Tagged: review

Full Metal Shadow

The Shadow Fan returns for Episode 44! This week, Barry Reese reviews two tales that are sure to stir up strong emotions from fans. First up: Reign of Terror, one of Bruce Elliott’s Shadow novels (1948). In Elliott’s final stab at the character, we finally get to see how the author would have handled the “traditional” version of the hero. Our second review: the final issue of Andrew Helfer’s controversial run on the DC Comic puts The Shadow’s head on top of a robot body! The Shadow # 19 (1988) can either be seen as one of the most unique moments in the character’s long history — or, perhaps, its absolute darkest.

If you love The Shadow, then this is the podcast for you!

Listen to The Shadow Fan Podcast Episode 44 now at
http://theshadowfan.libsyn.com/full-metal-shadow

Pulp Fiction Reviews and Sweet Money Won

  • Uncategorized
  • August 10, 2013

New Pulp Author Ron Fortier returns with another Pulp Fiction Review. This time out Ron takes a look at Sweet Money Won by Mycroft Magnusson.

SWEET MONEY WON
By Mycroft Magnusson
ISBN -13:978-1481952811
401 pages

Here’s a trick question for you.  Can any well written book ever be too long for its own good?  I would have thought that impossible until reading “Sweet Money Won.”  Which is going to make this review a delicate balancing act as I want all of you to understand how much I truly liked this book; in many, many ways.  Save one.  So allow me to applaud what is a truly superbly well crafted crime comedy reminiscent of Elmore Leonard’s best efforts.

Rick and Liam are two small time conmen living in the seedy Koreatown section of Los Angeles.  They survive hand to mouth on their meager rewards for the small cons they perpetuate, mostly on middle-class tourist visiting L.A. for the first time.  Magnusson deftly defines both their personalities so that they immediately appealed to this reader.  Liam, the smarter of the two, is the philosophical gambling addict who loves the Boston Patriots whereas Rick is the more reckless, by-the-seat-of-his-pants character who has a  problem with pornography and sex, the latter being what gets them both into a world of hurt.

When Rick takes their entire money reserve to rescue a Russian porn-princess named Svetlana, whom he’s met on-line, from her muscle-bound pimps, he puts them both in harms way.  Liam had placed a bet on a Patriot’s game, the cash being his debt should the Pats lose.  Of course the Pats lose and the Korean strong-arm bookies are none too pleased when Liam doesn’t have the money to cover his bet.  Now he and Rick have just twenty-four hours to come up with twenty thousand dollars.  It is at this point when  Svetlana agrees to help the boys by having sex with and then blackmailing a rich, up and coming congressman.

Reading “Sweet Money Won” is a truly engrossing, fun literary escapade that plays fast and loose with gunfire pacing.  Again, Magnusson’s prose is both insightful and inventive when it needs to be.  His writing is what is excellent and why I’m recommending you pick up a copy of this top-notch crime novel.

But Magnusson has to learn when scenes are extraneous and should be cut.  Any scene that does not serve the plot should be excised and there are several of these that frustrated me.  Rick’s Mexican weekend and Liam’s sports ticket scam are both unnecessary. A good editor could have trimmed this book by a hundred pages and helped shape it into an even better story.  I hope that’s a lesson he learns soon.  Rick and Liam and awesome characters and I’d love to see them in action again.

Salmon Reviews First Fringe Novel!

  • News
  • August 7, 2013

OUT ON THE FRINGE
A Review of Christa Faust’s THE ZODIAC PARADOX
byAndrew Salmon
 
If you’re a Fringe fan like me, you’re probably feeling some withdrawal by now. So having the chance to dive into THE ZODIAC PARADOX by tie-in queen Christa Faust was welcome relief. But does the novel deliver? Read on.
 
 
The first thing readers should know is that the novel is a prequel with a capital P. It begins in 1968 and moves ahead into the 1970s so if you’re expecting Olivia and Peter to appear, then you’ll have to wait for the next two books inthe series. What you do get in the pages of THE ZODIAC PARADOX are healthy doses of Walter Bishop, William Bell and a smattering of Nina Sharp for some seasoning.
 
The novel kicks off with Walter and Bell performing their LSD experiments (which will ultimately culminate with the invention of Cortexiphan in the TV show) that result in their temporarily opening up a portal between universes. If you don’t know what any of the above means, then stop reading and get yourself some Fringe boxsets as you’ve got a lot of catching up to do. Still with  me? Okay. Now through this portal, a serial killer flees the police in the alternate universe and enters ours and immediately takes up here where he left off over there. This killer will come to be known as the Zodiac Killer. When Zodiac killings begin to resemble Walter’s and Bell’s remembered visions when the portal opened, they realize that they are responsible for unleashing this monster and must do something about it.
 
What follows is an engaging read that will satisfy Fringe fans and should please newcomers to the Fringe world. Faust can write and, although her other work tends to be gritty, intense and sexual, she knows how to rein that in for her tie-in work. If you’ve read her award-winning version of Snakes on a Plane (the best tie-in novel I’ve ever read), you know what I’m talking about.
 
Her characterizations are accurate and you find yourself hearing the actors’ voices as you read the lines. Walter, especially, is well drawn. Given John Noble’s unforgettable performance in the series, this comes as welcome relief. Yes, he’s not the focused, unfeeling monster portrayed in flashbacks on the show, but he has no reason to be. He’s young, brilliant, untouched by tragedy and yet, when the situation demands it, he will exhibit that iron will that will, ultimately, lead to his downfall and eventual redemption. Bell, too, comes across accurately. He’s the rock star of the group and his megalomania is hinted at here. Nina Sharp is a little farther along than the two leads. She’s focused, smart and her won’t take crap from anyone is balanced with her genuine empathy.
 
The action of the book is the only weak link here. Although most of the sequences are well thought out and exciting, these brilliant people often do stupid things, which I suppose can be explained by their being out of their depth. Two academically inclined youths, bookworms for lack of a better term, can’t be expected to act like Rambo and that’s as it should be. They are, however, geniuses, and their smarts occasionally go out the window. This is a minor nit-pick but it did take away from the reading experience a time or two.
 
So, should you read THE ZODIAC PARADOX? If you’re a fan of the show, definitely. There are insider nods throughout the book that will go unnoticed by newbies. And what about you newbies? Can you get anything out of the book? As a long-time fan of the show, it’s all but impossible for me to answer that question but I’ll give it a try. The answer is yes. The novel captures the genre smash-up that was the show. Using science and dimensional portals against a radiation-spewing killer from an alternate universe is what Fringe, the series, was all about and the novel should grab you right out of the gate.
 
I enjoyed THE ZODIAC PARADOXand am looking forward to Book 2 with a Olivia front and center. Fringe fans take note, the show lives on!

What’s New at Radio Archives?

  • News
  • August 2, 2013
 
August 2, 2013
 
 
 
New Radio Digital Downloads now Available
 
For fourteen years, Radio Archives has been known for the amazing audio quality of our classic radio audio CD collections and it’s no wonder. We insist upon finding the absolute best quality masters, then carefully restoring them so that they retain all of the audio luster of the original recordings with none of the crackle, pops, hiss, or muffling so often heard in radio shows from other sources.
 
So, when we decided to start offering digital downloads of these same collections, two years ago, we knew that you’d accept nothing but the absolute best quality.
 
