Tagged: Sandman

ComicMix Quick Picks – February 3, 2009

* Quote of the day from novelist David Mack, talking about Sandman:

One story from that series, “Calliope,” continues to haunt me; a writer who tried to justify his crimes as a desperate search for ideas is cursed by Dream to be deluged with story ideas faster than he can write them down. In a handful of panels, the character rambles off nearly a dozen snippets of story concepts as he succumbs to a delusional fugue. What really haunts me about that scene is that Neil Gaiman tossed off a dozen story ideas as throwaway lines of dialogue that are all better than anything I’ve ever written. As a writer, I’ve never slept well since reading those panels.

This is all part of agent Lucienne Diver‘s weeklong discusion about comic books. Monday was Keith DeCandido‘s turn. I look forward to seeing who’s next– and slightly insulted she hasn’t asked me yet.

* Sandman, of course, is not to be confused in any way with Mr. Sandman, who, "though immortal and existing since the beginning of time, is your standard everyday teenager from the 50s. He enjoys such activities as going on dates with Calliope and Nada (rivals for his affection), meeting up with his old friend Jughead (a mortal granted everlasting life) at the same soda jerk every 100 years, and bringing into existence desirable new teenagers at the request of existing ones." Here, we see Mr. Sandman’s famous crossover with Jughead.

* This is ironic and deeply cruel: Unscrewed, which was formed to help comics creators who’d gotten screwed by a particular publisher, had funds embezzled by their former treasurer. Via Rich Johnston.

* TNT renewed the drama series Leverage for a second season, ordering 15 new episodes. Congratulations to show co-creator John Rogers, who won’t have much time to write comics any more, and the rest of the crew and cast.

* Hank Pym Is the New Doctor Who.

* And finally, our condolences to Scott Edelman on the passing of his father.

Anything else? Consider this an open thread.

‘Watchmen’ Tops 3Q Sales Charts

  • News
  • November 11, 2008

watchmen-trade-paperback-6870880

ICv2

reports that graphic novels tied to feature film release saw a massive increase in third quarter sales.

“Sales of the Watchmen graphic novel exploded after the trailer hit theaters and it will clearly be the number one graphic novel of 2008, but a number of Batman-related graphic novels including The Killing Joke and The Dark Knight Returns also showed huge increases in sales, while Mark Millar’s Wanted graphic novel published by Top Cow clearly benefited from having a hit movie adaptation,” the site noted.

As the summer features arrive on DVD for the holidays, additional trade sales are anticipated.  Marvel cannily released additional Iron Man product when the related DVD came out September 29.

Manga did not suffer according to the site’s analysis, saying “Viz Media’s shojo series Vampire Knight, the top Manga series to debut in 2007 gained strength in 2008 and Viz Media also has one of the best new series of 2008, Rosario & Vampire, but with the maturing of the Manga market, the number of new releases slated for 2009 is declining, though the quality of those new series appears to be going up.”

Top Superhero Properties–Q3 08

1 Watchmen, DC
2 Batman, DC
3 Spider-Man, Marvel
4 Wanted, Top Cow
5 League of Extraordinary Gentlemen, DC/Wildstorm
6 Iron Man, Marvel
7 Marvel Zombies, Marvel
8 Hulk, Marvel9 Superman, DC
10 Green Lantern DC

Top Genre Properties–Q3 08

1 Star Wars, Dark Horse

2 Y: The Last Man, DC/Vertigo
3 Indiana Jones, Dark Horse
4 Buffy the Vampire Slayer, Dark Horse
5 Dark Tower, Marvel
6 Anita Blake, Vampire Hunter, Marvel
7 The Walking Dead, Image
8 Fables, DC/Vertigo
9 Sandman, DC/Vertigo
10 Angel, IDW

Review: ‘The Vertigo Encyclopedia’

vertigo-encyclopedia2-6407578The Vertigo Encyclopedia
By Alex Irvine
DK Publishing, September 2008, $29.99

There are few ways to produce a traditional encyclopedia, usually beginning with an alphabetical listing.  Most come with illustrations and are written in an academic style with little in the way of adjectives let alone opinions.  Graphic presentation may be the key difference between one publisher and another.  The role of illustrations grew in importance largely when Microsoft introduced [[[Encarta]]].

Leave it to [[[Vertigo]]] to show how things can be done in another way entirely.  The DC Comics imprint was a natural evolution from a line of titles, largely edited by Karen Berger, in the late 1980s as writers such as Alan Moore, Jamie Delano and Grant Morrison began taking fresh looks at the occult and many of DC’s more offbeat creations.

