Michael Davis’ Achievement In Comic Art (SDCC)
Tagged: San Diego Comic-Con
Martha Thomases on the Zen of Con
You are at the San Diego Comic-Con, the biggest pop-culture event on the planet. And you may feel a little over-whelmed. So many people. So much to see, so much sound and color. So many nay-sayers, such as myself a week ago.
What should you do?
Let me help. I am going to tell you how to have the best time possible.
It’s not a matter of rules (wear comfortable shoes) or tricks (there is a secret passageway between the Hyatt bar and Hall H, known only to the local Masons). It’s a matter of attitude.
Surrender.
You’ve been planning since you got the programming schedule, and you have your weekend planned out like a military assault.
Give it up.
Well, don’t give it up. Just be prepared for things to go wrong.
The best con experiences I’ve had have been great precisely because I could not have planned them. Perhaps I got locked out of a panel I really wanted to see because of an ever crowded floor slowing my progress, but on the way back, I saw a cosplay staging of all the crews of the various Star Trek series.
Or the people I’ve met, standing in line for signings.
Or the great Italian restaurant you got to through a grocery store, where I took out 15 people for not much more than $200, including drinks. Never been able to find it again. I think it’s like Brigadoon.
You are in one of our nation’s most beautiful cities, on the water, with hundreds of thousands of people who share your interests. Don’t get so caught up I what you’re going to do next that you don’t notice what you’re doing now.
Breathe out. Breathe in.
My point is, if your happiness depends on successfully completing your plans, you will fail. If you have goals, but keep yourself open to possibility, you will have stories to tell.
Stories. Ultimately, that’s what the San Diego Comic-Con is all about.
SATURDAY: Marc Alan Fishman
SUNDAY: John Ostrander
The Point Radio: ComicCon Starts Right Here
Everyone’s packing for ComicCon – and so are we, but we wanted to take time to get you our regular Preview of the things at the show you might miss. There is something for everyone here – even if you aren’t coming to San Diego. Then we are back again in a few drays with more news from the ComicCon floor plus our talk with Vera Farmiga and there cast of the new film, THE CONJURING opening this weekend. For instant updsates from the floor of the biggest event of the year, be sure to stay locked on The Point Radio!
This summer, we are updating once a week – every Friday – but you don’t have to miss any pop culture news. THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.
Michael Davis: Be Our Guest…
I’ve never wanted anything more than I wanted to get into the High School Of Art and Design. I was obsessed from the time I found out there existed in the world an art high school and I found that out in the seventh grade.
Yes, I’ve wanted other things in my life but A&D (which I’m sure you are sick of me writing about) was so important to me for so long when it happened it was literally a dream come true. I know, I know, I keep reminiscing about my high school so much so I feel like mentioning A&D again would be like mentioning Lord Voldemort at Harry Potter’s wedding.
OK. I get it, it won’t happen again.
Around 20 years ago (when I was five) I began to want something else pretty badly. That “other thing” was my childhood dream but as an adult I began another obsession that became a dream and now that dream has come true.
I’ve been invited to attend the San Diego Comic Con as a special guest.
For over 25 years I’ve been known as the Susan Lucci of SDCC. If you don’t know who Susan Lucci is or why that is funny, your pop culture knowledge sucks.
On that note, SDCC is the biggest and most important pop culture event in the world. Being invited to be a guest is a huge honor. That invitation means that you have accomplished something of note in your field and are being recognized for such. I’ve imagined being invited as a special guest at SDCC a zillion times and what I would do when/if it happened.
First thing I’d do is tell everyone!
You may think after reading my rants here on ComicMix telling everyone is what I would do whenever I have something to crow about.
Nope.
Regardless of my seemingly brash and ostentatious writings, media interviews and pick up lines I rarely tell anyone when I’ve been fortunate enough to have a honor bestowed on me. Not sure if I mentioned it here or in my weekly rants on my website, but among quite a few honors, awards, proclamations and arrest warrants I’ve received is an auditorium in a East Orange New Jersey grade school named after me. There was a huge naming ceremony with a marching band (I’m not kidding), the Mayor, other East Orange movers and shakers and media.
I only invited to my naming ceremony my wife. She was my only guest and that was fine with me. My mother to this day won’t let me forget that she was not invited. She’s still pissed and not because she missed being present as a wonderful honor was conferred on her child; nope, she’s pissed because she missed the opportunity to invite her friends to see a wonderful honor being conferred on her child thus scoring major points in the “my child is so much better than your child so suck it” game mother’s play.
