Tagged: San Francisco

Colan: Visions of a Man without Fear Opens in San Francisco

Gene Colan’s artistic career will receive the retrospective treatment as San Francisco’s Cartoon Art Museum presents Colan: Visions of a Man without Fear, opening November 15 and running through March 15, 2009.

On December 4, there will be a special opening reception with Gene and Adrienne Colan in attendance.

The exhibition will include over 40 examples from Colan’s long creative career, from his one and only story illustrated for legendary publisher EC Comics in 1952, through his career-defining work for Marvel Comics from the 1960s and 1970s on titles as diverse as Iron Man, Tomb of Dracula and Howard The Duck, to his notable run on DC Comics’ Batman in the 1980s, to his more recent efforts, including illustrations commissioned by his fans and his beautiful pencil artwork on titles such as Michael Chabon’s The Escapist, published by Dark Horse Comics.

Guest Curator Glen David Gold, author of the novel, Carter Beats the Devil, put the museum show together.  An exhibition catalog featuring high-quality reproductions of Colan’s artwork and essays from many of his most notable collaborators, including writers Stan Lee, Marv Wolfman, Roy Thomas and Steve Englehart, will be available at the Cartoon Art Museum prior to the exhibition’s opening reception on December 4.

For those unfamiliar with Gene “The Dean”, he was born in New York in 1926 and studied at the Art Students League of New York under illustrator Frank Riley and surrealistic Japanese painter Kuniashi. After a stint in the army, Colan’s official career in comics began in 1944 at Fiction House and Timely.

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San Francisco Media Examines the New X-Men HQ

SFGate, the website for the San Francisco Chronicle, has put together a pretty interesting analysis of the recent relocation of the X-Men from Westchester County, NY, all the way out to the West Coast in X-Men #500.

According to X-Men Editor (and Bay Area native) Axel Alonso, San Francisco’s often controversial status as a "sanctuary city" made the move long overdue for Marvel’s most persecuted superteam.

"Anyone who looks at the X-Men, the analogy is right there: If you’re different in any way due to race or sexual orientation or just being nerdy, there’s an X-Men character for you. They’re about being different and finding strength in that weakened position."

In order to get accustomed to basing the team’s adventures in the new city, Marvel staffers will be brushing up on their West Coast savvy in the coming months.

Marvel Comics artists will be visiting San Francisco frequently to get a feel for the fashion, architecture and even the way residents walk and talk. There are no cable cars in the first issue, but the artists did include a KRON TV news truck and a panel where the iconic mutant Wolverine walks through Noe Valley. The heroes make their base in the concrete bunkers beneath the Marin Headlands and join the protest of a controversial art installation at the San Francisco Museum of Modern Art.

While Marvel Editor-in-Chief Joe Quesada hesitated to comment on the permanency of the X-Men’s new home, the article goes on to provide a nice roundup of parallels between the mutant superteam and the real-life groups that have found sanctuary in San Francisco over the years.

New ‘Iron Man’ Poster Revealed

Over at ScreenRant, they’ve got a post up that gives us a look at the brand new Iron Man movie poster being handed out at this years WonderCon in San Francisco. This time around, the poster features all three versions of Iron Man’sarmor from the film: the original Mark I, the prototype Mark II and the final red and gold Mark III that we all know.

Its interesting to see the progression in the design of these three armors and to be able to see them up-close with this kind of detail. They all look pretty cool to me, but is it wrong that I like the silver Mark II best? Blasphemy, right?

Iron Man, in full armor-clad glory, opens May 2nd.

 

A Plethora of WonderCon Coverage

WonderCon is in full swing in San Francisco, with plenty of of guests and events on the schedule. Here’s a quick look at the convention news that’s popping up around the ‘Net.

Over at The Beat, Heidi MacDonald has kindly done all the hard work for me, and the rest of you, and put together a list showcasing WonderCon events and coverage — all in one, easy-to-use place.

She’s got quite a bit of info there already, including links to Wired Magazine’s preview of all the hot comic shop action in San Francisco during the con, a guide to programming from Prism Comics at the show and a breakdown of some of the parties being thrown during the event. 

As if The Beat’s info wasn’t enough already, Tom Spurgeon over at The Comics Reporter has also chimed in with his list of "Ten Things to do at WonderCon this year." Tom, whose knowledge of comics and comics-culture knows no equal, has always provided some great insight into the convention scene. His lists of must-see-and-do’s are always one of the first things I check out before heading to a show.

Top ten videogames announced

spacewar-4155375Now that comics have earned mainstream respectability, can videogames be far behind?  Henry Lowood, curator of the History of Science and Technology Collections at Stanford University, is at the forefront of gaining recognition of this hobby and industry as having "a history worth preserving and a culture worth studying."

So last Thursday at the annual Game Developers Conference in San Francisco, Lowood, along with game designers Warren Spector and Steve Meretzky, academic researcher Matteo Bittanti and game journalist Christopher Grant, announced the committee’s list of the 10 most important videogames of all time.  For the final list, see below.

The list ranges chronologically from 1962 (!) through 1994, and was closely modeled on the work of the National Film Preservation Board, which every year compiles a list of films to be added to the National Film Registry.  So expect a lot more additions in the future of this still-nascent industry — a future that looks brighter and more competitive every day, reports the BBC in this article about the stiff competition of talent trying to break into game designing.  And you thought getting into comics was hard!

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DC announces first D2DVD release

superman_doomsday-4851955Following Marvel’s lead, DC Comics is entering the direct-to-DVD animated feature business with the first of a slate of programs featuring their popular heroes.

First at bat is Superman Doomsday, based on the historic Death of Superman storyline from a decade ago. Previewed at this weekend’s Wondercon in San Francisco, the DVD will be released in September and carries a PG-13 rating. Adam Baldwin voices Superman, Anne Heche Lois Lane, and James Marsters plays Lex Luthor. Marsters is no stranger to the Superman mythos, having played Brainiac on the Smallville teevee series.

DC is also adapting Darwyn Cooke’s brilliant DC: The New Frontier for D2DVD release.