Tagged: review

2008 Hugo Award winners

  • News
  • August 10, 2008

hugo2008-1-2963429The 2008 Hugo Awards were given out last night at Denvention, this year’s World Science Fiction Convention, a.k.a. WorldCon. The Master of Ceremony was Wil McCarthy. The winners are (cue the drum roll) …

Novel: The Yiddish Policemen’s Union by Michael Chabon (HarperCollins; Fourth Estate)
Novella: "All Seated on the Ground" by Connie Willis (Asimov’s Dec. 2007; Subterranean Press)
Novelette: "The Merchant and the Alchemist’s Gate" by Ted Chiang (Subterranean Press; F&SF Sept. 2007)
Short Story: "Tideline" by Elizabeth Bear (Asimov’s June 2007)
Dramatic Presentation, Long Form: Stardust Written by Jane Goldman and Matthew Vaughn, Based on the novel by Neil Gaiman Illustrated by Charles Vess Directed by Matthew Vaughn (Paramount Pictures)
Dramatic Presentation, Short Form Doctor Who "Blink" Written by Steven Moffat Directed by Hettie Macdonald (BBC)
Professional Editor, Short Form: Gordon Van Gelder (F&SF)
Professional Artist: Stephan Martiniere
Semiprozine: Locus, edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
Fanzine: File 770
Fan Writer: John Scalzi
Fan Artist: Brad Foster
Campbell Award: Mary Robinette Kowal
 
Full list of nominated works after the jump.

 

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Review: Creepy Archives Volume 1

Pretty soon, this is going to turn into a review of Dark Horse’s [[[Creepy Archives Volume 1]]]. Hang in there; I’ll get to it, I promise.

I miss Archie Goodwin, particularly this time of year. He died 10 years ago from cancer at the ridiculously young age of 60. He was one of the best writers this medium has ever seen. In a field that sports the talents of Harvey Kurtzman, Will Eisner, Jules Feiffer, and Dennis O’Neil, Archie was of that highest caliber. If Archie ghosted bible tracks for Jack Chick, I would have read them. He was that good.

As a human being, he was even better. A life-long EC Comics fan (you could see it in his work, as well as in those with whom he chose to associate), for a couple years Archie and I had adjoining offices at DC Comics. We used to go out to lunch and talk about, oh, [[[Tales From The Crypt]]] and Ronald Reagan. Did I mention Archie was very politically aware? Read his [[[Blazing Combat]]] stories. Anyway, sometimes our conversations scared the Manhattan businessmen who sat near us.

Archie enjoyed that. I enjoyed those conversations immensely; I wish I could relive them.

So why do miss Archie “particularly this time of year”? This is convention season. No matter where we were, we would run into each other a couple times each year at various airport gates. He could be leaving from New York and I from Chicago and we’d run into each other on connecting flights in Denver. We could both be at a show in, oh, his native Kansas City and we could be flying to two different places, but we’d still share the first leg of our respective flights. At first it was uncanny; quickly, it became another fact of life.

I haven’t met all 6,500,000,000 people on this planet, but based upon my unscientific sampling I can state with complete confidence that there are few people with greater wit, charm, and intelligence. So there.

This brings us to Dark Horse’s Creepy Archives Volume 1. Archie started writing for Jim Warren’s Creepy with the first issue; by issue two he was story editor and issue four he was the sole credited editor. He wrote most of the stories and, therefore, did a lot to define the 1960s horror story while working with a lot of EC greats like Reed Crandall, Jack Davis, Al Williamson, Alex Toth, George Evans, Joe Orlando, Wally Wood and Frank Frazetta. As time progressed, he added younger talent like Gray Morrow, Neal Adams, and Steve Ditko.

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Always a Workaround, by Elayne Riggs

  • News
  • August 6, 2008

Last Friday I took my first PTO (paid time off) day since starting my new job, as I’d slightly injured myself the previous Wednesday evening (thank goodness I’d already been to the comics shop by that point). As the injury involved my leg, and as I knew I’d be doing a lot of driving on Saturday, I planned to schlep to and from the office rather painfully on Thursday to take care of needed business, then treat myself to a non-commute day on Friday, which I’d devote to blogging on my home computer.