If you enjoy audio entertainment on your computer, your cell phone, or a portable device, you’ll be glad to hear that we’ve just added another sizable batch of digital downloads. Included are such long-time customer favorites as Suspense, The Best of the Big Bands, Boston Blackie, Archive Masters, Mystery is My Hobby, Night Watch, and Crime Club!
 
Digital downloads from RadioArchives.com give you the best of everything. Top quality shows in sparkling audio fidelity, available to you for instant delivery around the clock and, with digital downloads, you’ll pay no postage or delivery charges! Whether you live in Beijing, Basingstoke, or Bakersfield, just place your order and, within minutes, you’ll be enjoying some great entertainment.
 
We have 239 radio collections and the final 21 sets are now being converted to the Digital Download format. We are very pleased to announce that 9 radio collections are available for the first time today as digital downloads. The remaining 12 sets will be released over the next 6 weeks. Great shows, great sound, and great prices, too!
 
 
 
Special 50% discount Offer
 
Created by Sir Arthur Conan Doyle in 1887, the character of Sherlock Holmes was a fixture of American broadcasting almost from the beginning of network radio. First heard over NBC in the fall of 1930, the adventures of the brilliant London-based “consulting detective” would eventually appear on all three networks over the next twenty years.
 
Heard today, “The New Adventures of Sherlock Holmes”, with Tom Conway and Nigel Bruce, not only retain their entertainment value but compare quite favorably with the earlier series with Rathbone. Conway is indeed quite good as Holmes and Nigel Bruce, though often disdained by the “Baker Street Irregulars” who prefer their Conan Doyle adventures straight, is always charming as the sometimes baffled but always loyal Dr. Watson. In 1946, in addition to the newly cast Tom Conway, the series also moved from the Mutual network to ABC – the former Blue Network – and was given a few more production values to boost interest, as well as a new sponsor – the Semler Company, promoting their Kreml Hair Tonic and Shampoo. Wisely, the producers retained the framing device of Watson introducing each story from the cozy scene of his fireside, retired (as radio would have it) comfortably in California – though, unlike the earlier series with a different sponsor, the good doctor now refrained from enjoying a glass of Petri Wine as he recounted his earlier adventure with Sherlock Holmes.
 
This collection offers ten full length broadcasts of “The New Adventures of Sherlock Holmes” starring Tom Conway and Nigel Bruce, all taken from the original reference recordings and beautifully restored for outstanding audio fidelity. If you’re a long-time fan of “the world’s greatest consulting detective”, or if you just love a good mystery, you’ll definitely enjoy these delightful and rare programs. 5 hours. Regular Price $14.98 – Specially priced until August 15 for $7.49 Audio CDs / $3.74 Download.
 
 
 
Will Murray’s Pulp Classics #30
by Robert J. Hogan
Read by Michael C. Gwynne. Liner Notes by Will Murray
 
 
Popular Publications publisher Harry Steeger and writer Robert J. Hogan had scored a hit with G-8 and His Battle Aces in 1933. A year later, they put their heads together and concocted a crime-suspense series with a fantasy flare. They called it The Secret 6!
 
The premise was simple. Framed for the crimes of the diabolical Red Shadow, a mystery man with a haunted past calling himself King breaks out of the Death House. Scouring the Underworld, King assembles a team of shadowy specialists who dedicate themselves to hunting down The Red Shadow. Once he was disposed of, the super-sleuth sextet went on the tackle malevolent menaces in the I Love a Mystery vein.  
 
This new crime-busting organization consisted of King, The Doctor, The Professor, The Key, The Bishop, Shakespeare and the Zulu warrior known as Luga. They are backed by a small army of unsavory underworld informers ranging from Legs Larkin to Flo the Fleecer.
 
Only four issues of The Secret 6 were ever published. But what a glorious run! The Red Shadow was followed by House of Walking Corpses, The Monster Murders and The Golden Alligator. Each succeeding novel was more fantastic than the one before.
 
For their second exploit, The Secret 6 go up against a Mayan curse that turns members of the wealthy Waldorff clan into Living Dead Men. But that’s only the start of the wild trail that takes the fighting 6 from Long Island to the Mayan-dominated jungles of Yucatan and a rousing battle with the sinister Bat-Man and his undead legions at the Temple of Azrah. Will The Secret 6 triumph––or will Mayan vengeance make it their tomb?
 
House of Walking Corpses is narrated with appropriately atmospheric gravity by Michael C. Gwynne. Two exciting action stories complete this second Secret 6 audiobook. “Mystery Bones” and “Ice Patrol” were written by Robert J. Hogan under fictitious bylines and read by Roger Price. 6 hours $23.98 Audio CDs / $11.99 Download.
 
by Jeff Deischer
Read by Nick Santa Maria
 
 

Created by Robert Hardy Andrews, Jack Armstrong, the All-American Boy was one of the first and most memorable of the adventure radio serials. Running from 1933 to 1951, it featured the resourceful high school student on a dizzying collection of adventures that spanned the globe. He often accompanied Colonel Jim Fairfield, an aviation industrialist, and Fairfield’s brave niece and nephew Betty and Billy on their travels. Backing them up was two-fisted Vic Hardy, a brilliant scientist and sleuth.
 
Now, for the first time, one of the Jack Armstrong serials has been novelized and is now available from Radio Archives as a 12 hour audiobook. Noted author Jeff Deischer adapts Jack Armstrong and the Secret of U-77 from the 1946 James Jewell production — a serial for which none of the original recordings exist. Jeff is known for his strong narrative, which gives this story an authentic flavor.
 
In the post-war world, danger is not always so easy to see. But Jack Armstrong identifies it in the form of Dr. Romago, a unscrupulous scientist who abandoned his native United States before the war. After being mysteriously missing for several years, Romago has returned — and he is after the secret of U-77.
 
What is U-77, and why does Dr. Romago seek it? Jack can only guess. But he does know that if Romago wants it, he can’t be permitted to have it. Accompanied by his loyal friends, Uncle Jim, Betty and Billy Fairfield, Jack and Vic Hardy head down to the Sea Islands off the Southern Atlantic coast, where Romago has been driving away the local fishermen through his underling, Pachino the Eel, a gangster who has crossed paths with scientist Vic Hardy before.
 
Aboard his schooner, The Gray Ghost, Romago squats, a fat spider pulling on the strands of his web like the strings of a puppet, manipulating the fishermen of Thunderbolt, Georgia, his own henchmen — and even Jack Armstrong!
 
Jack Armstrong and the Secret of U-77 takes Jack and his friends from New York City to the coast of Georgia down to the bottom of the ocean in this exciting 12 hour long saga.
 
Douglas Klauba has painted a gorgeous wraparound cover for this special audiobook. Nick Santa Maria took a break from being the Spider to do the voice acting for Jack Armstrong and the Secret of U-77. Get your copy today! 12 hours $47.98 Audio CDs / $23.99 Download.
 
