Tagged: review

CLASSIC PULP GOODNESS FOR YOUR EYES AND EARS FROM RADIO ARCHIVES!

RadioArchives.com Newsletter

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February 15, 2013

You can help Radio Archives – Reviews
 
Many of you have asked about ways to contribute to what Radio Archives does. We appreciate your interest in being a part of what we do. One way to do that is writing and posting reviews for products you’ve purchased from our website. Reviews give you the opportunity to share your thoughts and insight on the work we do with people considering which products to buy.

Reviews help us in a couple of ways. First, we get an idea of what you enjoyed or thought needed improvement about the product. This helps Radio Archives continually improve and provide you with the best quality possible.

Also, reviews let others know what their fellow customers think. Your opinion of a radio set, eBook or an audiobook means more to other shoppers than any words we could write. They get a better idea of the experience someone else had with Radio Archives collections or books. Each time you leave a review, a star ranking appears by the name of the product on our site. That lets customers browsing know at a glance that that item has been reviewed.

Regardless of the product, you can leave a review for it at Radio Archives. Click on the product you want to review. Go to the bottom of that product page and click ‘Be the First to Write a Review’ or ‘Write A Review’. Type in your opinion and then post it for others to take advantage of while shopping Radio Archives!

Let everyone know what you think of Radio Archives products and be a part of what we do by leaving reviews! Thank you for your continued support!

 

 
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“I’m The Comic Weekly Man, the jolly Comic Weekly Man and I’m here to read the funnies to you happy boys and honeys.”
This memorable theme song welcomed its audience to one of the most unique programs of the era of Classic Radio. The concept was simple. The Comic Weekly Man sang his song, then picked up the newspaper, flipped right to the comic strips, and read them aloud to millions of listeners, replete with different voices, music, and sound effects.
 
Airing on Mutual beginning in 1947, The Comic Weekly Man combined two pastimes important to American families, Radio and Comic strips. Reading from Puck: The Comic Weekly found in the papers owned by William Randolph Hearst, The Comic Weekly Man brought comic strip favorites – from Flash Gordon to Beetle Bailey, from Prince Valiant to Snuffy Smith – to life in a way most strips had never been heard.
 
One amazing aspect of this program is just how many voices were heard each week. The Comic Weekly Man, voiced by veteran radio actor Lon Clark, voiced all the male parts while Little Miss Honey, a young girl, assisted with the female roles. A whole cast of comic strip heroes and villains performed by two actors.
 
Fully restored, the sparkling audio quality of this collection features 12 episodes of comic strips turned radio adventures. Listen as the comic strips of your childhood joke, fight, and tickle their way to your ears with the The Comic Weekly Man. 6 hours $17.98 Audio CDs / $8.99 Download.
 
 
 
 
Listen to Lon Clark discussing The Comic Weekly Man from a 19944 FOTR panel discussion.
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Read by Roy Worley. Liner Notes by Will Murray
 
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One of the most successful pulp magazines ever envisioned was Ranch Romances. Combining Wild West settings with the eternal struggle to snag a mate, it ran from the 1920s clear to the ‘70s. Naturally, other publishers jumped on the wagon train. Popular Publications did so in 1935 with Rangeland Romances. First editor Rogers Terrill described his approach this way:
 
“Over a year ago we started a new magazine with a new idea. We started a romance magazine in which the hero and heroine fight side by side, live an adventurous life together, experience hope and despair, defeat and success, and finally love together. We brought out a magazine that was true to life; that was about characters who really could have lived and done those things that the author writes about.”
 
In other words, Rangeland Romances wasn’t just another Cinderella love pulp. The formula—which succeeding editors tinkered with from time to time—worked like a charm. Rangeland Romances ran for a generation.
 
For our first Rangeland Romances audiobook, we’ve chosen to record the August, 1948 issue in its entirety. All seven stories. It’s a hoot.
 
Described as a novel of “Border Romance,” Marian O’Hearn’s “Fiesta Kisses are Sweetest” leads off the collection. It’s followed by a brace of fun frontier novelettes, Art Lawson’s “Cupid Rules the Roost” and Isabel Stewart Way’s “No Sirens Wanted.” Four sizzling short stories follow. “Salty but Susceptible,” “Petticoat-Corralin’ Hombre,” “I’m Claiming That Guy!” and “Gambling Gal.”
 
These are sweet yet salty stories of determined cowgirls navigating the complicated courtship rituals of ranches ranging from the Dakotas to the Southwest. Pistol-packin’ Doris Day in Annie Get Your Gun! gives you a good idea of the flavor of the festivities. High Noon, this ain’t!
 
Read by Roy Worley. Gary Cooper, he ain’t either. 6 hours $23.98 Audio CDs / $11.99 Download.
 
 

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New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

Never more was the Spider to stalk the Underworld — so Richard Wentworth decreed when he retired to the quiet countryside to nurse his beloved Nita back to health. Yet into the very heart of that peaceful sanctuary swept such a bloody tidal wave that even Wentworth had never seen its like! From New York’s foul sewers had crept Crime’s mad dogs, turned loose to transform the whole country into a racket-ridden ruin! In that moment of ordeal, himself hunted by crook and law officer alike, Richard Wentworth knew that the Spider must rise again — to wage bitter warfare against a lawless legion that threatened to make ever America into an Empire of Terror! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
From the quaking earth, itself, roared the devilish decree that threatened to demolish New York — “Your souls are mine! When I speak you will obey!” For a satanic dictator, loosing the hordes of hell, had turned America’s greatest city into an Underworld Kingdom of Crime, and untold helpless thousands died, strangling, when the Emperor of Hades scattered his scarlet, slaying devil-dust! Reeking of sulphur and brimstone, it floated over Manhattan like a sinister death-cloud, and but one man — Richard Wentworth, with the Spider’s weird weapons — could hope to wage battle against that Mephistophelean murderer who had set a metropolis aflame with one blasting, furnace-like breath and turned loose the kill-maddened legions of the damned! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.

 
America, last citadel of freedom and democracy in the world, has made a valiant but futile stand against the ravening war hordes of the cruel conqueror, Rudolph I, the man whose super fighting machine is ruthlessly putting the nations of civilized man in thrall. Daily mass executions of men and women — even children — on the Eastern seaboard, are but one of the diabolical means of bringing the surviving patriots to heel. But there is one band that will never yield, who grimly say: “Death before dishonor!” Their leader, Jimmy Christopher, known to them as Operator 5, realizes that only one bold, desperate move can furnish his fellow Americans with the thundering fleet of air destroyers with which alone they can hope to save their country. Grimly, quickly, silently, he sets his plan in action! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine by Hugh B. Cave, reissued for today’s readers in electronic format. $2.99.

 

Murder, swift and unseen — taking as its toll the most prominent citizens of New York, and marking with blood and horror, the trail of the mysterious Black Lotus. What was the purpose of this silent scourge, that stilled the innocent in sudden death? Val Kildare knew this much at least; that the fiend behind this slaughter killed not for vengeance, but for pleasure! Wu Fang is a Chinese criminal mastermind and scientific genius. With his hybrid monkey-men, he plans to conquer America. He is member of various secret societies and has spies everywhere. Opposing him is Val Kildare of the F.B.I.  His aides, reporter Jerry Hazard, archaeologist Rod Carson and newsboy Cappy, help him in his battles against the sinister man of evil known as Wu Fang. $2.99.

 
 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 

How could Clay Cavanaugh protect his sweetheart from a man with Satan’s gifts? In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 

 

Lovely Tess knew that big ranches weren’t built on promises and moonlight kisses. She wanted her future safe-guarded against the ravages of wild range life — and she poured her whole heart into that kiss she gave Dusty, a kiss meaning… good-by! One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.

 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle storeBarnes and Noble Nook store, and RadioArchives.com! Search for RadioArchives.com in iTunes where over 200 eBooks are available.
 

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Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

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The legendary Master of Men returns in two classic stories from the 1930s. Hidden in the heart of New York’s Chinatown, the Emperor of Vermin unleashes all manner of foul creatures to spread disease and death. The Spider wages a seemingly hopeless battle to protect mankind from the menace of a monster who personifies evil incarnate in “Dragon Lord of the Underworld” (1935). Then, in “Satan’s Switchboard” (1937), no citizen, no corporation is safe from the dread schemes of The Silencer. No secret thought, no hidden act escapes his notice – and those he calls upon are found dead by their own hand, their faces horribly obliterated. Only The Spider dares defy this maniac, as he strikes back to end this terrible menace to society. These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95. On sale for $12.95, save $2.00

 

The Master of Darkness battles global crime conspiracies in two classic pulp novels by Walter B. Gibson writing as “Maxwell Grant.” Following the departure of Commissioner Weston, The Shadow attempts to prevent a Wall Street crisis brought on by “The Garaucan Swindle,” in the pulp classic that introduced Police Commissioner Wainwright Barth. Then, The Shadow must find a way to stop the secret gas that causes “The Death Sleep” to prevent a criminal plot to crack the United States Mint and the Bank of London. This instant collector’s item reprints both classic pulp covers by George Rozen plus the original interior illustrations of Tom Lovell, with historical commentary by Will Murray. $14.95.
 

The pulp era’s legendary superman returns in two action-packed novels by Alan Hathway and Lester Dent writing as “Kenneth Robeson.” First, the Man of Bronze confronts the deadly menace of The Headless Men, decapitated zombies commanded by a mad genius in the landmark 100th Doc Savage novel. Then, in his first solo adventure, a disguised Doc Savage travels to King Joe Cay to infiltrate a gang of schemers. This double-novel collector’s edition features the original color pulp covers by Emery Clarke and Modest Stein, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. $14.95.

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This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00
 

 
 
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The shattering sequel to Fortress of Solitude.
 
The Doc Savage exploit that went untold for 74 years—Death’s Dark Domain!
 
In the aftermath of the evil John Sunlight’s pillaging of the secret Fortress of Solitude, a dreadful super-weapon has fallen the hands of a Balkan dictator intent upon seizing control of the vampire-haunted zone of desolation known as Ultra-Stygia. War is imminent. Monsters are loose in the disputed region. A strange darkness falls over the sinister landscape. Only Doc Savage, the Man of Bronze, understands the terrible threat to humanity. And only he can prevent the terror from spreading…
 
There are unknown Things prowling the darkest patch of land on the planet. Haunted by creatures that might have emerged from the Hell’s lowest regions, ancient Ultra-Stygia has turned into a cauldron of conflict between rival countries. Monster bats careen through the night sky. Invisible Cyclopes patrol the scorched battleground. And a power beyond understanding robs men of their vision.
 
Can the 20th century’s premier scientist and superman untangle this Gordian knot of carnage before neighboring nations are drawn into an apocalyptic new world war? Or will the Man of Bronze succumb to an unstoppable power he himself has unleashed upon mankind?
 
From the frozen Arctic to the war-torn Balkans, Doc Savage and his fighting five follow a winding trail of terror to a blood-freezing climax.

 
Death’s Dark Domain features a fantastic cover painted by Joe DeVito! $24.95.

 

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Back in print after 20 years! The rare Lester Dent-Will Murray collaboration resurrecting the original pulp superman…
 
Also available is the first Altus Press edition of Will Murray’s 1993 Doc Savage adventure, The Forgotten Realm. Deep in the heart of the African Congo lies a secret unsuspected for thousands of years. Doc Savage and his men embark on a quest to discover the secret of the strange individual known only as X Man, X for unknown. Before they come to the end of the trail, they find themselves fighting for their lives like gladiators of old!
 
No one knows who—or what—the strange being who calls himself “X Man” truly is. He was found wandering the ruins of a crumbling Roman fort, dressed in a toga, speaking classical Latin—and clutching a handful of unearthly black seeds.
 
Declared insane, the X Man patiently tends his weird plants until the day, impelled by a nameless terror, he flees Wyndmoor Asylum to unleash a cyclone of violence that is destined to suck the mighty Man of Bronze into the blackest, most unbelievable mystery of his entire career. For far from Scotland lies a domain of death unknown to the world and called by the ancient Latin name of Novum Eboracum—New York!
 
From the wild Scottish moors to the unexplored heart of darkest Africa, Doc Savage and his indomitable men embarked upon a desperate quest for the Forgotten Realm….
 

The Forgotten Realm features a spectacular cover painted by Joe DeVito! $24.95.
 

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By John Olsen
 

Crime, Insured pits The Shadow against a new racket that has sprung up in Manhattan: crime insurance. Crime has gone ultra-modern. Bigshots have discarded old-fashioned methods and are now insuring their crimes against failure. But can they insure against intervention by that master of the night, The Shadow?

It all starts with Wally Drillick, a smooth operator who spends his leisure hours in smart night clubs and high-priced taprooms. He’s been hired by Duke Unrig, a big-time crime boss, to pilfer the Melrue jewels. But The Shadow is on the job, guarding the jewels.

What we know, although The Shadow hasn’t learned yet, is that Duke Unrig insured his crime. If the robbery is thwarted, he receives payment from a mysterious insurance company. Also, while all this has been going on, a mysterious figure has been watching. This mysterious figure has identified three of The Shadow’s secret agents. Yes, one by one, the agents of The Shadow are being revealed to a thin, stooped figure who hides in the shadows. And finally, Lamont Cranston is revealed as The Shadow. Even the location of The Shadow’s sanctum is discovered!

The mastermind behind Crime, Insured now knows The Shadow’s agents, The Shadow’s sanctum and The Shadow’s disguise. And that means it’s time to attack. Attack the one man who stands to thwart crime, and cause Crime, Insured to pay out on its insurance policies. Without The Shadow, the company fortunes will soar.

Nearly all of The Shadow’s agents appear in this story. Criminologist Slade Farrow shows up along with his assistant Tapper, whose expertise at picking a lock is second only to The Shadow. Giant African Jericho Druke is another reserve agent who appears. Doctor Rupert Sayre joins in to assist with some radio direction finding tasks.

The New York Police is represented by Commissioner Ralph Weston and ace inspector Joe Cardona. Both get small parts, but don’t get to do much. Still, it’s nice to see them included here.

Finally, as I read this story, it occurred to me that there is another of The Shadow’s agents that we always seem to forget. He’s that unnamed announcer at radio station WNX who reads The Shadow’s coded messages over the air, and emphasizes certain words to indicate the secret message. Who is he? What’s his name? We are never told. But I would like to know more about this unsung agent.

This story is one of the pivotal ones in the saga of The Shadow. Only one other time, in the entire run of the magazine stories, was The Shadow’s sanctum invaded. Read as The Shadow battles the boldest and most amazing racket in the history of modern crime, and nearly loses his entire organization in the bargain. Get ‘Crime Insured’ and another classic Shadow novel in The Shadow Volume 1. Double Novel reprint $12.95

 
Comments From Our Customers!

 
Eugene Dungan writes:
I must say that I am really enjoying listening to all of your pulp fiction audiobooks. I now have 19 of your pulp fiction audiobooks and I have two more pulp fiction audiobooks on order right now.
 
Paul Gray from England writes:
Many thanks for the Mutual Radio Theatre vol.5  — as per usual it is all great listening. I have just downloaded the CBS Radio Workshop that I suggested to you a few months ago – this is superb – perhaps this could be part of an ongoing series. Over the past few months I have downloaded quite a few sets and found them all very interesting. It is good to know that you are keeping the downloads at half the cd price – superb.  best wishes
 
Walter Brantner from Austria writes:
Free Spider eBook. Yes please!!! :-) best from Austria, a pulp fan
 
Bruce Toews writes:
The job Radio Archives does is incredible and such an amazing value for my money.
 
Ed Sigmund writes:
Please, please, please, make The Shadow available as an ebook for Kindle.

 
Andy Wood from England writes:
I received the WJSV set on Wednesday and have been listening to it! Absolutely beautiful! Thank you so much. This has long been a favourite of mine and I’ve had several versions of it – this is the best sound by far that I’ve ever heard. Lovely packaging too.
 
The music played during the early morning music program, and during the wonderful Sundial program with the hugely enjoyable Arthur Godfrey is fabulous. One in particular, at the very end of disc two I believe, is introduced by Arthur Godfrey as the new one from Artie Shaw. The record is “Day In, Day Out” by Artie Shaw featuring Helen Forrest on lead vocals. This was a very new recording at the time of the broadcast, having been waxed on August 27th, less than a month earlier. Thanks again, really appreciate the set. Keep doing what you’re doing!
 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UN-SUBSCRIBE and your name will immediately be removed from our mailing list.

JUST THE FACTS AND MORE-RADIO AND PULP HEROES AT RADIO ARCHIVES!

RadioArchives.com Newsletter

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February 1, 2013

You can help Radio Archives – Borrowing Pulps!
Radio Archives is interested in borrowing pulps to OCR for future eBook and Audiobook projects. We work with original source materials and if you have original Pulps from the 1930s and 1940s, we would love to talk to you. If you want to help, please contact us at Service@RadioArchives.com
 

 
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Known for breaking new ground in radio and entertainment, Dragnet was truly a pioneering program in many ways. This was most evident in the actual stories told in each episode, some sentimental, some brutal, all as realistic as show star and creator Jack Webb could make them. Strong stories and great characterizations make up every show featured in Dragnet, Volume 7.

The story featured in each episode is, as noted in the famous opening narration, “…true.” Although many shows focused on lesser crimes, Dragnet did not shy away from violence or topics thought forbidden. This program was in every sense a true police procedural and dealt with crimes of all sorts. Dragnet was one of the first radio shows to deal with crimes involving sexual motivations, true psychological issues, drug use among juveniles, and even the murder of children. Never gratuitous in its portrayal, Dragnet dealt with all crimes the same way that Jack Webb delivered Joe Friday’s lines – honestly and starkly.

The episodes featured in this volume are during a period of transition for Dragnet and for Joe Friday. Webb’s Friday had several partners performed by six different actors after the death of Barton Yarborough and before Ben Alexander became his partner permanently as Frank Smith.

The realistic interplay of characters on Dragnet captures a listener’s attention, giving fans that almost fly on the wall feeling as they listen to Friday and his partner investigate and interrogate. Enjoy episodes featuring honest, realistic stories and great performances on Dragnet, Volume 7.

 

 

 
 

 

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Will Murray’s Pulp Classics #21

by Donald E. Keyhoe
Read by Michael C. Gwynne. Liner Notes by Will Murray
 
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Ever since Sax Rohmer conceived Dr. Fu Manchu, thriller writers have attempted to emulate his sinister appeal. No class of authors vied to out-villain Rohmer more than the pulp writers of the 1930s. The very best of these imitations was the work of top pulpateer Donald E. Keyhoe, later to make headlines as the retired Air Force officer who claimed that flying saucers were real.
 
Dr. Yen Sin lasted only three issues in 1936, but Keyhoe’s short-lived trilogy was a memorable attempt to given the “Yellow Peril” theme a mature and suspenseful treatment. The premise is a familiar one—a sinister Chinese super-scientist out to conquer the world. Pitted against him is the Q-Group, headed by State Department operative Michael Traile, who because of a childhood accident cannot sleep. Instead, he employs Yoga as a substitute. Under Traile are a host of secret agents, chief of whom is Eric Gordon of the F. B. I., who reports personally to Director John Glover—actually J. Edgar Hoover. Adding a dash of feminine mystique is Sin’s mysterious cohort, Sonya Damatri, while Eric Gordon’s girlfriend, Iris Vaughan, furnishes the series’ love interest.
 
Beginning with The Mystery of The Dragon’s Shadow and continuing through The Mystery of the Golden Skull and The Mystery of the Singing Mummies, the running battle between Dr. Yen Sin and his sleepless nemesis is a riveting roller-coaster ride of exotic torture, diabolic doom devices and sudden death that rages from Washington, D. C. to San Francisco! One wishes that Popular Publications had seen fit to publish the promised fourth installment, The Mystery of the Faceless Men…This series was that good!
 
Here is the riveting second encounter between Traile and Dr. Sin. The Mystery of the Golden Skull is read with pulsing intensity by Michael C. Gwynne. New York City is the stage. Horror is the watchword as Dr. Sin attempts to revive the secret society known as the Circle of the Golden Skull. What happens when Michael Traile steals the Golden Skull talisman—forcing Yen Sin to search for him?
 
Also included are a trio of Chinatown tales by Moran Tudury, Don Cameron, and Arden X. Pangborn. 6 hours $23.98 Audio CDs / $11.99 Download.

 
by Vic Sage from the Retroist
 
 
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As always I would like to thank our friends over at Radio Archives for giving me the opportunity to review another of Will Murray’s Pulp Classic audiobooks. This time around it’s for what might possibly be the pulpiest sounding character I’ve ever had the privilege to learn about, Captain Satan: King of Adventure!
 
To be fair I always take my time looking over the newsletters that Radio Archives send me, just checking out the new Old Time Radio programs or Audiobooks that might catch my eye and that are worthy of your attention. Just a few weeks ago an item in the latest newsletter made me sit up straight and immediately send in a request to review Captain Satan, you see for many years now I’ve had a Captain Satan print hanging on the wall next to my Universal Monsters posters…the same image of Captain Satan above…I’ve always been so curious as to what this character was all about. Thankfully I got my chance and I’ve added this fantastic character to my top five favorite pulp characters of all time!
 
Why? Well, when author William O’Sullivan crafted Captain Satan and his wealthy alter-ego Cary Adair he took the best elements of the Scarecrow of Romney Marsh (Reverend Syn/Doctor Syn), the Shadow, Doc Savage and even some of Robin Hood and crafted a dark pulp avenger for the ages.
 
How can you not love Pulp prose like this: “He held in his hands the burning brand of Hell and in his heart was locked the courage of the Gods. Wise Guys and Tough Mugs, Crooks and their thieving Mobs knew the mark of Satan.”
 
Now that Pulp writing is just from the intro and for Pulp Fiction fanatics you can spread it on some toast and eat it up! Don’t take my word for it though, listen to the Opening Credits that Radio Archives has so kindly provided.
 
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Sadly one of the reasons I couldn’t find out much about the character was that O’Sullivan wrote only five Captain Satan novels in his day though he penned many Sports, Crime, and Aviation Pulp tales in his time. After listening to this first Audiobook for Captain Satan, the story which was originally published by Popular Publications in March 1938, I can only hope that Will Murray and the talented narrator/actor Michael C. Gwynne will team up to bring us the other four adventures in the series!
 
I cannot praise Michael C. Gwynne enough for his performance on this audiobook and I swear he is channeling James Coburn when he is playing the part of Cary Adair/Captain Satan…maybe with a bit of Patrick McGoohan thrown in as well? Michael is no stranger to retro TV and movies by the way, he landed roles on Dallas, Kojak, and Falcon Crest, Hill Street Blues, Cagney and Lacey, CHiPS, and an episode of Amazing Stories that just happened to be directed by Martin Scorsese before teaming up with the talented Will Murray.
 
So what does the story The Masked of the Damned entail? I’ll avoid big spoilers of course but we learn early on from the character Jo Desher, who just happens to be the Head of the F.B.I. that things in Washington are going off the rails. Military officials are acting odd, crying for changes that will drastically lower the effectiveness of the armed forces. The Treasury Department is concocting a scheme that rational voices point out will shatter the economy as well as the Labor Department asking for permission to unionize all Government Employees including all branches of the Military.
 
Luckily for the Head of the F.B.I. though unbeknownst to him…at least for the time being…his well-to-do layabout friend Adair is none other than the legendary Captain Satan. After the two men survive no less than two assassination attempts it’s time for Jo to leave for Washington D.C. and for the “good” Captain to assemble the Satan’s Crew. Which is like a dark version of Doc Savage’s The Fabulous Five, a collection of scoundrels with code names like Slim, Frenchie, Big Bill, Soapy, Kayo, Happy, Doc, Mike and Gentleman Dan who answer the summons of Captain Satan and you certainly are made aware with their introductions that it’s not prudent or healthy to cross Captain Satan. Of course to be honest it’s not necessarily healthy to team up with Captain Satan either…unlike Doc Savage’s aides against crime and tyranny, the Captain’s allies don’t all get to come home and fight the good fight another day. Though with the Robin Hood aspect, the reason the Satan’s Crew are convened is not 100% for noble reasons:
 
“You know my principles: To smash every crook I can lay my hands on—and what he has is mine. I’ll break every petty or large crook, every swindling racketeer or grafting politician or gyp banker I can lay my hands on. The terms you already know. What they have is ours. I pay the expenses and take a one third cut. You boys split the remainder on equal shares.”
 
So will Captain Satan and his Crew be able to take on this shadowy organization that seems to have infiltrated the United States Government? Will our soiled do-gooders be able to outsmart both the combined forces of G-Men headed by Jo Dershel and the evil ‘Gang’ that seems intent on wrecking the United States itself? What of the Mask of the Damned?
 
Well, you’ll just have to pick up the first Captain Satan audiobook to find out won’t you? It’s available right this very minute from Radio Archives for a mere $11.99 as a digital download, which includes the bonus short story Mr. Detective Is Annoyed, read by Roger Price, you get 6 hours of Pulp entertainment that low price! If your prefer the physical discs you can pick it up on the site for $23.99 and if you would rather enjoy the prose version of the first appearance of Captain Satan you may download it on the site as an eBook for only $2.99!

 
 

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New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

Over New York’s hushed streets, the Whisper’s fearsome mutter fell, telling men that the time had come to die! Throughout that entire panic-stricken metropolis, no man dared testify against a single criminal lest he, himself, be slashed to bloody bits by the invisible death which left no clue save a quivering, mutilated corpse! While the Underworld ran riot, and the helpless Law stood aghast, Richard Wentworth, as the Spider, loosed his mightiest effort — a counter-reign of terror which struck at the murder-maniac whose every word was a death-sentence and who had coined a fortune out of unclaimed corpses!Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
Over Manhattan hung the bony, beckoning finger — signaling untold thousands to wholesale slaughter I For the Sleeping Death had crept into New York’s doomed bedchambers, and those who dared lie down to slumber never awakened again! In this nightmare holocaust, ruled by a slaying Sandman, with the Underworld turned loose to ravage the red-eyed city, only Richard Wentworth, in the Spider’s sinister guise, dared wage desperate battle for an insomnia-maddened people — against a murder-Morpheus who turned night into hell and sang to a doomed metropolis his terrifying lullaby of death! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 
Men fought snarling in the streets over crusts of bread or ferreted, beast-like, through the charred ruins of some once-majestic building in search of food scraps… To such dire state had the city fallen when the Spider, weakened by weeks of illness, returned to take up his seemingly hopeless battle against the Food Destroyers. Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.

 
Jimmy Christopher, clean-cut, square-jawed and clear-eyed, was the star of the most audacious pulp magazines ever conceived — Operator #5. Savage would-be conquerors, creepy cults, weird weather-controllers and famine-creating menaces to our mid-western breadbasket… these were but a few of the fiendish horrors that Jimmy Christopher was forced to confront. Operator #5 returns in vintage pulp tales, reissued for today’s readers in electronic format. Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine by J. O. Quinliven, reissued for today’s readers in electronic format. $2.99.

 

Moving east from the ration’s capitol at Washington, Dr. Yen Sin, saffron-skinned scourge of the Orient, sets up his hell-base in New York and under the banner of the Golden Skull, once again locks horns with Michael Traile, the Man Who Never Sleeps, and his partner Eric Gordon. What is the ghastly doom he brings with him to turn living men to rainbow-colored dust? Why should the flowers in his corpse garden have their heads removed, only to be sewed on again — backwards — by the surgeon mandarin? $2.99.
 
 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 

He was such a creature as even the bravest fled from in frenzied fear! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 

 

Vivacious Vida played her handsome, honkatonk boss against the dashing, millionaire grandee — till she lost both that wild night when Grasslands branded her a notorious woman. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.

 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle storeBarnes and Noble Nook store, and RadioArchives.com! Search for RadioArchives.com in iTunes with over 200 eBooks are available.
 

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Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

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Richard Wentworth, in the guise of his crime-fighting alter-ego, returns in two 1930s tales of The Spider. First, in “Slaves of the Crime Master” (1935), criminal mastermind The Tempter broadcasts his message of evil via the radio, urging the maddened populace to destroy! Lured by his mysterious and persuasive voice, the youth of the nation flock to join his army of vicious criminals. His path blocked by police and criminals alike, The Spider wages a seemingly hopeless crusade to save humanity. Then, in “The Spider and the Fire God” (1939), its pay tribute or die as the Fire God demands his just dues and destroys the unbelieving in a burst of searing flame. Not since ancient times have so many people worshipped a strange and terrible god, abandoning their religion for fear of agonizing death. The Spider alone remains to battle this monstrous cult-leader from Hell! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95! On sale for $12.95, save $2.00

 

The Master of Darkness battles global crime conspiracies in two classic pulp novels by Walter B. Gibson writing as “Maxwell Grant.” Following the departure of Commissioner Weston, The Shadow attempts to prevent a Wall Street crisis brought on by “The Garaucan Swindle,” in the pulp classic that introduced Police Commissioner Wainwright Barth. Then, The Shadow must find a way to stop the secret gas that causes “The Death Sleep” to prevent a criminal plot to crack the United States Mint and the Bank of London. This instant collector’s item reprints both classic pulp covers by George Rozen plus the original interior illustrations of Tom Lovell, with historical commentary by Will Murray. $14.95.
 

The pulp era’s legendary superman returns in two action-packed novels by Alan Hathway and Lester Dent writing as “Kenneth Robeson.” First, the Man of Bronze confronts the deadly menace of The Headless Men, decapitated zombies commanded by a mad genius in the landmark 100th Doc Savage novel. Then, in his first solo adventure, a disguised Doc Savage travels to King Joe Cay to infiltrate a gang of schemers. This double-novel collector’s edition features the original color pulp covers by Emery Clarke and Modest Stein, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. $14.95.

This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00
 

 
 
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The shattering sequel to Fortress of Solitude.
 
The Doc Savage exploit that went untold for 74 years—Death’s Dark Domain!
 
In the aftermath of the evil John Sunlight’s pillaging of the secret Fortress of Solitude, a dreadful super-weapon has fallen the hands of a Balkan dictator intent upon seizing control of the vampire-haunted zone of desolation known as Ultra-Stygia. War is imminent. Monsters are loose in the disputed region. A strange darkness falls over the sinister landscape. Only Doc Savage, the Man of Bronze, understands the terrible threat to humanity. And only he can prevent the terror from spreading…
 
There are unknown Things prowling the darkest patch of land on the planet. Haunted by creatures that might have emerged from the Hell’s lowest regions, ancient Ultra-Stygia has turned into a cauldron of conflict between rival countries. Monster bats careen through the night sky. Invisible Cyclopes patrol the scorched battleground. And a power beyond understanding robs men of their vision.
 
Can the 20th century’s premier scientist and superman untangle this Gordian knot of carnage before neighboring nations are drawn into an apocalyptic new world war? Or will the Man of Bronze succumb to an unstoppable power he himself has unleashed upon mankind?
 
From the frozen Arctic to the war-torn Balkans, Doc Savage and his fighting five follow a winding trail of terror to a blood-freezing climax.

 
Death’s Dark Domain features a fantastic cover painted by Joe DeVito! $24.95.

 

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Back in print after 20 years! The rare Lester Dent-Will Murray collaboration resurrecting the original pulp superman…
 
Also available is the first Altus Press edition of Will Murray’s 1993 Doc Savage adventure, The Forgotten Realm. Deep in the heart of the African Congo lies a secret unsuspected for thousands of years. Doc Savage and his men embark on a quest to discover the secret of the strange individual known only as X Man, X for unknown. Before they come to the end of the trail, they find themselves fighting for their lives like gladiators of old!
 
No one knows who—or what—the strange being who calls himself “X Man” truly is. He was found wandering the ruins of a crumbling Roman fort, dressed in a toga, speaking classical Latin—and clutching a handful of unearthly black seeds.
 
Declared insane, the X Man patiently tends his weird plants until the day, impelled by a nameless terror, he flees Wyndmoor Asylum to unleash a cyclone of violence that is destined to suck the mighty Man of Bronze into the blackest, most unbelievable mystery of his entire career. For far from Scotland lies a domain of death unknown to the world and called by the ancient Latin name of Novum Eboracum—New York!
 
From the wild Scottish moors to the unexplored heart of darkest Africa, Doc Savage and his indomitable men embarked upon a desperate quest for the Forgotten Realm….
 

The Forgotten Realm features a spectacular cover painted by Joe DeVito! $24.95.
 
Comments From Our Customers!

 
Andy Wood from England writes:
Firstly, I just bought your entire Fibber McGee & Molly collection as MP3 Downloads and I am astounded! I’ve been a long time OTR fan and collector and have had every available F&M episode for a long time, but to discover all these unheard 15 minute programs is unreal and the QUALITY is astonishing!! Even on the 1939-40 episodes! Some of those were previously inaudible, as were some of the 50’s ones.
 
Also, another firm favourite of mine is the WJSV Complete 1939 Broadcast Day which I’ve had in various forms over the years in varying quality and completeness. Your’s looks like the last word. Any new stuff on the way? I’ll be buying lots from you and can’t believe I haven’t found you before now. Keep up the amazing work as it’s truly appreciated!
 
Clement Falardeau from Quebec writes:
First of all thank you for the great special offers you had for the holidays. It was a wonderful occasion to discover some of your products or complete our collections. I got your Nightbeat audiobook. Great idea! I hope you will offer more new stories from Nightbeat. Don’t hesitate to explore other OTR series as well. I have bought most of your audiobooks and I really love them. I keep watching for the release of new Doc Savage audiobooks.
 
L. J. Field writes:
I’ll be purchasing the rest of these eBooks in the coming months. Love your site and what you’re doing. Thank You!
 
Christopher Southworth writes:
Thanks for the reading opportunities. I look forward to more “yellow peril” pulps as they arrive and am hoping for more G-Man detectives soon! Happy Holidays!
 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UN-SUBSCRIBE and your name will immediately be removed from our mailing list.
 

THE SHADOW STRIKES THE SHADOW FAN PODCAST

The Shadow Fan podcast returns for his 17th episode! This time, New Pulp Author Barry Reese takes a look at The Shadow Strikes — the 1937 feature film, the Belmont novel of the same name and the 1989 DC Comics’ series! Which Shadow Strikes is the one that’s stood the test of time? Listen to find out! Also: Doc Savage’s crossover novel is announced, Chris Roberson’s interview on The Word Balloon is discussed and we look at three predecessors to The Shadow!

If you love pulp and/or The Shadow, then this podcast is for you!

Join the conversation about pulp’s greatest hero today at http://theshadowfan.libsyn.com/the-shadow-strikes

REVIEW: Batman: The Dark Knight Returns Part 2

The Dark Knight Returns 2The second part of Batman: The Dark Knight Returns demonstrates how the world has changed since the graphic novel source material was published in 1986. Frank Miller’s reinvention of Batman was also his personal reaction to the conservative, jingoistic United States of America of the decade. President Ronald Reagan was a folksy president, good with a quip, and saw the world in stark black and white terms, which was feeling wrong in the final years of the Cold War. Miller also questioned all authority figures from know-it-all doctors who loved to hear themselves on the growing number of vapid talk shows to the unformed law-enforcement representatives who fired first and then questioned orders. While some of this was evident in part one, which was released last fall, this installment, out on Tuesday, really shines a spotlight on the themes.

Batman punchA visual tour-de-force, Miller’s four-part The Dark Knight took the storytelling techniques he developed for Daredevil and applied them to DC’s two biggest icons. Readers had seen nothing like it before and heralded the work an instant classic. Here we are, more than twenty years later being given a two-part adaptation of this story and suddenly it feels dated. Here’s no question screenwriter Bob Goodman and director Jay Oliva honored the source material and its satisfying as an adaptation.

But the notion that Superman, the ultimate authority figure, was blindly taking orders from the President, and allowed himself to take lives in an international conflict feels wrongheaded. That Batman and the other costumed heroes and villains would all willingly vanish into the shadows that spawned them feels wrong, as well. Much as it felt wrong for Batman to vanish for eight years in the Christopher Nolan films, it also now feels like Bruce Wayne would never stop fighting crime in his city.

tdkr_r2_06604-e1359470838114-9727910But he’s back, pushing fifty, and feeling the effects of time on his bulky form. He’s dealing with a city that needs him but an administration that does not want him, especially as Commissioner James Gordon steps down, turning the police over to Ellen Yindel, who immediately wants Batman shot on sight. Where Oliva’s action sequences totally fail is that the criminals and police alike fire endless streams of bullets with little consideration of the collateral damage being inflict or civilian lives being endangered. Thousands of bullets are fired, but none strike Batman or Robin, which is stunning incompetence (and bad storytelling).

tdkr_r2_03783-e1359471202360-9960922The conflict on the island of Corto Maltese is the backdrop as the Joker talks his idiot doctor into bringing him to a talk show to tell his side of the story. Michael Emerson’s clown prince of crime is cold and maniacal but depicted, he is a homicidal figure, nothing funny about his actions or methods at all. The character design may be Miller inspired but he’s too normal looking, just a muscular specimen in makeup which feels wrong. The criminal madman is free and after Batman after making a stop to humiliate a gone-to-pot Selina Kyle, now a Madame. The Joker and Batman face off one final time and this is when the Dark Knight finally gets hurt, in the Tunnel of Love of all places, a subtle nod to the homoerotic subtext Miller added to their relationship.

superman-vs-batman-e1359470926352-4034295All the episodic explosive action leads up to the inevitable conflict between the symbol of conformity and the agent of justice. Their climactic battle is nicely handled as is the denouement, bringing the 76 minute story to a fine ending.

Peter Weller’s Batman is okay but nothing special while Mark Valley’s Superman works much better. Ariel Winter’s Robin doesn’t get nearly enough to say but plenty to do in the film. The rich voice cast blends well together, aided by a good score from Christopher Drake.

The combo pack contains the Blu-ray, DVD, and Ultraviolet versions of the film. Special features include a too-short 9:24 Superman vs. Batman: When Heroes Collide, as the usual suspects talk about why these two fight and who should win. The longer, 14:07, The Joker: Laughing in the Face of Death nicely uses archival material so his creator, Jerry Robinson gets his say. While it’s good to have Emerson’s take on the character, Mark Hamill’s absence is missed as are his current handlers such as writer Scott Snyder. Oliva takes us through numerous sequences in the 43 minute From Sketch to Screen and he gives kudos to those who took Miller’s work and brought it the screen. Oliva is well-spoken and some of the information provided is interesting to hear and see.

Three episodes from Batman: The Animated Series and Batman: The Brave & the Bold are included on the Blu-ray disc. On the other hand, the promised preview of Superman: Unbound is curiously absence from the disc. Instead, there is another digital excerpt from the graphic novel.

Marc Alan Fishman: Look! It’s a Bland… It’s a Plain… It’s Supermeh!

fishman-art-130126-1664484At the onset of the New52 there was a buzz and excitement over the flagship character of DC Entertainment. Known as (perhaps) the most recognizable comic book character of all time, Superman was all set to be relaunched for a new age… towing the company behind his Nehru collar and underpantsless new uniform. Well, here we are now 16 months after the super-retcon, and I ask you… are things as we’d all hoped?

In a word? No. In more than a word? Not a chance. In a timely metaphor? Not even by a Joe Flacco longshot. The Superman property is, just as it was prior to the New52: convoluted, marred by an already high barrier to entry, and choked on it’s own backwash of continuity errors and creator squabbles. The real question emerges: Why did it all go wrong?

Well, one finger of shame lay with a writer I admire quite a bit. Grant Morrison, for all his amazing contributions of the craft of comic bookery, just over-promised and under-delivered his new Big Blue Boy Scout. The pitch for Action Comics in the New52 was perhaps the boldest of its brethren to see the light of the comic rack. Ditching years of backstory to start us “five years before the present” in a new origin for the character. One that would return him to the roots of his golden age; where he was a more human Superman… fallible, nuanced in his personal politics, and more “of the people.” And for what it was worth the book had a strong start that left unto itself, was quite enjoyable. And then Morrison got itchy.

Action Comics crammed updated concepts and plot threads with reckless abandon. By the time the first arc was over, eight months in, we’d be treated to literary cacophony. I quote myself from my review of Action Comics #8:

“In eight issues we get a shiny new take on Lois Lane, Lex Luthor, Jimmy Olson, Brainiac, Metallo, Steel, the Legion of Super Heroes, the Phantom Zone, the bottle city of Kandor, the history of Krypton, a horde of Kryptonian villains-to-be (that frankly I don’t feel like scouring Wikipedia for names), and of course… Superman himself.”

Suffice to say, I could spend the remainder of this article going over my thoughts on the super Scottsman, but I digress. Morrison was but a single rusty cog in a faulty machine. That is to say he didn’t really have much of a chance to succeed.

As we all know, comic books are first and foremost a business. And as such, a business exists to turn profit. That means that even though continuity would be better understood and appreciated if a single Superman saw the shelves every month… DC and the powers that be would never let such a large property draw on the fan base just once every thirty days. The last(ish) son of Krypton was also being seen in the pages of Superman, another monthly… run by the always-popular, always-festive George Pérez.

Superman was placed in the present of the DCnU, which of course led most readers tackling both books trying to connect the dots of Morrison’s tee-shirt work-boot Supes versus Pérez’s Lee-designed line-riddled version. And where as Action dealt with legacy villains and plot threads… the modern take had new unmemorable villains, awkward call backs to Action comic plot threads, and more focus on “action” than its sister title. This led to an early exiting Pérez, citing editorial discrepancy and a lack of freedom on the book.

In less nice words? Morrison (whether he knew it or not) was driving the character, and Pérez wasn’t along for the ride. Shortly thereafter, new teams were swapped in, and Superman got to fight run-off villains from Wildstorm. And even now Superman, Girl, and Boy are all sharing a (terrible) crossover book… whilst Action slowly ties up its loose ends for Morrison’s announced departure. DC put its editorial eggs in Action Comics, and has let the “family” just mess up the living room while Daddy works downstairs.

This isn’t how to keep a fan base. The whole notion of the New52 was to eliminate confusing backstory, and hook in new readers. It takes time to do this. And hurling two books in two timelines, with conflicting information, new and old villains, all while placing the same character in a team book that takes place at some point between the two main books…. does not make it easy for a new reader to come aboard. Hell, I’m exhausted even typing that.

A short while back I lamented about my guarded optimism (or maybe it was pessimism) over the Man of Steel movie set to debut this year. Recently, super scribe Scott Snyder was announced to have a new ongoing at DC alongside the never-late-on-a-book-except-when-he’s-late-which-is-often-because-he-has-a-very-busy-schedule Jim Lee lending his artistic arm for however long it takes for him to be late again. And while Scott Snyder has done no wrong by me since I’ve picked up his previous titles (all being Bat books), I’m nothing if not entirely skeptical. I gave Action a shot until issue nine, and then fell off. H’El on Earth looked atrocious (and reports from my Unshaven Cohort Matt, who is reading it, confirms this fact). Does anyone else feel the winds of change gathering up under our feet? Could a decent turn at the box office and a shiny new book just make us forgive and forget 48+ books featuring a Superman marred by every convoluted problem he faced long before we knew what the New 52 was?

I’m certain we’ll forget. Superman Red and Blue anyone? Anyone? Bueller? Bueller? But forgiveness is another story. And empty promises have always been the kryptonite of the comic book reading public. Your move, DC.

SUNDAY: John Ostrander

 

STRANGE DETECTIVES, RADIO WORKSHOPS, AND MORE! FROM RADIO ARCHIVES

RadioArchives.com Newsletter

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January 18, 2013
 
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The Age of Classic Radio was a time of innovation and experimentation, especially in terms of radio drama. A program that took the best of what had come before it and succeeded even further in production, performance, and storytelling actually debuted at the end of Radio’s Golden Age. This tour de force of radio drama can now be enjoyed in CBS Radio Workshop, Volume 1.
 
A direct descendant of the Columbia WorkshopCBS Radio Workshop not only continued to push boundaries in terms of utilizing story, music, voice and more in exciting, modern ways, it broke new ground in radio drama. From having author Aldous Huxley narrate the adaptation of his Brave New World for the show’s debut to producing an interview with William Shakespeare to turning a stirring folk ballad into a mix of rhyme and performance by William Conrad in The Legend of Jimmy Blue Eyes, the CBS Radio Workshop set the standard for modern audio drama.
 
The man behind CBS Radio Workshop, which debuted in 1956, was William Froug. Inspired directly by the work of Norman Corwin on the original Columbia Workshop, Froug put all the pieces together to produce not only a great radio program, but shows that would inspire and move its audience as well as its cast and crew.
 
Blending sound effects with story, music with voice, and quality with substance, the first twelve episodes on CBS Radio Workshop, Volume 1 shows how boundless storytelling can be with audio drama. 6 hours $17.98 Audio CDs / $8.99 Download.

 
 
 
 

 

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Read by Michael C. Gwynne, Roy Worley, and Roger Price
 

In the Fall of 1937, Popular Publications launched a new type of detective magazine, one that combined the Weird Menace-style stories that had made Terror Tales and Horror Stories so hot with readers of hardboiled detective-action tales. They called it Strange Detective Mysteries.
 
In his first-issue editorial, Managing Editor Rogers Terrill set the stage:
 
“Remember the time you read that one perfect knockout, detective story—bizarre, mysterious, thrill-packed, different? It still remains the detective story for you. You’ve wondered why you never found another. You searched bookstores, library shelves, newsstands—but you just couldn’t find that brand!
 
“Beginning with this issue—we give you Strange Detective Mysteries—not only one bizarre, thrilling eerie-laden mystery story such as you’ve searched for, but a whole magazine full of them!
 
“Because you have sought for this highest type of detective story, without finding it, you can understand at what cost we bring you this magazine. Months of planning and effort have gone into its making. The best known and most able detective-story writers have been called upon—for their best. Only the smallest proportion of a flood of manuscripts has been chosen.
 
“Crime-detection, adventure, baffling mystery—all this you will find in Strange Detective Mysteries. In addition, you will find that quality which appears in a detective story only once in a blue moon—the bizarre!”
 
Terrill used the word bizarre no less than five times in his editorial, italicizing it twice. He was serious! Strange Detective Mysteries was beyond weird.
 
For his lead novel, Terrill served up “When the Death-Bat Flies,” by the writer he called “America’s No. 1 Master of the Extraordinary Mystery Tale”—The Spider’s Norvell W. Page. Starring master magician Aubrei Dunne, it was a wild excursion into a criminal cult dedicated to murder and mayhem.
 
In “Madame Murder—and the Corpse Brigade,” Paul Ernst offered an even more bizarre hero—Seekay, the man with no face!
 
The detective protagonist of Wayne Rogers’ “The Headman’s Hat-Box” witnesses a murder committed by—himself!
 
In George Armin Shaftel’s “The Miracle Murder Case,” a prison break is engineered by an unknown mastermind who terrorizes society with a strange super-weapon!
 
Terror Tales favorite Arthur Leo Zagat’s “Patents for Dr. Death” revisits the realm of Jack the Ripper—but with an uncanny twist.
 
Finally, Norbert Davis’ “Idiot’s Coffin Keepsake” takes us to a weird mansion and the grisly mystery of the missing hand.
 
Narrated by Michael C. Gwynne, Roy Worley and Roger Price, this RadioArchives.com audiobook brings to vibrant life one of the most exciting first issues of any pulp mystery magazine ever published! Don’t miss it! 6 hours $23.98 Audio CDs / $11.99 Download.

 

 
 

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Join the eBook Team!
 
Radio Archives is seeking motivated, excited people to help us proof our eBooks. We created 200 eBooks in 2012 and our goal is 300 eBooks this year. If you have a love for classic Pulp tales as well as a good grasp of spelling, punctuation, capitalization and basic formatting, then you may be just the person we’re looking for! Send an email inquiry to Service@RadioArchives.com for more details! 

 
New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

Without warning the green death ray struck at New York City — burning to charred cinders the helpless humans who crossed its path! Upon America’s proudest city, the Eye of Flame had loosed his fire-fiends, and now the triumphant underworld, freed from prisons by his hand, stalked unchecked among the smoking embers. Alone of all men, Richard Wentworth, in the Spider’s weird disguise, dared fight for a doomed people against the mightiest menace the world had yet seen — a monster who had made millions out of men when he turned them into flaming torches! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
Down from Kentuck’s bleak hills swept the avalanche of stark-naked albino killers — sacking and slaying as they advanced upon New York! Neither bullet nor cold steel could halt that eerie grey mob, invulnerable against all attack, and as they emerged from Manhattan’s subways, loosing the Underworld’s cohorts upon our proudest city, it seemed that America was doomed. Only one individual — Richard Wentworth, in the Spider’s black guise — dared combat this unheard of menace — fighting an epic battle against a master of murder who had turned civilization back five thousand years in order to loot its coffers! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 
Men fought snarling in the streets over crusts of bread or ferreted, beast-like, through the charred ruins of some once-majestic building in search of food scraps… To such dire state had the city fallen when the Spider, weakened by weeks of illness, returned to take up his seemingly hopeless battle against the Food Destroyers. Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.

 
New England and the Eastern Seaboard were already in the hands of the invaders from the Central Empire! The brutal Purple Emperor, War-Master of Europe and Asia, was beating America to her knees, using his horrible Green Gas, beheading all who resist! With the American Defense Forces routed, only Operator 5, Ace of the Intelligence, and his tiny band of loyal guerillas could hope to check the mad conqueror. A true-to-life, thrilling episode, dramatized from Jimmy Christopher’s own personal history of the Second War of Independence! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine by Nat Schachner, reissued for today’s readers in electronic format. $2.99.

 

Newspapers throughout the civilized world screamed the headlines — “WU FANG” CAPTURED! And within the escape-proof walls of Scotland Yard, it was a fact, accomplished through the clever hands of Val Kildare. Yet somewhere within the evil haunts of fog-bound London, sinister agents knew the unspoken desires of the Crime Lord and advanced with the single thought, ESCAPE! — Ever onward, weaving their patterns of Death and Despair! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. Wu Fang is a Chinese criminal mastermind and scientific genius. With his hybrid monkey-men, he plans to conquer America. He is member of various secret societies and has spies everywhere. Opposing him is Val Kildare of the F.B.I. His aides, reporter Jerry Hazard, archaeologist Rod Carson and newsboy Cappy, help him in his battles against the sinister man of evil known as Wu Fang! $2.99.
 

In their final adventure, Curt Newton and the Futuremen are called on to save the Universe itself from a madman’s destructive whim! Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets. This is one of the legendary “final seven” Captain Future tales. After a run of twenty pulp issues, the quarterly magazine closed. But that was not the end of Captain Future. He returned in a series of short stories published in Startling Stories magazine, beginning with the January 1950 issue. Edmond Hamilton, creator of Captain Future and author of the majority of the full-length novels, returned to pen seven more Captain Future stories. His style had matured, as had his original audience, and these final seven Captain Future stories are considered to be some of his best. Captain Future left the pages of Startling Stories with the May 1951 issue, but editors left open the possibility that Captain Future might return some day. True fans are still waiting. Until then, Captain Future returns in these vintage pulp tales, reissued for today’s readers in electronic format. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle storeBarnes and Noble Nook store, and RadioArchives.com! Search for RadioArchives.com in iTunes with over 200 eBooks are available.
 

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Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

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Pulp fiction’s Master of Men returns in two classic stories from the 1930s. First, in “Death’s Crimson Juggernaut” (1934), horror stalks the city as helpless victims are found brutally murdered — by crucifixion! Whole buildings are burned to the ground to further a mad scheme, and no crime is too terrible for the Torture Killers. Richard Wentworth joins the fray as The Spider, and finds himself blinded! Can a sightless Spider hope to win against these odds? Then, in “Claws of the Golden Dragon” (1939), A sinister carving of a scarlet scorpion warns Richard Wentworth of a Chinatown crisis. As soon as he investigates, Nita and Ram Singh are captured and destined to die by torture! Devious traps bring sudden death to all who oppose The Dragon, a horrible death as parasitic orchids burst from the chests of the doomed! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95! On sale for $12.95, save $2.00

 

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Margo Lane Special
Who knows what evil lurks in the hearts of men? The Shadow knows! The Knight of Darkness explores deadly enigmas in the Walter Gibson thrillers that introduced Margo Lane into the Shadow pulp mythos. First, The Shadow and Margo Lane (in her pulp debut) confront the deadly lightning of Thor, The Thunder King. Then, The Shadow investigates the strange machinations of the Secret Six whose giant sapphire, The Star of Delhi. is the centerpiece for serial murders. BONUS: The Witch Drums, a long-lost thriller from Orson Welles’ legendary Shadow broadcasts! This instant collector’s item showcases both classic pulp covers by Graves Gladney plus the original interior illustrations of Paul Orban, with historical commentary by Will Murray and Anthony Tollin. who pays tribute to the late Margot Stevenson, “the Woman who was Margo Lane.” $14.95.
 
The pulp era’s legendary superman returns in two action-packed novels by Alan Hathway and Lester Dent writing as “Kenneth Robeson.” First, the Man of Bronze confronts the deadly menace of The Headless Men, decapitated zombies commanded by a mad genius in the landmark 100th Doc Savage novel. Then, in his first solo adventure, a disguised Doc Savage travels to King Joe Cay to infiltrate a gang of schemers. This double-novel collector’s edition features the original color pulp covers by Emery Clarke and Modest Stein, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. $14.95.

What manner of men were these who burned their victims alive — and in public! With flaming pyres adding their nightly terror to a city already tasting the grim pangs of slow starvation, the Spider, revealed at last, is forced to disappear! Can Richard Wentworth, unmasked and in hiding, successfully combat the Flame Men? in this finely produced replica, including all the material from the original magazine, yet packaged for easy storage and enjoyment of modern readers!
 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00

 
 
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The shattering sequel to Fortress of Solitude.
 
The Doc Savage exploit that went untold for 74 years—Death’s Dark Domain!
 
In the aftermath of the evil John Sunlight’s pillaging of the secret Fortress of Solitude, a dreadful super-weapon has fallen the hands of a Balkan dictator intent upon seizing control of the vampire-haunted zone of desolation known as Ultra-Stygia. War is imminent. Monsters are loose in the disputed region. A strange darkness falls over the sinister landscape. Only Doc Savage, the Man of Bronze, understands the terrible threat to humanity. And only he can prevent the terror from spreading…
 
There are unknown Things prowling the darkest patch of land on the planet. Haunted by creatures that might have emerged from the Hell’s lowest regions, ancient Ultra-Stygia has turned into a cauldron of conflict between rival countries. Monster bats careen through the night sky. Invisible Cyclopes patrol the scorched battleground. And a power beyond understanding robs men of their vision.
 
Can the 20th century’s premier scientist and superman untangle this Gordian knot of carnage before neighboring nations are drawn into an apocalyptic new world war? Or will the Man of Bronze succumb to an unstoppable power he himself has unleashed upon mankind?
 
From the frozen Arctic to the war-torn Balkans, Doc Savage and his fighting five follow a winding trail of terror to a blood-freezing climax.

 
Death’s Dark Domain features a fantastic cover painted by Joe DeVito! $24.95.

 

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Back in print after 20 years! The rare Lester Dent-Will Murray collaboration resurrecting the original pulp superman…
 
Also available is the first Altus Press edition of Will Murray’s 1993 Doc Savage adventure, The Forgotten Realm. Deep in the heart of the African Congo lies a secret unsuspected for thousands of years. Doc Savage and his men embark on a quest to discover the secret of the strange individual known only as X Man, X for unknown. Before they come to the end of the trail, they find themselves fighting for their lives like gladiators of old!
 
No one knows who—or what—the strange being who calls himself “X Man” truly is. He was found wandering the ruins of a crumbling Roman fort, dressed in a toga, speaking classical Latin—and clutching a handful of unearthly black seeds.
 
Declared insane, the X Man patiently tends his weird plants until the day, impelled by a nameless terror, he flees Wyndmoor Asylum to unleash a cyclone of violence that is destined to suck the mighty Man of Bronze into the blackest, most unbelievable mystery of his entire career. For far from Scotland lies a domain of death unknown to the world and called by the ancient Latin name of Novum Eboracum—New York!
 
From the wild Scottish moors to the unexplored heart of darkest Africa, Doc Savage and his indomitable men embarked upon a desperate quest for the Forgotten Realm….
 

The Forgotten Realm features a spectacular cover painted by Joe DeVito! $24.95.
 
 

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By David White

 

The Spider finds himself jumping out of the frying pan and into the fire almost literally in this adventure. The Spider is again wrongly accused of a murder, but this time Richard Wentworth finds himself in the hands of the police for this crime. Having gathered what they believe is concrete evidence that he is the Spider, the authorities are taking no chances on him once again gaining his freedom. Though Wentworth and Kirkpatrick are the best of friends, Stanley can’t shirk his duties. Richard Wentworth’s fate is left to the few companions that he can always count on as well as his vast knowledge if he is to avoid the chair!

Meanwhile a homicidal maniac seems to be looking to set ablaze the world’s food supply. One after another, major food suppliers in the area are watching not only their product, but in many cases their workers being burnt to a crisp by the hideous figure known as ‘The Red Mask.’ He appears to have no rhyme or reason, but the Spider has it all figured out. He knows that the man must be tied into the food business in some form, and therefore is looking to drive the market up.

The odds are stacked against the Spider as he is literally held in wrist and ankle shackles, but somehow must escape to put a stop to this new menace that threatens the world’s food supply.

Yonkers! That’s right, I said Yonkers, but not as an expression. This is the place in New York state where the Spider brings all the wits and daring he can against a man that will stop at nothing to further his own personal greed. The lives of many mean nothing as they are literally set ablaze in an all consuming hellfire caused by special incendiary bombs. The bombs are fast acting, and whatever they touch, erupts into a blazing infernal of high temperature fire.

The action is as fast paced as we Spider fans like it, and the heat is on from start to finish, but fear not, the Spider always has the last laugh! Thrill to this Spider tale.

Girasol Replica #6 $35.00 / eBook $2.99.
 
 
 
 
Comments From Our Customers!

 
Larry Black writes:
You are a great respite from this hustle, bustle world we live in. I really enjoy going back to the days when entertainment was more of an audience-interactive thing that required a vivid imagination, and your service definitely supplies that. Keep up the great work!
 
David Ward writes:
I purchased from the RadioArchives site direct because, just as Amazon has a half dozen Terror Tales volumes not listed on RadioArchives, there are also a half dozen volumes on RadioArchives which aren’t listed on Amazon. I wanted them all so I had to buy from both sites. I prefer RadioArchives.com as the cheaper prices and multiple formats is better value, and it’s good to be kept informed of future releases, etc. It’s great to hear that more ebooks and especially audiobooks are planned. The two readers on Terror Tales are perfect for the spirit of these stories. I never envisaged a day when 30’s horror pulp tales would be available on audiobook (aside from the usual Lovecraft, etc), let alone done so incredibly well! Happy New Year!
 
Joseph Weeg writes:
You all are doing a wonderful thing keeping these books in print and I want to make sure I’m doing my part too. 
 
Gerald Cooper writes:
Hello, absolutely love the new Doc Savage audio books. I am hooked on them. I only wish that there were more of them. Can you give us some idea of what and when the next releases will be? Thank you
 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UN-SUBSCRIBE and your name will immediately be removed from our mailing list.
 

IT’S LUCKY #14 FOR THE SHADOW FAN PODCAST!

The Shadow Fan podcast returns for a 14th episode! This time around, New Pulp Author Barry Reese announces some exciting news regarding a future show before diving into reviews of “The Bride of Death” (Radio Show, 3/6/38) and The Shadow Special # 1 from Dynamite. He also responds to some listener feedback!

If you love The Shadow, now’s the time to start downloading!
Join the conversation about pulp’s greatest hero today at  http://theshadowfan.libsyn.com/the-bride-of-death.

NANCY HANSEN’S PROPHECY’S GAMBIT DEBUTS FROM HANSEN’S WAY AT PRO SE PRESS!


Pro Se Productions, a leading Publisher of Genre Fiction and New Pulp, announces the release of the latest work from one of Pro Se’s most prolific and popular authors, the imagination behind the Pro Se Imprint, Hansen’s Way-Nancy A. Hansen!

From Fantasy Author Nancy A. Hansen’s very own imprint- Hansen’s Way- Comes PROPHECY’S GAMBIT, the follow up novel to Hansen’s stunning best selling novel debut FORTUNE’S PAWN!

 Left to pick up the pieces of a life in upheaval after her harrowing adventures in FORTUNE’S PAWN, young Callie makes a disconcerting discovery: she is carrying the child of a clandestine and forbidden union. While the mundane existence of a barmaid in a frontier town holds its own challenges, the world around her is realigning in a most sinister and dangerous way. Calculating eyes, benevolent and malicious, are now turned in her direction; and Callie finds herself in the midst of ever-increasing intrigue to control her destiny. Will this headstrong and courageous young woman—who has within her the spark of life that could bring together a diverse legion of defenders—survive long enough to carry this pregnancy to term? Or will Callie forfeit her place in legend and history to protect the shameful secret of her unborn child’s heritage and unknowingly sacrifice everyone else’s hopes and dreams in the process? Find out in PROPHECY’S GAMBIT by Nancy Hansen-part of her Hansen’s Way imprint from Pro Se Productions!  Featuring Cover Art by Terry Pavlet, Format and Design by Sean E. Ali, and Ebook Design and Format by Russ Anderson!

Available at Amazon in print-  http://tinyurl.com/9w7upok  Also available at at Pro Se’s Createspace store- 
http://tinyurl.com/arghf3r for $15.00And for $2.99 on your Kindle at http://tinyurl.com/agol29y.   The Ebook is also available at www.smashwords.com and for your Nook at http://www.barnesandnoble.com.


A writer of fantasy and adventure fiction for over 20 years, Nancy Hansen is the author of the novel FORTUNE’S PAWN, and anthologies TALES OF THE VAGABOND BARDS and THE HUNTRESS OF GREENWOOD— all available from Pro Se Press under her imprint Hansen’s Way. Her short stories have been featured in many issues of Pro Se Presents. She is also Assistant Editor and head cheerleader for the company. She has contributed stories to both Airship 27 and Mechanoid Press anthologies as well. Nancy currently resides in beautiful rural northeastern Connecticut with an eclectic cast of family members, and one very spoiled dog.

Pro Se Productions-www.prosepulp.com

For Review Copies and Interviews with the Author, please email proseproductions@earthlink.net

REVIEW: Dredd

dredd1-4514935Despite Karl Urban uttering, “I am the law” his overall demeanor was just one of the many disappointments in the new film take on the classic 2000 AD hero, Judge Dredd. Dredd is out on home video this week from Lionsgate and it is amazing how bored I was watching it.  The majority of the 96 film takes place in the Peach Trees Block and is effectively Dredd playing John McLane, trying to survive a sealed off building under siege.

It’s hard to watch this without comparing it with the Sylvester Stallone misfire of the 1990s. While the story sucked and the star violated the character by taking his helmet off a lot, it looked like the weekly comic come to life. The high tech, futuristic clutter of Mega City One was expertly captured, reminding us of how much the visual of Blade Runner derived from the British comic which has been around since 1977. Also, the costuming was perfect. Here, everything is scaled down and the Judge’s uniform does not look anywhere near as imposing.

Urban, no stranger to the genre, gets credit for playing the character accurately, keeping the helmet on and the upper lip and jaw prominent. On the other hand, he is not physically imposing as Stallone was or as Spanish artist Carlos Ezquerra envisioned him.

We open with a voiceover setting the stage telling rather than showing and this vision is less imposing than the one in the comics. Somehow, the corridor from Boston to Washington has become this singular city with these 200+ story blocks that have become isolated communities. In this one, Ma-Ma (Lena Headey), a drug-dealer/gang leader has become the distributor for a new drug and a routine case pits Dredd and the rookie Judge Anderson (Olivia Thirlby) against an entire community out for blood.

This is more Anderson’s story than Dredd’s and we learn about her mutant ability is that of the most powerful psychic the Justice Department has ever seen. She is deemed ready for evaluation and goes out with Dredd and becomes embroiled in the case. Thirlby, a rising independent film star, is the best part of the film, but then again, she has the most to work with. Her interactions with the prisoner Kay (Wood Harris) give the film any sense of character.

Everyone else plays a type, from the stoic Dredd to the stereotypical Ma-Ma. Headey, a genre veteran, snarls nicely but has little else to do and seems not to care. Dredd is the most feared Judge of all but here, he lacks that reputation which diminishes the character.

The movie is a hard R with exceptionally graphic violence and gore courtesy of director Peter Travis. He’s done this sort of thing before and he handles it well, but doesn’t seem to know what else to do with the characters so has them run, hide, shoot, bleed, repeat.

The best of the extras is “Mega-City Masters: 35 Years of Judge Dredd” (14:27) where creators Ezquerra and John Wagner, accompanied by Brian Bolland, Mark Millar, Jock, Chris Ryall and others, discuss the uniqueness of the character and the opportunity the series has given the writers and artists for topical social and political satire. Everything that is just over the top enough to remain entertaining and amusing in the comics is absent from the film. Screenwriter Alex Garland is exceptionally talented but appears to have read a Wikipedia entry about the series before writing the script. This is perhaps the biggest disappointment of the film, which died at the box office, as much for inept marketing as a poor adaptation of the source material.

The other special features include “Day of Chaos: The Visual Effects of Dredd 3D” (15:21), although this is wasted on those of us who don’t care about 3-D; “Dredd” (1:53), “Dredd’s Gear” (2:31), “The 3rd Dimension” (2:00), about the film’s stereo, and “Welcome to Peach Trees” (2:33).There’s a little more Ma-Ma character substance in the motion comic prequel (2:57).

The combo set includes the 2-D, 3-Dand ultraviolet digital copy. This is the first combo set I have seen without a standard DVD version offered, a portent of the future.

Also included in this set is a digital copy of the film and an Ultraviolet stream or download.

OTR, PULP, AND MORE FROM RADIO ARCHIVES!

RadioArchives.com Newsletter

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January 4, 2013
 
Featuring the “big three” pulp heroes, Doc Savage, The Spider and The Shadow, the redesigned Pulp Book Store is much easier to navigate and find the products you want.
 
Whether it’s the latest Doc Savage double novel reprint or the 330 Pulp replicas offered by Girasol Collectables, you’ll be able to find exactly what you are looking for, quickly and easy. The Pulp Book Store also spotlights best selling products in its Highly Recommended section and offers great deals on special items in its Bargain Basement.
 
Popular Characters, quality products and more can be found in the new, easy to use Pulp Book Store!
 
Darrel Lantz writes:
“Keep the downloads half the price of CDs permanently please!”
Thanks, Darrel, and we’re listening! Due to your comment and hundreds of similar requests by many of our customers, Old Time Radio and Audiobook Digital Downloads will now be regularly priced at half the cost of our Audio CD sets! What started as a one newsletter experiment is now permanent!

 
 
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Lorne Greene and Westerns. Andy Griffith and Comedy. Vincent Price and Mystery. Cicely Tyson and Love & Hate. Leonard Nimoy and Adventure. Only one Radio Program boasted this line up and lived up to it. And its 20 final episodes have been collected in Mutual Radio Theater, Volume 5 from Radio Archives!
 
An entry in the comeback of radio drama in the late 1970s and early 1980s, Mutual Radio Theater provided new shows five nights a week for its entire run. Written by leading names in radio, Mutual Radio Theater also sported something that every show needs to succeed. Star power. And that didn’t stop with the nightly hosts.
 
The shows were peopled with stars from both classic radio and modern television and movies. Names from the golden era of radio drama included John Dehner, Vic Perrin, Hans Conried, Marvin Miller, Parley Baer, Elliot Lewis, Jeff Corey, Virginia Gregg, and Lurene Tuttle. Modern entertainment lent some of its best talent as well to Mutual Radio Theater, including Tom Bosley and Marian Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, and Jesse White.
 
The final volume from Radio Archives, Mutual Radio Theater, Volume 5 is a 20 CD set of programs as they originally aired, complete and uncut, with original commercials, and produced in full stereo-high fidelity. Thrills, chills, laughs, tears, and more. Radio Mutual Theater, Volume 5 is a star studded finale to a truly classic collection! Now available for $59.98 from Radio Archives! 20 hours $59.98 Audio CDs / $29.99 Download.
 
Bonus: Mutual Radio Theater broadcast 103 unique shows. The final three shows will be included FREE with every order of Mutual Radio Theater, Volume 5 until January 17th. These three hour long shows will not be available after January 17th.
 
 
 
 

 

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Read by Michael C. Gwynne
 

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Take Leslie Charteris’ popular rogue, Simon Templar—better known as The Saint—add a dash of Carroll John Daly’s merciless crime-crusher, Satan Hall, then mix well with the Spider, and you have William O’Sullivan’s Captain Satan.
 
A 1930s Robin Hood, dashing Cary Adair steals from the wealthy—and splits the proceeds with his well-named Satan’s Crew. They are a loose collection of shifty characters with monikers like Doc, Kayo, Soapy, Big Bill and Gentleman Dan—many of whom don’t survive working for the satanic captain for very long. That was the refreshing thing about William O’Sullivan’s dashing demi-hero: In the realistic and hard-hitting milieu he painted, not every heroic henchman lives to fight another day.
 
As Satan tells them: “You know my principles: To smash every crook I can lay my hands on—and what he has is mine. I’ll break every petty or large crook, every swindling racketeer or grafting politician or gyp banker I can lay my hands on. The terms you already know. What they have is ours. I pay the expenses and take a one third cut. You boys spilt the remainder on equal shares.”

William O’Sullivan was a prolific producer of pulp crime, sports and aviation stories. He penned only five novels for Captain Satan magazine, but they are nice smooth examples of 1938 pulp. And they carry the distinct flavor of Popular Publications—a kind of pulpy Warner Bros. movie on paper.

 
One amusing thing about Cary Adair is that he was best buds with the head of the F.B.I.—in this series called Jo Desher. In real life, he was J. Edgar Hoover. Desher soon begins to suspect that his wealthy friend is the brains behind Captain Satan. But proving it is another matter….
 
The Mask of the Damned chronicles the first exploit of Cary Adair, and is ripped from the pages of Popular Publications’ premier issue of Captain Satan, dated March, 1938. Michael C. Gwynne narrates the action. Also included in this Total Pulp Experience audiobook is William R. Cox’s intriguing short story, “Mr. Detective is Annoyed.” hours $23.98 Audio CDs / $11.99 Download.
 

 
 

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Six New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

A mass-murder weapon, too horrible for war, was sweeping New York with fire — under the barbaric, pitiless direction of the Master of the Flame Men! First warning of the unseen cloud of death was a breath of tainted air that transformed a sombre populace into a laughing, drunken riot. Then came a blast that would smash a skyscraper into bits… From the charred and twisted embers of the towering holocaust, Richard Wentworth rose, in the fear-inspiring guise of the Spider, to smoke the arson assassin out from behind the machine guns of his flame-cloaked bodyguard — and fight for the lives of a reeling, giggling people too blind-drunk to flee! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
At the coming of the Silencer, dread stillness blanketed all Manhattan — for no one’s most secret thought was safe from that prying terror-monarch who blackmailed men into bloody suicide! Neither trembling citizen, nor great corporation, was safe in this new crime empire, whose subjects were faceless corpses and whose coffers were jammed with gang-gathered gold. Richard Wentworth, in the Spider’s strange disguise, takes up his own weird weapons to fight the greatest battle of his career — against a monster who made a fortune out of harmless fools and struck a whole city dumb before it died! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.

 
The Scarlet Baron, a shrewd, criminal demagogue, had inflamed the American people to white-hot madness by his false promises of wealth for all! Great hosts of misguided men stormed the country, bent on plunder, rapine and murder. Countless innocent persons, were slaughtered, burned, crucified. No human was safe from one moment to the next. The greatest nation in the world had gone completely mad!… Only a pitiful handful of men were left to preserve the ideals of American liberty and justice. Headed by Jimmy Christopher, Ace of the Intelligence, they did their valiant best. With Diane Elliot and Tim Donovan apparently sacrificed in vain — with his own life a forfeited pawn — Operator 5 faces the gravest crisis of his career and his most dangerous enemy! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.

 
 
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by Bruno Fischer, writing under the pen names of Harrison Storm and Russell Gray, reissued for today’s readers in electronic format. $2.99.

 

They called them the Ambassadors From Hell — these fighting fools of Satan’s Crew. Captain Satan! — only a name, but burned by the brand of justice into the heart of the underworld! Strange Detective Mysteries premiered in October of 1937.  After two issues, it changed its title — and its focus — to Captain Satan.  It featured a crime-fighting hero much in the style of Robin Hood or The Saint, who robbed from the crooks — a grim, hard vigilante of justice.  By day, he was wealthy Cary Adair.  By night, Captain Satan!  Assisted by a dozen aides, none of whom knew the identities of the others, this scourge of the underworld brought terror to all men of evil who saw his calling card, a devil figure projected onto the wall by a portable light. The series lasted a short five issues from March 1938 until July 1938, and then returned to Strange Detective Mysteries where it continued for 26 more issues into mid-1943. Captain Satan now returns in these vintage pulp tales, reissued for today’s readers in electronic format. $2.99.
 

by Marian O’Hearn
Get a taste of Romance in the Old West in Rangeland Romances #14.  One of the most popular genres of the Pulp era, the western romance appealed to men and women alike, combining the draw of love and drama with the six-gun. In Fiesta Kisses are SweetestNedra despised rancher Bill McVeigh so furiously and unalterably — that she decided to be that arrogant cattle-king’s very last romance. When she gave rancher Bill a double dose of love-’em-and-leave-’em — she never figured she’d get stuck on the lovin’! Presented in a beautifully formatted eBook for easy reading, this tale of love and action on the frontier is a good addition to your eBook collection. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle storeBarnes and Noble Nook store, and RadioArchives.com! Search for RadioArchives.com in iTunes for over 200 eBooks are available.
 

