commentary by Waid, this preview will give comic fans and interested parents a look at the quality comics BOOM! will be producing for a younger audience by the end of the year.

According to the release, these won’t be straight adaptations, but rather all-new stories set in the world of various Pixar films.

Boom also is going to be doing a Muppets book, Waid told CBR.

It was also announced Wednesday night that Waid will be writing "The Muppet Show." Given the Muppets’ long and varied history in television and film, CBR asked Waid about the particular form this series would take. He was able to reveal that the first thing to appear would be a four-issue miniseries, but future series are "something that’s more in flux." "We’re talking about doing a couple one-shots that could be collected into a trade paperback, we’re talking about doing series that are based on ‘The Muppet Show‘ itself," Waid explained, "and then we’re also talking–with Disney’s heavy encouragement–to do things like Muppet Robin Hood, or the Three Muppeteers or whatever. They’re talking to us about following sort of the paradigm they set up in the movies about classic stories retold with the Muppets."

Running the Mickey Mouse outfit

  • News
  • March 6, 2007

The New York Times has a long article on John Lasseter, who has been tapped to become the chief creative officer of animation for the Walt Disney Company after founding Pixar. Good reading, particularly with Lasseter reviving the 2-D animation department – with a strong focus on story.

Yes, story. The New Disney. It ain’t just pretty pictures anymore.

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