Tagged: Sandman

Cinamon Hadley, The Girl Who Was Death, Has Died

Cinamon Hadley, whose appearance inspired the look of Death in the Sandman comic series, passed away today according to Sandman co-creator Neil Gaiman.

The body-piercer and goth icon whose portrait was immortalized as the second eldest in a family of anthropomorphized forces called the Endless, Hadley was described as extremely tall, extraordinarily thin, with bone-white skin, impeccable make-up and thin, black hair.

According to Gaiman in The Sandman Companion, he imagined the character as looking like ‘60s singer Nico as she appeared on the cover of Chelsea Girl. But the comic’s artist, Mike Dringenberg, had other ideas, and thought of a good friend in Salt Lake City. Gaiman writes, “He sent me a drawing based on a woman he knew named Cinamon—the drawing that was later printed in Sandman 11—and I looked at it and had the immediate reaction of, ‘Wow. That’s really cool.’”

Cinamon was diagnosed with the advanced stages of small cell neuroendocrine carcinoma of the colon in 2017. After a brief remission, the cancer returned and spread.

Our condolences to her family, friends, and fans. We hope she’s well met by someone who looks a lot like her.

 

I Spidey

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Before we move on to my regularly scheduled column, I have to plug the Kickstarter going for a ComicMix comics collection running through September 15th. It’s got a lot of great talent like Neil Gaiman, Gabby Rivera and Gerard Way. Check it out!

Now that that’s out of the way, let me get back to my hot takes on the comics biz.

Last month I wrote about Spider-Man: Homecoming and how I wish they had more comics the reflected that interpretation of the character. There isn’t really a comic they put out recently that does, but I heard Spidey is kind of close so I picked up the first trade.

Spidey originally hit the stands back December of 2015 at #25 on the sales charts equating to 65,503 copies sold. The idea was to do an out of continuity Spider-Man that went back to basics; Peter Parker is back in high school, he’s back to crushing on Gwen Stacy, he’s back to taking pictures of Spider-Man for JJ, Aunt May is back to struggling to pay her bills, the bad guys aren’t quite as deadly serious, the book is more light-hearted and the stakes are lowered.

The series is written by Robbie Thompson and the first three issues are illustrated by Nick Bradshaw with Jim Campbell and Rachelle Rosenberg coloring. In the first three issues we have run ins with Doc Ock, Sandman, and Lizard. All three of them are doing what you normally expect them to do; Doc Ock is trying to steal technology, Sandman is trying to rob banks, and Lizard is trying to make more lizard people. While it’s all pretty goofy and at least somewhat self aware, Nick’s art is very sleek and his heavy inks with Jim and Rachelle’s colors really make the pages pop. It feels like Saturday morning cartoon quality work. Some of the characters could look a little more different from each other as I felt his Peter Parker and Harry Osborn look too similar, but I also acknowledge that’s a bit overly critical.

After issue three, the series takes a bit of a turn.

Nick Bradshaw has a very distinct style. Once he leaves after issue three, the rest of this trade is illustrated by Andre Lima Araujo. Andre’s style is drastically different from Nick’s. Gone are the heavy inks and Saturday morning cartoon look. In its place are very thin line inks, and the kind of art you may expect in a Top Shelf or Pantheon type graphic novel. Facial expressions and other little details like sweat are more prominent. The teenage angst and awkwardness spills out of the pages more, but the tone is so different from this art style that it’s jarring. On top of all that, in issue six Iron Man teams up with Spider-Man to stop Vulture from stealing things and it felt like such a push to do something that might tie in somewhat to Spider-Man: Homecoming that it immediately sucked me out of the story.

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The most disappointing thing about reading Spidey after seeing Spider-Man: Homecoming is seeing how few liberties they take with a comic that isn’t in continuity. They don’t really change up the characters too much, everyone is still white who was white, all the characters are back doing exactly what you already know they do. What’s the point in taking another shot at retelling the early years of Spider-Man if you’re just going to give me everything we already knew and how we already knew it? This is likely at least part of why the series ends at issue twelve, making it only two volumes on trade paperback.

