Tagged: San Diego Comic-Con

Mike Gold: Four-Color Friendships

gold-column-art-1208012-5014667It was an interesting party. Held in a Mason lodge, I got to hang out with The Point’s Mike Raub, former ComicMix columnist and book writer and moviemaker Ric Meyers, and Adriane Nash, the one woman condemned to be both a ComicMixer and an employee of arrogantMGMS. And a whole bunch of old friends, about 72 of which used to be in the comic book retail business.

It’s not that I would be friendless if not for the comics racket. Since I spend a healthy amount of time in politics, social services, broadcasting and more dubious endeavors, I know a few folks who couldn’t tell the several dozen current Spider-Men apart – and politely couldn’t care less. They humor me nonetheless.

But it is safe to say most of my enduring friendships are comics-related. I’ve known Mr. Raub for, damn, three-dozen years. Glenn Hauman and I met when he was a “small” child hiding in DC’s darkroom, back when the Earth was still cooling. John Ostrander and I have been buddies since before Watergate; we met through Chicago theater connections and were both herded into a corner at a party in those ancient days because, as comics fans, we “had something to talk about.” Ah, those days when geeks were treated like… geeks.

The list goes on and on. I’ve had the privilege and honor to work with my friends and that has worked out wonderfully more than 99% of the time. There are maybe only two or three people I regret working with – I’ve mended fences with others; creative egos are a mixed blessing and I’ve got one that’s louder than a Sousa march. There’s only one person in comics I actually wish to murder; I’ve spent less time and energy in broadcasting and that list is both longer and older.

So this comics donut shop, to paraphrase Chico Escuela, has been berra berra good… to me.

I’m all backward-looking because this Saturday is my birthday – I turn real, real old; I mean, Mel Brooks old – and seeing all these old friends in one room was a heady event.

Despite its massive expansion (says the man who refers to the San Diego convention as the “black hole of media shows”) and the generational differences and the public’s near-acceptance of geekdom, there remains a closeness in the comics community that, to my experience, is unparalleled elsewhere. Even people who truly hate each other are on a first name basis.

I highly recommend it. This is one hell of a donut shop.

THURSDAY: Dennis O’Neil

 

DERRICK FERGUSON VISITS EARTH STATION ONE

The Earth Station One podcast welcomes New Pulp Writer and Better In The Dark Podcaster, Derrick Ferguson to the station where he takes a turn in The Geek Seat.

Also, the ESO crew has its big after SDCC wrap up as the ESO crew talks about the goings on and announcements from this year’s San Diego Comic Con with guest Rebecca Perry.

Listen now at www.esopodcast.com.
Direct link: http://erthstationone.wordpress.com/2012/07/20/earth-station-one-podcast-episode-120-san-diego-comic-khan-report/

Michael Davis: Aftermath

davis-column-art-1207171-6118187I’m back from another San Diego Comic Con.

For almost 20 years (since I was five, Jean) I’ve given a party, a dinner, or both. For nearly that long I’ve hosted the Black Panel.

I’ve had some fantastic events to be sure, but I must say 2012 was my best event year ever. My best party, my best dinner and my best Black Panel.

That, if I say so myself, is saying something.

The party and my panel were reviewed by many news outlets including The Wall Street Journal, The New York Times, Entertainment Weekly, Comic Book Resources and the powerhouse Machinima.

Every year after the Black Panel, the haters come out in force. There are black people that hate the panel; there are white people that hate the panel.

Guess what? I win.

Until you haters get your own panel at Comic Con, throw your own party and get reviewed by some of the biggest news outlets in the world you are more than welcome to hate me.

I will endeavor to do what I can to continue to give meaning to your small life. I will continue to do great things so that you can go on the net and bitch that way you will feel important and in your mind you are.

You are a legend in your own mind.

I’ll be happy to comment on your success if in fact you were successful at anything except being a legend in your own mind.

So, haters continue to hate, because I win. Why do I win?

Because you are talking about me.