 
 
RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
 
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
 
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
 
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
 
Happy listening,
Will Murray
 
 
 
New Will Murray’s Pulp Classics eBooks
 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Never had New York lived through such a reign of terror — ruled by a master of crime who had no face of his own but disguised himself with the tortured faces of a thousand victims. How could even the Spider hope to combat such an invincible and wholly incredible foe? Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 

Stunned, lost, the remnants of a once proud army charge unchallenged against an unseen foe — to die without being fired upon! And roaring across death-filled skies, G-8 and his Battle Aces gamble against fearful odds to come to grips with War’s most sinister phantom of doom — who has sworn to turn a mighty fortress into the funeral pyre of an Empire! G-8 and his Battle Aces rode the nostalgia boom ten years after World War I ended. These high-flying exploits were tall tales of a World War that might have been, featuring monster bats, German zombies, wolf-men, harpies, Martians, and even tentacled floating monsters. Most of these monstrosities were the work of Germany’s seemingly endless supply of mad scientists, chief of whom was G-8’s recurring Nemesis, Herr Doktor Krueger. G-8 battled Germany’s Halloween shock troops for over a decade, not ceasing until the magazine folded in the middle of World War II. G-8 and his Battle Aces return in vintage pulp tales, reissued for today’s readers in electronic format. $2.99.

 
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by Nat Schachner, reissued for today’s readers in electronic format. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Norvell W. Page, reissued for today’s readers in electronic format. $2.99.

 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 

Ernest Forestier foolishly believed himself stronger than all the dark forces of hell… In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.

 
The tiny Pacific isle had become a maniac’s murder-laboratory! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
 
 
An unseen member of that doomed houseparty was robbing them, one by one, of sight — and sanity! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 
It would be fun, thought beautiful Janeen, to try out the advice of the gay, worldly wise Chiquita — and play the serious-minded Bill Daley against the rough, insolent Eric Hayden… A story of new love and ancient hatred in the grandeur of San Gabriel Canyon. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 
 
Search for RadioArchives.com in iTunes.
 
 
 
 
Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 
See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 
 

Pulp fiction’s Master of Men returns in two classic stories from 1935 and 1938. First, in “Reign of the Death Fiddler”, high-ranking citizens are being slaughtered, major businesses robbed, and The Spider meets one of his most illusive foes. Who is this maestro of evil? Will there be a finale to this orchestrated insanity? And can The Spider strip away the layers of this insane mystery? Then, in the “City of Whispering Death”, over New York’s hushed streets, a fearsome muttering is heard, telling men that the time has come to die. Throughout the entire panic-stricken metropolis, no man dares to testify against a single criminal lest he himself be slashed to bloody bits by an invisible death which leaves no clue save a quivering and mutilated corpse. While the Underworld runs riot and the police stand aghast, The Spider lets loose his mightiest effort: a counter reign of terror which strikes at the murder-maniac whose every word is a death sentence and who has coined a fortune out of unclaimed corpses! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations to accompany each story. On sale for $12.95, save $2.00

 

Foreshadowing The Batman Special
Who knows what evil lurks in the hearts of men? The Shadow knows! The Knight of Darkness proves that crime does not pay in two pulp classics that inspired Golden Age BATMAN stories and artwork! First, in his true identity of Kent Allard, The Shadow investigates how a dying man’s bequest of “The Crystal Buddha” became a legacy of death. Then, the Dark Avenger must invade Vreekill Castle and unmask the enigmatic mastermind called “The Vindicator” before murder claims another victim! This instant collector’s item showcases the classic color pulp covers by George Rozen, the original interior illustrations by Edd Cartier and commentary by popular culture historian Will Murray. $14.95.

 

The pulps’ original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, smuggled “Pictures of Death” are only the sinister prelude to deadly sabotage and mass destruction. Then, Justice Inc. hunts for the antidote to a deadly malady that transforms men into apelike monstrosities in “The Green Killer.” Will the cure bring death to The Avenger? PLUS “Calling Justice Inc.,” a bonus Avenger thriller by Spider-scribe Emile Tepperman! This classic pulp reprint showcases the classic color pulp covers by Lenosci and William Timmons, Paul Orban’s interior illustrations and commentary by pulp historian Will Murray. $14.95.

The Man of Bronze and his daredevil cousin Pat Savage return in two classic pulp novels by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, Doc Savage is accused of serial murders and jailed. Can Pat and Doc’s aides help unearth the strange secret of “The Invisible-Box Murders” and prove the Man of Bronze’s innocence? Then, Doc journeys to Honolulu after a strange letter makes Pat’s friend, Sally Trent, a “Target for Death.” BONUS: “The Hang String,” a rare 1933 tale by Lester Dent from the back pages of The Shadow Magazine. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00.
 
 
 
 
 
 
 
Continuing to Celebrate the 80th Anniversary of Doc Savage and King Kong
 
Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
 

By John Olsen
 
“The City of Doom” was published in the May 15, 1936 issue of The Shadow Magazine. This is the second of the three novels in the Voodoo Master series, as the evil Dr. Mocquino returns to battle The Shadow. In fact, that was Walter Gibson’s original title for this story: “Dr. Mocquino’s Return.” Once again The Shadow must face the sinister Dr. Rodil Mocquino. And it will take all his courage, all his skill, all his amazing abilities to avert the slaughter that threatens the city of doom and defeat the Voodoo Master.Hampstead is the city of doom. It’s a small city, heavy on industry. But the various industries are meeting with accidents. Disastrous accidents in which lives are lost. Like the railroad yards. Two wrecks in the railroad yards within a matter of days, both unexplainable. Eight men killed. Another accident at the dye plant; a boiler explosion that took three more lives.

The town is jinxed. Harry Vincent, secret agent for The Shadow, had been sent to Hampstead to investigate, but he’s now missing. So The Shadow makes a personal visit himself. And he’s just in time to witness another horrible accident. At the steel mill, a cauldron of molten steel is accidentally poured too early. Instead of reaching the molds, it is splashed upon the workers. Another nine men perish in horrible deaths.

The Shadow confirms that this is sabotage. Trusted workers are performing sabotage against their wills, under the hypnotic influence of The Voodoo Master. Dr. Rodil Mocquino, known as The Voodoo Master, was last seen sinking beneath the waves in the Hudson River, riddled with bullets. But now he’s back, and he’s trying to destroy the will of the inhabitants of Hampstead. If he can destroy the influence of the machine age, he can implant the principles of the voodoo belief upon the community. Only then will they be susceptible to join his cult. Thus, his war on industry.

Dr. Mocquino wields a strange hypnotic power over men. He has the ability to make them do his bidding, without realizing what they are doing. The Shadow must break the power of the Voodoo Master before the superstitious townsfolk fall prey to his evil. He must find and rescue his trusted agent Harry Vincent. And he must destroy the Voodoo Master once and for all.

 

Double Novel reprint $12.95

 
 
Comments From Our Customers!
 
Tim DeForest writes:
Great news. Thanks for the quick answer and thanks for the great service I’ve gotten whenever I order stuff from Radio Archives.
 
Charles Orena writes:
I am a long time supporter of your web site and have enjoyed not only the quality of the programs but the sound quality of the programming.
 
Edward H. Sigmund writes:
I really enjoyed The Black Bat story. I’m looking forward to more of them being issued for the Kindle. I’m a fan of the ‘Pulp’ magazines.
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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REVIEW: Justice League: The Flashpoint Paradox

justiceleaguetheflashpointparadox-finalboxart-e1375282586925-4295223The larger and more sweeping the cosmic event, the more the audience needs a character to act as the anchor. This was a lesson Marv Wolfman learned while writing the first such event, Crisis on Infinite Earths. Years later, when he was afforded the opportunity to novelize it, he focused on The Flash as his focal point. Similarly, Geoff Johns built the entire Flashpoint miniseries around Barry Allen and used it to upend the DC Universe and set the stage for the new 52.

While the miniseries was a beautifully drawn, sprawling mess that made little sense whatsoever, the animated adaptation does a better job honing the story and its spinoffs into a tighter, more focused tale. It still doesn’t make a whole heck of a lot of sense but it’s entertaining to watch. Justice League: The Flashpoint Paradox is now out on Blu-ray from Warner Home Video and it’s a strong entry in the line.

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Essentially, the Flash, despite knowing better, goes back in time to prevent his mother’s death, an inexplicable decision exacerbated by his 25th century foe, Eobard Thawne, t

he Reverse Flash. Thawne channels the speed force, which they both access, to create some sort of time distorting “speed boom” that totally alters the DC Universe. As a result, Allen awakes up in a world where Mom is happily alive but not for long as Atlantis and Themyscira are waging a war that threatens to shatter the planet. He also no longer has his powers.

Among the “subtle” alterations is that Kal-El’s rocket misses Kansas and is captured by the U.S. government; Thomas Wayne survives but Bruce is shot by Joe Chill; the wizard Shazam shares his power with multiple kids, and Steve Trevor never arrived on Paradise Island, a.k.a. Themyscira. There are others but it’s a dark, depressing place to live when you have the unrepentant Len Snart running around as the beloved Citizen Cold.

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While focusing on the core JL characters, plus Cyborg for those needing affirmative action, it totally ignores the heroes and champions of bygone eras (except for some version of Sandman), most of whom would gladly come out of retirement to prevent the war from happening. Occult beings such as the Spectre or Dr. Fate certainly would have intervened. And then we have Grifter, who was never a part of the DCU here  so it’s a mess.

Allen convinces the alcoholic Dark Knight to help him regain his speed and then they race to stop global Armageddon, allying themselves with an odd assortment of other metahumans. They also rescue the Kryptonian from custody and he miraculously demonstrates all his powers within hours of exposure to the sun although it took him years in the other reality to develop them and just as long to master them.

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But things zip along at such a dizzying pace, you just watch. Director Jay Oliva has a sure hand with the film, as he has in the last handful of outings. He’s saddled, though, with fairly unattractive character designs that once more over emphasize the upper half of the male bodies and give everyone pointy chins. Jim Krieg, another Warner animation vet, does a nice job making the necessary modifications to contain the story in 81 minutes. A few too many characters show up and don’t do anything but it’s nice to see them.

As usual, Andrea Romano brings in an A-list assortment of actors to voice the players led by Justin Chambers as Allen, Kevin McKidd as Thomas Wayne, and C. Thomas Howell as Thawne. The other major players include  Vanessa Marshall (Wonder Woman), Cary Elwes (Aquaman), Michael B. Jordan (Cyborg),  Kevin Conroy (Batman), Dana Delany (Lois Lane), Nathan Fillion (Hal Jordan’) and Tim Daly (Superman).

The miniseries worked as a transition by establishing the DC, Vertigo and WidlStorm universes as three parallel worlds (out of 52 known parallel universes) being brought together into a New DC Universe. The only real hint that the reformed timeline at the film’s end is the modified Flash costume Allen wears. Otherwise, it all seems the same but do watch the film through to the end of the credits for a 10 second hint of the following film, the first to resemble the New 52.

11-e1375283005172-6325360The disc comes with the usual assortment of supplemental features. You get audio commentary from  Producer James Tucker, director Olivia, screenwriter Krieg and Johns as they chat about adapting the comics to film although there’s little new revealed here.

Rather than provided newcomers with a primer as to what this is all about, you get “A Flash in Time: Time Travel in the Flash Universe” (22 minutes) as The Hero’s Journey author Phil Cousineau provides more historic perspective than the others do for the comics that influenced the miniseries. Cousineau takes himself too seriously and the source material underexplained. Then there’s  “My Favorite Villain! The Flash Bad Guys” (19 minutes) as Cousineau, Krieg, Johns and current Flash writer Brian Buccellato discuss some of the colorful foes making up the legendary Flash Rogues’ Gallery. For Blu-ray viewers, there are Flash-centric episodes from

Justice League and Batman: The Brave and the Bold. Finally, there’s a Sneak Peak at Justice League: War (8 minutes) and Flashpoint #1 Digital Comic Excerpt (a mere 8 pages in the hopes you go out and buy the graphic novel).

First Volume of Best New Pulp Series Available for Free!

  • News
  • July 25, 2013

FOR A LIMITED TIME ONLY! Get in on the ground level of one of the best New Pulp Series ever! THE ADVENTURES OF LAZARUS GRAY VOLUME ONE by Barry Reese is available to you for FREE for a very short period! You have 24 hours to get the debut adventures of the mysterious Gray and team, Assistance, Unlimited! Go to http://www.smashwords.com/books/view/115333 and pick the Ebook format you want. Then enter this code- HU55N – to get THE ADVENTURES OF LAZARUS GRAY VOLUME ONE for FREE! Once you read it, leave a review at Amazon, Smashwords, etc. if you will. But Most of All, Enjoy the read from Barry Reese and Pro Se Productions!

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JACK ARMSTRONG LIVES AGAIN! AND PULP REIGNS SUPREME AT RADIO ARCHIVES!

  • News
  • July 19, 2013

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July 19, 2013
 
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It’s the 80th Anniversary of Jack Armstrong
Jack Armstrong, the All-American Boy was a radio adventure series which was very popular from 1933 to 1951. The program originated at WBBM in Chicago on July 31, 1933, and was later carried on CBS, then NBC and finally ABC. One reason for its longevity is its wonderful script writers including Talbot Mundy, author of the classic novel, King of the Khyber Rifles.

 
Radio Archives has some great Jack Armstrong products for you this year. You can order the first one, Jack Armstrong and the Secret of U-77 today!
 
by Jeff Deischer
Read by Nick Santa Maria
 
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Created by Robert Hardy Andrews, Jack Armstrong, the All-American Boy was one of the first and most memorable of the adventure radio serials. Running from 1933 to 1951, it featured the resourceful high school student on a dizzying collection of adventures that spanned the globe. He often accompanied Colonel Jim Fairfield, an aviation industrialist, and Fairfield’s brave niece and nephew Betty and Billy on their travels. Backing them up was two-fisted Vic Hardy, a brilliant scientist and sleuth.
 
Now, for the first time, one of the Jack Armstrong serials has been novelized and is now available from Radio Archives as a 12 hour audiobook. Noted author Jeff Deischer adapts Jack Armstrong and the Secret of U-77 from the 1946 James Jewell production — a serial for which none of the original recordings exist. Jeff is known for his strong narrative, which gives this story an authentic flavor.
 
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In the post-war world, danger is not always so easy to see. But Jack Armstrong identifies it in the form of Dr. Romago, a unscrupulous scientist who abandoned his native United States before the war. After being mysteriously missing for several years, Romago has returned — and he is after the secret of U-77.
 
What is U-77, and why does Dr. Romago seek it? Jack can only guess. But he does know that if Romago wants it, he can’t be permitted to have it. Accompanied by his loyal friends, Uncle Jim, Betty and Billy Fairfield, Jack and Vic Hardy head down to the Sea Islands off the Southern Atlantic coast, where Romago has been driving away the local fishermen through his underling, Pachino the Eel, a gangster who has crossed paths with scientist Vic Hardy before.
 
