Tagged: review

Review: ‘Conviction’

How far would you go for a sibling? A lot of drama has been produced of late showing organ transplants and similar sacrifices but while major events, are relatively short-term activities. Imaging spending eighteen years working to help a brother in jail. [[[Conviction]]], a movie starring Hilary Swank and Sam Rockwell as the siblings, takes an amazing true story and turns it into a compelling drama.

The children had a rough, lower socio-economic upbringing, relying on one another for companionship and protection. As adults, they married and lived near one another until Kenneth Waters was arrested and charged with murder. Betty Anne believed him to be innocent and after he was sentenced to life without parole, worked to overturn the conviction. The married mother of two, she chose to get her GED and then enroll at Roger Williams University to obtain her law degree. The dogged dedication cost her marriage and nearly her relationship with her sons, but she couldn’t rest with Kenny in jail.

The movie, which opened in the fall, comes to home video tomorrow in a stripped down Blu-ray or standard DVD from 20th Century Fox Home Entertainment. As directed by Tony Goldwyn, the movie tightens its narrative focus to Betty Anne and her efforts to graduate pass the bar and find the evidence lost in storage so it could have modern-day forensic DNA testing performed to confirm his innocence. She finds herself befriended by Abra, another older law student played by Minnie Driver and both are joined by Barry Sheck (played by Peter Gallagher) of [[[the Innocence Project]]].

As a result of such telescoping, Betty Anne and Kenny’s older brothers vanish from the telling as does their mother, who is seen as ineffective resulting in the children spending some time in foster care. Events are compressed for more dramatic storytelling and turn Massachusetts Attorney General Martha Coakley into a politically-motivated antagonist.

The film, instead, relies entirely on the performances of Swank and Rockwell. Neither resembles their real life counterparts but Swank’s steely performance is in line with her stellar work in [[[Million Dollar Baby]]] and [[[Iron Jawed Angels]]]. Rockwell, the real Betty Anne says on the disc, truly became the swaggering Kenny, who visibly ages and is frequently on the edge of despair during the nearly two decades he sits in jail. Supporting them are Driver and Melissa Leo, who is the cop who antagonizes Kenny throughout. Juliette Lewis once more plays white trash and delivers her usual fine work.

The movie ends with his freedom regained and we’re later told the murder remained unsolved and the state paid out for the wrongful imprisonment. What audiences don’t learn until the 10 minute featurette, a conversation between Betty Anne and director Tony Goldwyn, is that six months later, Kenny fell in an accident and died.

On disc, the movie looks and sounds fine. It’s a shame such a compelling tale is augmented by merely the one featurette, showing a lack of faith from the studio.

MOONSTONE MONDAY-INTERVIEWS, REVIEWS, BOOKS, AND MORE!

HOT OFF THE PRESSES!
 PHANTOM/CAPTAIN ACTION HC (can be found under “action”). Limted edition, will NOT ever be a softcover!
  VOLTRON: the official Art Book and more!(“action”)  for all the fans of the show, here’s to you!



 The SPIDER & DOMINO LADY: (“action”)

    The first meeting of these two!  SPECIAL EXCLUSIVE INTERNET cover variant! Written by NY TIMES best selling author NANCY HOLDER!


CHICKS IN CAPES PROMOTIONAL INTERVIEW-Jennifer Fallon

AP: Jennifer, what is your writing background, some of the works you’ve published, and your major influences?

JF: My background lies in epic fantasy. I have 13 novels in print around the world, across three series (the six books of the Hythrun Chronicles, the Second Sons Trilogy and the Tide Lords quadrilogy) and a new book coming out in March 2011, which is the start of the Rift Runners trilogy. I have a novella featured in the Legends of Australian Fantasy anthology, edited by Jack Dann, and I have also co-authored a tie-in novel for Stargate SG1. I have contributed a story to the More Tales of Zorro anthology, the Baggage anthology and various other publications with the magic million books in sales looming on the horizon so they tell me.  In my spare time, I run the Reynox International Writers’ Retreat near Christchurch, in New Zealand, mentor a number of writers online, work as a practice manager for my daughter’s veterinary practice, undertake public speaking engagements, and — so I found out this morning — I’m about to start a construction company.