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Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

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The legendary Master of Men returns in two classic stories from the 1930s. First, a spider should be able to catch a fly, but this particular Fly has other plans in mind! In Prince of the Red Looters (1934), you’ll join Richard Wentworth as he battles a criminal mastermind more lethal, more ruthless than any he has encountered before. So confident is the Fly of his own abilities that he dares challenge The Spider himself to a duel – to the death! Then, in The City That Dared Not Eat (1937), New York City staggers under a vicious crime wave aimed at controlling the very food supply! Mass murder, wholesale poisoning — nothing is beyond the maniac leading a gang of ruthless killers in their battle for supremacy. While The Spider matches guns and wits against an army of crime, the city starves! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95! On sale for $12.95, save $2.00

 

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Margo Lane Special
Who knows what evil lurks in the hearts of men? The Shadow knows! The Knight of Darkness explores deadly enigmas in the Walter Gibson thrillers that introduced Margo Lane into the Shadow pulp mythos. First, The Shadow and Margo Lane (in her pulp debut) confront the deadly lightning of Thor, The Thunder King. Then, The Shadow investigates the strange machinations of the Secret Six whose giant sapphire, The Star of Delhi. is the centerpiece for serial murders. BONUS: The Witch Drums, a long-lost thriller from Orson Welles’ legendary Shadow broadcasts! This instant collector’s item showcases both classic pulp covers by Graves Gladney plus the original interior illustrations of Paul Orban, with historical commentary by Will Murray and Anthony Tollin. who pays tribute to the late Margot Stevenson, “the Woman who was Margo Lane.” $14.95.
 
 
The pulp era’s legendary superman returns in two action-packed novels by Alan Hathway and Lester Dent writing as “Kenneth Robeson.” First, the Man of Bronze confronts the deadly menace of The Headless Men, decapitated zombies commanded by a mad genius in the landmark 100th Doc Savage novel. Then, in his first solo adventure, a disguised Doc Savage travels to King Joe Cay to infiltrate a gang of schemers. This double-novel collector’s edition features the original color pulp covers by Emery Clarke and Modest Stein, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. $14.95.
 

 
Unseen, impregnable, the strange war engine of a foreign power hovered over America, waiting the fatal moment to hurl death upon a thousand cities and towns. Foredoomed to destruction and desolation before the ravaging hordes of the Yellow Empire, bleak despair gripped the nation’s millions. And then men held their breath in agonizing hope — as Operator 5, single-handed, seized the last grim chance to save the United States!
 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00
 
 
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The shattering sequel to Fortress of Solitude.
 
The Doc Savage exploit that went untold for 74 years—Death’s Dark Domain!
 
In the aftermath of the evil John Sunlight’s pillaging of the secret Fortress of Solitude, a dreadful super-weapon has fallen the hands of a Balkan dictator intent upon seizing control of the vampire-haunted zone of desolation known as Ultra-Stygia. War is imminent. Monsters are loose in the disputed region. A strange darkness falls over the sinister landscape. Only Doc Savage, the Man of Bronze, understands the terrible threat to humanity. And only he can prevent the terror from spreading…
 
There are unknown Things prowling the darkest patch of land on the planet. Haunted by creatures that might have emerged from the Hell’s lowest regions, ancient Ultra-Stygia has turned into a cauldron of conflict between rival countries. Monster bats careen through the night sky. Invisible Cyclopes patrol the scorched battleground. And a power beyond understanding robs men of their vision.
 
Can the 20th century’s premier scientist and superman untangle this Gordian knot of carnage before neighboring nations are drawn into an apocalyptic new world war? Or will the Man of Bronze succumb to an unstoppable power he himself has unleashed upon mankind?
 
From the frozen Arctic to the war-torn Balkans, Doc Savage and his fighting five follow a winding trail of terror to a blood-freezing climax.

 
Death’s Dark Domain features a fantastic cover painted by Joe DeVito! $24.95.

 

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Back in print after 20 years! The rare Lester Dent-Will Murray collaboration resurrecting the original pulp superman…
 
Also available is the first Altus Press edition of Will Murray’s 1993 Doc Savage adventure, The Forgotten Realm. Deep in the heart of the African Congo lies a secret unsuspected for thousands of years. Doc Savage and his men embark on a quest to discover the secret of the strange individual known only as X Man, X for unknown. Before they come to the end of the trail, they find themselves fighting for their lives like gladiators of old!
 
No one knows who—or what—the strange being who calls himself “X Man” truly is. He was found wandering the ruins of a crumbling Roman fort, dressed in a toga, speaking classical Latin—and clutching a handful of unearthly black seeds.
 
Declared insane, the X Man patiently tends his weird plants until the day, impelled by a nameless terror, he flees Wyndmoor Asylum to unleash a cyclone of violence that is destined to suck the mighty Man of Bronze into the blackest, most unbelievable mystery of his entire career. For far from Scotland lies a domain of death unknown to the world and called by the ancient Latin name of Novum Eboracum—New York!
 
From the wild Scottish moors to the unexplored heart of darkest Africa, Doc Savage and his indomitable men embarked upon a desperate quest for the Forgotten Realm….
 

The Forgotten Realm features a spectacular cover painted by Joe DeVito! $24.95.

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By John Olsen
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City of Crime takes The Shadow to Westford. Crime had infiltrated to the very highest levels of city government and it would take all the power and abilities of The Shadow to defeat the mobsters who ruled with impunity.
 
Westford is in the hands of mobsters, starting with low-lifes like Lance Gillick who runs the Club Adair as a gambling joint, and his lieutenant Beezer Dorsch. Gillick and Dorsch are getting away with murder… literally! It’s all simple when the Director of Police Kirk Borman is one of the mobsters running the show. And he’s created the Flying Squadron, a special khaki-clad force of forty officers who are in actuality hand-picked thugs. To the public, this is a special task force that can be rapidly deployed into action against crime. But in reality, it’s a cover-up squad that covers for crooks and guns down any innocents in the way.
 
The Shadow is on the case! And it’s a good thing, because without The Shadow, the entire town of Westford would fall under the evil sway of the mobsters hidden in the guise of high-level officials.  During most of the story, The Shadow works alone in Westford in his disguise as Theo D. Shaw, described as a tall, haggard-faced individual, whose eyes were restless. But this character is soon framed by the corrupt officials, and is on the run, himself. So The Shadow shows up next in another disguise; that of Trig Callister, a New York gangster and trigger-man.
 
It should be pointed out that The Shadow’s disguise as Theo D. Shaw was never used again in any other pulp novel. Apparently it was a throw-away disguise, one which he had no interest in keeping.

Even though World War II was still a ways off, apparently feeling against Japanese was running high. It shows in the racial slurs in this story. Haija, crime boss Stephen Ruthley’s Japanese house-man, is constantly referred to as a “grinning Jap.” And The Shadow has oppor-tunity to whip him good, using his own jujitsu against him. American readers probably found satisfaction in that.
 

This was a fun little crime drama. No ghosts, mad scientists or exotic locales. Just a straight-forward gangster tale, well told as only Walter Gibson could. And this tale plus another full length Shadow novel can be yours in The Shadow, Volume 16. $12.95

 

Comments From Our Customers!
 
Elizabeth Hill writes:
Happy New Year! Thank you for all the wonderful deals you have offered this Christmas season. Thanks for good quality entertainment! I look forward to each newsletter to see what wonderful treasures you have saved for us to enjoy. Happy New Year!

 
Ken Prestley writes:
I love your newsletters.
 
Carolyn Andersen writes:
I am delighted and grateful that Railroad Hour, Vol. 4 has arrived! I had made a suggestion that Rise Stevens be included in a volume, but Jeanette MacDonald is most welcome! Thanks, and MERRY CHRISTMAS!
 
Darrel Lantz writes:
A fabulous sale! More sales like this and I’ll keep coming back! Keep the downloads half the price of CDs permanently please! Thank you so much for your great customer service!
 
Eric Troup writes:
The Fibber McGee and Molly Show: The 1939/1940 Season
I’ve had this great Fibber and Molly set for quite a while now, and I’ve been meaning to write you and thank you for it for nearly as long, but life got in the way. This set is amazing–not only because of the quality of the restored recordings, but also because of the number of firsts which occurred in this season of the show.
 
First, the quality. One would think that by now, I’d have become so accustomed to the great quality of your work that it would cease to amaze me, and yet, that is simply not the case. Considering the age of these episodes, I listen to the orchestral numbers and marvel at the separation which can be heard among the instruments. Oh, of course, I don’t mean separation in a stereophonic sense, but rather, in the clarity of the sounds. I can hear the crispness of the saxophones, the brightness of the brass, the smoothness of the strings. To compare to my average listening experience with old-time radio programs, if I heard a similar song, I’d know there was a brass section, a saxophone section and a string section, but the sound would not be nearly so well-defined. And that’s just the music! Barring small sections where one can hear some scratching buried deep in the background (which in no way affects the listening experience, I assure you!), the actors’ dialogue shines through with a pristine clarity which far surpassed my admittedly high expectations. (Hey, don’t blame me if you set the bar so high as to raise my expectations to such a degree.) And my, how young Harlow Wilcox sounds in these recordings!
 
Okay, enough about the quality. What are the “firsts” listeners can look forward to herein? Let’s see …
 
The first appearance of a certain Throckmorton P. Gildersleeve. There are even a few instances in the early episodes of the set where Hal Perry makes an appearance as other small roles, before Gildy is “officially” introduced. By the end of 1941, he would have his own spin-off show.
 
The first occurrence of the hall closet being opened. One of the most famous bits of Fibber and Molly comedy, and it got its start right here in this season of the show.
 
And last, but in no way least, this season introduces us to the King’s Men, who, if I’m not mistaken, would stay with the show to the end of the Johnson’s Wax run. We don’t get to hear their traditional “‘Twas the Night Before Christmas” piece yet, but we do get to hear plenty of examples of why these four men are among the most talented quartets of the era … at least, in this listener/reviewer’s opinion.
 
All of this is just a long-winded way of saying thank you for providing this complete season of shows, which is not only a great season of comedy, but also a real slice of Fibber and Molly history. I hope there are more season sets to come. You can be sure I wil be a proud purchaser!

 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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