Overall, Spidey Vol. 1 was fun, had a few exceptional moments, but overall fell a bit flat. If you absolutely need more simple Spider-Man stories, you absolutely should pick this up. Or if you have a child in your life around ages 8-12 this is probably the most appropriate Spider-Man title for them to read. Spidey also gets bonus points for not having parallel universes, time travelling, and clones. Especially for not having clones.

It feels good to write about comics I’m reading again. So good even, I may just do it again next week!

“Altered States of the Union” anthology shows what America could be

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Have you ever wondered what could have been? What if Key West seceded from the mainland? If the state of Wyoming ended up in the middle of Pennsylvania? If freed slaves were given the state of Mississippi after the Civil War? Perhaps you would like a Brief Explanation as to how Budapest became the Taco Capital of the World? Or, if you prefer, there is one story that is a fight to the death between the governor of North Alaska, Sarah Palin, and the billionaire orange haired governor of South Alaska…

You can wonder all of these no longer with ‘Altered States of the Union: What America Could Be’; An American alternate history anthology (say that five times fast) that features a varied and fantastic line up of first time authors, New York Times best selling authors, and Hugo and Nebula award winning authors, coming all together with their own stories of alternate American history and describing what could have been if circumstances were just a little different. (And a little more crazy.)
It will be making its debut on July 15th/2016 at the Shore Leave Convention – aptly, the weekend before the Republican convention. For anyone that grabs it on Indiegogo, copies of the book will be mailed out shortly thereafter, if you’re not at the show to pick it up and get autographs in person.

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This anthology wants to show you how we could have gone other ways, how we could have been very different than what we are– yet still be America. For anyone wondering how the Indiegogo will be spread out, they’re taking pre-orders to finance printing costs and generally passing along more money to the contributors— all proceeds after production and distribution costs go to the people whose work drew you to the book in the first place— which, after all, is how it should be.

The array of authors that are in this collection of historic proportions are:

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Russ Colchamiro, Peter David, Keith R.A. DeCandido, Debra Doyle & James D. Macdonald, Brendan DuBois, Malon Edwards, G.D. Falksen, Michael Jan Friedman, David Gerrold, Robert Greenberger, Alisa Kwitney, Gordon Linzner, Sarah McGill, Meredith Peruzzi, Mackenzie Reide, Aaron Rosenberg, David Silverman & Hildy Silverman, Ian Randal Strock, Ramón Terrell, Anne Toole, and ComicMix’s own Glenn Hauman as editor.

A mixture of NY Times best sellers, Hugo and Nebula winners, WGA award winners, president of American Atheists, and an editor of the Sandman comics is a sure win. Any anthology that includes the writer of “The Trouble With Tribbles”, a writer of “The Lizzie Bennet Diaries”, and the president of American Atheists is an interesting mix that shouldn’t be missed out on.

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The Law Is A Ass

BOB INGERSOLL: The Law Is A Ass #348: THE THING IS AN ESCAPED CRUSADER

32761dcd7454c1bac073e381ccbf841a_mFirst a show of hands, how many of you think the Puppet Master is dead?

No, I mean really dead. Sure Puppet Master’s always been a second-tier villain. After all, anyone who had access to his radioactive clay and a grade school art class could duplicate his powers. But how many think he’s really never-coming-back-from-the-dead dead?

Probably the same number of people who think that the Thing  really killed him. However, as things sit in Fantastic Four v5 #13, Thing was sitting in Ryker’s Island waiting trial for murdering Puppet Master. Until Thing recruited his own version of the Impossible Mission Force and broke out of prison.

Step One: Thing met with his lawyer, She-Hulk. Step Two: Ant-Man shrank down to subatomic size so he could navigate along the wiring of Ryker’s Island and use a pulse bomb to shut down the cell cubes and power dampeners that Ryker’s used to keep its super-powered inmates under control. Step Three: Sandman used his sand powers to hamper the efforts of any of the other inmates who tried to escape during the power outage. Step Four: Thing and Sandman ran along one of the prison’s supply tunnels to the prison wall. Step Five: She-Hulk and Darla Deering  – who was wearing her Miss Thing exoskeleton – knocked down the wall from the outside, because Thing’s strength hadn’t returned to full power yet. Step Six: They all went outside, where Medusa and the Inhumans waited with an airship which flew them to safety. Thing, why’d you stop there? Six more steps and you could have had an intervention.

The whole operation was a big success, although Sandman wasn’t always sure it would be. Still, he joined anyway. “What’s the worst they can do if it fails? Send me to prison?”

Well, yes, that’s exactly what they can do to you.

Escape is a crime in New York. According to New York Penal Law § 205.15 when a person charged with, or convicted of, a felony escapes from a detention facility that’s escape in the first degree. Thing was charged with murder. Sandman had been convicted of a felony – several, in fact. Both escaped from a detention center. Nuff said? Escape in the first degree is a class D felony, punishable by up to seven years in prison.

So yes, Sandman, they can they send you to prison. But it’s not the worst they can do.

Most judges’ view on escape is dimmer than a ten-watt bulb. Judges tend to sentence people convicted of escape consecutively to whatever sentence the criminal escaped from. So the worst isn’t that they’ll send you back to prison. The worst is that they’ll send you back to prison for even longer.

And it’s not like She-Hulk, Ant-Man, or Darla Deering would get off scot free. N.Y.P.L. § 115.08 calls helping a person to commit a crime criminal facilitation in the fourth degree. In addition, N.Y.P.L. § 105.05 says a person is guilty of conspiracy in the fifth degree when he or she agrees with one or more persons to engage in a felony.

Okay, both of these crimes are Class A misdemeanors so the possible sentence is anything up to one year. It may not be the seven years Sandman’s facing, but give them one year on each crime, run those sentences consecutively, and that’s two years. That’s more time than Animal Practice got and Animal Practice was a crime against humanity.

(BTW, I left out Medusa and the Inhumans, because they might have diplomatic immunity. I’m not sure what the Inhumans’ diplomatic status is. Just as I’m not sure what the status of their home city Attilan is other than blown up.)

Oh yeah, She-Hulk also joked about getting disbarred for her involvement in the escape. Not a joke, Shulky. Look at what New York did to Matt Murdock. If they catch you, they’ll disbar you, too. Then you can laugh all the way to the bank. The blood bank. Because you’ll be selling your blood to earn grocery money.

Then there’s Thing. Like Sandman, he’d be facing seven years for escape. Unlike Sandman, he wouldn’t have any underlying sentences that his seven years could be stacked on consecutively. But seven years is still a long time. Still, seven years in comic-book time is an eternity.

Which brings up an interesting question. In books, comic books, TV shows and movies, prisoners who are wrongly accused of a crime frequently escape in order to prove their innocence.  Richard Kimble escaped more times than Harry Houdini on tour. And once they prove their innocence, everything is hunky dory. They’re never prosecuted for escape, even though the escape charges would still exist, even if they were actually innocent of the other crime for which they had been arrested.

Do fictional prosecutors feel the innocent people suffered enough by being charged with a crime they didn’t commit so don’t bother charging them with a crime they actually did commit? I say fictional, because I certainly never met find any real-life prosecutors who felt that way back when I was practicing. Those prosecutors tended to press charges.

See, escapees escape from a prison or detention center or police custody. The guards, correction officers and police tend to be embarrassed when escapes occur on their watch. So they try to discourage escape, by making sure prosecutors file escape charges on anyone who escapes. That other detainees won’t get the same idea.

But that’s not how it’s going to happen. The Thing will be exonerated. Then neither he nor any of the people who helped him escape will be prosecuted. And they’ll all live happily ever after.

Except Sandman. Him they’ll prosecute.

Jen Krueger: Binge Reading Comics

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A friend of mine has multiple subscriptions at multiple comic book shops. He gets excited for every new issue, and has been consuming comics this way for most of his life. Try as I might, I just can’t understand this, though not because this fervor for comics is foreign to me. It’s the issue by issue thing that I’ve never been able to come around on.

Maybe some of this stems from the way I was introduced to comics. Years ago, I saw Neil Gaiman do a reading of short story and poetry material at the Printer’s Row Book Fair, and the first booth I stopped at afterwards had the The Sandman graphic novels for sale. It was the first time I’d seen the name of an author I knew on a graphic novel, and having been so entertained by that author only minutes before, I figured I’d give this foreign format of storytelling a shot. I read it in one sitting and couldn’t get my hands on the next trade fast enough. By the end of the month, I’d devoured the whole series and become interested in finding other comics I’d enjoy even half as much as I had loved The Sandman.