My story-telling influences are old-school – Asimov, Clarke, H Beam Piper, Robert Forward, to name a few (note the lean towards sci-fi, rather than fantasy). I like that they wrote ripping yarns, first and foremost. If I had a chance to live my life over, I would be an astrophysicist, put in 20 years with NASA and then retire to write bestselling hard sci-fi. I would also arrange not to flunk math in high school, which I have long suspected is the reason I never became an astrophysicist in this life.


AP: You have a story featured in the Moonstone anthology, CHICKS IN CAPES. Can you give us a bit of a teaser of what readers can expect from your tale? 


JF: Hopefully a smile and a bit of entertainment. When I was invited to contribute to the anthology, I jokingly suggested I should give my superhero the superpower I have, which is the ability to find a car park right where I want it, every single time. Imagine my surprise (and consternation) when they emailed me straight back with “Wow! What an awesome idea! Can’t wait to read the story!” Turned out to be a great challenge, but I love the end result. Long may the Violet Valet rule!


AP: What goes into building a heroic tale for you?  What makes up a good heroic character?

JF: For me it was getting the tone right. Mine is an origin story so the arch-villain isn’t really the focus of the story. It’s more how the Violet Valet and her sidekick get together. I think what makes a good hero is one who is flawed in some way, but overcomes their flaws to do the right thing. I read somewhere that a fearless person can never be a hero, because there is nothing heroic about charging in when you’re not afraid of anything. The true hero is the one who does what they must, in spite of their fears. I tried to give my characters some flaws. The more super they are, oddly enough, the more human they need to be for the reader to identify with them.


AP: Do you feel like CHICKS IN CAPES is more than just a book about super heroines.  Is there a greater statement to be made with this collection?


JF: I think it’s a timely reminder that superheroes are not just for boys. They come in all shapes and sizes. We should judge our superheroes by their deeds, not their gender. Just like real people.

ALL PULP’S A BOOK A DAY- A WHOLE LOT OF DOLLAR!




Over 1200 pages of Dollar!

From 1949 until the end of Radio drama in 1962, Yours Truly Johnny Dollar was a stalwart of radio drama. This book, “The Who is Johnny Dollar Matter” provides a different look at Johnny Dollar – as if he were a real investigator. “The Who is Johnny Dollar Matter” starts with a mini-biography and then provides a detailed recap of each YTJD program.

The detailed case analyses catalogs the details of each story, including cast, expenses, writers and directors, and cross-references to programs that used the same script with a different name and cast.

The detailed index catalogs each story, case location and the cast of each program. The books also contain a detailed listing of cases by insurance company and the expenses for each of the 6 Johnny Dollars updated to 21st century dollars. Also included are recaps of programs which only exist in the KNX collection of the Thousand Oaks, California library.

“The Who is Johnny Dollar Matter” is the definitive reference work for the cases handled by Johnny Dollar, both those currently available electronically, but also those available only in the KNX collection of the Thousand Oaks, California library.


Want to know how this book ties into Moonstone Monday?? go to http://www.moonstonebooks.com/ and type ‘Johnny Dollar” in the search bar..or better yet..read this next review!!







TIPPIN’ HANCOCK’S HAT-Pulp Reviews by Tommy Hancock
PARTNERS IN CRIME
by CJ Henderson and Joe Gentile
Published by Moonstone Books
2009, 187 pages

There are some wonderful things about pulp these days.   One of those things is the opportunity to mix and match your favorite classic characters with modern original creations in all new tales.  All the writers, artists, even publishing companies are having a grand ol’ time doing just that, spinning their own brainchildren in with the likes of the Black Bat, the Purple Scar, Moon Man, ad infinitem.   What makes it even better is when someone not only has those two fields to play in, but they also hold certain licenses to more recent fan favorite characters and throw them into the mix as well.  Yup, you heard me.