Aboard his schooner, The Gray Ghost, Romago squats, a fat spider pulling on the strands of his web like the strings of a puppet, manipulating the fishermen of Thunderbolt, Georgia, his own henchmen — and even Jack Armstrong!
 
Jack Armstrong and the Secret of U-77 takes Jack and his friends from New York City to the coast of Georgia down to the bottom of the ocean in this exciting 12 hour long saga.
 
Douglas Klauba has painted a gorgeous wraparound cover for this special audiobook. Nick Santa Maria took a break from being the Spider to do the voice acting for Jack Armstrong and the Secret of U-77. Get your copy today! 12 hours $47.98 Audio CDs / $23.99 Download.
 
 
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RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
 
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
 
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
 
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
 
Happy listening,
Will Murray
 
 
 
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The Jack Carson Show was a radio situation comedy that ran from 1943 until 1947, with popular Hollywood character actor Jack Carson playing a fictionalized version of himself as a none-too-bright movie star. Every week, he dealt with strange friends, neighbors and relatives in his hectic life in Hollywood. Dave Willock, Carson’s old vaudeville partner, played Jack’s nephew who often took his uncle down a peg or two, while comedian Eddie Marr played Jack’s press agent and Arthur Treacher played Jack’s butler, a part he was well-accustomed to playing. Irene Ryan, best known for her role as “Granny” on The Beverly Hillbillies, was also a cast member. Sponsored by Campbell’s Soup, the show was a big budget production and was given a prime time slot.
 
Jack Carson was best known and most remembered as a character actor who played supporting roles for comic relief, often wisecracking know-it-alls who were undone by their own overconfidence. He played this type of role in movies such as Bringing Up Baby (1938), Mr. & Mrs. Smith (1941) and Arsenic and Old Lace (1944). Occasionally, he was able to show his dramatic skills, in films such as Mildred Pierce (1945) – a performance critics generally agree was his best – Cat On a Hot Tin Roof (1962) and the James Mason-Judy Garland version of A Star Is Born (1954).
 
An appearance on Kraft Music Hall in 1938 led to a lucrative film career for Jack, beginning with a standout role in Enemy Agent (1940). These parts eventually led to his own radio program, which Jack created with his former vaudeville partner, Dave Willock. Dave and Jack had been college friends, and when Jack inadvertently destroyed the set in a stage play to big laughs, Dave recruited him for a vaudeville act, which set the tone for characters that Jack would later play in films. When vaudeville began to wane, Jack relocated to Hollywood to find his fortune in film.
 
This hilarious collection contains twenty half hour shows, primarily from 1947, the final season of the program and features a rare 1954 audition show. This overlooked gem is a comedy show that you are sure to enjoy. 10 hours $29.98 Audio CDs / $14.99 Download.
 
Special 50% discount Offer
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“Crime does not pay…”
Those four simple words sum up the basic philosophy behind “Calling All Cars”, a popular crime drama heard over CBS Pacific Network stations from November 29, 1933 to September 8, 1939. In these dramatizations, the point was driven home time and time again that a life of a crime was a life wasted — and anyone venturing off the straight-and-narrow was fated to meet a sad and sorry end.
 
Radio, played a part in stemming the tide against crime – and never more so than in “Calling All Cars”, one of the earliest and most durable police procedural shows. Dramatizing true crime exploits, and introduced by real-life law enforcement officials, “Calling All Cars” offered listeners the gritty details of criminal activities in true “ripped from the headlines” style. Led by writer/director William N. Robson – later to become the well-respected director of such series as “Big Town”, “The Man Behind the Gun”, and “Escape” – “Cars” offered listeners the audio equivalent of a Warner Brothers crime drama, complete with driving musical themes, car chases, low-life gunsels, high-crime bosses, gum-chewing molls, frightened victims, and criminal cases that often hit close to home, particularly if you lived in Los Angeles where the series was produced. Kidnappings, petty thefts, prison breaks, bunco schemes…all were raw materials for the creators of each show and details of all these crimes and more were used as the basis for the realistic dramas being presented.
 
The program’s long-time sponsor was the Rio Grande Oil Company and, in fact, the show itself ran only in those areas where their patented brand of “cracked” gasoline and “Pennsylvania” lube was sold. To promote the series, in the mid-1930s, Rio Grande service stations offered a much-in-demand free premium: a monthly periodical entitled “Calling All Cars News,” which spotlighted stories that would soon be aired on the program. But because the program was also sent via transcription to Southwestern markets served by Rio Grande but beyond the reach of CBS’ West Coast stations, a whopping 299 of the 302 programs that were originally broadcast have more or less survived the ravages of time and are extant today – including the twenty half-hour episodes in this collection, newly restored and remastered from the original transcription recordings by Radio Archives. 10 hours. Regular Price $29.98 – Specially priced until August 1 for $14.99 Audio CDs / $7.49 Download.
 
 
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New Will Murray’s Pulp Classics eBooks
 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
One minute the police had been valiantly charging the looters… the next, they were stumbling backward, groping wildly in complete blindness! That was the coming of the Eyeless Terror to New York! For a monster ruled the quaking city, building a fortune out of people deliberately blinded! Can the Spider, shackled and blinded, himself, free a city gone mad with darkness? Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
 

Rasp-rasp-rasp! It was a queer sound, ghostly, hearing it in the open country after midnight. Chills gripped King as he set out to investigate, but he forgot about them when he found — a man buried alive! And when he heard the man’s strange story, he knew that the Secret Six was going to tackle its most exciting and dangerous case, gambling for fabulous stakes in a game of golden death. Criminals quaked at the name The Secret Six. And for four glorious issues, this team of six crimefighters took on some of the weirdest and most fantastic antagonists that ever reared their heads in the pulp magazines. It was where weird menace met six normal men with no strange gadgets or outlandish skills. The utterly amazing stories were written by Robert J. Hogan, better known for writing the G-8 and his Battle Aces stories. But after four issues, the over-the-top action came to an end and Popular Publications pulled the plug on the series. These vintage pulp tales are now reissued for today’s readers in electronic format. $2.99.

 
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by James A Goldthwaite, reissued for today’s readers in electronic format. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Arthur J Burks and Nat Schachner, reissued for today’s readers in electronic format. $2.99.

 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 

In that dank tomb Forsythe found living beauty — and the ugly, gibbering spawn of Hell! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.

 
Not Alan Bruce, alone, but also the girl he really loved, were to pay in anguish and terror for his unholy union with hell’s mistress! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
 
 
Bloody footsteps led Mark Conrad on to undreamed horrors. In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 
Entrancing Rubie tried all her lovable tricks to hold ranchman Guy spellbound — but all she did was smother his ardor. She had her hombre cut out of the herd — till Guy stampeded. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 
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Search for RadioArchives.com in iTunes.
 
