Tagged: Sinestro

Ed Catto and The New York Comic Con Newbie

cosplay-trio

Indian Summer, autumn’s first batch of orange-hued fallen leaves and New York Comic Con have all tumbled away, relegated to that odd intersection of fond memories and the comfortable knowledge of their inevitable return. The New York Comic Con, now the nation’s largest geek culture convention, seems to change each year. And after more than a decade of growth, it’s changing in many weird and wonderful ways.

I’ve been there from the beginning and, during the early years worked, on the show. We had a vision for the convention and it’s succeeded beyond our wildest dreams. And in many ways … it hasn’t.

space-ghost-5899480The Big Picture

Each year on Thursday afternoon as the New York Comic Con bursts to life, ICV2’s Milton Greipp gathers industry leaders together to review the state of geek culture.

Comic Convention expert Rob Salkowitz was one speaker who addressed this business gathering. He spoke about the phenomenal growth of all conventions and attached revenue estimates to it all. “NYCC has grown to become one of the largest pop culture conventions in North America and a key part of an industry that has an economic impact of more than $4 billion,” reported Salkowitz.

That’s a lot of geek culture.

luke-cage-dr-strange-3349348A Matter of Perspective

There are long-time fans who regularly attend conventions and new fans that bravely dive in each year. I routinely hear what long-time fans are thinking, and I felt I needed a fresh perspective. I wanted to hear what a new fan thinks. So this year, I invited my adventurous Aunt Elissa to NYCC. It would be her first time to the show.

Her gateway to comics was through the Archie universe. She ingested a steady diet of Stan Goldberg and Dan DeCarlo Archie comics during the 70s, and has now graduated to geek mainstays like Doctor Who and Tonner Dolls.

Elissa said she had a great time, but I wanted to dive a little deeper and understand what made this show work from a first-timer’s point-of-view.

harley-girl-8060573Crowd Control or Controlled Crowds

From Elissa’s vantage point, the huddled masses of NYCC were surprisingly polite. It’s been reported that NYCC broke another attendance record and sold 180,000 tickets. But these supersized crowds didn’t faze her. In fact, she was pleasantly surprised “because everybody was very polite, very pleasant – there were a lot of people, but <they were> not intimidating to me, nor would it stop me <from attending> in the future.”

Unlike a football game, or even a trip to her local supermarket, Elissa found the crowds were a community of like-minded fans. “You’re going to bump into people, not intentionally,” said Elissa. “They’d say, ‘excuse me.’ You don’t even hear that in a store these days!”

sinestro-1300430Cosplay

At one point I introduced Elissa to my old friend Ivan Cohen. He’s a longtime comics professional and one of his many accomplishments is writing the Green Lantern Animated Show Comic Series. As we talked, and with perfect timing, a cosplayer dressed as Sinestro, Green Lantern’s evil archenemy, came up and charmed us all.

Sinestro took an immediate liking to Elissa. I was afraid it would be overwhelming, but she loved it.

She raved about how impressed she was with all the cosplay. Elissa attended the Let’s Get Serious Cosplay Panel – with panelists from Cosplay by McCall’s and the Overstreet Guide to Cosplay. “They have a pride and professionalism in their cosplay” she said with newfound respect.

Thumbs Up to Archie from a Long Time Fan

Elissa visited the Archie booth and she rendered a ‘thumbs up’ verdict on all the recent changes. She said she understood that the company needed “to keep up to encourage people to continue reading Archie,” and “to change with the times.”

“It’s not the Archie I remember, but also I’m not 10 years old.” She bought the new Betty & Veronica comic from super-retailer Marc Hammond right there at NYCC.

She also bought the new Josie and Pussycats comic. This was a big step as she explained she never liked those characters when she was younger. “They seemed so ditzy”, she said. But she quickly amended her recollections “But maybe that was just Melody.”

gun-guy-4487841Was this Best Part of NYCC?

As it turned out, Artist Alley was one of Elissa’s favorite parts of New York Comic Con. We gave her a guided tour, introducing some of our favorite artists: Franco, Art Baltazar, Kevin McGuire, Gabriel Hardman, Corrine Bechko, Joe Staton, Brett Blevins and Tom Gianni were just a few. Before you knew it, Elissa would find an artist who’s style she liked and just walk up and strike up a conversation with them.

“I wasn’t’ quite sure what it was going to be like, “ said Elissa, but once we got there it was very clear.” She explained that she soon realized that each artist has his or her own style. “It’s all fascinating. They are all extremely talented. They’re good!”

Elissa observed that the majority of people outside of geek culture don’t have any appreciation for the artists. Meeting and speaking with artists in Artist’s Alley reinforced the idea that comics “are drawn … not just done by a machine.”

Her biggest take away from the whole show was an increased respect for the artists and creators. “It made me want to read more comics.“ She’s not ready to start collecting per se, but she is eager to read more.

Ready for More

Elissa is looking forward to next year’s NYCC. She realized that as a first time attendee, she wanted to see ‘everything’. On subsequent visits, she talked about how she’d plan better to attend specific panels.

“By the end of the night- my feet hurt. There was so much going on – I wasn’t bored. It held my attention. I wanted to see it all. “

And she’s become a big Artist’s Alley fan. “If I went again – <she’d prepare ahead of time> to know the artists and their work.”

More Respect for Geek Culture

After the show, as Elissa told her friends at home about her New York Comic Con adventure, they looked at her as if she had five heads. “They think these people are weird or strange.” But she explained it to her friends this way, “No, they are very passionate, very talented.”

Seems to me that the crossroads of passion and talent is a pretty good foundation for an industry, and a good place to spend a weekend.

Green Lantern

1000156673brdlefo-300x402-6397171The problem with Green Lantern is that for something that was epic in concept, the film felt ordinary. It appears the producers looked at Iron Man and decided that was their template, retaining the look and feel from the comics, trying to ground it in reality with a likeable hero and monumental threat requiring the good guy to overcome his personal demons to save the day. The film cratered as a result, putting Warner Bros on the spot and casting a shadow over the new DC Entertainment administration. The film returns this week on Blu-ray from Warner Home Video complete with digital copy and some neat new bells and whistles.

The transfer is glorious and the CGI stuff really looks swell here but little of this sheen can mask the misfires, including the horrible GL mask Ryan Reynolds is forced to have painted over his nose. His Hal Jordan was recruited to join an intergalactic law enforcement corps, acknowledging the existence of extra-terrestrial life for the first time and rather than explore what all that meant, they kept dragging the audience back to Earth.

As a result, we got one scene of Hal being trained by Kilowog, but later hear the big poozer take credit for successfully preparing him for duty. We see Sinestro (Mark Strong) as the first among equals without being given any clue how the Corps worked as an operating unit or anyone really explaining things to Hal, like how often he needs to charge his ring (and recite the oath each time). We take no time to share with Hal the sense of wonder of meeting 3599 other lifeforms nor does anyone sit him down and say, “Hey, in your sector keep an eye out for the…”

That could have set this film apart from the Marvel Universe series and allowed Green Lantern to stand tall as a unique feature. Also missing was a memorable score (seemingly a dying artform), a theme for the GL Corps that could have stood alongside the theme to Superman or the Imperial March. James Newton Howard missed a terrific opportunity for immortality here. (more…)

MARC ALAN FISHMAN: Flash Fact – Barry Allen Sucks!

Flash (Barry Allen)

Image via Wikipedia

Hello all you crazy-awesome ComicMix fans. For those who don’t know me (and when you share a space with guys like Mike Gold, John Ostrander, Martha Thomases, Michael Davis, Denny O’Neil, and Mindy Newell? I don’t blame you!) allow me to introduce myself by way of witty, snarky banter. I figured if I am to come out of the gate anew with a comic focused op-ed piece, I might as well start by swinging for the fences. So, let me point to the rafters over center field, and take the biggest swing I can.

Simply put: DC’s Flashpoint is a ten-pound turd in a five gallon bowl.

I use this nasty language, mind you, because I “covered” the event for a podcast I do from time to time… and have spent my hard earned dollars on this bloated excuse to sell toys, and piss off fans.

In June, DC boldly told the world they are “star-wiping” their universe to engage the next era of fans, by removing that pesky continuity. So, while those new and shiny number ones are getting printed, why not release yet-another-epic-that-will-change-the-universe-as-we-know-it™ event? “Flashpoint” was to turn the DCU on its ears. It chortles in every issue with its logo emblazoned on the title card, that it gives us a world where “everything you know has changed in a flash…” My ass. What they’ve done instead, is created an unnecessary mega-crisis for no better reason than “going out with a bang”. So for all us fans who don’t mind a little history to go with our comics… we’re treated to DC choosing to end their current universe’s life on yet-another-Crisis.

In a nutshell, Flashpoint is DC’s attempt at taking an obvious Elseworlds story and shoehorning it into continuity. I honestly don’t care how many well-produced interviews they have Dan DiDio do celebrating the ‘ground breaking’ idea. I don’t care how many Newsarama, Comic Book Resources, or Bleeding Cool articles are written kissing the ass of all the creators involved (and yes, all three have since reviewed many of the series’ minis very poorly). To tell the fans that this event will matter, is akin to the DCU toking up a massive joint, and blowing the Funion fumes right in our face in hopes we’ll get the munchies. I’ve not seen better hype for a dumber product since The Phantom Menace.

On DCU’s “The Source” blog, they asked some hard hitting questions to this effect:

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Review: This Week in ‘Trinity’ – Part 2

Two weeks down, and things are already heating up in DC’s weekly series Trinity.

We left off last week with [[[Superman]]], [[[Wonder Woman]]] and [[[Batman]]] all under the gun from mysterious forces: A dwarf solar system appears in Metropolis, giant robots attack Washington D.C., and Gotham… becomes Olde Timey?

The main point of interest is the nature of the attacks, and the way in which each hero handles the threat. Superman saves civilians and acts tactically. Batman wills Gotham back to normal by refusing the vision. And Wonder Woman smacks the crap out of some robots.

Based on what we’ve seen so far, the central notion of this series lies in exploring the identity of these three main heroes (in the first issue, this came up in how each saw variations of the same dream). Clark is a protector, Diana is a fighter and Bruce is…

So far, writer Kurt Busiek is leaving that one open, as the bizarre transformation of Gotham could imply a lot of things about Batman. It’s also interesting that Bruce is the only one of the three to remark on the strangeness around him.

Why would Busiek only hang a lampshade with Batman? Maybe it has to do with him being the lone human of the Trinity, and thus a stand in for readers. Food for thought.

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