But even as a comic book convert actively looking for more to read, I just couldn’t bring myself to start with anything short of a trade or graphic novel because single issues of comics have always struck me as unfulfilling, just bite-sized bits of big stories. (more…)

Sandman TV Series Currently On Hold

The Sandman: Preludes & Nocturnes

Image via Wikipedia

Though a film adaptation hasn’t come to be (and based on the scripts kicking around, that’s a good thing) last September brought word that Neil Gaiman’s  comic book series The Sandman might head to television in the form of a series from Warner Bros. and Supernatural creator Eric Kripke. But at a PaleyFest red carpet event, Kripke had some disappointing news, telling The Live Feed:

“Unfortunately, for a lot of varying reasons, Sandman is not in the works, at least for this season.” He elaborated that the potential adaptation “just didn’t quite happen this season through nobody’s fault, and hopefully we can do it again in the future.”

DC and Warner Bros. would love to see it happen, as doing it right could easily kick off a franchise of films or a long running TV series. The holdup, to me, seems to be just pulling all the players together at the right time.

Or if Neil’s old statement is still true…

“I’m growing vats of people like you all around the world. Eventually we’ll put a bunch of you in a room with knives, and whoever emerges alive will be the winner and can make the Sandman movie.”

…they may just be waiting for a big enough auditorium.

(more…)

Neil Gaiman to Appear on Arthur

In the continuing saga of comic book writers appearing anywhere they can, author Neil Gaiman has been animated as part of the PBS series Arthur. Gaiman, whose illustrious career includes the acclaimed Sandman series and Marvel’s 1602, as well as the Newbery Award-winning The Graveyard Book and a number of picture books, is lending his proto-goth façade to the popular kids’ show. His episode is set to debut on October 25. Gaiman isn’t the first comic creator to get himself animated into a popular cartoon, however. We here at ComicMix enjoyed the Simpsons episode where Alan Moore, Daniel Clowes, and Art Spiegelman do a signing at the new Springfield comic shop, Coolsville,  and later fly away (literally) as the League of Independent Comic Creators. We wanted to embed that clip here so you could relive it, but sadly Hulu skipped seasons 11–19 in their listings.

So, as we were saying, be sure to set that ol’ DVR to tape Arthur on October 25th, and catch Neil “The Cat” Gaiman’s appearance. We’ve no idea what the show will be about, but we assume Arthur and his pals attend a book signing where Neil will say something that will enrapture the kids in comic book fever. And all will be right with the world.

We hope this is a continuing trend. Our bet? Look for Brian Michael Bendis on the next season of Yugi-Oh.

DC 75th Anniversary Winners

Well, that went by quickly.

Peter David was the first to stump me, your now-humbled expert. Its been so long since I watched Superman the Movie I missed his question: In what city and state did Miss Teschmacher’s mother live (prompting her to get Superman’s promise to save her?)

I guessed Newark but it was Hackensack. Peter will receive the character hat as his reward.

Mason asked, In the DC/Vertigo Sandman series, which supporting character began life in the Dreaming as Dream’s first raven? I answered Matthew Cable, forgetting that in Sandman #68, it was revealed that Lucien the Librarian was actually the first raven. That serves me right for not rereading the series as the gorgeous Absolute Sandman
volumes were released.

Elie got me with one I should know: The Order of St. Dumas was responsible for a number of scientific
innovations in the last thousand years. However, there was one field of
“science” that they went to a great trouble to disprove and keep the
secret to themselves. Which field of science was this? When he has a chance, he should post the answer, because I even checked online to find this information — which did not make it into my The Essential Batman Encyclopedia. His reward is the free digital download of the just-released Batman: Under the Red Hood.

Thanks for playing, everyone!

‘The Maxx’ animated series online

MTV is bringing back a lot of stuff from the 90’s– The State, Denis Leary commercials, Aeon Flux and other Liquid Television spots, and the like on MTV2 Legit, a new series on MTV2. One of the recent additions to their web site is Sam Kieth’s The Maxx, from MTV Oddities– and the serie, from the co-creator of Sandman, is even weirder than I remembered. Take a look: