Tagged: review

People Reading Books

eyre-2938818The Seattle Times reviews Jasper Fforde’s “Thursday Next” series.

Slate looks at Harry Potter and the Deathly Hallows.

The Agony Column reviews Alan Campbell’s Lye Street, a novella-as-a-book prequel to Scar Night.

Pat’s Fantasy Hotlist reviews Jeff Somers’s The Electric Church.

Blogcritics has what I think is their sixth review for Harry Potter and the Deathly Hallows. Honestly, I can’t keep track any more.

Book Fetish reviews a three-author linked erotic romance anthology called Hell on Heels. (Oh my God, the Twayne Triplets are back…and this time they’re porn!)

Bookgasm reviews Warren Hammond’s KOP.

Bookgasm also reviews A Dog About Town, a murder mystery told from the POV of a thinking dog, which is fantasy enough for my book.

The Henry Herald of Georgia reviews Kull: Exile of Atlantis by Robert E. Howard.

American Chronicle reviews Harry Potter and the…Half-Blood Prince. (ha HA! Fooled you!)

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GRAPHIC NOVEL REVIEW: The Black Diamond Detective Agency

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The Black Diamond Detective Agency is a bit of an anomaly for Eddie Campbell – it’s a book he wrote and illustrated alone that nevertheless is not concerned with stories or storytelling in any way. Campbell’s probably best-known for illustrating From Hell from Alan Moore’s famously copious scripts, but most of his work has been writing and drawing his own stories, sometimes with help from a loose band of local Australian cartoonists.

His two long-running sequences are both deeply about story: Bacchus consists of the tales of the few remaining Greek gods in the modern world, and contains many tales-within-tales, retold stories, and other storytelling conceits. The “Alec MacGarry” stories are even more entwined with stories, since they’re Campbell’s thinly-veiled autobiography about his own life as a comics creator, and are, at their heart, about the process of creating art and stories.

So it’s a bit odd to find that Black Diamond is a conventional detective story – a murder mystery, to be precise – set at the turn of the 20th century in the American Midwest. (That last is also surprising since Campbell is a Scot long resident in Australia – middle America isn’t his part of the world at all.) The story begins with a mysterious man in Lebanon, Missouri witnessing the explosion of a train during a demonstration and then helping to pull the wounded from the wreckage. He’s soon arrested and questioned, since the boxes of nitro used to blow up the train have his name on them.

It gets more complicated from there, but the focus is on that man of several names and on the investigation run by the Black Diamond Agency (which stands in for the real-life Pinkertons) of the explosion and related events. And, showing its origin as a screenplay, there’s a Big Secret at the end, which will be familiar to many – we’ve seen a story much like this many times before.

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Oh, My! More Book Reviews!

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Graeme’s Fantasy Book Review looks at Harry Potter and the Deathly Hallows.

The Guardian reviews Scarlett Thomas’s The End of Mr. Y.

OF Blog of the Fallen reviews Daniel Wallace’s Mr. Sebastian and the Negro Magician.

Blogcritics reviews Warren Hammond’s KOP.

The Kansas City Star reviews The Dark River by the secretive and mysterious John Twelve Hawks.

In the Washington Post, Jeff VanderMeer reviews Ian McDonald’s Brasyl, Kay Kenyon’s Bright of the Sky, Susan Palwick’s Shelter, and more.

Book Fetish reviews Yasmine Galenorn’s Changeling.

CA Reviews looks at Kristin Landon’s The Hidden Worlds.

Powells Books Blog reviews Matt Ruff’s new novel, Bad Monkeys.

Kate Nepveu reviews  Vernor Vinge’s Hugo-nominated novel Rainbows End.

Visions of Paradise reviews C.J. Cherryh’s Inheritor.

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Harry Potter and The Final Sacrifice!

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Well, it’s a book, now. Harry Potter and the Deathly Hallows went on sale at the crack of Saturday, and the world will never be the same. (Or something.) For this link round-up, I’ll corral the stories into groups, by theme, proving that there are only about a dozen potential Potter stories, each of which is being endlessly recapitulated around the world. (And thus I’ll refute Bishop Berkley.)

The last few “anticipation” stories from before the launch:

PopMatters wonders if all of the Potter-readers will become writers. (Because what the world needs is more wanna-be writers.)

Associated Content, writing on Friday, says the book is already on sale.

The Free Lance-Star announces that Fredericksburg shops are ready for the onslaught of young muggles.

The Dallas Star talked to people in line.

Savannah’s WSAV told eager readers they would have to wait just a little longer.

The Money Times reported on the leaks a few hours before Deathly Hallows’s release, which would also be several days after the story broke.

The Motley Fool also reported on the leaks just before the release. (I thought the financial press was supposed to be sleek, fast and up-to-date?)

The Philadelphia Inquirer had a quiz.

The Irish Times had the usual “we’re waiting, none-too-patiently” story. (more…)

Tons of F&SF Stuff

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Jennifer Fallon loves Wile E. Coyote, and doesn’t care who knows it. (She also lists Chuck Jones’s very interesting rules for Roadrunner cartoons, which show just how much of a brilliant formal exercise those shorts were.)

But Wouldn’t It Be Cool? lists nine reasons that he reads SF.

The Philadelphia Inquirer uses the Harry Potter hook to look at Christian fantasy. (The Washington Post has a similar story today as well.)

Nine MSN News promotes the Australian writer John Flanagan and his series for young readers, “Ranger’s Apprentice.”

Tech Digest asks and answers: what is steampunk?

SF Signal has posted the final lists for their Harry Potter Outreach Program, designed to drag Potter readers (kicking and screaming, if necessary) over to the SF/Fantasy shelves and get them to read more stuff that they’ll like.

Adventures in SciFi Publishing’s 27th podcast features an interview with Sarah Beth Durst, author of the new young-readers novel Into the Wild. (And some other things, like another installment of “Ask an Author” with Tobias Buckell.)

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Comics All Over The Place

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Comics Reporter reviews 1-800-MICE #2, All Flash #1, and Magic Hour #2.

Chris’s Invincible Super-Blog reviews this week’s comics, starting with All Flash #1.

Greg Burgas of Comics Should Be Good also reviews this week’s comics, but he starts with Annihilation: Conquest – Quasar #1.

At the All-New, All-Different Savage Critic(s):

  • Graeme McMillan reviews World War Hulk #2
  • Douglas Wolk reviews mostly the advertisements in Giant-Sized Marvel Adventures The Avengers #1
  • McMillan is back to review All Flash #1
  • And someone named Jog really likes Brendan McCarthy and Peter Milligan’s Rogan Gosh one-shot from 1994.

 

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Harry Potter Mania: The Final Battle

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I may have to do another one of these round-ups on Monday to get the post-publication stuff (and the reviews that won’t annoy Rowling by their very existence), but, after that, I never want to hear the words "Harry Potter" in my life again. (Above, Mr. Potter illustrates my mood.)

CNN just realized that Deathly Hallows publishes tomorrow and they haven’t run a bland “it’s coming” story yet. Problem fixed.

The Houston Chonicle runs Potter Story #5A, “these kids grew up while reading the Potter books.”

The Vail Daily News, on the other hand, files #6B, “this wait is killing us.”

The University of North Texas declares that it has professors standing by to comment profoundly on Deathly Hallows at a moment’s notice.

The Business Gazette of Maryland knows where all the good parties are.

Blogcritics has one of those “it doesn’t matter what happens in the outside world, I’m going to have my own special moment with Deathly Hallows and no one can stop me” pieces, this time by Katie McNeill.

Inside Higher Ed goes inside baseball with a story about the media coverage of Harry Potter. And then I comment on a story about the media coverage, here! Coming soon: meta-comments on my comments, and a spiral into utter madness.

Nicholas Clee, at the Guardian blog, is overjoyed to see arrogant UK supermarket chain Asda brought to heel by the power of J.K. Rowling.

The Indianapolis Star puts its money down on the “classics forever” marker.

Michael Burstein is an observant jew, and has been trying to figure out a way to get a copy of Deathly Hallows on publication day (which is also Shabbat, when engaging in commerce is forbidden). Any particularly clever rabbis out there want to help him?

The Belfast Telegram notes that Deathly Hallows goes on sale at midnight tonight. (Doesn’t a “Belfast Telegram” sound like a euphemism for something – like maybe a Molotov cocktail through the letter-slot?)

The Baltimore Sun reports on the odd people who are following Rowling’s demands and not opening their early-release packages of Deathly Hallows.

The Edmonton Sun watches bookstores batten down the hatches and prepare to be boarded.

The Times of India notes that a lot of people will want this book. Thank you, Commander Obvious.

Fox News has a transcript of the “Big Story” segment that talked about the Deathly Hallows internet leak. Has Bill O’Reilly blamed it on Hillary yet?

Publishers Weekly’s Book Maven blog thinks that Michiko Kakutani’s New York Times review of Deathly Hallows was scrubbed of spoilers after initial publication.

Speaking of the Times, only they would be so full of themselves as to actually use the phrase “muggle soirees” in a headline.

E! News thinks that it’s very sad that the mean ol’ New York Times reviewed a book before the author said it was OK to do it. Mean ol’ Times!

The Cleveland Leader has a somewhat less dramatic take on reviewing a book before the publication date.

Reuters tries to sum up the entire history of Harry Potter in one article.

The San Francisco Chronicle obsesses about whether Harry and Voldemort live or die in Deathly Hallows. (Of course Voldemort dies, silly, it’s that kind of book. Harry, on the other hand, isn’t a sure bet either way, though he’ll probably pull through, merely “greviously injured.”)

Immediately after guaranteeing that they’ll have stock on Deathly Hallows by giving a groveling, French-style apology to Ms. Rowling, the British supermarket chain Asda has announced that they’ll be selling it for £5 – roughly $10, and solidly below their own cost.

The Huffington Post apparently thinks that reviewing a book before the on-sale date is a hanging offense. Now, I’m happy to beat up on the New York Times as much as anyone – maybe even more so – but the job of a newspaper is to seek out news stories and report on them, which is exactly what they’ve done here.

The Bookseller reports on Bloomsbury’s attempts to cap Deathly Hallows returns in the UK by holding reprints until Wednesday.

The Scotsman reports on a hotel where you can get “Mrs. Weasley’s breakfast” tomorrow. (Again, that sounds like a euphemism for something I don’t waant to know about. "Darling, can you come over here? The dog’s got into Mrs. Weasley’s breakfast again, and I need a hand cleaning up.")

Publishing News is already looking past Potter to Christmas.

The Financial Times wants to know who, exactly, is making how much money on Potter. (It’s not the bookstores, as we all know by now.)

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GRAPHIC NOVEL REVIEW: The Architect

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Imaginative literature thrives on the “what if?” story. What if aliens invaded Earth? What if vampires were real? What if a superpowered infant was rocketed to Earth from a doomed planet?

Or, in this case: what if Frank Lloyd Wright were an insane evil druid whose wrath extended years after his death?

OK, the architect in this graphic novel isn’t precisely Wright. He’s a prickly, arrogant, obnoxious know-it-all (so far, that doesn’t just describe Wright, but all architects) building his dream home (with some Fallingwater-esque elements) in 1969 Wisconsin. He’s running low on money, but that never stops arrogant, visionary architects in imaginative fiction – he just runs off to do some lectures to raise some money. Which leaves his young, city-jaded, hot-to-trot wife alone, and bored, in the company of the young, dashing, level-headed construction foreman. Do I need to draw you a diagram?

I draw a veil over what happens next, except to say that the bulk of this graphic novel  (which has seventy pages of story, for those counting at home) takes place in the present day, among a group of young people cleaning up and restoring the aforementioned dream home.

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Today’s Smoky Comics Links

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Marvel editor Tom Brevoort posts Mark Millar’s original memo/pitch for Civil War.

Comic Book Resources presents the third part of their look at Homosexuality in Comics.

Blogcritics reviews a pile of DC and Image comics, starting with Dynamo 5 #3.

Blogcritics also has a Marvel comics review, and is particularly fond of Nova #4.

Forbidden Planet International reviews a couple of Marvel Comics from years past..

Comics Reporter reviews Ted May’s Injury #1.

Chris’s Invincible Super-Blog reviews the saga of the Mighty Marvel MegaMorphs.

Hannibal Tabu reviews his purchases this week for Comic Book Resources.

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GRAPHIC NOVEL REVIEW: Scout, Vol. 1

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It’s a good time to be a comics fan of my age – someone in his thirties who started reading comics in the late 1980s – since there’s been a continuing wave of reprints of the better comics of those days in more permanent form. A lot of things that I hadn’t read in a decade or more, because the original issues are bagged up in longboxes now buried under other things in a messy basement, are coming back into print on slick paper with square covers. It’s very nice to have these things in a form that fits on a shelf, but I do sometimes worry that some things that I loved at eighteen won’t be as compelling to me at thirty-eight.

I think I was on board for Scout when Eclipse started publishing it in 1987; I’d been following comics for a year or so then, and I knew Truman’s work from GrimJack, which he illustrated over John Ostrander’s scripts. I know I loved it immediately, and have been known to grouse, in the years since, about wanting all of the sequel series that Truman had sketched out, way back then. (Scout: Marauder and Scout: Blue Leader, which I’m still waiting for…but I’m also waiting for Ty Templeton to return to Stig’s Inferno and Zander Cannon to pick The Replacement God back up, so I may just not know when to give up on things.)

I was a bit apprehensive to go back to Scout after twenty years. On the one hand, I was pretty sure I’d still be happy with Truman’s art, since the recent GrimJack reprints (on much nicer paper than back in the day) showed off all of the little details of his line work, and that still thrilled me. But I remembered that Scout was a post-apocalyptic story, and I’ve developed an allergy to those since having kids. (It’s just one of those things – if a book is set in the near future, I work out how old my sons would be in that world, or how old I might be, if I’m not dead yet, and try to figure out what I or they might be doing. Stories that slaughter my family and I, especially as part of megadeaths off-stage for cheap pathos, aren’t things I’m as interested in any more.)

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