Tagged: Robert E. Howard

Grind Pulp Podcast Ep06 – The Epic Conan of Cimmeria Episode!

BY CROM!!!

In the latest episode of the Grind Pulp Podcast, the team discuss three Conan stories and three Conan movies. Things start slow but soon escalate as we get deeper into the stories and dive headlong into the Conan films. The Howard stories have become public domain and are available for free. This episode includes a special appearance of a Warlock and is the most epic Conan podcast ever!

Stories:
1. “The People of the Black Circle” (1934) by Robert E. Howard
2. “Legions of the Dead” (1978) by Lin Carter and Sprague de Camp
3. “The Tower of the Elephant” (1933) by Robert E. Howard

Movies:

1. “Conan the Barbarian” (1982) – directed by John Milus. Starring Arnold Schwarzenegger, James Earl Jones, and Max Von Sydow.
2. “Conan the Destroyer” (1984) – directed by Richard Fleischer. Starring Arnold Schwarzenegger, Grace Jones, and Wilt Chamberlain.
3. “Conan the Barbarian” (2011) – directed by Marcus Nispel. Starring Jason Momoa, Ron Perlman, and Rose McGowan

This Epic Conan Episode clocks in at an hour-and-a-half, and we didn’t even scratch the surface. That adventure will be up to you.

You can listen to Grind Pulp Podcast Episode 06: Conan of Cimmeria aka The Epic Conan Episode here or via itunes.

GUEST ESSAY BY AUTHOR MICHAEL A. GONZALES-B-BOYS, PULP CULTURE, AND BLACK PULP!

  • News
  • June 22, 2013

On B-Boys and Pulp Culture:

Black Pulp edited by Gary Phillips and Tommy Hancock

by Michael A. Gonzales

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Michael A. Gonzales

Planet Hip-Hop has always overflowed with folks into various forms of

pulp culture. Over the years, I’ve interviewed many rap artists and

producers who shared their love for Star Wars, crime movies, karate

flicks and the novels of Iceberg Slim and Donald Goines. Still, I was

surprised when Queensbridge legend Nas told me in 1999 that he had

once created a Black Pulp hero when he was a kid.

“I used to used to draw my own character called Sea God,” Nas told me.

“I copied the body of Conan the Barbarian, but had him standing on the

corner instead of in the forest.” Without a doubt, I’m sure Nas isn’t

the only one with a stash of drawings and/or writings detailing the

bugged adventures of urban champions.

Last year, when respected crime novelist/comic book writer Gary

Phillips invited me to contribute a short story to his latest project

Black Pulp (Pro Se, 2013), co-edited with Tommy Hancock, I immediately

thought of that long ago conversation with Nas and decided I too

wanted to create a hood hero.

Leaning back in my office chair, I closed my eyes and thought of my

own pulp filled childhood growing-up in Harlem: of listening to old

Shadow radio programs that were released on records, watching

blaxploitation and kung-fu flicks every weekend, devouring the

Marshall Rodgers/Steve Englehart’s version of Batman, discovering the

weird worlds of Edgar Rice Burroughs and Robert E. Howard, watching

Buck Rogers/Flash Gordon serials on PBS and falling in love with the

work of pulp artist supreme Howard Chaykin, the dude George Lucas

requested to illustrate the first Star Wars comic book.

After an hour of drifting on those dusty memories, quicker than I

could say, “Batman and Robin, Green Hornet and Kato or Easy Rawlins

and Mouse,” my own pulp heroes Jaguar and Shep were born. The lead

character Coltrane (Jaguar) Jones owns a Harlem rap club called the

Bassment and drives through Harlem cool as Super Fly in a fly sports

car. His murderous friend Shep, who just got out of prison, becomes

his badass sidekick as the two self-appointed crime fighters go in

search of a music minded kidnapper.

Although I’ve never been big on constructing strict outlines for

fiction, I knew that I wanted the period to be 1988, the last year

Mayor Koch was in office. Crack was at its height, Public Enemy’s

brilliant It Takes a Nation of Millions was rockin’ the boulevards,

Dapper Dan was creating his bugged designer fashions and New York City

was still on the verge exploding.

Recalling Fab 5 Freddy, who also appears in the story, telling me

about the jazz/hip-hop shows he did with Max Roach at the Mudd Club in

the 1980s, the finished story told the tale of a be-bop lover trying

to rid b-boys and their music from the streets of Sugar Hill.

While working on the story, I consulted with my good friend Robert

(Bob) Morales, himself an accomplished comic book writer, co-creator

of the black Captain America graphic novel The Truth and a pulp

culture aficionado. Although he was working on a graphic novel about

Orson Welles at the time, he always found the time to talk. Once, when

I thought the Paul Pope/John Carpenter-Escape from New York inspired

climax might be too crazy, Bob reminded me, “It’s a pulp story…there’s

no such thing as too wild.”

So, after several weeks of calling Bob, sometimes a few times a day,

and writing, “Jaguar and the Jungleland Boogie” was finally finished.

Sadly, Bob Morales died suddenly on April 17, so I’d like to dedicate

the story to him.

In addition to my b-boy/be-bop tale, Black Pulp has a cool line-up of

creators of color that include famed novelist Walter Mosley, who

penned the introduction, Gar Anthony Heywood, Christopher Chambers,

Kimberly Richardson, Mel Odom and others.