Once the line was on its own, it quickly found its voice and thanks to DC’s design department, the covers certainly looked less like standard DC fare and more like paperback books.  The subject matter also moved away from just looking into the shadowy corners of the DC Universe but pioneered a lot of creator owned material that began in the realm of the occult but also examined super-heroes, families, and even the search for God.  The line has now become its own mini-publishing empire with comic books, original graphic novels and the just canceled Minx line of black and white digests for tweens.

DK’s [[[Vertigo Encyclopedia]]] examines the line’s output from its inception through today and as written by Alex Irvine, makes some of the tougher to comprehend titles, more easily digestible.  Irvine is an accomplished novelist and major fan of the Vertigo line and his enthusiasm surprisingly comes through on many of the entries. The writing is clear and detailed and the significant titles that deserve the most space (Sandman, Preacher, Transmetropolitan) get it complete with significant events identified.

(more…)

Behind the Scenes of Tori Amos’ ‘Comic Book Tattoo’

cbt_coverjasonlevesque-9091117Today sees the release of one of the most odd comics projects of late, a compilation of stories based on the music of Tori Amos, Comic Book Tattoo.

Spinner has a lengthy interview with Amos on the subject, as well as chats with many of the project’s creators. Read it all right here.

Amos offers her reaction to the book:

I’m not offended by this book, but I’m shocked. And it’s shocked in a way that makes me laugh, sometimes makes my skin crawl, sometimes makes me have to go back and dive back into that song again. I had given a brief to Rantz. I said, "This is not about people trying to, line by line, interpret and do a visual cover version of this song." Because I just didn’t find that intriguing at all. The comics that I was introduced to, which was ‘The Sandman,’ had integrity to me. And sometimes in the storyline, things didn’t always end up OK. Sometimes people die. Sometimes life does not triumph over all.

Every Day is Kids Day! by Martha Thomases

  • News
  • June 21, 2008

One of the things I learned at this year’s MoCCA Arts Festival (aside from the fact that New York firefighters remain the world’s most awesome) is that independent, alternative cartoonists embrace the children’s market. This was evident not only in the major publishing launch of Francoise Mouly’s TOON Books, but also the work of a lot of young people with their self-published titles.

This may seem like a stupidly obvious thing to say from anyone who has watched the market for children’s books, graphic novels, and other kinds of mass media. Unfortunately, it doesn’t seem to apply to most comic book stores.

When I worked at DC, the typical story about comics had the headline, “Biff! Bam! Pow! Comics Aren’t Just for Kids Anymore!” My boss explained to me, in great detail, why there was no need to make comics that children under 12 would enjoy. The success of Vertigo – Sandman in particular – meant there was a profitable market for comics among college-educated, affluent adults, especially to advertisers.

This was true, as far as it went. Good books can be good marketing. Sandman continues to make a lot of money for DC, even though there haven’t been new stories for several years. I have no doubt that many people for whom Sandman was their first comic went on to read lots of other comics by lots of other writers, artists and publishers. (more…)

Happy Birthday: Charles Vess

  • News
  • June 10, 2008

Born in Lynchburg, Virginia in 1951, Charles Dana Vess fell in love with comic books and art while still a child—he drew his first full-length comic when he was ten years old.

He attended Virginia Commonwealth University and graduated with a BFA in 1974, then went to work as a commercial animator for Candy Apple Productions in Richmond. In 1976, Vess moved to New York City to try his hand as a freelance illustrator. In 1980, he joined Parsons School of Design as an art instructor.

He was getting regular comic book work, and drew books for Dark Horse, Marvel, Epic, and DC, but it was in 1989 that Vess became truly well-known in the field. He collaborated with Neil Gaiman on one of the issues of the original Books of Magic mini-series and also drew three issues of Gaiman’s Sandman series for Vertigo. One of those issues, #19 (“A Midsummer Night’s Dream”) won the World Fantasy Award for Best Short Story.

In 1994, Vess moved back to Virginia and organized The Dreamweavers, a traveling exhibition of 15 fantasy artists. Since then he has had many other showings and worked on many other comic books.

Another Vess-Gaiman collaboration, Stardust, won an Alex Award from the American Library Association, a Mythopoeic Award, and a World Fantasy Award for Best Artist. Vess has won a Will Eisner Comics Industry Award three times. He has also won a Comic Creators’ Guild award, a Silver Award, and an Ink Pot. He has won numerous children’s book awards as well, primarily for his collaborations with Charles de Lint.

Free Graphic Novels: Sandman, Swamp Thing, Fell

I had a feeling that title would get your attention. Sure, sometimes a title like that is used just to get attention when the substance of the article doesn’t actually include anything free, but fear not, ComicMix reader, we have you covered.

Over at Daily Bits, they’ve highlighted 17 — yes, count ’em, 17 — free graphic novels available online for you to download, read and enjoy. And yes, they are all free for the taking — er, downloading.

Some of the graphic novels highlighted on the list include heavy-hitters such as Neil Gaiman’s The Sandman, Vol. 1: Preludes and Nocturnes, Warren Ellis’ Fell #1 and a personal favorite of mine, Brian K. Vaughan’s Y: The Last Man, Vol. 1.

The list also includes the popular Salamander Dream and, for ComicMix Managing Editor Rick Marshall, Swamp Thing, Vol. 1: Legend of the Swamp Thing. Go get ’em.

Of course, we’d like to also remind you that you can get free, original  comics by well-known creators here on ComicMix every single day of the week — so if "free" is your thing, don’t say we never gave you anything.

And the MTV Movie Award for Comic Books Goes To…

The annual MTV Movie Awards are pretty much the exact opposite of the Academy Awards. They’re funny and irreverant, the music’s decent and the voters are the public instead of an exclusive club of insiders. The categories change from year to year, and most importantly, comic book films actually manage to win on occasion.

So, when MTV announced the nominees for this year, I scanned the list for our four-color friends and called them out here. Some of the entries, though, were a bit surprising. After reading the nominees, be sure to go to the official site and cast your vote.

BEST FIGHT:

Alien vs Predator (Alien vs Predator: Requiem). Comic fans can claim this one since the two characters first crossed over in comics. I was impressed with Predator’s stirring emotional performance but it felt like Alien was playing it for the Academy.

Tobey Maguire vs James Franco (Spider-Man 3).  I was so rooting for the Peter Parker vs. Mary Jane dance-off getting nominated, but Parker’s fight with Harry Osborn/New Goblin was pretty cool, too.

BEST SUMMER MOVIE SO FAR:

Iron Man. This is an interesting category since most of the entries haven’t come out yet. But if we’re going to be true to the "so far" part, then yes, Iron Man wins. It’s a no-brainer at this point, really.

BEST VILLAIN:

Topher Grace (Spider-Man 3). This just makes me sad that the movie didn’t feature Spider-Man nemesis Venom a bit more instead of forcing him to share the spotlight with Sandman, a bad guy whose big exit involved crying and floating away.

British Ad Agency Creates New Comic

  • News
  • March 18, 2008

mothercomic460-6047303Though the history of comics largely began through free newspaper inserts, that practice has gone unused for decades.

Fitting, then, that such an unexpected distribution model would accompany the release of a new comic book series created by an advertising agency. Mother, the London-based agency best known for promoting Coca-Cola, recently announced it will be shipping Four Feet from a Rat – a collection of comics stories – in the weekly Time Out listings magazine.

Read the full Guardian article right here. Strangely enough, the comic doesn’t even include advertisements. The company explained that it serves simply as a creative outlet for employees.

The story behind the creation is pretty interesting: Mother has a history of offering its services for favors instead of money. The company did some work for Time Out in exchange for pages in the publication. Once they accrued enough pages, they set about making the comic.

Mother partnered with comics publisher Mam Tor for the art on the stories. Guardian comics critic Will Hodkinson said the stories carried on in the tradition of Hellraiser and Sandman.

"This isn’t as good as those comics – it is a little derivative," said Hodgkinson. "One might almost call it a pastiche. But it’s well drawn and well written and it’ll be interesting to see how it develops as they find their voice."

If the book has some success, keep an eye on other publishers who might try something similar.

Poll: Choose the Free Online Neil Gaiman Novel

  • News
  • February 11, 2008

This weekend we told you about the 7th Anniversary of Neil Gaiman’s blog, and it looks like the Sandman author has more to announce than his website’s birthday.

Publisher Harper Collins has given Gaiman the go-ahead to post one of his novels online, at no charge, on his site. Now, the question is: Which novel?

In order to make the decision, Gaiman has posted a poll to choose which Neil Gaiman novel goes online.

What I want you to do is think — not about which of the books below is your favourite, but if you were giving one away to a friend who had never read anything of mine, what would it be? Where would you want them to start?

The poll is only up for a week, so treat it like you would the ’08 presidential election: Vote early and vote often.

 

(via boingboing)

 

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks