Tagged: review

Five Fistfuls of Justice, by Ric Meyers

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  • February 24, 2008
 
justiceleague-3464763I hope you’ve already read Matt Raub’s advance review of Justice League: The New Frontier  — DC Universe’s Animated Original Movie — which was posted days ago. Naturally, since it’s coming out in stores this coming Tuesday, it’s time, keeping with the comic source material, for my variant review. Matt critiqued the film itself. I, of course, am reviewing the Two Disc Special Edition’s extras.
 
This baby more than makes up for what I felt last week’s He-Man Volume One DVDs lacked: right on the first disc they have a near-full-length (nearly 45 minutes) doc called “Super Heroes United!: The Complete Justice League Story.” It tracks the comic from its inception back in the 1940s ‘til today, using images, clips, and just the talking heads of most of the major comic creators of the era. The information from the likes of Roy Thomas, our own Denny O’Neil, and even Stan Lee was so comprehensive that the doc doesn’t even require a narrator or narration. It does benefit mightily, as do all the featurettes, from the soundtrack music of Kevin Manthei.
 
Then the first disc alone more than makes up for what I thought the Resident Evil: Extinction DVD lacked: their doc sneak-peek of the upcoming animated Animatrix-like Batman: Gotham Knights D2 (“direct to”) DVD shows the lame, cheat sneak peek of Resident Evil: Degeneration how it’s done. There’s plenty of making-of stuff, talking heads, and exciting glimpses of the finished product as opposed to Resident Evil’s peek-a-boo tease. The first disc of Justice League wraps with two audio commentaries – the first a gang approach, with six participants from the production and DC Comics (though not a single person from the pic’s impressive voice cast), and the second with the writer/artist of the source graphic novel, Darwyn Cooke.
 
The second disc kicks off with a slightly shorter but just as interesting history of “The Legion of Doom: Pathology of the Super Villain.” While it contains many of the same talking heads as the “Super Heroes United” doc (Michael Uslan, Len Wein, Marv Wolfman, etc.), it also benefits from a Malcolm McDowell narration. Then, perhaps as compensation for the film’s inability to recreate the delightful style of the original graphic novel (understandably opting for the previously established designs of DC’s  recent Kids-WB Superman and Batman animated TV series), there’s the “Comic Book Commentary: Homage to The New Frontier” featurette, which goes into detail with and on Darwyn Cooke’s original. 
 

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Manga Friday: More from Del Rey

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  • February 22, 2008

Del Rey is about the only manga publisher sending me review copies on a regular basis, so they get an extra-large helping of Manga Friday’s love. And this week is no exception; we have no theme, but we do have these three new books from Del Rey…

Minima!, Vol. 1
Machiko Sakurai
Del Rey Manga, 2007, $10.95

There will not be a test this week, so you can relax – Minima! does not refer to the mathematical concept of minima. It’s not entirely clear what it does refer to, though I’d guess it’s a vague reference to small, cute, furry things.

Ame Oikawa is a quiet middle-school girl who’s vaguely dissatisfied about something – exactly what is not clear, because she’s so quiet – when she goes with her class to an amusement park. (Her problems are probably related to having a crush on some boy or other, but I couldn’t keep the other characters straight, so that part flew past me.)

But then a cute little stuffed animal that she just bought starts talking and walking around – its name is Nicori, and it’s standing up for her. Whatever the previous problem was – and did I mention that I’m still not sure about that at all? – disappears into the background, as there’s a media frenzy about this talking toy.

The plot lurches forward almost randomly from there, focusing mostly on the relationship between Ame and Nicori, with side-trips into the price of fame, the terrors of junior high, and the dangers of kidnappers before this volume is over. There’s a whole lot of big emotional scenes, mostly because Nicori is embarrassing Ame by misunderstanding things or blurting out her secret crushes.

This was very much not for me – it’s a story for and about tween girls; the kind who go “ohmiGOD” at the slightest thing and who make and break BFFs five times before lunch. For that audience, it’s harmless, but I doubt many (if any) ComicMix readers fit that demographic. However, if you have daughters or nieces, they might love this more than life itself.

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Darwyn Cooke on ‘Justice League: New Frontier’

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  • February 21, 2008

With the Justice League: The New Frontier DVD hitting shelves next week, a New Frontier Special comic scheduled for March 5 release, and DC re-releasing Darwyn Cooke’s miniseries that inspired the film, the award-winning creator is in the midst of a good kind of perfect storm these days.

In a recent interview with CBR, Cooke explains the genesis of the original New Frontier miniseries, his work with the creators of the animated film, and his plans for a potential sequel to the New Frontier story.