Walter Mosley introduction:

CLASSIC PULP GOODNESS FOR YOUR EYES AND EARS FROM RADIO ARCHIVES!

  • News
  • February 16, 2013

RadioArchives.com Newsletter

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February 15, 2013

You can help Radio Archives – Reviews
 
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Regardless of the product, you can leave a review for it at Radio Archives. Click on the product you want to review. Go to the bottom of that product page and click ‘Be the First to Write a Review’ or ‘Write A Review’. Type in your opinion and then post it for others to take advantage of while shopping Radio Archives!

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“I’m The Comic Weekly Man, the jolly Comic Weekly Man and I’m here to read the funnies to you happy boys and honeys.”
This memorable theme song welcomed its audience to one of the most unique programs of the era of Classic Radio. The concept was simple. The Comic Weekly Man sang his song, then picked up the newspaper, flipped right to the comic strips, and read them aloud to millions of listeners, replete with different voices, music, and sound effects.
 
Airing on Mutual beginning in 1947, The Comic Weekly Man combined two pastimes important to American families, Radio and Comic strips. Reading from Puck: The Comic Weekly found in the papers owned by William Randolph Hearst, The Comic Weekly Man brought comic strip favorites – from Flash Gordon to Beetle Bailey, from Prince Valiant to Snuffy Smith – to life in a way most strips had never been heard.
 
One amazing aspect of this program is just how many voices were heard each week. The Comic Weekly Man, voiced by veteran radio actor Lon Clark, voiced all the male parts while Little Miss Honey, a young girl, assisted with the female roles. A whole cast of comic strip heroes and villains performed by two actors.
 
Fully restored, the sparkling audio quality of this collection features 12 episodes of comic strips turned radio adventures. Listen as the comic strips of your childhood joke, fight, and tickle their way to your ears with the The Comic Weekly Man. 6 hours $17.98 Audio CDs / $8.99 Download.
 
 
 
 
Listen to Lon Clark discussing The Comic Weekly Man from a 19944 FOTR panel discussion.
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Read by Roy Worley. Liner Notes by Will Murray
 
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One of the most successful pulp magazines ever envisioned was Ranch Romances. Combining Wild West settings with the eternal struggle to snag a mate, it ran from the 1920s clear to the ‘70s. Naturally, other publishers jumped on the wagon train. Popular Publications did so in 1935 with Rangeland Romances. First editor Rogers Terrill described his approach this way:
 
“Over a year ago we started a new magazine with a new idea. We started a romance magazine in which the hero and heroine fight side by side, live an adventurous life together, experience hope and despair, defeat and success, and finally love together. We brought out a magazine that was true to life; that was about characters who really could have lived and done those things that the author writes about.”
 
In other words, Rangeland Romances wasn’t just another Cinderella love pulp. The formula—which succeeding editors tinkered with from time to time—worked like a charm. Rangeland Romances ran for a generation.
 
For our first Rangeland Romances audiobook, we’ve chosen to record the August, 1948 issue in its entirety. All seven stories. It’s a hoot.
 
Described as a novel of “Border Romance,” Marian O’Hearn’s “Fiesta Kisses are Sweetest” leads off the collection. It’s followed by a brace of fun frontier novelettes, Art Lawson’s “Cupid Rules the Roost” and Isabel Stewart Way’s “No Sirens Wanted.” Four sizzling short stories follow. “Salty but Susceptible,” “Petticoat-Corralin’ Hombre,” “I’m Claiming That Guy!” and “Gambling Gal.”
 
These are sweet yet salty stories of determined cowgirls navigating the complicated courtship rituals of ranches ranging from the Dakotas to the Southwest. Pistol-packin’ Doris Day in Annie Get Your Gun! gives you a good idea of the flavor of the festivities. High Noon, this ain’t!
 
Read by Roy Worley. Gary Cooper, he ain’t either. 6 hours $23.98 Audio CDs / $11.99 Download.
 
 

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New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

Never more was the Spider to stalk the Underworld — so Richard Wentworth decreed when he retired to the quiet countryside to nurse his beloved Nita back to health. Yet into the very heart of that peaceful sanctuary swept such a bloody tidal wave that even Wentworth had never seen its like! From New York’s foul sewers had crept Crime’s mad dogs, turned loose to transform the whole country into a racket-ridden ruin! In that moment of ordeal, himself hunted by crook and law officer alike, Richard Wentworth knew that the Spider must rise again — to wage bitter warfare against a lawless legion that threatened to make ever America into an Empire of Terror! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
From the quaking earth, itself, roared the devilish decree that threatened to demolish New York — “Your souls are mine! When I speak you will obey!” For a satanic dictator, loosing the hordes of hell, had turned America’s greatest city into an Underworld Kingdom of Crime, and untold helpless thousands died, strangling, when the Emperor of Hades scattered his scarlet, slaying devil-dust! Reeking of sulphur and brimstone, it floated over Manhattan like a sinister death-cloud, and but one man — Richard Wentworth, with the Spider’s weird weapons — could hope to wage battle against that Mephistophelean murderer who had set a metropolis aflame with one blasting, furnace-like breath and turned loose the kill-maddened legions of the damned! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.