Who is talking about you?

Tuesday Afternoon: Emily S. Whitten and the Civil War

Wednesday Morning: Mike Gold, Creators’ Rights, and One Big Wrong

 

 

SDCC 2012: Eisner Award Winners 2012

  • News
  • July 14, 2012

An updated and corrected list — congrats to all the winners.

Best Short Story
“The Seventh,” by Darwyn Cooke, in Richard Stark’s Parker: The Martini Edition(IDW)

Best Single Issue (or One-Shot)
Daredevil #7, by Mark Waid, Paolo Rivera, and Joe Rivera (Marvel)

Best Continuing Series
Daredevil, by Mark Waid, Marcos Martin, Paolo Rivera, and Joe Rivera (Marvel)

Best Limited Series
Criminal: The Last of the Innocent, by Ed Brubaker and Sean Phillips (Marvel Icon)

Best Publication for Early Readers (up to age 7)
Dragon Puncher Island, by James Kochalka (Top Shelf)

Best Publication for Kids (ages 8–12)
Snarked, by Roger Langridge (kaboom!)

Best Publication for Young Adults (Ages 12–17)
Anya’s Ghost, by Vera Brosgol (First Second)

Best Anthology
Dark Horse Presents, edited by Mike Richardson (Dark Horse)

Best Humor Publication
Milk & Cheese: Dairy Products Gone Bad, by Evan Dorkin (Dark Horse Books)

Best Digital Comic
Battlepug, by Mike Norton, www.battlepug.com

Best Reality-Based Work
Green River Killer: A True Detective Story, by Jeff Jensen and Jonathan Case (Dark Horse Books)

Best Graphic Album – New
Jim Hensons Tale of Sand, adapted by Ramón K. Pérez (Archaia)

Best Graphic Album – Reprint
Richard Stark’s Parker: The Martini Edition, by Darwyn Cooke (IDW)

Best Archival Collection/Project – Comic Strips
Walt Disney’s Mickey Mouse vols. 1-2, by Floyd Gottfredson, edited by David Gerstein and Gary Groth (Fantagraphics)

Best Archival Collection/Project – Comic Books
Walt Simonson’s The Mighty Thor Artist’s Edition (IDW)

Best U.S. Edition of International Material
The Manara Library, vol. 1: Indian Summer and Other Stories, by Milo Manara with Hugo Pratt (Dark Horse Books)

Best U.S. Edition of International Material – Asia
Onward Towards Our Noble Deaths, by Shigeru Mizuki (Drawn & Quarterly)

Best Writer
Mark Waid, Irredeemable, Incorruptible (BOOM!); Daredevil (Marvel)

Best Writer/Artist
Craig Thompson, Habibi (Pantheon)

Best Penciller/Inker or Penciller/Inker Team
Ramón K. Pérez, Jim Henson’s Tale of Sand (Archaia)

Best Cover Artist
Francesco Francavilla, Black Panther (Marvel); Lone Ranger, Lone Ranger/Zorro, Dark Shadows, Warlord of Mars (Dynamite); Archie Meets
Kiss (Archie)

Best Coloring
Laura Allred, iZombie (Vertigo/DC); Madman All-New Giant-Size Super-Ginchy Special (Image)

Best Lettering
Stan Sakai, Usagi Yojimbo (Dark Horse)

Best Comics-Related Journalism
The Comics Reporter, produced by Tom Spurgeon, www.comicsreporter.com

Best Educational/Academic Work (tie)
Cartooning: Philosophy & Practice, by Ivan Brunetti (Yale University Press)
Hand of Fire: The Comics Art of Jack Kirby, by Charles Hatfield (University Press of Mississippi)

Best Comics-Related Book
MetaMaus, by Art Spiegelman (Pantheon)

Best Publication Design
Jim Henson’s Tale of Sand, designed by Eric Skillman (Archaia)

Hall of Fame

Judges’ Choices: Rudolf Dirks, Harry Lucey
Bill Blackbeard, Richard Corben, Katsuhiro Otomo, Gilbert Shelton

Russ Manning Promising Newcomer Award:
Tyler Crook

Bob Clampett Humanitarian Award:
Morrie Turner

Bill Finger Excellence in Comic Book Writing Award:
Frank Doyle, Steve Skeates

Will Eisner Spirit of Comics Retailer Award:
Akira Comics, Madrid, Spain – Jesus Marugan Escobar and
The Dragon, Guelph, ON, Canada – Jennifer Haines

“Electric Man” premieres at SDCC tonight

  • News
  • July 13, 2012

electric-man-e1342206577233-266x450-1276868Electric Man, the micro-budget comedy shot in Edinburgh, has been selected for the prestigious San Diego Comic Con International Film Festival on July 13th – and is the only UK feature film to play at the world famous comic convention this year.

The film tells the story of Jazz and Wolf, two cash-strapped comic shop owners who need £5,000 in a hurry if they are to save their comic shop in Edinburgh. As luck would have it they chance across a copy of Electric Man issue 1 which just happens to be worth £100,000. But there are other people after the comic and it is soon lost, stolen, switched and switched again as Jazz and Wolf try to save both their business and their love lives.

Shot on a micro budget, the film has already gained BAFTA New Talent Awards nominations for its script and score as well as being shortlisted for Best Feature at the Celtic Media Festival. Selection for San Diego Comic Con places the film with the industry big hitters. The movie was selected as only one of three feature films to play this year’s festival from over 200 initial entries.

Director David Barras explains: “This is a game changer for us. We had already planned for digital distribution later in the year but we were going to limit that to the UK. Comic Con is enormous and we’re now looking to give the film a global launchpad. As a small independent movie we have to pick and choose where we go. But San Diego was the holy grail for us. Yes, it has blown a massive hole in the budget but we would be mad not to go. Who wouldn’t want to be at the same convention as Iron Man 3 and the new Superman movie?”

Cinema goers in London had the opportunity to see for themselves what all the fuss is about on Sunday 8th July, when the film played at The Prince Charles Cinema in Leicester Place. The film has already played to a sold out audience at the cinema in May but the team are bring it back to coincide with the London Film and Comic Con and give the capital’s movie goers a sneak peak before they fly to California for the film’s big night at Comic Con.

Electric Man is already a UK success story but the movie is far from your typical British fare. In an industry that is used to producing Scottish films that are usually about shooting up or shooting grouse, Electric Man is a distinct change of pace. Billed as ‘The Maltese Falcon meets Clerks’ the film makers have produced something set in the UK but with a definite American flavour.

Martha Thomases: Las Vegas vs. San Diego

thomases-column-art-120713-1163089

While the rest of the pop culture community prepares for Comic-Con International in San Diego, I’m in Las Vegas. Since I don’t gamble, it has been an interesting sociological experience for me. And also, the spa at my hotel is awesome.

I have been to Vegas four times now, and to SDCC about fifteen times. The two share more than one might think. Both are really crowded at all hours. Both mostly take place indoors, but if you need to go outside, you probably won’t get rained on. There’s a lot of noise about every little thing, so that you lose all sense of proportion.

And both count on dazzling you with enough glitz and glamor that you won’t notice how much you’re being hustled.

Still, I’m having a great time on The Strip, and I never need to go to Comic-Con again. What’s the difference?

Although things have improved somewhat in recent years, the city of San Diego doesn’t feel welcoming to me. I went once for a library convention, and that was much more pleasant. As a Comic-Con visitor, I feel like the city regards me as a pig, a beast to tolerate because I spend money. The convention brings in celebrities, whom I’m sure are treated well (if only because they have people on the payroll to guarantee it), but me? I’m the rube paying $4 for a bottle of water.

The water in my Vegas hotel room mini-bar is $8. And I don’t drink it. But you know what? A lovely woman comes by twice a day to ask if I want anything. She is thrilled when I have a request for her, even if it’s just for more free shampoo.

At Comic-Con, I have to stand in line for hours to see a panel, which I may not get to see because thousands of other people want to see the same panel. In Vegas, if the hot new Batman slot machine is being used, there are more around the corner, or down the street.

At Comic-Con, if I don’t make a dinner reservation by five, I can forget about eating anyplace where I can sit down. In Vegas, there are world-class restaurants (many outposts of places I love in New York) stacked up on top of each other.

I was a little afraid to come to Vegas as an older, single woman, afraid I would feel unattractive and unworthy. The hotel at which I’m staying, the Cosmopolitan, goes out of its way to make women feel welcome. Everyone who works there is super-friendly and helpful. In San Diego, there are, instead, lots of jokes about how unsexy geeks can be. True, lots of those jokes come from us geeks. I don’t think that kind of self-hatred would be funny anyplace else.

My friend Pennie used to live here, back in the days when the Mob were the new guys in town. She says that there is a tradition of service here because the populace knows that’s how they keep their jobs. San Diego, on the other hand, is a city with more than just a hospitality industry. I don’t mean to say that San Diego is rude (because, as a New Yorker, how would I know?), but they don’t make me feel like my needs are a priority.

There has been talk for years of moving Comic-Con to Las Vegas. I don’t think it would work. This city is too expensive. It would be a lovely idea, however, to move Las Vegas to Comic-Con.

SATURDAY: Marc Alan Fishman

 

 

‘Buck Rogers’ returns with Howard Chaykin

  • News
  • July 10, 2012

Howard Chaykin will revive Buck Rogers. The veteran cartoonist has been announced as writer and artist on a new Hermes Press comic book series.

Best known for its reprints – including some of the legendary pulp hero – the publisher has promised an “all new take” on the character by the American Flagg! creator.

“When [Hermes publisher Dan Herman] casually asked me whether I had any interest in reviving Buck Rogers, my reaction was first physical – genuine goose bumps – followed by complete delight at the thought of paying back a concept that was so utterly seminal in my thinking about our medium and our field,” said Chaykin.

The science fiction hero first appeared in Armageddon 2419 AD in the pages of the August 1928 issue of Amazing Stories, written by Philip Francis Nowlan.

The comic will be unveiled at the “Buck Rogers, Past, Present and Future” panel at 6pm on Friday, July 13 at San Diego Comic-Con International.

SDCC: CBLDF’s Comic-Con Welcome Party!

sdcc-cbldfs-comic-con-welcome-party-9487935Kick off Comic-Con with the greatest stars in comics to celebrate 20 Years of Image Comics and the power of free expression at the Comic Book Legal Defense Fund’s Comic-Con Welcome Party! Starting at 8:00 PM on Thursday, July 12 at the Westgate Hotel, the CBLDF Comic-Con Welcome Party is jam-packed with amazing people and cool stuff! This party is sponsored by Image Comics, TFAW.Com, Black Phoenix Alchemy Lab, & Threadless!


Experience Creativity with Image Comics greats including: Ales Kot, Amanda Conner, Ben McCool, Ben Templesmith, Brandon Seifert, Charles Soule, Chris Giarrusso, Cory Walker, Dan Brereton, Darick Robertson, Deborah Vankin, Dexter Weeks, Dirk Manning, Edwin Huang,Eric Shanower, Eric Stephenson, Erik Larsen, Gerry Duggan, Glen Brunswick, Jim Mahfood, Jim McCann, Jim Valentino, Jim Zub, Jimmy Palmiotti, Joe Keatinge, John Layman, Joshua Hale Fialkov, Joshua Williamson, Kody Chamberlain, Kurtis Wiebe, Mark Poulton,Matt Hawkins, Michael Moreci, Moritat, Nate Bellegarde, Nathan Edmondson, Phil Noto, Richard Starkings, Ron Marz, S. Steven Struble, Scott Tuft, Sina Grace, Steve Seeley, and many more!

revival-cover-low-res-195x300-1364256Get The Exclusive Goods: Free gift bag, featuring a CBLDF party exclusive edition of Revival #1 by Tim Seeley & Mike Norton from Image Comics, and other special thank yous from CBLDF supporters including Valiant and Threadless!