 
 
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Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 
See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 
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Pulp fiction’s Master of Men returns in two classic stories from one of the pulp era’s best selling magazines. In the first story — could it be? Is The Spider dead? So it would seem, which forces Richard Wentworth to adopt the guise of Corporal Death in his battle with “The Mayor of Hell” (1936). Then, in “Fangs of the Dragon” (1942), The Spider visits the town of Bethbury, where the bite of flying dragons drives the populace to insanity and murder! This instant collectible contains two exciting pulp adventures that have been beautifully reformatted for easy reading and features both of the original full color covers as well as interior illustrations that accompany each story. On sale for $12.95, save $2.00

 

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The Knight of Darkness proves that crime does not pay in two pulp classics by Walter B. Gibson writing as “Maxwell Grant.” First, The Shadow follows a trail of murder to retrieve the priceless rubies known as “The Seven Drops of Blood.” Then, to prove the innocence of a man accused of an impossible crime, the Dark Avenger must uncover the strange secret behind “Death from Nowhere.” BONUS: The Whisperer brings true sight to “The Eye of Zion” in a thriller by Alan Hathway writing as “Clifford Goodrich.” This instant collector’s item features the classic color pulp covers by Graves Gladney and George Rozen, the original interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular culture historian Will Murray. $14.95.

 

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The pulps’ original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, smuggled “Pictures of Death” are only the sinister prelude to deadly sabotage and mass destruction. Then, Justice Inc. hunts for the antidote to a deadly malady that transforms men into apelike monstrosities in “The Green Killer.” Will the cure bring death to The Avenger? PLUS “Calling Justice Inc.,” a bonus Avenger thriller by Spider-scribe Emile Tepperman! This classic pulp reprint showcases the classic color pulp covers by Lenosci and William Timmons, Paul Orban’s interior illustrations and commentary by pulp historian Will Murray. $14.95.

The Man of Bronze and his daredevil cousin Pat Savage return in two classic pulp novels by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, Doc Savage is accused of serial murders and jailed. Can Pat and Doc’s aides help unearth the strange secret of “The Invisible-Box Murders” and prove the Man of Bronze’s innocence? Then, Doc journeys to Honolulu after a strange letter makes Pat’s friend, Sally Trent, a “Target for Death.” BONUS: “The Hang String,” a rare 1933 tale by Lester Dent from the back pages of The Shadow Magazine. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00.
 
 
 
 
 
 
 
Continuing to Celebrate the 80th Anniversary of Doc Savage and King Kong
 
Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
 

andrewsalmon-9400324
Review of The Mayor of Hell from The Spider, Volume 15
By Andrew Salmon
 
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How often has it been said of a story that is ‘starts with a bang?’ Well, Spider novels are just one, prolonged bang! Fans wouldn’t want it any other way. If you look up the word ‘intensity’ in the dictionary you’ll see the sigil of the Spider.
The Mayor of Hell is no exception. Heck, the novel personifies everything one can expect from a Spider adventure. Richard Wentworth (alias the Spider) begins the tale doing his best Sherlock Holmes imitation of fiddling away a peaceful evening – until gunmen start blasting at him from every angle! Glass shatters, plaster cracks, blood spills and chaos reigns – yes, it’s another great Spider novel.
Forced to fake his own death, separated from his associates and the woman he loves, the Spider ventures into Operator #5 territory in this tale of a political coup giving rise to a police state. Taking on the guise of the Corporal of Death, Wentworth has to fight the oppression from within while every hand is turned against him.
Sure, it would be easy for me to say that The Mayor of Hell is just another rollicking Spider adventure and leave it at that. Except that it isn’t. For one thing, the Spider does not even appear in the novel. Not once. Wentworth is the Corporal of Death throughout as most believe him dead and he hides from the factions that know better. Finishing the novel, and experiencing the body count, I couldn’t help but think Wentworth should have taken on the identity of the Brigadier General of Death, not Corporal.

What sets this novel apart, for me, was the visceral, gritty quality to the violence – the likes of which I’d be hard-pressed to cite examples of outside the Spider tales in general and The Mayor of Hell in particular. Wentworth is startlingly grim in this tale from 1936 and it reads as if it were written for today’s audience. The last line alone would not be out of place at the end of a classic Mike Hammer novel.

The Mayor of Hell is everything you could hope for in a Spider adventure. The more of these I read, the more impressed I am with Page’s ability to ratchet up the tension and intensity while keeping the plot moving. I couldn’t put the book down and had to shake my head in wonder numerous times at how he pushes the envelope of pulp action to dizzying heights. I can’t recommend it enough.

 
 
Girasol Replica #GC182 $35.00 / eBook #RE028 $2.99 / Double Novel reprint #15 #5515 $14.95 On sale for $12.95, save $2.00
 
 
Comments From Our Customers!
 
Joseph Allegretti writes:
Radio Archives is doing great work and I really appreciate it. 200 ebooks a year—I read fast but not that fast!
 
Jon Gerung writes:
Thanks for putting more of your audiobooks on Audible, I always have a couple of extra credits to use. I really enjoyed the “Moon Pool.” Do you have any more plans to do A. Merritt books?
 
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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The Shadow Fan and the Black Falcon!

The Shadow Fan returns for Episode 40! This week, Barry Reese responds to listener feedback, talks about The Shadow Now series that’s coming from Dynamite and offers up a trio of reviews: The Black Falcon (1934), The Salamanders (1936) and The Shadow # 15 (Dynamite, 2013).

If you love pulp’s greatest crimefighter, then this is the podcast for you!

Listen to The Shadow Fan Podcast Episode 40 now at http://theshadowfan.libsyn.com/the-black-falcon

New From Radio Archives!

 
July 5, 2013
 
 
The CBS Radio Workshop debuted at the end of the Age of Classic Radio, which was a time of innovation and experimentation, especially in terms of radio drama. Volume 3 of the series includes “Subways are for Sleeping”, an adaptation of the novel by Edmund Love, who actually slept on the subways in the Fifties (and, who, with the profits from his book, ate at every restaurant in the New York Yellow Pages, in alphabetical order); “An Analysis of Satire” by Stan Freberg, a comedian, author and actor who is best known today for his voice actor work with Warner Brothers animation; “A Pride of Carrots, or Venus Well Served” is narrated by its author, Robert Nathan, best known for films made from his novels (The Bishop’s Wife, with Cary Grant, and Portrait of Jennie, with Jennifer Jones); he also contributed “Report on the Weans”, which “documents” what future archaeologist might deduce about twentieth century life by examining its artifacts; an adaptation of Mark Twain’s Roughing It, a semi-autobiographical travelogue that was published in 1872 as a prequel to Innocents Aboard, and covered Twain’s travels in the American West 1861-1867; “The Legend of Annie Christmas”, the title role of which was played by Amanda Randolph, the first African-American actress to star in a regularly scheduled network television show; an adaptation of Charles Ferdinand Ramuz’s 1935 novel, When the Mountain Fell.
 
The man behind CBS Radio Workshop, which debuted in 1956, was William Froug. Inspired directly by the work of Norman Corwin on the original Columbia Workshop, Froug put all the pieces together to produce a program that took the best of what had come before it and succeeded even further in production, performance and storytelling.
 
CBS Radio Workshop not only continued to push boundaries in terms of utilizing story, music, voice and more in exciting, modern ways, it broke new ground in radio drama. In short, the CBS Radio Workshop set the standard for modern audio drama.
 
Blending sound effects with story, music with voice, and quality with substance, the episodes on CBS Radio Workshop, Volume 3 shows how boundless storytelling can be with audio drama. 10 hours $29.98 Audio CDs / $14.99 Download.
 
Special 50% discount Offer
 
 
“If trouble is around, yours truly will most likely get a chunk of it.”
“Richard Diamond, Private Detective” proved to be the perfect radio vehicle for actor-singer Dick Powell, combining his tough-guy image, showcased in the 1944 film “Murder, My Sweet” and the 1945-46 radio series “Rogue’s Gallery,” with his tremendous talent for a song, as all those 1930s Warner Brothers/Fox musicals will bear out. The detective series, created by an aspiring screenwriter named Blake Edwards, featured a hard-boiled detective who rarely took himself too seriously; Edwards, the future director of the “Pink Panther” film series, conceived the Diamond character as an ex-cop who had decided to hang out his own shingle in the investigation business.
 

Richard Diamond bore a not-unintentional resemblance to another wisecracking detective of the airwaves, namely Sam Spade (as in “The Adventures of”). Both shamuses – Powell as Diamond, Howard Duff as Spade – demonstrated a breezy insouciance that added a much-needed touch of levity to the type of detective show that was often in danger of sinking under the weight of its own clichés. The lighthearted tone of “Richard Diamond” was even evident in the program’s weekly opening, which featured Powell whistling a jaunty “Leave it to Love.” It was not uncommon, after cracking each weekly case, for “the singing detective” to sit down at the piano in the penthouse apartment of Helen Asher, his wealthy, red-headed love interest played by Virginia Gregg and also Frances Robinson, and serenade her with a number from the Hit Parade. In-jokes were rampant on the show; Richard would often make reference to other detectives (notably Sam Spade) and he had a particularly pronounced fondness for actress June Allyson — in real life, Mrs. Dick Powell.
 
Just as Spade had a love-hate relationship with Lieutenant Dundy, Diamond shared a similar bond with his contact on the force, homicide detective Lieutenant Walt Levinson. The sarcastic badinage between the detective and his easily agitated cop pal provided many a memorable moment on the series. Diamond reserved his suffer-no-fools disdain for Sergeant Otis Ludlum, a cop who had such a force field of stupidity surrounding him that you just know he had to have a relative at City Hall looking after his job. Otis was played by actor Wilms Herbert, who also doubled on the show as Francis, Helen’s faithful retainer; Francis had an uncanny, mood-killing knack of barging in at the most inopportune times, like when Diamond and Helen were getting ready to turn down the lights and pour the wine…
 
“Richard Diamond, Private Detective” debuted over NBC Radio on April 24, 1949 as a sustaining series, but picked up a sponsor in Rexall Drugs (complete with announcer Bill “Whistler” Forman and your Rexall family druggist) in June 1950. Camel Cigarettes picked up the tab as of January of 1951, just before the show moved to ABC, but by June the show was back with Rexall again, which continued its sponsorship until the program left the airwaves on June 27, 1952. (The series would return briefly during the summer of 1953 for CBS, recycling earlier scripts from the 1950-51 season.)
 
10 hours. Regular Price $29.98 – Specially priced until July 18 for $14.99 Audio CDs / $7.49 Download.
 
 
Will Murray’s Pulp Classics #29
by Frederick C. Davis writing as Curtis Steele
Read by Richard Epcar. Liner Notes by Will Murray
 
 

From out of the pages of Operator #5 magazine steps a dramatic hero who pits himself against threats to national security from all origins. Whether it’s a subversive internal threat, or a full-scale invasion from an enemy land, James Christopher stood ready and resolute to defeat it.
 
James Christopher did not technically belong to the U. S. Secret Service. He was a top agent for an America’s unnamed Intelligence Service. It was in his blood. His father, John Christopher, retired from the same agency years before. Answerable only to his superior, Z-7, and carrying a letter from the President of the United States identifying him as Operator #5, Jimmy Christopher played for keeps. He carried a rapier sewn into his belt, and in a golden skull hanging from his watch-chain was a reservoir of poison to be swallowed in the event of capture.
 
Aided by a small group of trusted assistants, ranging from his twin sister Nan to scrappy street urchin Tim Donovan, Jimmy Christopher was a one-man defense force. Proud and patriotic, expert marksman and swordsman, he is the best America has to offer in a time of severe trial.
 
Fresh from his epic battle with the malevolent forces of the Yellow Empire in the previous exploit torn from the pages of Operator #5 magazine, James Christopher once again grapples with the machinations of the belligerent Asian Island nation in The Yellow Scourge.
 
One moment good-will bound the United States and the great Power across the sea—the next, shells screamed their death wails into Coast homes and factories. No citizen was safe from the bloody holocaust when the Yellow Empire struck without warning from the Pacific. With fiendish artifice the world was turned against us. And somewhere in this country, covertly completing the terrifying work of wholesale destruction, lurked the ruthless agent of the invading hordes. Operator #5 alone guessed the dread secret and matched his individual might against a million war-drunk terrorists…while the nation trembled on the brink of red wreckage!
 
Back in 1934, pulp writers didn’t name names—if they could help it—but Frederick C. Davis, writing as Curtis Steele, was prescient in that seven years before the Japanese attack on Pearl Harbor, he depicted the forces of Nippon as bombarding coastal California!
 
This Total Pulp Experience audiobook contains all three stories from the third issue of Operator #5 magazine, June, 1934. 6 hours $23.98 Audio CDs / $11.99 Download.
 
 
 
 
RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
 
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
 
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
 
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
 
Happy listening,
Will Murray
 
 
 
New Will Murray’s Pulp Classics eBooks
 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Over the tabernacle meeting rose the old man’s shout, “This is a phony religion, you dumb psalm-singers! There is only one true religion, and that is — ” Then, horrified, incredulous, the victimized worshipers beheld that defiant figure suddenly snuffed out in fire and smoke. For a new hysteria was sweeping the nation — headed by one who called himself the reincarnation of Zoroaster. His god was the Fire God, and men must pay tribute in money and adoration — or die! Hundreds perished in flames, and the police were paralyzed. It was Richard Wentworth, as the Spider, who took up the trail of the flame-master — to lock grips with the greatest murder-menace that men had seen since the time of ancient priests and human sacrifice! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
 

Criminals quaked at the name The Secret Six. And for four glorious issues, this team of six crimefighters took on some of the weirdest and most fantastic antagonists that ever reared their heads in the pulp magazines. It was where weird menace met six normal men with no strange gadgets or outlandish skills. The utterly amazing stories were written by Robert J. Hogan, better known for writing the G-8 and his Battle Aces stories. But after four issues, the over-the-top action came to an end and Popular Publications pulled the plug on the series. These vintage pulp tales are now reissued for today’s readers in electronic format. $2.99.

 
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by Henry Treat Sperry, reissued for today’s readers in electronic format. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Paul Ernst, reissued for today’s readers in electronic format. $2.99.

 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 
What devil’s power was it that sent fierce terror prowling through the shadowed rooms of the ancient house of the Ravilliacs? In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
 
In modern New York, the Medieval Inquisition lived again! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
 
 
The woman I love is so overpoweringly lovely that she awakens in my being a monster that thirsts for beauty — and destroys it! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 
Salty little Arly went all-out to out-glamour a gorgeous Eastern girl. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 
 
Search for RadioArchives.com in iTunes.
 