 
America, last citadel of freedom and democracy in the world, has made a valiant but futile stand against the ravening war hordes of the cruel conqueror, Rudolph I, the man whose super fighting machine is ruthlessly putting the nations of civilized man in thrall. Daily mass executions of men and women — even children — on the Eastern seaboard, are but one of the diabolical means of bringing the surviving patriots to heel. But there is one band that will never yield, who grimly say: “Death before dishonor!” Their leader, Jimmy Christopher, known to them as Operator 5, realizes that only one bold, desperate move can furnish his fellow Americans with the thundering fleet of air destroyers with which alone they can hope to save their country. Grimly, quickly, silently, he sets his plan in action! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine by Hugh B. Cave, reissued for today’s readers in electronic format. $2.99.

 

Murder, swift and unseen — taking as its toll the most prominent citizens of New York, and marking with blood and horror, the trail of the mysterious Black Lotus. What was the purpose of this silent scourge, that stilled the innocent in sudden death? Val Kildare knew this much at least; that the fiend behind this slaughter killed not for vengeance, but for pleasure! Wu Fang is a Chinese criminal mastermind and scientific genius. With his hybrid monkey-men, he plans to conquer America. He is member of various secret societies and has spies everywhere. Opposing him is Val Kildare of the F.B.I.  His aides, reporter Jerry Hazard, archaeologist Rod Carson and newsboy Cappy, help him in his battles against the sinister man of evil known as Wu Fang. $2.99.

 
 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 

How could Clay Cavanaugh protect his sweetheart from a man with Satan’s gifts? In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 

 

Lovely Tess knew that big ranches weren’t built on promises and moonlight kisses. She wanted her future safe-guarded against the ravages of wild range life — and she poured her whole heart into that kiss she gave Dusty, a kiss meaning… good-by! One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.

 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle store, Barnes and Noble Nook store, and RadioArchives.com! Search for RadioArchives.com in iTunes where over 200 eBooks are available.
 

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Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

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The legendary Master of Men returns in two classic stories from the 1930s. Hidden in the heart of New York’s Chinatown, the Emperor of Vermin unleashes all manner of foul creatures to spread disease and death. The Spider wages a seemingly hopeless battle to protect mankind from the menace of a monster who personifies evil incarnate in “Dragon Lord of the Underworld” (1935). Then, in “Satan’s Switchboard” (1937), no citizen, no corporation is safe from the dread schemes of The Silencer. No secret thought, no hidden act escapes his notice – and those he calls upon are found dead by their own hand, their faces horribly obliterated. Only The Spider dares defy this maniac, as he strikes back to end this terrible menace to society. These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95. On sale for $12.95, save $2.00

 

The Master of Darkness battles global crime conspiracies in two classic pulp novels by Walter B. Gibson writing as “Maxwell Grant.” Following the departure of Commissioner Weston, The Shadow attempts to prevent a Wall Street crisis brought on by “The Garaucan Swindle,” in the pulp classic that introduced Police Commissioner Wainwright Barth. Then, The Shadow must find a way to stop the secret gas that causes “The Death Sleep” to prevent a criminal plot to crack the United States Mint and the Bank of London. This instant collector’s item reprints both classic pulp covers by George Rozen plus the original interior illustrations of Tom Lovell, with historical commentary by Will Murray. $14.95.
 

The pulp era’s legendary superman returns in two action-packed novels by Alan Hathway and Lester Dent writing as “Kenneth Robeson.” First, the Man of Bronze confronts the deadly menace of The Headless Men, decapitated zombies commanded by a mad genius in the landmark 100th Doc Savage novel. Then, in his first solo adventure, a disguised Doc Savage travels to King Joe Cay to infiltrate a gang of schemers. This double-novel collector’s edition features the original color pulp covers by Emery Clarke and Modest Stein, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. $14.95.

Robert E. Howard
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00
 

 
 
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The shattering sequel to Fortress of Solitude.
 
The Doc Savage exploit that went untold for 74 years—Death’s Dark Domain!
 
In the aftermath of the evil John Sunlight’s pillaging of the secret Fortress of Solitude, a dreadful super-weapon has fallen the hands of a Balkan dictator intent upon seizing control of the vampire-haunted zone of desolation known as Ultra-Stygia. War is imminent. Monsters are loose in the disputed region. A strange darkness falls over the sinister landscape. Only Doc Savage, the Man of Bronze, understands the terrible threat to humanity. And only he can prevent the terror from spreading…
 
There are unknown Things prowling the darkest patch of land on the planet. Haunted by creatures that might have emerged from the Hell’s lowest regions, ancient Ultra-Stygia has turned into a cauldron of conflict between rival countries. Monster bats careen through the night sky. Invisible Cyclopes patrol the scorched battleground. And a power beyond understanding robs men of their vision.
 
Can the 20th century’s premier scientist and superman untangle this Gordian knot of carnage before neighboring nations are drawn into an apocalyptic new world war? Or will the Man of Bronze succumb to an unstoppable power he himself has unleashed upon mankind?
 
From the frozen Arctic to the war-torn Balkans, Doc Savage and his fighting five follow a winding trail of terror to a blood-freezing climax.