Moonstone does a pretty good job of that.  One of the leading publishers of licensed characters as well as utilizing characters from the public domain, Moonstone has a little gem in its archive by the title of PARTNERS IN CRIME, written by CJ Henderson with an able assist by Moonstone CEO Joe Gentile.  There is so much wound into this time spanning cosmic tale with ties into the seedier side of fiction that I’ll let the original copy for the book tell the tale-


An original novel, with spot illustrations, that teams up Kolchak, Johnny Dollar, Boston Blackie, Candy Matson, Pat Novak, Blackshirt, Lai Wan, and Jack Hagee, and Mr Keen all in one great adventure! In the final days of WW2, a sinister plan to defeat the allies using black sorcery orig price thwarted, only to be resurrected today in a form even more terrible than before. Now, over six turbulent decades, across multiple continents, and through the darkest alternate dimensions, a force of unimaginable power stands poised to subjugate all of mankind.


Yeah, you read that cast right..and that’s not even everyone you’d recognize!!  Henderson and Gentile put together characters that many people would never think of tangling up and most of us fans would love to see together.  And these interpretations stay true to the roots of most of them, even down to Blackie’s original addictions (yeah, if you haven’t read the original books or any of the Moonstone Boston Blackie stuff, you don’t know what I’m talkin’ about!).  The plot is good, the interactions between the characters on target for the most part, and the twists and turns thrown in work overall.   Henderson and Gentile lend a good voice to the work, making it cohesive even though it was sort of split into parts with ‘teams’ of characters working different angles.


One of the coolest parts of this book, however, is also its greatest weakness.  The book, a fast paced action paced pulp thriller, creaks and groans at times under the weight of its sizable cast.  Each character here, from Novak to Hagee to Kolchak to Dollar and beyond have carried their own stories previously and very well could carry this plot almost by themselves.  Some of the players don’t get the due they should and in places where a couple do share center stage, they almost clash more than blend.  The book ties up all the loose ends of the plot, but with so many fully fleshed out characters involved, it does leave one feeling a little untied still.


THREE OUT OF FIVE TIPS OF HANCOCK’S HAT-Definitely worth a read if you like supernatural mixed with your pulp mixed with your action.




NO CLIFFHANGER FICTION TODAY DUE TO TECHNICAL DIFFICULTIES….WILL BE FEATURED AT SOME POINT THIS WEEK AS SOON AS THE SORT OF EIC CAN FIGURE OUT JUST HOW TO FIX THESE DIFFICULTIES HE REALLY DOESN’T UNDERSTAND….

ALL PULP REVIEW FROM RON FORTIER!!!

ALL-PULP REVIEW

By Ron Fortier

SIX-GUNS STRAIGHT FROM HELL

Edited by David B.Riley & Laura Givens

Science Fiction Trails Publishing

284 pages

I’ve made it a habit that after reading and reviewing a whopping big novel, I like to follow it up with an anthology. Sort of allowing my literary palette to enjoy smaller treats after having digested a weighty tome. With anthologies one can read them at a leisurely pace, choosing one or two tales every few days and not worry about remembering a single narrative over a long period of time. This I picked up “Six-Guns Straight From Hell,” a collection of weird western stories produced locally here in Colorado by editors David Riley and Laura Givens.

Now deciding whether any anthology is good or bad is simply a matter of mathematics. If the collection has more good stories than bad ones, it’s a good book and just the opposite if the clunkers outnumber the decent yarns. This volume contained a total of twenty stories and in the end the break down was four truly great pieces, ten good ones and six duds. Ergo, an excellent package all around, to include Laura Given’s humorous cover which tips its Stetson to the old TV series, the Wild Wild West.

