Tagged: review

Comics and Chris Ware in Virginia Quarterly Review

Comics have long battled against proponents of "serious literature," who have often decried comics as a less intellectual medium than prose.

In the past few years, comics have become increasingly accepted into popular culture, and now it seems they’re well established in the literary world too.

The Virginia Quarterly Review, one of the elite literary magazines, ran a special comics issue this spring, which I just happened across on a recent trip to the bookstore.

It features a cover by Art Spiegelman (seen at right) and, best of all, a new story from Chris Ware. The fictional biography of Jordan W. Lint shows the character’s life through a glance at single days of his existence.

You can see a preview at the VQR Web site, right here.

Review: ‘Skyscrapers of the Midwest’ by Joshua W. Cotter

skyscrapers2-3107482Skyscrapers of the Midwest
By Joshua W. Cotter
AdHouse Books, June 2008, $19.95

If Chris Ware were a few years younger, grew up in a more religious household, and had less of an obsession with comics formalism, he just might have become Joshua Cotter. Or maybe that’s just me being flippant – it isn’t really fair to Cotter; his work covers some of the same emotional terrain as Ware’s, but is otherwise very different.

[[[Skyscrapers]]] is difficult to describe; it’s made up of many short stories – sometimes as many as three to a page – that mostly focus on a family in the small town of South Nodaway, somewhere in the vast American Midwest in 1987. There’s also the robot Nova Stealth, who is both the human-sized hero of a Marvel-ish comic the elder boy of the family loves, that boy’s robot toy, and a gigantic god-figure stalking across the landscape, sometimes in imagination but other times clearly real. And then there are the stories that get into really weird stuff.

The stories mostly focus on the family’s ten-year-old son, who is never named. Neither are his father or mother, though his younger brother Jeffrey has the same name as Cotter’s own younger brother (to whom the book is dedicated). And Cotter was born in 1977, which would make him ten year old in 1987 – the same age as his fifth-grade hero. So we do know a name for this boy, even if that name never appears in the book.

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Early Reviews for ‘Dark Knight’

dark_knight_joker-7251506The latest Batman incarnation, The Dark Knight, doesn’t come out for another couple weeks, but the love is already streaming from critics. We’ve also had buzz about a posthumous Oscar for Heath Ledger and his supposedly terrifying take on the Joker.

Rolling Stone was one of the first out of the gate to lay honors at director Christopher Nolan’s feet, calling the movie "a potent provocation decked out as a comic-book movie. Feverish action? Check. Dazzling spectacle? Check. Devilish fun? Check. But Nolan is just warming up."

Over at MTV, the sequel was given a 10 out of 10 for "Wow Factor."

Variety jumps on the batwagon, praising the whole operation: "…this is seriously brainy pop entertainment that satisfies every expectation raised by its hit predecessor and then some."

The Hollywood Reporter praises Christian Bale: "Bale again brilliantly personifies all the deep traumas and misgivings of Batman’s alter ego, Bruce Wayne. A bit of Hamlet is in this Batman."

An early review at AICN says, "Just go see it."

And an Associated Press review says, "Running just over two and a half hours, "The Dark Knight" is a true crime epic. Throughout, the Joker’s bag of tricks is bottomless, twisted to the point of horror-flick sick."

Review: ‘The Spectacular Spider-Man’ Animated Series

Seriously, folks — [[[The Spectacular Spider-Man]]] animated television series on the “Kids WB” network is one of the best superhero adaptations I’ve ever seen (and trust me, I’ve watched more than anyone will probably consider reasonable). It’s fun, it’s smart, it’s mature, it’s witty and every episode leaves me wanting more.

Supervising Producer and Story Editor Greg Weisman brings the same level of intelligence to the program that made his acclaimed Gargoyles cartoon series so succesful. Teamed up with him in developing the series for television is Producer and Supervising Director Victor Cook, whose resume includes working on the Hellboy animated film Blood and Iron, Darkwing Duck and producing the animated series based on the popular [[[Lilo and Stitch]]] animated feature film. Together, they have brought us a series that is updated for the modern-day audience but is completely faithful to the spirit and atmosphere of the first several years of [[[The Amazing Spider-Man]]] comics.

How does it compare to Sam Raimi’s interpretation of [[[Spider-Man]]] as someone who whines, mopes and cries a little more often than I’m comfortable with? Forget him. This animated incarnation of Peter Parker is a true New York teenager, cracking jokes on instinct — even when it’s not necessarily the wisest move.

spectacular-spider-man-vulture1-1945102

For example, let’s talk about a brief scene from the first episode. The high-flying villain known as the Vulture grabs businessman Norman Osborn and tosses him to his death from a great height. Spider-Man shows up, catches Osborn in mid-air and remarks, “You guys play hot potato hardcore!” The Vulture screams that the skies belong to him, forcing Spider-Man to concede, “He may be right. I only rent.”

Now that’s the kind of dialogue and Bugs Bunny-like attitude I wish I’d seen out of Tobey Maguire.

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Review: ‘PvP Vol. 5: PvP Treks On’ by Scott Kurtz

pvp-treks-on1-9014129PvP Vol. 5: PvP Treks On
By Scott Kurtz
Image, June 2008, $14.99

Image is a comic-book publisher, and sees everything through that lens. So, for them, this is a book “collecting issues 25-31 of the hit comic strip series,” as the cover proclaims. For most of us, though, PvP (http://www.pvponline.com/) is a daily comic strip on the web, so what’s important is that [[[Treks On]]] collects strips from June 12, 2005 through April 9, 2006. (Possibly not all of them, since several seem to be added at the beginning and others are missing at the end – and there were some duplicates in the middle, too – but most of them, at least.)

Image might think that referring to comics – which cost money – instead of to a free webcomic might increase the perceived value of their book, but are there really people – even in the inbred, hothouse environment of the comics shop – who would be a) interested in a daily comic strip about computer gaming and b) unfamiliar with webcomics?

My complaints about Image’s publishing strategy aside, this is a handsome package, with the strips shown at a nice large size, two to a page. We’re running about two years behind the current strip, so Brent isn’t even engaged to Jade yet – though he comes darn close in one storyline here. The other character relationships are close to where they are now: Francis and Marcy are friendly but not quite dating, and Robbie & Jase win the lottery in these strips.

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ComicMix Columns & Features for the Week Ending July 6, 2008

When exactly did July 4 suddenly become “[[[Independence Day]]] Weekend?” Are we as a nation so addicted to three-day holiday weekends that we lose the original meaning of what we’re celebrating? Won’t someone think of the children? And the flags? And the sales? And what about all the ComicMix goodness we’ve brought you this past week, huh?

At least my neighbors seem to have used up all their fireworks on Friday, it’s been a blessedly quiet weekend…

Review: ‘Lobster Johnson, Vol. 1’ by Mike Mignola and Jason Armstrong

Lobster Johnson, Vol. 1: The Iron Prometheus
By Mike Mignolla and Jason Armstrong
Dark Horse, June 2008, $17.95

Lobster Johnson is the mystery man of the Hellboy universe – an enigma wrapped in a riddle folded around a right cross. He’s turned up in [[[Hellboy]]] and B.P.R.D. stories several times, but about all we’ve learned about him is that he was some sort of pulpish hero from the 1930s and that he punched a lot of evil things.

So here we finally get Lobster Johnson’s own story…in which he’s a mysterious, pulpish hero in 1937 New York who punches a whole bunch of evil things. The Lobster does have a secret lair, which gets some on-page time, and a group of [[[Doc Savage]]]-esque helpers – but we still don’t know who the Lobster is, why he fights evil, or even the point of his lobster-claw emblem.

On the other hand, we do get a vril-powered (look up your Edward Bulwer-Lytton) super-suit; its wearer, ex-lab assistant Jim Sacks; his kidnapped scientist employer Kyriakos Gallaragas; and the doctor’s requisite lovely daughter Helena, also kidnapped. Not to mention their kidnapper, an evil Asiatic villain.

(Said villain looks very familiar from other Hellboy stories, but he’s not named here, so I’ll leave it at that.)

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Review: Will Smith in ‘Hancock’

With comic franchises pouring from Hollywood’s every orifice this year, something like [[[Hancock]]] would normally be considered a breath of fresh, creative air. This can be said for the film on paper, but it fails to deliver in the latter half of the film. That said, Hancock is still good fun in a theater, and delivers with all the things we wanted to see Superman Returns do time and time again, but never came through.

The plot follows an unruly asshole (not being vulgar, this term is important to the character) of a superhero who resides in downtown Los Angeles, attempts to keep people safe from the ever-rising crime rate, but ends up causing more damage than he prevents. This makes Hancock (Will Smith) the ultimate antihero, being hated by just about everybody in the world (or at least L.A.) He crosses paths with an up-and-coming Public Relations guru (Jason Bateman) who thinks Hancock can become the hero that the world needs, but with a little bit of help.

[EDITOR’S NOTE: The text of this review posted after the jump contains descriptions of significant plot points, so consider this your official SPOILER ALERT. -RM]

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Review: This Week in ‘Trinity’ #5

trinity5-4792955First things first: I actually, gasp, liked this issue.

For the first time ever, Kurt Busiek pulled the storylines together and gave a sense of the big things ahead. Not perfect, but much better than the past few.

What happened?

The fight against Konvikt finally reached an end, as Batman’s smarts helped the big three devise a clever knockout punch. Batman was the star of the issue, also nabbing one of Morgaine Le Fey’s underlings (which look like the rat creatures from Bone), after it had branded Wonder Woman with an omega symbol.

During a brief interrogation (ended by the rat creature self combusting), it says, "You are the trinity. But you are weakened. Breaking. Soon, you will fall." Buh, buh, BUM!

There’s a little character moment that shines, as Batman and Superman are reluctant to advise Diana to see a doctor, and she points out the inconsistencies of gender relations. It makes her character a little more interesting, which is something plenty of other writers have failed to do.

In the backup, a trio of lame villains (Whiteout!?!) try to kidnap Tarot, who has started to see the trinity in her cards (as justice, strength and the devil — guess which hero goes to which card).

They fail, not unpredictably, in large part thanks to the reappearance of Gangbuster. Which, I’ve got to say, is pretty awesome. At the end, we see Morgaine Le Fey’s creatures after Tarot.

Like I said, everything’s coming together nicely, and we have dire warnings galore. So, hope returns, although I’m still curious as to why Busiek feels the need to include only the lamest villains.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) comicmix (dot) com.

Review: ‘Prince of Persia: The Graphic Novel’

prince-of-persia-7562889Prince of Persia: The Graphic Novel
By Jordan Mechner, A.B. Sina, LeUyen Pham, and Alex Puvilland
First Second, September 2008, $18.95

The first [[[Prince of Persia]]] game was a 2-D platformer almost twenty years ago, and the next big thing with the name Prince of Persia on it will be a major Jerry Bruckheimer-produced movie next summer. In between have been a number of games, with a number of different protagonists and plotlines. (And I’ve played exactly none of them, as far as I can remember – just to make that clear.) This year, in between the games and the movie, First Second is publishing a graphic novel loosely based on the series – or at least the title. It’ll be in stores in September.

This graphic novel is credited as “created” by Mechner (seemingly because he invented the original game, and maybe still owns a piece of it), written by Sina, and with art by Pham and Puvilland. And, as far as I can tell, the story here has nothing specific to do with any of the previous incarnations of Prince of Persia. (If I’m wrong, please correct me in comments.)

In this graphic novel, you actually get two stories for the price of one – they’re told intermingled, though, which can make it difficult to remember which story a particular panel belongs to, or which characters belong to which stories. (Evil, nasty overlords being depressingly common in stories like this, for example.) I did read Prince of Persia in bound galley form, though – without color – so it’s quite possible that the palette of the two stories are different enough to make that distinction clear in the final book.

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