 
Death’s Dark Domain features a fantastic cover painted by Joe DeVito! $24.95.

 

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Back in print after 20 years! The rare Lester Dent-Will Murray collaboration resurrecting the original pulp superman…
 
Also available is the first Altus Press edition of Will Murray’s 1993 Doc Savage adventure, The Forgotten Realm. Deep in the heart of the African Congo lies a secret unsuspected for thousands of years. Doc Savage and his men embark on a quest to discover the secret of the strange individual known only as X Man, X for unknown. Before they come to the end of the trail, they find themselves fighting for their lives like gladiators of old!
 
No one knows who—or what—the strange being who calls himself “X Man” truly is. He was found wandering the ruins of a crumbling Roman fort, dressed in a toga, speaking classical Latin—and clutching a handful of unearthly black seeds.
 
Declared insane, the X Man patiently tends his weird plants until the day, impelled by a nameless terror, he flees Wyndmoor Asylum to unleash a cyclone of violence that is destined to suck the mighty Man of Bronze into the blackest, most unbelievable mystery of his entire career. For far from Scotland lies a domain of death unknown to the world and called by the ancient Latin name of Novum Eboracum—New York!
 
From the wild Scottish moors to the unexplored heart of darkest Africa, Doc Savage and his indomitable men embarked upon a desperate quest for the Forgotten Realm….
 

The Forgotten Realm features a spectacular cover painted by Joe DeVito! $24.95.
 

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By John Olsen
 

Crime, Insured pits The Shadow against a new racket that has sprung up in Manhattan: crime insurance. Crime has gone ultra-modern. Bigshots have discarded old-fashioned methods and are now insuring their crimes against failure. But can they insure against intervention by that master of the night, The Shadow?

It all starts with Wally Drillick, a smooth operator who spends his leisure hours in smart night clubs and high-priced taprooms. He’s been hired by Duke Unrig, a big-time crime boss, to pilfer the Melrue jewels. But The Shadow is on the job, guarding the jewels.

What we know, although The Shadow hasn’t learned yet, is that Duke Unrig insured his crime. If the robbery is thwarted, he receives payment from a mysterious insurance company. Also, while all this has been going on, a mysterious figure has been watching. This mysterious figure has identified three of The Shadow’s secret agents. Yes, one by one, the agents of The Shadow are being revealed to a thin, stooped figure who hides in the shadows. And finally, Lamont Cranston is revealed as The Shadow. Even the location of The Shadow’s sanctum is discovered!

The mastermind behind Crime, Insured now knows The Shadow’s agents, The Shadow’s sanctum and The Shadow’s disguise. And that means it’s time to attack. Attack the one man who stands to thwart crime, and cause Crime, Insured to pay out on its insurance policies. Without The Shadow, the company fortunes will soar.

Nearly all of The Shadow’s agents appear in this story. Criminologist Slade Farrow shows up along with his assistant Tapper, whose expertise at picking a lock is second only to The Shadow. Giant African Jericho Druke is another reserve agent who appears. Doctor Rupert Sayre joins in to assist with some radio direction finding tasks.

The New York Police is represented by Commissioner Ralph Weston and ace inspector Joe Cardona. Both get small parts, but don’t get to do much. Still, it’s nice to see them included here.

Finally, as I read this story, it occurred to me that there is another of The Shadow’s agents that we always seem to forget. He’s that unnamed announcer at radio station WNX who reads The Shadow’s coded messages over the air, and emphasizes certain words to indicate the secret message. Who is he? What’s his name? We are never told. But I would like to know more about this unsung agent.

This story is one of the pivotal ones in the saga of The Shadow. Only one other time, in the entire run of the magazine stories, was The Shadow’s sanctum invaded. Read as The Shadow battles the boldest and most amazing racket in the history of modern crime, and nearly loses his entire organization in the bargain. Get ‘Crime Insured’ and another classic Shadow novel in The Shadow Volume 1. Double Novel reprint $12.95

 
Comments From Our Customers!

 
Eugene Dungan writes:
I must say that I am really enjoying listening to all of your pulp fiction audiobooks. I now have 19 of your pulp fiction audiobooks and I have two more pulp fiction audiobooks on order right now.
 
Paul Gray from England writes:
Many thanks for the Mutual Radio Theatre vol.5  — as per usual it is all great listening. I have just downloaded the CBS Radio Workshop that I suggested to you a few months ago – this is superb – perhaps this could be part of an ongoing series. Over the past few months I have downloaded quite a few sets and found them all very interesting. It is good to know that you are keeping the downloads at half the cd price – superb.  best wishes
 
Walter Brantner from Austria writes:
Free Spider eBook. Yes please!!! :-) best from Austria, a pulp fan
 
Bruce Toews writes:
The job Radio Archives does is incredible and such an amazing value for my money.
 
Ed Sigmund writes:
Please, please, please, make The Shadow available as an ebook for Kindle.

 
Andy Wood from England writes:
I received the WJSV set on Wednesday and have been listening to it! Absolutely beautiful! Thank you so much. This has long been a favourite of mine and I’ve had several versions of it – this is the best sound by far that I’ve ever heard. Lovely packaging too.
 