Among the stellar quartet was “Chin Song Ping & the Fifty Three Thieves” by editor Givens. It’s the first story and my personal favorite. A Chinese rift on the Arabian legend of Ali Baba with a little Jackie Chan kung fu humor thrown in for good measure. Original, surprising and fun, it has all the elements to make you glad you picked this book up. Whereas “The Road to Bodie” is a sensitive drama about a young Mexican woman caught between two untenable situations, desperate to take her widowed mother and flee to a better life in Texas. And then there’s “The Enterprising Necromancer,” about a shrewd fellow whose business is raising the dead. A deliciously twisted fable that had me chuckling aloud. The final gem is “Snake Oil” by Jennifer Campbell Hicks about an elixir salesmen who arrives in town in a new, fancy dirigible.

Without listing all the other ten tales that I liked, let me add honorable mentions to David Boop’s “Bleeding the Bank Dry,” “The Last Defenders,” by Carol Hightshoe, “Smile” by Kit Voker and “A Specter in the Light,” by David Lee Summers. Coupled with the others, these adventures into the strange and scary west all proved to be entertaining. As for those I labeled duds, you’ll just have to pick those out yourself. All art is subjective and who knows, maybe one of them will tickle your particular fancy.

The bottom line here is “Six-Guns Straight From Hell” is a solid, marvelous anthology for those of you who like to mix your genres. So grab a copy, load your six-shooters and saddle up for some macabre adventures. It’s one “Hell” of a ride. 

ALL PULP’S A BOOK A DAY presents THE BIONIC BOOK!!

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THE BIONIC BOOK! 
http://www.bearmanormedia.com/

“…highly recommended…”

Back Issue Magazine
The Bionic Book earns its definitive title, hands down.”
Video Watchdog
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Before Hiro on Heroes, there was Steve Austin – The Six Million Dollar Man. Before Buffy Summers on Buffy The Vampire Slayer, there was Jaime Sommers – The Bionic Woman. Now, television’s classic wonder people of the 1970s are back and stronger than ever in – THE BIONIC BOOK: THE SIX MILLION DOLLAR MAN AND THE BIONIC WOMAN RECONSTRUCTED, written by best-selling author Herbie J Pilato (Bewitched Forever, The Kung Fu Book of Caine).

Co-billed as the Cybernetic Compendium To TV’s Most Realistic Sci-Fi Superhero Shows, THE BIONIC BOOK is chuck full of commentary culled from Pilato’s exclusive interviews with Bionic stars Lee Majors (who played half-superman/half-mechanical marvel Steve Austin), Lindsay Wagner (Jaime Sommers – Steve’s female counter-part and one true love), series creator (and science fiction novel icon) Martin Caidin, executive producer Harve Bennett (who would later help to ignite the Star Trek feature film franchise), producer/director Kenneth Johnson (The Incredible Hulk and Alien Nation) and actor Richard Anderson, the latter of whom portrayed Oscar Goldman – Steve and Jaime’s stoic but understanding supervisor on both shows (and who has penned the book’s foreword).

Much more than a mere TV trivia guide, THE BIONIC BOOK explores in-depth the social, psychological, medical and scientic influence, appeal and message behind two of the most popular and heroic science fiction television programs of all time.

ALL PULP REVIEW OF THIS TITLE COMING SOON!

ALL PULP PRESENTS-A BOOK A DAY!!! RESEARCH SPOTLIGHT!

This is the day for new ALL PULP features!!  A BOOK A DAY will cover a title that pulp writers and creators may find useful as a reference tool or for research.  These books can also add to the knowledge base of pulp fans, making their enjoyment of pulp even better!   If you have books that need to be here, then email to allpulp@yahoo.com with a title, description, and if possible, an image of the book and ALL PULP will make sure its A BOOK A DAY!!  Now, for our first book guaranteed to improve knowledge/provide great information/be a rollickin’ good time!!