I’ve wanted to be a guest at SDCC since the first time I attended 26 years ago (when I was one year old, Jean) subsequently it has been on my mind, my hopes and dreams.
Only once have I wanted something this bad and that was that thing that must not be named.
As faith would have it, the honor I’ve sort in life more (almost) than any other I must turn down. Yes, you read that right. With regards to my San Diego Comic Con International invitation I must turn it down.
I did turn it down.
I refused.
I cannot in good conscious accept their invitation knowing that to do so would doom my lover and first-born child to a horrible death from falling off a cliff. Yes, some sick bastard knowing of my decades long desire to attend SDCC as a guest has given me a choice, save my lover and first-born child or be a guest at SDCC.
Oh wait! I’ve just learned the name of the woman hanging with her child from the cliff. Her name is Billie Jean. Billie Jean is not my lover, she’s just a girl who claims that I am the one but the kid is not my son.
Now I’m faced with an entirely new dilemma!
I’m in Los Angeles. Should I fly to San Diego or take the train?
WEDNESDAY: Mike Gold
THURSDAY: Dennis O’Neil
Marc Alan Fishman: The Small Con Job
A week ago today, Unshaven Comics popped our 2013 con cherry with a bang right in our own backyard. OK, not literally our backyard, but certainly close enough given how far we’ll end up traveling this year in the name of indie comics. Our first con? A return trip to Orland Park (a way-south suburb of Chicago), and the newly minted DanCon: Spring show. It was, as they say, business as usual. Lucky for us? That business was good.
DanCon, founded by the appropriately named Dan Royer, is a testament to old-school comic conventions. Held inside the Orland Park Civic Center, the day saw hundreds of local friends, families, and fun-seekers roaming through the two medium sized rooms that held the nerditry. One room for creators, and one for dealers. Betwixt them were registration lines, homemade concessions, and a photo op area. In short? It was everything a li’l con should be… logistically speaking. But that’s not what this write-up is really about. Logistics are important of course (something WizardCon seemingly can’t get right to save their life), but what sets this show apart is the community created around it.
A smaller show breeds interaction. Between fans and creators and between the creators themselves. It’s rare amidst a large show for people to be as relaxed as they were at DanCon. And while there were no D-list celebrities or obligatory Batmobiles to increase admission (or table) prices… those who came, came to buy and enjoy themselves. Not to knock a larger show experience entirely of course; but here was a single day, a single experience, uniting show goers with the core essence of our little area of pop-culture: comic books.
Having attended dozen of shows over the last five years, it’s become clearer and clearer that we all really share a singular experience. Whether our specific offerings target tweens, kiddies, horror fans, cape-lovers, trekkies, or any of the other scads of specific would-be-nerds… we are all united in our persuit of admiration and celebration. With each successive show, comes a familiarity with fellow creators. And that begets a sense of camaraderie. It was fitting that the first three guys I gave the all-too-familiar “nod of hello” to responded with positive comments on my fatherly ability to capture photos of my son and share on Facebook. “Who cares about those Samurnauts, your son is awesome.”
Aside from being able to share war stories with compatriots like “Dashing” Dirk Manning, “Jesus-Lover” Jon Michael Lennon, “Lusts-For-Me” Leo Perez and Tom “My Last Name Seriously Is” Bacon… the real zeal of the day came from a pair of interactions that have filed themselves away as realizing you might just be making it after all.
The first? A fan came walking down the aisle… in one our shirts. Now, let me preface that in five years of actively selling our wares at shows, our only merch has been books and art. The tees that we sport are made on a website, where we literally let them rot, until we need a new batch. On the rarest of rare occasion, people ask where we get them, and we direct them to the site. Aside from a specific set of fans-turned-friends, we never expect to see ourselves out in the crowd. Suffice to say? Seeing one of our shirts unexpectedly was quite the treat.
And the second? Prior to DanCon, I took it upon myself to message a few friends who lived around the area about the show. One such acquaintance, a great gal I’ve known since junior high school, came out amidst her day with their family. Small talk was exchanged, some introductions to my wife and boy (who made a brief appearance), and then a purchase of our book for her son.
I should note that said son exchanged a few great accounts of his recent Spider-Manning to me via his Xbox, and I couldn’t help but wonder if that’d be my own scion in a few short years. But I digress. Not even an hour later, after my friend had left, she’d snapped the picture attached to this article. I know it’s a trope of so many in our position… but seeing even just one small fry immersed in a book I was a part of? It’s what makes so many lost nights and weekends worth it. Of course if said li’l dude shows up next year looking for more books? All the better!
Ultimately, I could think of no better way to kick off 2013 for Unshaven Comics. In this year, on our quest to raise enough capital to finance our way to San Diego in 2014… DanCon 2013 was a fitting start. Thanks in large part an admirable promoter (and his always nice wife and staff), and a well-thought-out convention built to support the community that seeks the intimate interaction a small con excels in. Little did you know, it’s not just affirming for the fans – it’s even more gratifying for creators!
SUNDAY: John Ostrander
MONDAY: Mindy Newell
Michael Davis: Selling Out
I’m on the West Coast, Mike Gold, ComicMix’s Editorial Director, is on the East Coast and that’s the reason there is a good chance this piece won’t even run today.
My articles run on Tuesday so I try and get them to Mike no later than Monday morning East Coast time. Most times Mike gets them over the weekend but this one will show up to Mr. Gold after 9 p.m. Monday evening because… I’ve got nothing.
I drew a complete blank as to what to write about this week. I kept thinking something would pop into my head but nothing did. So what follows is not in any way a well thought out essay, it’s simply a rant on an industry event and the actions of those clueless individuals who, well, are just clueless.
The San Diego Comic Con sold out in two hours this year…duh.
Every year the biggest pop culture event in the world gets bigger so that should not be news to anyone, but as always people take to the net to bitch about how they could not buy tickets or the only ticket they did could get was for Sunday.
All you people, who think your inability to attend Comic Con is somehow the fault of Comic Con, grow the fuck up. A couple of hundred thousand people got tickets and as always the event sold out.
You simply lucked out. How is that Comic Con’s fault?
Duh.
The same goes for people who get tickets but can’t find a hotel room. There are only so many hotels in San Diego and once those hotels are sold out, you are assed out.
You can solve both having a ticket and getting a hotel room by simply becoming a major playa in the industry or building your own hotel.
Crazy? Bad joke? Unrealistic? Stupid thing to say?
Not as stupid as blaming Comic Con or the city of San Diego for your lack of ticket or hotel because they sold the fuck out.
WEDNESDAY: Mike Gold
THURSDAY: Dennis O’Neil
Game of Thrones Poster Series Announced by Mondo
Austin, TX— Monday, February 25, 2013 — Mondo, the collectible art division of Alamo Drafthouse Cinema, is partnering with HBO’s Game of Thrones for a poster series and gallery event running March 8 – March 14, 2013. The gallery will be open to the public on March 8 from 7:00 – 10:00pm with regular hours to follow for the show’s duration. The Mondo Gallery is located at 4115 Guadalupe St. in Austin, TX.
Last year, Mondo and HBO’s Game of Thrones collaboration at San Diego Comic-Con was a huge success and this series takes that partnership to the next level with a wide range of spectacular original works and poster art from dozens of Mondo’s world renowned artists including Craig Drake, Daniel Danger, Jason Edmiston, Horkey, Jock, Phantom City Creative, JC Richard, and Ken Taylor. This special gallery event will also launch a Mondo poster series for the acclaimed HBO series, with 8 limited edition screen prints that will be available for purchase. The exhibit will feature the first two posters in the series along with original fine art. Following the gallery exhibit, two posters will be released digitally each week leading up to the Game of Thrones Season 3 premiere on March 31, 2013.
“Game of Thrones is a favorite of ours at Mondo. The gallery event is intended to honor the show’s attention to visual detail and the beautiful world that George R.R. Martin has imagined and series creators David Benioff and D.B. Weiss have brought to life. After the success of our San Diego Comic-Con initiative with HBO in 2012, we thought this was a perfect fit. We hope the fans feel our work has done justice to the show,” says Mondo CEO Justin Ishmael.
The gallery event will also see the premiere of Brewery Ommegang’s new Game of Thrones beer where attendees, 21 and older, will be the first to taste the new beer. Launching in tandem with the season three debut on March 31, Iron Throne, a Blonde Ale, is the inaugural beer in the series and the result of a creative partnership between Ommegang and HBO. The collaboration is focused on developing unique beers that tie into themes and nuances of the medieval-like fantasy realm of Westeros. Iron Throne is a delicate, but piercing Golden Blonde Ale with Noble hops, a nod to having a Lannister currently on the Throne. The beer will be nationally available on draft and in 750ml bottles, for the suggested retail price of $8.50 per bottle, beginning in mid to late March and will be followed by the launch of additional beers.