“I have a story in mind. And it would take us up to the year 1972. That’s when [Jack] Kirby comes to DC, basically. And so I would probably say, if there was a sequel, it would span that time period from when Kennedy is elected until then. Right now, at this point, it’s pure vapor and rumor.”

Cooke also hints at what readers can expect from the upcoming Justice League: The New Frontier Special, which will feature three stories from the New Frontier era written and drawn by Cooke.

“In ‘The New Frontier,’ there is an article that appears about superheroes being hunted down and Hourman dying and Batman and Superman having a big duel where Batman actually defeats Superman. It’s the story behind all of that,” revealed Cooke. “What it does is give me a chance to have those two beat the crap out each other, which some people say, ‘Oh no, not again.’ But well, heh, you know, sorry, you only live once and here we go.

”But it’s all 1950s style. The technology for this type of a fight for Batman, he’s got to be incredibly ingenious because technology-wise, it’s different world.

Cooke also shares some thoughts about his critically praised work on DC’s The Spirit series, based on the Will Eisner character, and hints that he’ll be returning to an ongoing title at some point in the near future.

[EDITOR’S NOTE: Make sure to check out the ComicMix review of Justice League: The New Frontier animated film.]

 

ComicMix at Toy Fair: DC Showroom Tour

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  • February 20, 2008

Here at ComicMix, we’ve already shown you Mattel’s "Infinite Heroes" and other DC Universe products, but there were even more comics-inspired collectibles on display just a block away at DC’s showroom in New York City’s "Toy District".

From upcoming lines of Minimates, action figures inspired by classic stories and box sets to statues, busts and "trophy room" replicas, there was, well… a lot to absorb. Heck, they even had Superman’s Cape.

After the jump, check out our complete photo tour of DC’s showroom, including several characters receiving their first action-figure treatment in comics history!

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Review: ‘Confessions of a Blabbermouth’

Mike Carey is a noted writer of both comics and prose – Lucifer, The X-Men, the “[[[Felix Castor]]]” novels – but, one might ask, what does he know about being a teenage girl? Probably not a lot…but he does have a secret weapon on his side: his daughter Louise is a teenage girl, and she’s the co-writer of this particular project.

Confessions of a Blabbermouth is the most recent publication of DC Comics’ Minx arm, which aims squarely at teenage and tween girls. (You remember: the audience that never, ever would read comics, so it was no use ever trying to get them interested – no, really, it’s just not worth it…until Sailor Moon ignited the manga boom and suddenly American comics companies were sitting on the sidelines watching those girls buy billions of dollars of Japanese comics? That audience.)

I’ve reviewed Minx comics twice before for ComicMix – Re-Gifters and Clubbing last August, and The Plain Janes and Good As Lilly in September. And the book that was most successful out of those four was Re-Gifters, written by one Mike Carey (without any assistance from anyone in the target audience), so I had high hopes for [[[Blabbermouth]]].

 

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He-Man and the Nine Amateurs, by Ric Meyers

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  • February 17, 2008
 
amateurs-2380932Note to producers: either retire words like “phenomenal” and “unbelievable” from your vocabularies or think thrice before allowing yourself to be filmed for DVD special features. Rest assured it will only help your cause. The aforementioned suggestion comes as a result of watching two long overdue DVD offerings back to back. If you watch only the extras, you’d think The Amateurs was the movie to see rather than The Nines. Neither movie will ever usurp the place of, say, the newly hi-deffed Lawrence of Arabia, but they surely prove how influential special features can be.
 
The Amateurs (known as The Moguls in the U.K. and Australia) is a cute, contrived, long-shelved, high-concept project from the indie upstart First Look Studios, while The Nines is a convoluted, contrived, high-concept project written and directed by the screenwriter of Corpse Bride, Big Fish, Charlie’s Angels: Full Throttle, and Titan A.E. One big difference between the two is that the former has an amazing cast serving a creaky script, while the latter has a small, solid cast laboring to bring home a script that may not be more than a sum of its well-done parts.
 
It’s also great to compare the director/producer relationships. On The Amateurs, novice writer/director Michael Traeger is well served by temperate producer Aaron Ryder. On The Nines, writer/director John August is so outrageously lauded by producer Dan Jinks that the overstatements are hard to accept. Nevertheless, The Nines is the better film, which some critics, at the time of release, had a hard time understanding. 
 
The DVD itself showcases Entertainment Weekly’s review: “You’ll go ‘huh?’ but you won’t feel cheated.” Their confusion is fairly odd, since I felt the twee flick, which obviously took to heart Joan Osbourne’s song “What if God Were One of Us,” straddles the genres of Memento and Meet Joe Black (i.e. Death Takes a Holiday) in a fairly obvious way. In other words, I didn’t go “huh,” but I nearly went “so what?”
 

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Early Review: ‘Justice League: New Frontier’

 

Like many of you out there, a bad taste was left in my mouth coming off of Superman: Doomsday, so of course I was wary of DC’s next direct-to-DVD flick. I wasn’t a huge fan of the graphic novels (Isn’t that what we call thick comic books these days?), but I am certainly a fan of the [[[Justice League]]] and its animated counterpart. 
 
I’ll start with a warning to those who aren’t totally familiar with The New Frontier and its universe, but ARE fans of the established animated DC universe: this is a whole new direction from shows like Justice League Unlimited and others, but it is full of exciting DCU fan favorites. In fact, my biggest complaint about [[[Superman: Doomsday]]] was that there were no outside DC heroes, even though they were all over the original story. But I digress.
 
Looking at the animation first, I was very pleased that Bruce Timm (main creator of the animated DCU) and Darwyn Cooke (wirter/artist of The New Frontier graphic novel) were able to find a happy medium between the already established look of the animated Justice League and the very stylized look of Cooke’s art, thought I do think the eye-slits works much better for Superman than the baby blues. The entire artistic feel practically beamed with that golden age look, which is what attracted me to the books in the first place.

 

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Manga Friday: Slight Return

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  • February 15, 2008

This week the theme is “stuff I liked the first time around,” as I review the second volumes of four series that I enjoyed in volume one. For those who came in late, the reviews of the first volumes are here and here.

Mu Shi Shi, Vol. 2
Yuki Urushibara
Del Rey Manga, 2007, $12.95

Mu Shi Shi is still a quiet, atmospheric comic that feels steeped in folklore, even if most of its stories are completely invented. Since the background was explained in Volume 1, this time around we get five separate, freestanding stories.

Ginko wanders through the countryside of a Japan neither in this century nor any other, finding various mushi – tiny, primitive creatures that come in a bewildering array of forms and which often parasitize or otherwise harm humans – and helping the nearby humans to live with them, or just to survive.

In this volume, he meets another mushishi, who had made himself master of a mountain’s mushi, but is about to be overthrown. Then there’s a young woman cursed with hereditary mushi that she controls by writing them on scrolls, and a younger girl who dies and comes back to life every day to heal her local villagers. Ginko also helps a man searching for a rainbow, and a family with a cuckoo-ish mushi child.

Some of the stories here are as powerful as in Volume 1, especially the first and last. But I do wonder how long this series can be just about Ginko wandering around, with each story being discrete and separate. I hope Urushibara is building up to something – several characters look like they’re being set up for a return in a later story – because Mu Shi Shi is quite good as a series of individual stories, but could be great if there’s something to tie it all together. (more…)

ComicMix Columns For The Week Ending Feb. 10, 2008

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  • February 10, 2008

There’s a new Marshall in town, and he’s laid down the law against punny headers.  So let’s just get down to business and rustle up this past week’s worth of ComicMix columns:

So if ComicMix newbee Rick is the Marshall, does that make me the schoolmarm with the heart of go — nah, I’m more like the extra mumbling "rhubarb" in the background…

‘The Wind in the Willows’ Review

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  • February 5, 2008

Classic Illustrated Deluxe # 1: The Wind in the Willows
Novel by Kenneth Grahame; adapted by Michel Plessix
Papercutz, 2007, $13.95 (paperback) / $17.95 (hardcover)

I’ve wasted a lot of time not writing the review for this book, mostly because I suspected it would be one of the shortest in my career. (And both you and my ComicMix overlords deserve better than a super-short review.)

The problem is that there really isn’t much to say about Michel Plessix’s adaptation of The Wind in the Willows: it’s lovely and sweet, one of the best adaptations of a novel into the comics form that I’ve ever seen. When a book does everything right, it can be hard to talk about it, and I can’t see anything that Plessix does wrong here.

Plessix’s linework is careful and assured, capturing complex scenes with ease and giving life and emotion to a wide variety of anthropomorphic animal characters. Even more than that, he’s mastered the tricky art of those animals: they’re human enough to have gestures and body language, but animal enough to be believable as talking frogs, badgers, rats, and so on. And then he draws humans in the mix as well, and makes the combination not just work for the space of a few pages, but feel natural and obvious.

On top of all that is a carefully-chosen palette of mostly light, pastel colors, trying it all together with the perfect touch. The art of The Wind in the Willows is simply exquisite, but you need to look at it closely; it doesn’t demand attention but instead serves and advances the story. (more…)

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