From Bear Manor Media- http://www.bearmanormedia.com/

Chicago Jazz and Then Some:
as told by one of the original Chicagoans, Jess Stacy
by Jean Porter Dmytryk

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       Jess Stacy was the kindest, sweetest, most generous man to grace this Earth. It was my lucky day when I decided to buy a house in Laurel Canyon, and my husband felt the same. After years of living in Los Angeles and working the Hollywood studios, circumstances took us all over the world and we had sold our Bel Aire home. Children gone, it was just the two of us. Lookout Mountain Ave. was the street we fell in love with, and the neighbors were a bonus! Jess and his darling wife, Patricia were our closest. Jess was a regular guest (their star) in all of the best and biggest jazz festivals. Eddie and I tagged along.
           
What a great part of our lives!

We celebrated Jess’ 90th birthday together and we could see that he was losing strength… but he still have that twinkle in his eyes…’til the very end… and then some.
Jean Porter Dmytryk

“The world of jazz has created a community all of its own. “Chicago Jazz and Then Some, as told by one of the original Chicagoans, Jess Stacy” looks into the history of Chicago Jazz through the eyes of Jess Stacy. Writer Jean Porter Dmytryk tells Stacy’s stories of the old days of Jazz and gives readers an exciting and thought provoking history of the music’s scene over the decades. “Chicago Jazz and Then Some” is a must for any Jazz fan or Chicago music fan”
– Midwest Book Review

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GUEST REVIEW OF THE WEEK-DR. HERMES!
 
 

From December 1934, this Spider adventure has me exhausted just from reading it. I don’t know how Wentworth does it; once the case begins, he apparently runs all over Manhattan for three days and nights without once stopping to eat or sleep (except when he’s knocked unconscious). Professor Brownlee must be brewing him up some amphetamine or something.

If you want frantic, headlong action as a single man fights desperately to save the public from an evil mastermind, this book delivers it. All over Manhattan, thousands of people suddenly start screaming, clawing at their throats and dropping lifeless to the street. It turns out someone has been tampering with tobacco and now cigarettes are deadly. (What? Cigarettes are harmful? Come on now…) As Brownlee explains to our hero, “…this gas has the power of building up the nicotine in one cigarette to the killing point.”

It’s hard to realize today, when people pretty much have to go outside to smoke, but in 1934 there were almost no restrictions on the habit. Restaurants, theaters and stores were filled with people puffing away. Men used pipes and cigars a lot more, but smoking was about as common as wearing shoes. So the idea of poisoned tobacco must have really hit home to readers of the story when it first came out. Imagine all the guys on the subway, lighting up a cig and reading about people dying horribly from smoking.

(And behind this is the fiendish plot to corner the market with safe Denict cigarettes which will then gradually have dope introduced into them, so that they will become addictive. Whoa…)

By this point, the Spider novels had moved on from their rather traditional mystery origins and were starting to be apocalyptic disaster stories with huge body counts and the end of the world seemingly at hand. Right away, Wentworth’s sweetie Nita has been kidnapped by the unknown enemy, his semi-friend Commissioner Kirkpatrick has apparently turned against him and ordered him shot on sight, and his attempts to warn the public are laughed at (they think he’s just another reformer preaching about the evils of modern life.)

Well. The Spider has a real challenge this time.
In addition to being on the run from the police and heartsick over Nita’s kidnapping, Wentworth finds he seems to be investigating two seperate gang of Chinese criminals. One is led by a skeleton thin creep with a red veil but the other, more serious threat, is the organization run by the Red Mandarin… a genuine supervillain worthy of any pulp hero’s mettle.

There are enough running gunfights and car chases and desperate narrow escapes to make your average private eye think about changing careers, but Wentworth thrives on this stuff. As fast as he sends a bullet through a crook’s forehead, he’s reloading. I have to say that (as Norvell Page presents him) the Spider is one of the most dangerous characters in adventure fiction; I think he could hold his own against Robert E. Howard heroes like Francis X. Gordon or even Solomon Kane. It’s not so much that he’s cornered in a room with a dozen killers, it’s more like they’re trapped in there with HIM. After a sword fight with two giant guards and then plowing through a dozen Chinese fighters, when Wentworth is finally brought down and dragged away, he starts laughing at seeing the carnage he’s caused. That gave me an uneasy chill.

Two scenes in particular stand out. In a small unlit room with a group of gangsters, Wentworth sits on a corpse’s stomach and makes it groan when he expells air from its lungs… and since this seems to unnerve the crooks, he does it again and scares the thugs into thinking the dead man is talking. But what I will always remember from this book is one very unlikely series of events. In crowded Manhattan, absolutely packed with Christmas shoppers, several people scream and began thrashing around from the poisoned cigarettes (is that a tautology?), and the mob starts to panic. Hundreds will be hurt in the stampede, so Richard Wentworth seizes a cornet and gets them all to start singing, “Silent Night”. I kid you not. I don’t know if this scene stands up to cold examination, but caught up in the heat of Norvell Page’s overwrought writing style, I believed it while it was happening….

I should note here that Page (along with Harold Davis in a few Doc Savage novels) seems to have the idea that hypnosis is some sort of telepathic emanation, and that the moment the hypnotist is killed, all his subjects will snap out of their spells wherever they are. Maybe he was thinking of Dracula.

The big finale has our beloved Nita in a cell, with a lustful orangutan just aching to have his way with her. Now my first thought was, “Not Clyde! He would never be so crude!” But a little research shows that in fact subdominant male orangutans do routinely rape their females as well as other males, despite the victim’s struggles. There are even documented cases of orangutans raised in human households becoming sexually aggressive with human females, and of course the peoples who are native to the areas where these apes live have always said the hairy brutes will occasionally carry off a woman for an unpleasant experience. So I’ll never be able to watch EVERY WHICH WAY BUT LOOSE again wtthout keeping a suspicious eye on that Clyde character (although not even he found Sondra Locke attractive).

Reviews from the 86th Floor: Barry Reese reviews Savage Beauty # 1


Savage Beauty # 1
Moonstone Books
Written by Mike Bullock
Art by Joe Massaroli
$2.99

Let me preface this review by saying that in my eyes Mike Bullock is the greatest Phantom scribe since Lee Falk himself. When I heard that Moonstone was going to no longer produce Phantom comics, I figured that I would no longer find stories that mixed real-world problems with high adventure in the way that Bullock routinely did on the Phantom.

I’m glad to say that I was wrong. Bullock’s new series is entitled Savage Beauty and from the early promotional artwork it seemed that this would be a jungle girl type series. It is that — but it’s also much more. The series stars two sisters who both embody the spirit of a jungle goddess (shades of the Ghost Who Walks). They spend this issue taking care of a pedophile and slavers. It’s very much the kind of issue that I would have associated with Bullock’s run on the Phantom — in fact, I kept thinking that I couldn’t wait for Kit to meet up with these two new heroines.

The art is good — a bit scratchy at times but it adds a dose of gritty realism to the proceedings.

I know it’s only the first issue but I would have liked to have seen more of an origin story here — it’s very much a “here are the characters, here’s an adventure” kind of thing and while it’s exciting enough to make me want to come back for more, I’m left with all kinds of questions.

Still, this is a remarkable debut and one that should appeal to fans of jungle girls, The Phantom or modern adventure.

I give it 4 out of 5!

ALL PULP NEWSSTAND BULLDOG EDITION 1/18/11

ALL PULP NEWSSTAND
BULLDOG EDITION
1/18/11
Airship 27 Goes Digital!