Mike Gold: Little Ole New York Comic Con
ComicMix associate editor Adriane Nash and I knew we were in for it when, on Thursday morning last, there were nine other people waiting for the same commuter train who clearly were headed not to work but to the New York Comic Con. Trains run every half-hour, and ours is but one of a great, great many such stations. Do the math.
In total… one hundred thousand people. Some of whom bathed.
Sure, San Diegoans might smirk at a mere 100,000, but there are major differences between the two shows. First, it only took NYCC six years to reach the 100,000 mark. Second, the Javits Center is smaller and much more out of the way than the San Diego Convention Center. Third, the NYCC has a lot more to do with comic books than the SDCC. Actually, the SDCC barely has anything to do with comic books, despite its title and its not-for-profit mission statement. And finally, NYCC has more European artists and writers while SDCC has more Asian. Of course, this is neither better nor worse, but it is an interesting difference.
For me, there’s another important difference: I don’t have to fly from sea to shining sea to get there.
I’ll gleefully admit six years ago NYCC really, truly and totally sucked. I said so right here in this space. It was the worst planned, worst programmed, worst run major show I’d ever been to, and I started going to New York conventions back in 1968 (I cosplayed Swee’pea). It improved, slowly, and achieved adequacy in its third or fourth year.
This time around the show was very well run – although I agree with Emily’s comments about their panel programming decisions being less than knowledgeable. They should endeavor to overcome this problem.
My biggest complaint – they’re called “issues” now, aren’t they? – was rectified mid-way through the show. They had the exits blocked off, forcing the mass of humanity through narrow corridors back to the small entrance way, making it dangerously difficult to leave, particularly for those who were mobility-challenged. This policy was enforced by a part-time minimum wage crew and, while I sympathize with their difficult job, there was no reason for them to lie to us – they weren’t upholding fire laws; quite the contrary – and there was no reason to act like Cartman without his truncheon. On Thursday and Friday some acted as though it was their job to put the oink in “rent-a-pig,” but on Saturday the rules were changed and you could actually exit through some of the doors marked “exit.”
The New York Comic Con was totally and completely sold out well before the show started. While there was some confusion about the changes in registration procedures (particularly for pros, but we’re an easily confused lot), most of us who followed the rules received our badges in the mail several weeks before the show and therefore were saved from the agony of lines long enough to cause a riot at LaGuardia Airport. I don’t know how you legitimately limit the audience size and 100,000 people can barely fix into the venue; there’s some construction going on at the Javits right now so I hope they procure more floor space next year.
Personally, I had a great time. Sure, most of it was work (ComicMix had nine people there, a third focused on cosplay coverage for our Facebook and Twitter feeds) and because of the nature of my work I spent most of my time in and about Artists’ Alley, the only room that routinely had sufficient oxygen. But I saw a lot of friends – a lot – and, when all is said and done, we could take whatever energy we had left and wade into the bowels of Manhattan, which is always an entertaining and unusual experience.
A rough estimate reveals the New York Comic Con contributed over a quarter billion dollars to the local economy. We’re not just legitimate. We’re big business.
(Our columnist would like to thank Ed Sullivan for the loan of the head.)
THURSDAY: Dennis O’Neil
Twentieth anniversary Power Rangers series revealed: Power Rangers Megaforce
The folks at JEFusion.com shared footage from this year’s Power Morphicon of Saban Entertainment’s promo reel for next year’s Power Rangers series. Their seventeenth series, Power Rangers Megaforce, will be based on the thirty-fourth of Toei Company’s Super Sentai series, Tensou Sentai Goseiger.
Starting with the original Mighty Morphin’ Power Rangers in 1993, based on KyÅryÅ« Sentai Zyuranger, Saban has been producing series using costumes, props and action footage from the Japanese originals. The series have remained a perennial hit in the States, as the original series has done in Japan for the past thirty-six years.
It’s not the first time the name has appeared in entertainment either. One of the original sentai series had “mega” in the title; Denji Sentai Megaranger, which was used to create 1998’s Power Rangers in Space. Action film fans may remember the Hal Needham directed MegaForce, starring Barry Bostwick and Persis Khambatta. More important to the toy manufacturer side of the process, MegaForce was a line of military adventure vehicles from Kenner in 1998. It’s assumed the trademarks for those series have already lapsed, otherwise Saban might have to pull a “Metro” and change the name (as Microsoft has been forced to for its new Windows 8 interface).