I don’t blog as fervently as I used to. My priorities have changed a bit in the last year. This past year when I’d devoted myself largely to finding a new job, a number of friends advised me to get back into the fiction writing I’d abandoned as my former job had sucked up my creative soul, observing “You may never have this chance again!” But I was too anxious over income, and the practical side of me won out. I know I’ll write until I no longer have the capacity for independent thought, even if that writing only takes place in my head. However, my desire to live the rest of my life in the style to which I’ve become accustomed (paying rent and bills, having a well-stocked fridge, etc.) overruled my second favorite hobby — like many writers, my favorite hobby is reading, not writing — and I fell into different patterns.

At the moment my newfound routine is still being worked out. For a number of reasons both in and out of my control, I do not blog at the office, and I haven’t been writing all that much in the evenings and weekends. But I feel that’s going to start to change (the latter, that is), and not just because the Yankees and Mets really ought to be doing better at this point in the season and thus I often turn off the TV before the game’s even official. I’m starting to feel the drive again. I’m finally happy and comfortable both in my work life and my home surroundings, a confluence that hasn’t existed as such in over a decade. And on Friday, despite the injury, I was jazzed to write. By gosh, I was going to tackle all those unread posts from my friends’ and acquaintances’ blogs and then Get To It! Heck, I might even post all those photos I took of the All-Star parade up 6th Avenue a few weeks ago!

So I went onto the edit window for Pen-Elayne on the Web, and that’s when the trouble started. (more…)

Doctor Who in Review: Season Four, Episode #13 – “Journey’s End”

The hit BBC series Doctor Who is now in its fourth season on the Sci-Fi Channel, and since we’re all big fans here at ComicMix, we’ve decided to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic.

Every week, I’ll do my best to go through the most recent episode with a fine-tooth comb (or whatever the “sonic screwdriver” equivalent might be) and call out the highlights, low points, continuity checks and storyline hints I can find to keep in mind for future episodes. I’ll post the review each Monday, so you have ample time to check out the episode once it airs each Friday at 9 PM EST on Sci-Fi Channel before I spoil anything.

Missed a week? Check out the “Doctor Who in Review” archive or check out any of the past editions of this column via the links at the end of this article.

Keep in mind, I’m going to assume readers have already watched the episode when I put fingers to keyboard and come up with the roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #13: “Journey’s End”

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Alison Bechdel on ‘State by State’

  • News
  • August 4, 2008

Alison Bechdel, who’s probably best known for her memoir Fun Home, has an essay and art in the upcoming State by State: A Panoramic Portrait of America.

She has a note about the project on her blog, and then there’s a new review of it in Publishers Weekly.

From the (pretty brief) review:

Alison Bechdel’s illustrated story about her life after moving to Vermont brilliantly combines personal history with historical fact, as does Charles Bock’s essay on growing up and working in his parent’s Las Vegas pawnshop.

Last Week’s Best: Batman, Wil Wheaton, Earthquakes and Marijuana

  • News
  • August 4, 2008

batman-00-2535110There are a lot of features coming at ComicMix readers these days, so in the interest of making sure you don’t miss the articles everyone’s talking about, here’s a quick rundown of some of last week’s most popular articles posted on the site:

Who Will Be The Next Batman Villain? — This blog post by Van Jensen generated quite a bit of reader response last week, as the comment section filled with people pondering clues that might indicate the identity of the next Batman bad guy in the film franchise.

Interview: Wil Wheaton on Storytelling, Technology and the Internet — Last week’s finale to Chris Ullrich‘s three-part interview with writer/actor/publisher Wil Wheaton was the week’s most-read original feature, providing a testament to the comics cred of the Just a Geek author. The Wheaton interview narrowly edged out Jami Philbrick‘s interview with Geoff Johns about his work on this month’s Final Crisis: Legion of Three Worlds.

Our Own Private Gotham — According to last week’s traffic, the success of The Dark Knight in theaters is a popular topic here on ComicMix, as readers were all over John Ostrander‘s Batman-focused column. In the column, the veteran comics scribe theorizes that there’s a lot to glean about the popularity of the grim-and-gritty hero given today’s political and cultural climates. On a side note, readers also had a high opinion (pun intended) of the most recent column by veteran comics scribe Dennis O’Neil, in which he opined on marijuana legalization and the greater availability of information about this and other controversial topics for current and future generations.

The Day the Earth Moved — While John Ostrander and Dennis O’Neil’s columns received a heaping helping of readers, it was Michael Davis’ latest column that had the comment crowd chatting. As it so often does, the media mogul’s column received the most comments of any article here on ComicMix that week!

Hammer of the Gods: Back From the Dead #3, by Mike Oeming and Mark Wheatley, was the most popular issue of any ComicMix comic released on the site this week, narrowly edging out Erin Holroyd and Dick Giordano’s White Viper #8.