From Airship 27 Productions-

Airship 27 Productions is thrilled offer their latest pulp title, Ravenwood – Stepson of Mystery digitally to those pulp readers who wish to read this title on their E-readers.  They have created a new Digital Store page where their fans can go to purchase pdfs of their books. http://homepage.mac.com/robmdavis/Airship27Hangar/index.html

As an introductory offer for a limited only, Ravenwood – Stepson of Mystery will sell for only $5.  The pdf will include all interior illustrations and the gorgeous cover art by Bryan Fowler.  Art Director Rob Davis plays on adding all the company’s titles eventually.

Welcome to the future of pulp fiction with Airship 27 Productions.

PODCAST TALKS PULP MOVIES!

From BETTER IN THE DARK-
Episode Ninety-Nine: TWIN PISTOLS AND SUPER SCIENCE–PULP HEROES IN THE MOVIES (Special Guest Ron Fortier)

To…well, celebrate seems a inappropriate word…the release of the new Green Hornet film, The Boys Outta Brooklyn welcome noted pulp authority (and writer for some Green Hornet comics in the 90’s!) Ron Fortier to examine some movies featuring pulp heroes in a high- energy, high-spirited conversation! Join Tom, Derrick and Ron as they examine The Shadow,  Doc Savage,  The Rocketeer  and other great films featuring hot girls, cold steel and high adventure! Plus the trio discuss their expectations–or lack thereof–regarding the big screen Michel Gondrey/Seth Rogen adaptation! The weed of crime bears better fruit, so get to clicking!
MOONSTONE WEEK ON THE BOOK CAVE PODCASTS!
From Moonstone Comics-
Moonstone Comics is proud to announce that this week various writers and artists from Moonstone Entertainment, Inc. will appear on the podcasts done on a weekly basis by Pulp/Comic Enthusiast and Podcaster Extraordinaire Ric Croxton.  Each week, Croxton does episodes of THE BOOK CAVE, interviewing pulp authors and reviewing classic and new pulp works, RIC’S COMICS, focusing on comic books, any and all types and genres, and FUTURE 4 COLOR, a review of upcoming comics as featured in PREVIEWS.  
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This week, Moonstone writer Mike Bullock, creator Ed Catto, and artist Jay Piscopo discuss upcoming Moonstone comics on RIC’S COMICS posted the evening of 1/18/11.  Then on 1/20/11, writers Elaine Lee, Barbara Randall Kesel, and Debbie Viguie discuss their stories that will be featured in Moonstone’s upcoming CHICKS IN CAPES anthology with Ric and his co host Art Sippo on THE BOOK CAVE!  Finally, Ric will review the upcoming Independent comics with Moonstone staffers on FUTURE 4 COLOR on 1/21/11!   Tune in all week long to thebookcave.libsyn.com/ to hear MOONSTONE!!!

MOONSTONE MONDAY-TIPPIN’ HANCOCK’S HAT to THE SPIDER #1 by Powell and Marcos!

TIPPIN’ HANCOCK’S HAT-Pulp Reviews by Tommy Hancock

THE SPIDER #1-Death Siege of the Frankenstein Legion
written by Martin Powell
Art by Pablo Marcos
Colors by Jay Piscopo
Cover by Dan Brereton
Moonstone Books
http://www.moonstonebooks.com/

NOTE-This review only covers THE SPIDER story in this issue, not the Operator 5 story.

Nita Van Sloan, on a visit to a friend, runs into monstrous trouble and troublesome monsters and amateur criminologist Richard Wentworth sheds his humanity, so to speak, and becomes the ultra violent vigilante, The Spider, and jumps  feet first and guns blazing into a nightmarish adventure.