 
 
 
Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 
See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 
 

Pulp fiction’s Master of Men returns in two classic stories from one of the pulp era’s best selling magazines. First, in “Slaves of the Murder Syndicate” (1936), tiny darts tipped with a strange and deadly drug are wreaking havoc on the city and spreading fear and panic throughout the population. Victims, struck with the darts, die horribly, convulsing with the deadly rhythms of an evil and sinister dance of death. The Spider is desperately needed or help battle this terrible menace from the east but, as Richard Wentworth. he finds himself betrayed into the hands of the police – by his own fiance! Then, in “Pirates From Hell” (1940), a buccaneer calling himself LaFitte recreates history and plunders not ships of sea, but trains and their vital cargo. Like his pirate predecessor, LaFitte hands out death and fates worse than death to those he crushes in his path: white slavery, fiendish tortures — no method is too foul for the pirate and his savage crew of murdering cut-throats. Can The Spider defeat LaFitte? These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. On sale for $12.95, save $2.00

 

The Knight of Darkness proves that crime does not pay in two pulp classics by Walter B. Gibson writing as “Maxwell Grant.” First, The Shadow follows a trail of murder to retrieve the priceless rubies known as “The Seven Drops of Blood.” Then, to prove the innocence of a man accused of an impossible crime, the Dark Avenger must uncover the strange secret behind “Death from Nowhere.” BONUS: The Whisperer brings true sight to “The Eye of Zion” in a thriller by Alan Hathway writing as “Clifford Goodrich.” This instant collector’s item features the classic color pulp covers by Graves Gladney and George Rozen, the original interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular culture historian Will Murray. $14.95.

 

The pulps’ original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, smuggled “Pictures of Death” are only the sinister prelude to deadly sabotage and mass destruction. Then, Justice Inc. hunts for the antidote to a deadly malady that transforms men into apelike monstrosities in “The Green Killer.” Will the cure bring death to The Avenger? PLUS “Calling Justice Inc.,” a bonus Avenger thriller by Spider-scribe Emile Tepperman! This classic pulp reprint showcases the classic color pulp covers by Lenosci and William Timmons, Paul Orban’s interior illustrations and commentary by pulp historian Will Murray. $14.95.

The Man of Bronze and his daredevil cousin Pat Savage return in two classic pulp novels by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, Doc Savage is accused of serial murders and jailed. Can Pat and Doc’s aides help unearth the strange secret of “The Invisible-Box Murders” and prove the Man of Bronze’s innocence? Then, Doc journeys to Honolulu after a strange letter makes Pat’s friend, Sally Trent, a “Target for Death.” BONUS: “The Hang String,” a rare 1933 tale by Lester Dent from the back pages of The Shadow Magazine. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00.
 
 
 
 
 
 
 
Continuing to Celebrate the 80th Anniversary of Doc Savage and King Kong
 
Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
 
 
By Dr. Art Sippo
 
A silver pleasure sloop is found adrift by the Coast Guard. On it are fifteen bodies bloated and sun-burned beyond recognition. One of the bodies belongs to a woman whose throat has been cut by a well-known philanthropist who himself lies dead next to her. Reviewing the passenger’s list one passenger is missing: Velma Crale, female adventurer, aviatrix, and all around daredevil. She had just completed an aerial trip around the South Polar region but rather atypically claimed she had found nothing of interest. Now she has disappeared while everyone else on her ship has been killed by what appears to be severe sun exposure.
 
One week later, Velma Crale calls Doc Savage. He and his men are told to board the liner Regis sailing from Southhampton for New York and to watch out for a man named Thurston H. Wardhouse. No sooner are they underway when mayhem and violence stalk them. Then just as Doc and his crew seem to get the upper hand, the Regis is bathed is a powerful blinding light unlike anything they have ever seen. This secret weapon was what Velma Crale encountered at the South Pole. It so frightened her that she kept quiet about it until she could get to Doc Savage for help. Now the Regis has been taken over by cutthroats who change its course to take the ship to the South Pole?
 
Why is this ship being hijacked? What is the secret that Velma Crale discovered at the South Pole? Who is Thurston H. Wardhouse? Who has taken over the ship? What is this deadly weapon that kills with bright light? Is it too late now to stop the nefarious plot?
 
Don’t miss this exciting adventure as Doc and his iron crew combat the South Pole Terror! Double Novel reprint $12.95
 
Comments From Our Customers!
 
Ivan Watson writes:
Thank you again for all that you do to preserve America’s invaluable radio heritage and for providing me with many hours of wonderful radio listening.
 
Joseph Wrzos writes:

I’ve bought quite a few of the Radio Archives audio series, which I love. Enjoying the curious sensation of “listening” to pulp stories of old read aloud, though “not” converted into radio dramas. So far, I’ve particularly liked THE SPIDER, DOC SAVAGE, DR. YEN SIN, THE GREEN LAMA, STRANGE DETECTIVE MYSTERIES, TERROR TALES, and (most particularly) THE MOON POOL AND OTHER WONDERS.

Editor: Joe suggests a number of ideas for future audiobooks which we are considering. Take Joe’s advice and pick up a copy of The Moon Pool and Other Wonders. It is mesmerizing.
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UN-SUBSCRIBE and your name will immediately be removed from our mailing list.

REVIEW:The Silver Six

The Silver Six
By AJ Lieberman & Darren Rawlings
Scholastic Graphix, 188 pages, $10.99

silver-six-e1371490129767-7700146

There’s a refreshing breathlessness to the action in The Silver Six, a brand new graphic novel being released on Tuesday. Set in a bleak future, humanity has apparently paved over the planet and has to survive in domed cities to breathe. Classes take field trips to the nearby corner where a tiny square of parkland, complete with a single tree, is an object of fascination. It’s a harsh and brutal form of survival given that the planet’s energy needs are seemingly handled solely by Craven Industries. They supply something called Hydro-2 and as long as they control this supply, they seemingly work above the law.

So does Phoebe Hemingway, a 12 year old whose parents died on a shuttle accident a year previously. She and her robot Max have been dodging revealing her true existence until social services finally catch up with her. Placed in an orphanage, Phoebe encounters five others and forms a fast friendship with them as if fate brought them together. As the story unfolds, that’s exactly the case as we learn each holds an identical document signed the day before their parents all died on the shuttle. Embedded in each document is a piece of a tiny electronic memory that needs to be pieced together so the kids can learn what really happened to their parents.

Meantime, old man Craven has dispatched Sam to retrieve Phoebe’s document, beginning a game of cat and mouse that drives most of the action. Once the running starts, they make it from the orphanage to a spacecraft to a moon and back again. Along the way, there’s some entertaining banter, some heroic acts, and an awfully lot of rushing around. Lieberman, best remembered for a run on Batman comics a decade or so back, keeps things moving so quickly that his target readers, 8-12 year olds, will turn the pages never stopping to question how 12 year olds know how to pilot spaceships and build robots.

Teachers will love this for its themes of friendship and family, heroic sacrifice and so on. There’s a large dollop of technical know-how tossed in yet we never see the kids actually taught any of this. Instead, the orphanage facility’s teacher is unintentionally misinforming the kids thanks to a Craven-supplied text.

Lieberman doesn’t do enough to make the six characters distinct and Darren Rawlings’ art style makes them appear 8 years old, not 12. Still his drawing is clear and imaginative with good color, which makes sense given his experience at Big Studios.

As an introduction to young adult science fiction or comics, this works just fine. It’s not the most original story and the plotting gets muddled halfway through, but the readers won’t notice, captivated by relatable, plucky characters.

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