In addition to using footage from Goseiger, the new series will also be using footage from the sentai feature film, Gokaiger Goseiger Super Sentai 199 Hero Great Battle. This was the film release for the NEXT Sentai series, Kaizoku Sentail Gokaiger, which featured a massive battle where all 35 of the sentai teams to date united to fight a massive alien threat. However, since Megaforce is the anniversary series in America, the reunion footage will be used there. Footage of the battles in the promo reel included shots of all past sentai teams, including series that were never used for American series, much to the delight of the audience. Saban said there’s no confirmation if those non-MMPR heroes will appear in the final series. They had asked Toei to film sequences featuring only Zyuranger forward – it’s unknown how much of the all-heroes footage will be used in the final product.
The promo reel was well received by fans at the convention, especially footage from the 199 hero great battle. Saban has been experiencing a resurgence of popularity of the series. After several series produced in association with other companies including Disney, the current series, Power Rangers Samurai, is the first they’ve produced on their own since 2001. Saban has brought the Internet into their marketing in a big way- their website and Facebook page appeal to both new and long-time fans of the series.  They’ve also released DVD sets for the previous series, including a 40-DVD set from Time-Life of the first 7 series.
Power Rangers Samurai is currently running on Nickelodeon.
- Paul Schrier And Jason Narvy On 20 Years Of ‘Mighty Morphin Power Rangers’ [SDCC](comicsalliance.com)
- 20th Anniversary Power Rangers Mural Celebrates Series Box Set Release [SDCC](comicsalliance.com)
- SDCC 2012: Power Rangers 20th Anniversary Panel(comicbooked.com)
THE SKINVESTIGATOR INVESTIGATES ON KINDLE
For Immediate Release:
(Melbourne, Florida – August 8, 2012): Dermatologist detective series: The second Skinvestigator novel is now available on Kindle
The second novel in a new Florida noir trilogy, The Skinvestigator: Rash Guard has just become available for download on the Kindle, Amazon.com‘s handy digital reader. The novel follows the adventures of Florida dermatologist turned detective, Dr. Harry Poe, as he tries to help the Miami Police with a new murder investigation involving surfers, syphilis, and the State department.
Author Terry Cronin describes the surf noir story as both “an inside look at the exciting world of South Beach” and “a mystery novel that quickly escalates into a medical/political thriller involving tattoos, sexually-transmitted diseases, illicit cosmetic surgery, and murder”.
Ripped from today’s headlines about “scalpel tourism” where Americans travel to foreign nations to get cheaper cosmetic surgery, Cronin’s books have been described as “razor sharp”and “skincredible”. Reviewers have categorized them as “sunshine noir”, and made “for page-turner mystery fans”. The print version of the first novel is distributed by Atlas Books and is available at Amazon, Barnes and Noble and Tower Books.
While the Kindle version of the first novel, The Skinvestigator: Tramp Stamp, is promotionally priced at 99 cents for a limited time only!
The final book of the Sunshine State Trilogy, The Skinvestigator: Sunburn has been released as a print edition. Cronin, who is known for creating the critically-acclaimed horror-adventure comic series, Students of the Unusual and writing for Indie Comics Magazine, took advance copies of this new novel with him to the San Diego Comic-Con this year. “I’m known as a comic book writer but I found that comic readers and genre fans also enjoy reading hard-boiled detective novels and pulp fiction.” The new novel follows Doctor Poe whose been abducted by Venezuelan thugs from his past and is poorly prepared for their increasing level of violence. Sexy mysterious tattoos, illicit cosmetic surgery, and espionage round out book three of the Sunshine State Trilogy and may just mark the end of the career of the Skinvestigator.
The Kindle version of The Skinvestigator: Tramp Stamp can be downloaded here:
http://www.amazon.com/The-Skinvestigator-Sunshine-Trilogy-ebook/dp/B005OCTWVM/ref=sr_1_3?ie=UTF8&qid=1344462348&sr=8-3&keywords=skinvestigator
The Kindle version of The Skinvestigator: Rash Guard can be downloaded here:
http://www.amazon.com/The-Skinvestigator-Sunshine-Trilogy-ebook/dp/B008UFHNTS/ref=sr_1_5?ie=UTF8&qid=1344462348&sr=8-5&keywords=skinvestigator
The new print edition of The Skinvestigator: Sunburn is available at:
http://www.amazon.com/The-Skinvestigator-Sunburn-Terry-Cronin/dp/0983766711