See The World Premiere of “The Day The Saucers Came:” Be the first to see the latest Comics-On Tees from Threadless featuring Neil Gaiman’s “The Day The Saucers Came,” featuring artwork by John Cassaday, Brandon Graham & Ben Templesmith at a special fashion show! Get your tees straight from the source at the party!

Smell Awesome At The Black Phoenix Alchemy Lab Trading Post: BPAL will make their only Comic-Con appearance at the party, setting up a one-night only display of fragrances, including the world premiere of new fragrances based on Neil Gaiman’s Coraline!

Check Out The Amazing Items In CBLDF’s Comic-Con Auction, sponsored by TFAW.Com & Valiant Comics: Check out all the amazing original art up for grabs at Saturday’s CBLDF Comic-Con Auction live!

Come support Free Speech and experience the best of Comic-Con at the CBLDF Comic-Con Welcome Party Thursday at the Westgate Hotel, 1055 Second Avenue, San Diego, CA 92101 from 8 PM to 11 PM! This party is FREE for CBLDF Members. Non-Members, suggested $10 – $20 donation at the door, please.

ABOUT IMAGE COMICS
Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of best-selling artists. Image has since gone on to become one of the largest comics publishers in the United States. Image currently has five partners: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino. It consists of five major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline, Skybound and Image Central. Image publishes comics and graphic novels in nearly every genre, sub-genre, and style imaginable. It offers science fiction, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. For more information, visit www.imagecomics.com.

ABOUT THREADLESS
We’re awesome people from all over the world who make mind-blowing art. Our process starts when a great idea is born in an artist’s mind. (That could be you, that could even be your grannie!) The artist submits their idea to our site, where our community of 1.5 million debates, discusses, and votes on that idea. If the idea gets a really good score, we make it into a tee, tote, hoody, or tube sock. (That last one isn’t true… yet.) Then, as long as folks keep buying that product, we keep rewarding that artist with loadsa money, prizes, and exposure. So people who buy from us support great artists and their great ideas. Neat, huh? Join us at Threadless.com. Threadless ~ Make Great Together.

ABOUT THINGS FROM ANOTHER WORLD
Founded in 1979, Things From Another World is the premier retailer of comics, toys, collectibles, and pop-culture geek goodness, both in Portland, Oregon and online at http://www.TFAW.com.

ABOUT BLACK PHOENIX ALCHEMY LAB
We specialize in formulating body and household blends with a dark, romantic Gothic tone. Our scents run the aesthetic gamut of magickal, pagan and mythological blends, Renaissance, Medieval and Victorian formulas, and horror / Gothic-themed scents. By utilizing our knowledge of homeopathy and aromatherapy, the conceptual theories of hermetic alchemy, and the aesthetic artistry of perfumery, we have mastered the art of encapsulating allegorical ideas into singular olfactory experiences. We are the first of our kind, and have over fifteen years of practical experience in the field. Our expertise shows.

We pride ourselves on the artistry of our products, and our skill in their creation. All of our products are hand-blended here in our laboratory. Integrity and dedication is vitally important to us, and we do our best to provide the best possible product and slavishly good service to all our clients.

ABOUT THE COMIC BOOK LEGAL DEFENSE FUND
Comic Book Legal Defense Fund is a non-profit organization dedicated to the protection of the First Amendment rights of the comics art form and its community of retailers, creators, publishers, librarians, and readers. The CBLDF provides legal referrals, representation, advice, assistance, and education in furtherance of these goals.

A CLick Survival Guide for Comic-Con International

With Comic-Con International, ak.a. San Diego Comic-Con, now just days, almost hours, away, those traveling to the extravaganza are packing to hit the road. There are several noteworthy survival guides we can recommend to those of you less familiar with what it’s like being there. Tom Spurgeon at The Comics Reporter has his valued 150 tips, the gold standard of advice.