The music played during the early morning music program, and during the wonderful Sundial program with the hugely enjoyable Arthur Godfrey is fabulous. One in particular, at the very end of disc two I believe, is introduced by Arthur Godfrey as the new one from Artie Shaw. The record is “Day In, Day Out” by Artie Shaw featuring Helen Forrest on lead vocals. This was a very new recording at the time of the broadcast, having been waxed on August 27th, less than a month earlier. Thanks again, really appreciate the set. Keep doing what you’re doing!
 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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CONAN TURNS 80!

  • Uncategorized
  • December 6, 2012

Robert E. Howard’s famous barbarian, Conan celebrates 80 years. Join the celebration at www.conan.com.

New Pulp Author Ed Erdelac wrote a nice blog on appreciating Conan at http://emerdelac.wordpress.com/2012/12/02/happy-80th-birthday-conan-the-cimmerian/

All Pulp wishes Conan a happy 80th Birthday. Here’s looking at the next 80.

WEIRD TALES PULLS NOVEL ENDORSEMENT IN MIDST OF CONTROVERSY

  • News
  • August 20, 2012

Weird Tales, a Magazine known for featuring the odd and strange and being the home of such classic Pulp Authors as Robert E. Howard and H.P. Lovecraft, has found itself in a position to retract an endorsement by Weird Tales Editor Marvin Kaye of a novel by author Victoria Hoyt.

In a post entitled, ‘A Message from the Publisher’, said Publisher John Harlacher details that editor Kaye had endorsed a novel written by Hoyt.  Upon further investigation and learning more about the content of the book, The Publisher consulted with Kaye and the decision was made to rescind the endorsement.  For the full contents of the letter from Weird Tales’ Publisher, go here- http://weirdtalesmagazine.com/2012/08/20/a-message-from-the-publisher/

Although it is not stated in the above cited message, it is believed by All Pulp staff that the title of this novel is “Save the Pearls”.  This novel and Hoyt herself have been criticized on the internet for what is being cited as obvious racist themes in the book as well as in promotional material.  All Pulp has not contacted any of the parties involved, but is willing to discuss this with both sides and report on it accordingly.

NEW PULP AUTHOR PALMER RELEASES ‘4 TERRORS!’

From the mind of New Pulp author James Palmer comes four bizarre tales of fantasy and weird horror.

The House of the Witch-Gideon Cain is a Puritan charged with tracking down the demon Azazel, who was responsible for setting off the Salem witch paranoia. But when another town is believed to be infested by witchcraft, will he be able to tell friend from foe in time to save it?

The Tunnels of Lao Fang-A daring young man goes to Hong Kong to rescue his friend and uncovers an evil older than time.

The Hand of Yogul-Can a former criminal and slave stop his former master from unleashing a terrible evil on the world?

The Meteor Terror-A meteor strikes a small Georgia farm and brings with it a terrible evil from beyond space.

Ripped straight from the classic pulps, and inspired by such visionaries as Robert E. Howard and H.P. Lovecraft, these four, previously published tales of weird menace and cosmic horror will leave you gasping for breath and asking for more!

If any of you guys missed these stories the first time around, now’s your chance! And it’s a steal at 99 cents.
You can check it out here: http://www.amazon.com/dp/B0085MQV08/ref=rdr_kindle_ext_tmb 

ALL PULP INTERVIEWS PULP FANTASY AUTHOR NANCY HANSEN ON LATEST BOOK AND IMPRINT!

  • News
  • January 27, 2012

ALL PULP: Nancy, share some background with our readers, both personal and professionally.

NANCY HANSEN: I’ve been an avid reader since a very young age. Writing was always something I was good at; I was that lone kid in the classroom who actually looked forward to the essay questions on the test. When my sons were young and I was a stay-at-home mom, I took that opportunity to explore a lot of creative endeavors in arts and crafts areas. I eventually settled on writing because it worked the best with my busy home life. Once I knew what I wanted to do when I grew up, I never looked back.

I took a couple of writing correspondence courses over those years, and put the insight and instructions to good use. Along the way, I taught myself to use a computer, and once we finally got internet (we’re rural) I started looking for like-minded souls. I spent the better part of 5 years as a volunteer moderator for first a big software company’s gardening and landscaping forums, and then Prodigy Internet’s Books and Writing Bulletin Board. In the first forum set I learned quickly how to explain complex ideas and instructions within the context of a limited space, and with the second position honed my writing skills while learning from the pros and helping a lot of new writers get started. From that latter experience came some long lasting friendships with other writers that remain to this day, as well as a lot of the story material I am mining now. I wrote a lot of poetry back then also, and managed to win a couple of local awards. So I was living the writing life, though the mainstream publishing field was always a dead end for me.

I have a very diverse household with three generations under one roof, and it gets hectic. Now that my sons are adults, I have more time to pursue writing. Because of that, most of my professionally published work has happened in the last couple of years. I’m another one of those overnight success stories that only took 20+ years in the making…
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AP: THE TALES OF THE VAGABOND BARDS, your latest release, is a short story collection.  What can you share about the characters and tales found within its pages?

NH: The initial story, The Arcane Codex, was the first and it was based on a vivid dream I had. My dreams tend to be in color and very cinematic, like movie trailers, and they even have background music. I did what you’re supposed to do if you’re a serious writer; I sat up in bed, and jotted it all down. It was just the very beginning of a tale, but it was enough to build upon. Later on, I decided to set it in that familiar sword & sorcery fantasy world I had created years ago where many of my stories—including my novel FORTUNE’S PAWN—take place. Since music was part of the dream, the idea of roving bards as teachers and keepers of the history of their land became appealing, and I just ran with it. Little by little I’ve been fleshing our their part of the overarching world, giving each bard a tale of his or her own, with a common thread binding them all. That’s what this book is, an introduction to the world of these restlessly footloose musicians, poets, singers, and keepers of the lore. Within those pages you will find three distinct stories about the adventures of three different bards.

AP: This is also the debut of your own author based imprint via Pro Se-Hansen’s Way.  First, tell us how it feels to have such a body of work that you’ve been given your own imprint?

NH: There are times when it is mindboggling, and I’m surprised I can keep the details straight. I keep wondering if the well will run dry, but I never seem to run out of ideas. It does help to have some series diversity amongst the stories so that if X doesn’t seem appealing, or I’m stuck for an idea, I can go write something for Y or Z.

Over the years I have kept writing down story concepts and shoving them in files, with the idea I would sit down someday and flesh them all out. Some were actually finished tales, others no more than a few sentences. I remember when I first hooked up with Pro Se back in the spring of 2010, I told Tommy Hancock I had lot of mothballed stories I could write up and send him, and he said bring it on! I don’t think he was expecting 21 short stories from me that year! LOL He was a very good sport about it, and encouraged me to keep sending them in. Many of them were set in that same world, just different places and characters.

When I was approached about having my own imprint—which is an honor for someone who previous to 2010 was an unknown writer—I immediately thought about all those Terran World short stories, and bringing them in under one banner. I have 5 different series amongst those right now; each series with its own unique setting and recurring characters, and there have been some crossover characters and settings between them. It just makes more sense to keep them under one flagship imprint than scattering them hither and yon in other publications. I have other series that I write outside this world setting that will still be appearing elsewhere, as well as full length novels and other projects. So I’m going to be quite busy!

AP: What is the direction or guiding mission of Hansen’s Way?  What do you hope to do with the imprint?
NH: The main thing for now is getting these 5 story lines off the ground and establishing characters and settings, and hopefully a loyal following of readers. What I hope to do down the road is interest other authors in contributing stories that fit within the concepts of each separate series title and the overall Terran World. For the present time I have enough backlog of work that I can fill anthologies fairly easily. When the time comes that I can’t keep up, and I feel enough reading material is out there that interested writers should have a good grasp of how to handle these series, I’ll send out the call for submissions. It’ll be a while though! I have not yet plumbed the depths of my files.
AP:   You’re fairly a newcomer to Pulp.  What about Pulp appeals to you, a fantasy writer.
NH: I am relatively new to both pulp writing and the published work, though I have been a big Robert E. Howard fan for many years. I didn’t really know anything about pulp per se, just that I loved Howard’s breathless pacing and direct approach to getting a story told. I’ve always been an avid fan of the epic/heroic swashbuckling adventure fantasy—could never get enough of that. It’s the kind of thing that works so well for pulp, which is big on action and heroes. If it’s got magic and swordplay, mythological creatures and a big otherworldly backdrop, I’m in!

Now that I’ve written on both sides of the line, I can say that the fundamental difference between mainstream fantasy and pulp fantasy is that pacing. The mainstream books tend to be very long, with convoluted plots and some sort of hero’s quest involved. Pulp is generally shorter, more straightforward, and a simpler plot that is easily satisfied in 200 pages or less. Both share a tendency for recurring characters in series stories, and that ‘larger than life’ hero opposing some arch villainous force over the course of the story.

Now that I’ve had a chance to write to a pulp audience, I find I prefer that quick pacing with shorter intervals between action scenes. Even reading mainstream fantasy now, I get impatient when the story plods through some long introspective moments. I don’t mind those sections as long as the action doesn’t bog down while our heroine is discovering her destiny. Keep that bow twanging during the breathless chase across the tundra while you’re soul searching and it makes for a far more exciting read, and you still get the point across.

AP:  Readers of Fantasy and/or Pulp, what will they find that they love in TALES OF THE VAGABOND BARDS?
NH: In all my fantasy writing these days, I tread a tightrope between what I know the mainstream fantasy readers are looking for and what the pulp world expects. I don’t want to alienate either camp, because at the end of the day, all I want to do is tell a good story well. With the Vagabond Bards, which are not necessarily a fighting group, it’s been a real test of skill to make the stories appeal to the mainstream fantasy reader, who will have certain expectation; and yet maintain that headlong excitement throughout that pulp fans crave. Mainstream fans want a complex world setting with plenty of details and characters they can relate to and cheer along. Pulp readers want a wild ride with lots of action and adventure. So since I already have that big world behind all this, it comes down to characters and plot.

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What this book has is three unique and separate tales of three different bards doing what they do best—using their talents and knowledge to help and educate the folks around them. I think what really shines in these is the characters themselves, and their dedication to what they do, and to each other. Each bard has a distinct personality, some claim to fame, and a background history, and yet they are brought together by a common cause. The three adventures are very different and not at all tame: a desperate attempt to secure a handwritten book of history before it is confiscated, a frantic search for a talented young boy before something happens to him that will alter his life forever, and a rather comical and poignant ‘rescue’ attempt for a local thief by the man who loves her and the bard who gets dragged into the whole sordid mess. If you love good old fashioned adventures in a world where magic and religion are often at odds, you’re not going to want to miss this book.
AP: What are your future plans for the Bards?
NH: Definitely more tales! I’ve barely begun to plumb their depths yet. I’ve brought in some new bard characters along the way that are begging for their own stories. What works well about these is that because they are not your typical fantasy action hero out swinging a sword or flinging spells, there is room for all ages and abilities to have a starring role. For instance, within this book, I have mentioned both a senior female bard and a young boy who will be joining them in the not distant future, and both could easily be featured in their own adventure stories. I see no reason why I can’t use a blind or disabled character, someone with a checkered past (done that once already in fact), bards with varying ethnic or gender identities, or addiction issues (ditto, though it’s outlined in another series). That’s one thing that is fun about these characters; they open a lot of possibilities.

I’ve already mentioned the idea of bringing in other writers to the imprint at some point, and it’s very likely that the Vagabond Bards series is going to be the first place that happens. I think the whole nature of having a rotating cast works very well for that. This is the one series under the imprint where other writers would have a good opportunity to create a brand new character. I’m really looking forward to seeing what others can come up with when we get that far.
AP:  If you had to point out one thing about your writing that you hope readers take away from reading one of your books, what would that be?
NH: Actually, I have a couple of goals…

First of all, I like to make the point that everyday people can still do extraordinary things. Throughout my writing, many of my heroic characters don’t fit the mold of ‘superb physical specimen’ that you see quite often in pulp. Some of them have nagging emotional issues, less than ideal appearance, there are various vices mentioned—and a few are downright flawed. I do that on purpose, because I want these characters to resonate with readers, so that instead of seeing someone whose looks and personality are superhuman and unattainable, they remind you of someone you know, and can feel comfortable with. So when the character does rise to the occasion, you’re right there with them, wrapped up in that situation, cheering her or him on.

I want my villains to have real motivation, something that while it might be skewed thinking, is understandable. That’s how it is in the real world. We’re judged on our deeds today, but our background plays a long way into what we’ve become. Don’t worry, these scoundrels are nasty and you’re going to want to see them get their due, but it’s understood there is more reason to their madness than this is someone who is pure evil incarnate.

Most important of all, I want to tell some rousing good tales. While a story can uplift, enlighten, and make you think, it should also be entertaining. That’s the most important part of fiction writing as far as I’m concerned. I want you to shut that cover at the end of a book feeling good about what you read, and a little sad that it’s over. If I can accomplish that, then I’ve done what I set out to do: write the kind of stories I love to read.

Conan The Barbarian (1982) Movie Review

  • News
  • November 26, 2011
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1982
Universal Pictures
Directed by John Milius
Produced by Buzz Feitshans and Raffaella De Laurentiis
Written by John Milius and Oliver Stone
Based on the character/stories created and written by Robert E. Howard
I knew that director John Milius and his screenplay co-writer Oliver Stone got the character of Conan five minutes into the movie.  During the opening credits we see Conan’s father (William Smith) forging a mighty sword.  He then takes the young Conan (Jorge Sanz) to the top of a mountain.  He explains how The Riddle of Steel was stolen from Crom, the god of Cimmeria and that Conan must learn The Riddle of Steel for himself because as his dad succinctly sums up: “For no one in the world can you trust.  Not men, not women, not beasts.  But this-“ and he holds up the gleaming sword.  “-this you can trust.”
It’s not long after this that Conan’s parents, along with all the other adults in his village are slaughtered by the servants of Thulsa Doom (James Earl Jones) a powerful sorcerer who is also the leader of a cult that worships the snake god Set.  Conan, along with other children are taken as slaves and chained to The Wheel of Pain, a gigantic mill which they push night and day, through weather fair and foul.  It’s torturous work but it has its benefits.  The young Conan grows up into Arnold Schwarzenegger as pushing that damn thing has built up muscles of Herculean proportions.  He’s bought by The Hyborian Age’s version of a fight promoter and wins fame as a gladiator.  He’s freed by his master and after meeting up with the master thief and archer Subotai (Gerry Lopez) takes up a career as a thief himself.
It’s during their attempt to infiltrate The Tower of The Serpent and steal The Eye of The Serpent that Conan meets swordswoman and thief Valeria (Sandahl Bergman) who will become the great love of his life.  It’s their successful and daring theft that brings them to the attention of King Osric (Max von Sydow) who hires the trio to rescue his daughter from The Cult of Set.  While Valeria and Subotai see this as a chance for a really big payday, Conan has his sights on taking the head of Thulsa Doom.
Now, you can say whatever you want about CONAN THE BARBARIAN but it won’t faze me because if nothing else, John Milius and Oliver Stone respected Robert E. Howard’s enough that they obviously not only read his stories but incorporated elements of some of those stories into the movie including what is probably the most famous scene in any Conan story; his crucifixion and his killing of a vulture pecking at his flesh with nothing but his bare teeth. 
This movie, along with “The Terminator” launched Arnold Schwarzenegger’s career and it’s easy to see why.  Schwarzenegger at that time looked like he was designed by Frank Frazetta and he inhabits the role as well as Sean Connery did with James Bond or Michael Keaton did with Batman.  For those who claim that Schwarzenegger can’t act, I point out a terrific scene where Conan, Valeria and Subotai plan their assault on Doom’s stronghold.  While Bergman and Lopez have all the dialog, Schwarzenegger says far more than they do in the way he’s sharpening his sword.  And even though Schwarzenegger gets a lot of mocking for his dialog and accent in this movie, I like it.  I mean, the guy does sound like a barbarian from pre-history.   In fact, I like it that 90% of the characters have accents in this movie as they do sound as if they come from another age rather than modern day Californians playing dress up.
The supporting cast is outstanding.  James Earl Jones infuses Thulsa Doom with enormous presence and a true sense of not being entirely human.  His henchmen, played by Sven-Ole Thorson and Ben Davison are suitably impressive.   Bergman and Lopez back up Schwarzenegger well and create their own characters in some really wonderful intimate moments such as the one where Subotai tells the wizard Akiro (Mako) that since Conan, as a Cimmerian will not cry to show grief, Subotai must do it for him.  Mako contributes comedy relief without being buffoonish or degrading his own character.  But that’s to be expected because Mako is epic in everything he does.
And speaking of epic, the musical score by Basil Poledouris has become respected as one of the finest musical scores ever and rightly so.  A large part of the enjoyment of watching CONAN THE BARBARIAN comes from the sheer power of the score.  Poledouris also has done the scores for “Quigley Down Under” and “Lonesome Dove” that are easily as epic as the one for this movie.
So should you see CONAN THE BARBARIAN? No doubt you already have.  It’s one of those movies that everybody and their mother has seen, it seems.  Even chicks who normally shun this type of movie like it was the Ebola virus have seen CONAN THE BARBARIAN.  It’s violent, it’s raw, it’s sexy, and it’s fun.   There’s an excellent reason why CONAN THE BARBARIAN is rightly regarded as a classic.  It truly is inspired by the spirit of Robert E. Howard in a way that the recent remake never even comes close to.  If you’ve seen it, what the hell…watch it again.  And if you haven’t, I envy you discovering it for the first time.  Enjoy.
129 minutes
Rated R