Yup, that’s it.  That’s the plot.   And it’s masterfully told and illustrated in twelve nonstop, frantic, frightening pages by Powell and Marcos.  This story starts on the run and even when its over, has the reader breathing hard, looking over his/her shoulder, and still wanting more.  Even though there’s a spot or two where storytelling could be just a little tighter, Powell wins a major battle here.  He fits a tale that easily could be a novella or a couple of comic issues into twelve pages and makes it complete, whole, and more than satisfying.  Marcos compliments Powell’s story telling well with aggressive pencils, expressive figures, and control of the single panel unmatched by most.

You like your SPIDER the way it should be?  Then buy this comic when its available in a few weeks.  You will not regret it.

FOUR OUT OF FIVE TIPS OF THE HAT-This is a fantastic kickoff to a series that in just twelve pages is already running all out no holds barred!

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MOONSTONE MONDAY-AND NEXT UP, A GREEN HORNET REVIEW FROM THE OTHER SIDE!

Now for the Second Green Hornet review of the day…from Thomas Deja-

 
 
Ten Statements About….THE GREEN HORNET
1) My predominant thought as I suffered through this movie was, “And they passed on the Kevin script (which was played out over ten issues of Dynamic’s Green Hornet comic) for this?

2) …and don’t get me wrong: the problem here is not Seth Rogen’s performance (which is pretty wretched, truth be told), but the script by Rogen and Evan Goldberg that asks us to treat an absolute jerk as a hero that never has anything close to a moment that redeems him.

3) Jay Chou seems to have walked into this train wreck from another film–you know, one which treats its subject seriously and has things like pace, tone and clear storytelling that this film doesn’t. Hell, he even sings a rap song in his own language over the closing credits that’s five time more entertaining than anything we’ve just endured.

4) Nothing makes Cameron Diaz look so out of place as ‘the hot chick’ than putting her in the same room as two men who, quite frankly, look like fetuses next to her and have them alternate between slobbering over how hot she is and pointing out how much older she is. And the way she is shot makes her look like their mother.

5) Welcome, Chritoph Waltz, to that rarified club for actors and actresses who won an Academy Award, and then followed that performance up with an embarassment…an embarassment made all the more sad by the fact that what he’s doing is a variation, emotionally, of Colonel Blanda. At least they came up with a cool visual for his ultimate villianous self–although even that is blunted by Waltz prancing around shouting ‘I’m ungassable!’

6) Even though the script tries to clue us into Rogen’s transformation into a hero several times, you never see Britt Reid or The Green Hornet as anything other than a jealous, horny goof who take advantage of the person he calls his brother, sexually harasses his employee, fucks up his own plan to defeat the villains, and otherwise is a sheer and total dick.

7) When are people going to realize that pointing out the flaws in your film in dialogue (“Boy, your romantic lead is old!”, “Hey, the name ‘Bloodnofsky is stupid”, “Hey, why do you suddenly like your dad when all this time you thought he was a dick?”) only holds up those flaws and shakes them at the audience?

8) Some of director Michel Gondry’s legendary quirkiness does bleed through all the by-the-numbers action/adventure filmmaking…and almost every time it serves to confuse the viewer–with the exception of the moment he uses split screen technology in a sequence where….grumblemutter…Bloodnofsky’s men spread word of a bounty on the Green Hornet’s head.

9) By eliminating the Legacy aspect of the Green Hornet, it makes all the drawing of Bruce Lee and photos of The Lone Ranger cyphers. Furthermore, by pushing Britt’s father into the deep background save for a puzzling cameo in a dream sequence in the middle of a sushi restaurant, it destroys that moment where Britt realizes what a hero his father was.

10) Okay….if you establish very, very early on that Kato has an affinity for both classical music and vinyl records, why do you refrain from giving us ‘The Flight of The Bumblebee’ save for a joke sting towards the end? For that matter, why do you wait until the very last minute to give us the weird-ass green psychedelic lights that were a signature of the 60’s television series.

In short…a truly awful, mismanaged film that falls frequently on what it wants to do. But given that this year will bring us other super-hero films like Thor (whose trailer preceded the film) will prolly erase its memory before long.