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But our friends over at Click Communications has also assembled a witty Survival Guide of their own. Click is a leading media public relations firm and we’ve been dealing with them for years. They talk the talk, walk the walk, and have plenty of good pieces of advice to share along with thumbnails on many of the properties near and dear to their hearts. While Tom’s tips are good for everyone, even veterans, this guide is great for newcomers and those who don’t speak Geek as fluently as the rest of us.

They explained to us, “This guide began as a way to offer some helpful tips—and a little entertainment—to anyone working the Con who might not count down the days ‘til July the way we do.  Now in its fifth year, our simple How-To manual has grown into something that “n00bs” and nerds alike can appreciate. This year, the guide also features original artwork from some talented, up & coming comic book artists: Tess Fowler, Tony Fleecs, and Scott Arnold.”

Since you’ll be stuck on lines for a good portion of the con, they have even come up with a useful way to pass the time: The Click Communications Comic Con Survival Kit Contest!

Enter to win a Survival Kit of your very own by visiting our blog, or join us in playing Comic-Con Bingo.  Grab the Bingo card from the back of the Guide and share your pics online via Facebook, Twitter, or Pinterest to line up your finds to win fabulous prizes while in San Diego.  For more information, and to enter to win, visit either here or here.

Now for Click’s OBLIGATORY DISCLAIMER:

Click’s Comic-Con Survival Guide is just a little something they put together for your information and our amusement. There’s zero guarantee that the information they found online is 100% reliable.  After all, release dates change, actors need rewrites, directors run out of budget, writers go…insane. Things happen. Since we all know that, no one should take any of the information contained within as locked-in gospel or anything. Okay?  Okay.

Get the Gringo Swag and More at Comic-Con International

Get the Gringo, the latest action-comedy starring Mel Gibson, will be making its debut on Blu-ray, DVD and Digital Download July 17, 2012

Before the film comes home, it will be making an appearance at SDCC at Fox Booth #4313, where attendees can pre-order the film and participate in numerous activities. Fans will also be treated to loads of cool swag, including an exclusive mini-poster where fans are tasked to find the ‘Gringo’s’.

In addition to the mini-posters, Twentieth Century Fox Home Entertainment will be hosting a few fun activities to promote the release, including photo-ops with Lucha libre wrestlers and sexy ring girls (on Friday, July 13 and Saturday, July 14, 2012).

Attendees can also take part in the #GetheGringo San Diego Comic-con social media experience. The ring girls will be carrying posters with an exclusive QR code and fans who scan the code, post photos of the wrestlers via Twitter (using #GettheGringo) or upload pictures to Facebook, will receive a voucher for a free taco from Lucha Libre Taco Shop in San Diego.

Fans are also be encouraged to ‘like’ Get the gringo on Facebook via: https://www.facebook.com/GetTheGringo

*****

Written produced by and starring Mel Gibson, Get the Gringo is an explosive action filmed infused with dark comedy directed by Adrian Grunberg from a screenplay he co-wrote with Mel Gibson and produced by Mel Gibson, Bruce Davey and Stacy Perskie. Filmed in Mexico, the multi-lingual film also stars Daniel Gimenez Cacho, Jesus Ochoa, Roberto Sosa, Dolores Heredia, Kevin Hernandez, Fernando Becerril, Mayra Serbullo, Mario Zaragoza, Gerardo Taracena, Tenoch Huerta and Peter Gerety.

During a high-speed car chase with the US Border Patrol and a bleeding body in his back seat, Driver (Mel Gibson) violently crashes his car into the border wall as he tries to outrun them.  Driver survives the crash only to land inside a hard-core Mexican prison where he enters the strange and dangerous world of “El Pueblito.”  He finds unlikely guidance from a 10-year-old kid who shows him the ropes.

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