New Conan Creative Team Adapts Robert E. Howard’s "Queen of the Black Coast"

  • News
  • October 15, 2011
Conan Art: Becky Cloonan

At this weekend’s New York Comic Con, Dark Horse Comics announced a new Conan the Barbarian comic book series by the DEMO creative team of writer Brian Wood and artist Becky Cloonan that will be in stores beginning on February 8, 2012.

The first story arc will adapt Robert E. Howard’s “Queen of the Black Coast,” in which Conan turns his back on the civilized world and takes to the high seas alongside the pirate queen Belit.

For more information on Conan and Dark Horse Comics other pulpy offerings, visit them at http://www.darkhorse.com/.

Reviews from the 86th Floor: Barry Reese looks at Fortune’s Pawn

  • News
  • September 7, 2011

FORTUNE’S PAWN
Written by Nancy A. Hansen
Pro Se Press
ISBN 9781466243460
179 pages, $12.00

Okay, let’s establish something right away: I don’t generally read fantasy. I did when I was younger, really digging Dragonlance and the like… but nowadays, the only time I read fantasy is when I dig open a Robert E. Howard collection for old-times sake. So I’m not really the target audience for this one. But I’ve read some short stories by Nancy in the past and enjoyed them so I figured I’d dive into her first novel and see how it went.

First impressions: the cover is intriguing but I really, really would not have obscured the title. This is okay if it’s Spider-Man or something: we all know what the title is anyway so breaking it or obscuring it can be a bold design move. But when it’s an unfamiliar title (especially one that’s rendered in a confusing font), I think it’s not bold… I think it’s not wise. I showed the book to three different people and not one of them could figure out what the title was from the front or spine — the font chosen was way too busy. It looks like the book is called Forgude’s Pawd.

Okay, once I got past the cover design issues, I jumped into the story and found that it was told in a very readable style. For some reason the opening with the weremon seemed awkward to me but I think it just took a few pages to get into Nancy’s world. Once things shifted to the ill-fated family, things picked up and from there it all went smoothly.

The basic premise is classic and familiar: a prophecy warns that a red-haired child will rise up to overthrow the bad guys so the villains are out killing everyone with red hair. One infant survives such an attack and grows up to become our protagonist. Callie is an enjoyable character and her motivations and emotions are well depicted.

I found the parts of the story featuring conversations between characters or internal monologues to be the best part of the tale. The action scenes were clearly depicted but lacked the kind of edge that I usually like in my fantasy (think Robert E. Howard’s ability to depict sweaty violence). I was impressed by Nancy’s willingness to get her literary hands dirty, though — no one is safe in this book, including little kids. Everybody has an equal opportunity to get eviscerated.

This is obviously the first chapter in a larger story and I’m curious about where it goes from here. If I were a diehard fantasy fan, I think this would be something that would definitely go onto my shelf of favorites. As it is, I would still recommend it to anyone looking to dip their toes into the fantasy genre or who are looking for a character-driven adventure of any type.

I give it 4 out of 5 stars.

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