Review: ‘Batman: The Killing Joke’ Deluxe Edition — Batman mania continued to be a driving force in the week’s traffic, with Van Jensen’s review (originally posted back in March) of the hardcover edition of Batman: The Killing Joke popping up as the most-read review of the week. Everything old is new again, apparently!

Review: ‘Meathaus: SOS’

meathauscover1-1371309I was talking to cartoonist Jim Rugg recently about comics anthologies, and he said his thought as a reader is that each collection should have one great story, and then anything else good is just gravy.

In the case of the latest volume of Meathaus, SOS (Nerdcore, $30), Rugg’s Afrodisiac story is the gravy. His old-school, dot-matrix-styled, blaxploitation character has a predictably badass encounter with vampires.

The one great story in SOS, then, is the volume’s first entry, a longish bizarro riff on [[[Zelda]]] (I think) from Farel Dalrymple. It’s a story of two brothers who stumble into a mysterious cave and are attacked by an evil elf wearing a fedora and trench coat.

Dalrymple’s art is as energetic as ever, and the story is a strangely edited puzzler that’s worth multiple reads.

There’s plenty more gravy in the 272 pages. Most notably Dash Shaw’s melding of science fiction and nude modeling for art classes. I don’t think any more needs to be said.

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ComicMix Columns & Features for the Week Ending August 3, 2008

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  • August 3, 2008

August?  August?  Where did July go?  As if anyone’s recovered from San Diego yet.  As the dog days approach, ComicMix is still barking up all the right trees with our regular columns and features; here’s what we’ve broughnt you this past week:

So cry havoc, and let loose the dogs of peace!

Review: This Week in ‘Trinity’ – Part 9

This ridiculous villain thing has officially gone too far.

First, we have the “evil trinity” of Despero, Morgaine Le Fey and Enigma. Then there’s been Howlers galore and a trio of baddies headlined by the Eraser or White Out or whatever his name is.

And now? Swashbuckler!

He shows up amid the chaos of the bombed mall and lays a kiss on Diana’s gubmint pal (also stealing her ID), and then later fails to steal Nightwing’s mask. Both while offering B-movie banter.

He’s apparently another villain in league with Le Fey, who along with her cronies is amassing more goodies that “define the essence” of key people. It goes back to the continued theme in this series of objects being instilled with a mysterious energy force of the earth.

Elsewhere, Bruce fights off attacking Howlers with Clark’s help. They apprehend a few without being branded like Diana, but we don’t know what happens with that yet.

As Clark is inner-monologuing about Bruce forgetting an earlier encounter with the Howlers, Diana comes over the shortwave to let them know the Crime Syndicate was responsible for mass kidnappings.

Two things here: The Crime Syndicate? And, wait a second, when did these kidnappings happen? Off-panel, I guess.

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Review: ‘Slow Storm’ by Danica Novgorodoff

slow-storm-2943298Slow Storm
By Danica Novgorodoff
First Second, September 2008, $19.95

This is Novgorodoff’s first full-length graphic novel; she was an Eisner nominee last year for the one-shot [[[A Late Freeze]]]. She’s got an assured, pseudo-outsider art style, with big blocks of color and slablike faces, but her writing isn’t quite up to the same level yet. [[[Slow Storm]]] will be in stores in September, but comics stores and online retailers are, as always, already taking pre-orders.

Ursa Crain is a firefighter in Kentucky’s rural Oldham County who has a very confrontational, unpleasant relationship with her brother and coworker, the very thuddingly named Grim. (What kind of family names their two kids Ursa and Grim, anyway? Did they know their kids would be characters in a story with heavy symbolism?) These two siblings clearly don’t get along, but we don’t know why – and their sniping and digs don’t give us much of a clue. Grim also complains that his sister “looks like a moose,” as if he wants her to increase her sexual attractiveness – which doesn’t sound like any brother-sister relationship I know. (Particularly since the other firefighters – the ones not related to her – are already sexually harassing Ursa in their mild, Southern, good-ol-boy way.)

Rafael Jose Herrera Sifuentes (Rafi) is a stableboy from Mexico, living in Kentucky illegally upstairs in the stable where he works. He comes from horse country himself, but he could only live hand-to-mouth there, and so he got himself smuggled into the US to be able to send money back to his family. He had the usual bad experiences on the way – robbed by the coyotes taking him over the border, shot at by a racist rancher – and somehow settled into this Kentucky stable.

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