Tagged: small

DC Revamps Again! And Again! And Again!

article-1041243-00f92f4000000191-180_468x521-8761712Hey, kids! Guess what? DC is revamping their line again, for what seems like the 1,000th time since Crisis On Infinite Earths. What a shock! How original!

O.K. Here’s the poop. DC honchos Geoff Johns and Jim Lee, both exceptionally talented comics creators, are going to make “bombshell announcements about the future of Superman and the entire DC Universe” on Saturday, June 11th at the Hero Complex Film Festival. Maybe this time they’ll stick to it: if Geoff and Jim are behind it, there’s some cause for hope. If they stick to it.

Even though control of DC Comics has passed through several hands since the first Crisis, perhaps the concept of leaving well enough alone will grab somebody this time. The DC Universe has gone through so many needlessly confusing transformations a roadmap to the place would give M.C.. Escher vertigo. With a small “v.”

Good grief, I’m getting tired of writing this story. I’m going to link to the Los Angeles Times so you can get what’s passing for news here.

Glee’s Dianna Agron Woos Number Four

Dianna Agron has been television’s perpetual high school cheerleader, attending classes with Veronica Mars or dissing Clarie on Heroes. Now a junior at William McKinley High, she has achieved national fame on Glee. Argon can be bitchy or catty or flirty but can be incredibly symapthetic when she lets her guard down as seen on the small screen. Her work in DreamWork’s I am Number Four, out on video next week, puts her on a path for a screen career. Here, she answers some questions courtesy of Walt Disney Home Entertainment.

Was it fun to leave the Glee gang behind for some big-screen action with your new movie, I Am Number Four?

It was a lot of fun to try something new, but I knew I was going back to Glee after we finished filming I Am Number Four. It was only a brief change for me, but it was great to step into a whole new world.

When did you discover that you clicked so well with your co-star, Alex Pettyfer?

When I was cast on I Am Number Four, I hadn’t met Alex. I had dinner with the movie’s director, D.J. Caruso, a couple of nights before our first table read with the big studio executives and that’s when D.J. said to me, “Perhaps you should meet Alex before the table read?” I thought that was a really good idea.

Alex has described you as an actress with an old-school movie star quality. How does that make you feel?

That’s very nice of him. It’s pretty hard to accept that compliment because I grew up watching and loving old-school actresses like Audrey Hepburn, Sophia Loren and Katharine Hepburn. They were always effortless to watch, but I’m growing and trying to challenge myself to get to that place. If I do get to where they are it would be amazing. That’s my goal.

Your character in the new movie is very romantic. Are you similar in real life?

I think so. I really love the character of Sarah because there are a lot of similarities to how I was at school. Sarah loves photography, and so do I. I really started to get into it at school. I have about 10 cameras now and they all have different purposes.

What else do you like to get up to in your spare time?

I love cooking. In fact, my favorite thing to do on a weekend is to have friends over and cook dinner. We’ll sit around, talk and play board games. I love doing things like that, although I also love to be outside and travel. I have such wanderlust. I try to go somewhere new for every vacation and there are so many places that I have yet to visit.

Are you into Twitter and the internet?

Computers are not a huge part of my life. I write, so I use a computer daily for that – but I’m not a big web surfer. I surf the internet every now and then, but it’s not like a two-hour a day, three-hour a day obsession of mine. (more…)

DOMINO LADY SPEAKS-COMING SOON!

For the first time ever on audio…The AudioComics Company presents THE DOMINO LADY

The AudioComics Company is proud to present the second characters in their original pulp audio project will be THE pulp vixen of the 1930′s, the scourge of LA herself, The Domino Lady!

First introduced by Lars Anderson in Saucy Romantic Adventures and Mystery Adventures, The Domino Lady is the alter-ego of Ellen Patrick, a wealthy UC Berkeley graduate out to avenge the murder of her father, District Attorney Owen Patrick, in the Raymond Chandler-esque Southern California of 1935. While she brandished a .45 and syringe of knockout serum, her greatest weapon was her sexuality, which she would use to disarm her unsuspecting opponents. Routinely stealing from her targets, she donates most of the profits to charity after deducting her cut, leaving a calling card with the words “Compliments of the Domino Lady” behind.

DL appeared specifically in “spicy pulp” magazines, pulps that typically featured semi-pornographic short stories. Such magazines had smaller print runs (and were as a result a few cents higher in price) and were usually sold “under the counter” upon request. Only a handful of Domino Lady were published, all of which were collected in Bold Venture Press’ Compliments of the Domino Lady, featuring a cover from the one and only Jim Steranko. In addition, Moonstone Books has published a new series of Domino Lady comics and prose stories. The AudioComics Company’s world-premiere productions will mark the first time that the alter-ego of Ellen Patrick has ever appeared in an audio format.

Portraying the Domino Lady will be San Francisco Bay Area actress and filmmaker Karen Stilwell, who has a unique tie to AudioComics; take a read of her bio…
Karen Stilwell began acting in San Francisco at the American Conservatory Theater in San Francisco as a teen. After winning a National Theater award for best ensemble work in regional theater (playing a maid in one of Tennessee Williams last plays called This is (an Entertainment)), she was propelled to continue acting after meeting Williams and Michael York and choosing, with the help of “A Chorus Line” summer touring cast members, to go to the Big Apple just after High School at age 17. Within a year she had joined both the Screen Actors Guild and The American Federation ofTelevision and Radio Artists recording voice overs, commercials, under five roles on soap operas like All My Children and The Guiding Light with some small parts in the films Bad Timing: A Sensual Obsession and C.O D.

She became a core member of a theater company called Wild Hair Productions consisting of mainly fellow actors who had met in class and enjoyed writing and acting together in their own plays. The biggest hit to come from the troupe was Starstruck with Karen playing the original Erotica Ann 333, an android built for sex but re programmed to be the maintenance officer on the GOOD ship Harpy.

After several more years of off B’way work, more under five roles on soaps, and a few more national commercials, Karen did some stand in work for the lead ladies in Love Sick (staring Dudley Moore), was taken by the ensemble feeling the film crew had, and decided to get behind the camera herself taking off to film school in San Francisco. Soon Karen was making documentaries and shorts while raising her daughter Jenna. Two of her documentaries made it into the Library of Congress: The Real Jean Roe and Tear Gas Filled the Sky staring longshoreman, activist, writer & actor Bill Bailey. Acting picked up in San Francisco again in the 1990s with parts on television shows shooting in SF, not to mention many industrial films and commercials.

During the 2000’s Karen mainly worked in video post production with some corporate producing jobs and only acted when friends called upon her to jump in on low budget films and such. It wasn’t until reconnecting with Elaine Lee, her old acting troupe buddy, at the revived staged reading of Starstruck in Big Sur (which of course became The AudioComics Company’s debut audio play) that she finds herself ready to get in the nightgown and mask…behind the microphone that is…and play The Domino Lady.

The first Domino Lady project will be a three-part serial authored by one of the country’s leading DL historians, Rich Harvey, with the first part, “All’s Fair in War,” recording this fall in San Francisco, alongside AudioComics’ first two Green Lama audio adventures. The name Rich Harvey is synonymous with pulp stories and pulp history in the United States; a New Jersey-based graphic designer, writer, and publisher, his Bold Venture Press imprint specializes in reprints of classic pulp fiction, among  them Pulp Adventures magazine and Compliments of the Domino Lady, the reprint collection that thrust the Domino Lady back into the pulp limelight. He also sponsors an annual gathering of pulp enthusiasts, the Pulp Adventurecon, in New Jersey. Rich cites Dashiell Hammett as his favorite author and biggest influence, and next on the list is Warren Murphy and Richard Sapir’s The Destroyer series. www.boldventurepress.com is the handle!

“A warm west coast evening — a glamorous city bathed in silvery moonlight — a criminal element walking arm-in-arm with high society — and a masked woman who challenges their power the DOMINO LADY.”

ALL PULP REVIEWS-FORTIER TAKES ON ‘GHOSTS OF WAR’!

GHOSTS OF WAR
By George Mann
Pyr Books
231 pages
Available July 2011
Hot on the heels of earning a Pulp Factory Award nomination for Best Pulp Novel of 2010 for GHOST OF MANHATTAN, writer George Mann unleashes the second novel in this steampunk series.  Although considering the archetype pulp trappings these books are totally saturated with, one would suggest labeling them steampulp.
This new adventure of Gabriel Cross, the haunted veteran of World War One who protects New York City as the rocket-boot propelled, black garbed vigilante known as the Ghost, begins only a few weeks after the end of his last, horrific case.  He is still emotionally wounded having witnessed his lover, Celeste, sacrifice herself to save mankind from outer-dimensional monsters.
When a new threat to his city arises, he gratefully dons his Ghost garb and goes into action.  Weird hybrid mechanical flying creatures called Raptors are swooping out of the night sky and randomly kidnapping people with no apparent pattern or purpose other than to cause city wide terror.  The Ghost sets about catching one of these horrible monstrosities with the help of his friend, Inspector Felix Donovan, who shares his secret identity. 
At the same time, Donovan is given the task of hunting down a British spy by his superiors.  He is told the secret agent is a catalyst with information that will ignite a war between England and America.  When elements from both assignments suddenly come together, the Ghost and Donovan begin to suspect a much darker plot with tendrils leading to corruption among the highest ranks of City Hall.  In the end the Ghost allows himself to be captured by the raptors and taken to their hidden lair.  It is his one chance to uncover the evil mastermind behind the attacks and discover the true horror that awaits all mankind unless he and his small band of allies can save the day.
Hideous creatures from another dimension, a mad scientist more machine than man, an armed, massive airship on a mission of doom and more thrill-a-minute action than any other ten, oversized thrillers on the market today.  GHOSTS OF WAR is even better then its predecessor as Mann is truly warming up to this alternate world and his remarkable, colorful and appealing cast of characters that populate it.  This is new pulp fiction at its finest and I’m predicting there’s another Pulp Factory Award nod in its future.  Long live the Ghost! 

Twitter Updates for 2011-03-03

  • RT @HarveyAwards: Who was the BEST COVER ARTIST for 2011? ComicPros Don’t miss a chance to vote @ http://ow.ly/1s6nA9 balloting is OPEN! #
  • RT @billamend: Pretty sure Apple could make a small fortune selling live streams of their events via AppleTV. #
  • RT @Perazza: The irony that people vehemently argue on the internet against making entertainment available digitally is…baffling. #comics #

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Review: ‘Machete’

macheteblurayart1-1345380Movies and television shows have been created after something has caught the public’s imaginations be it a Twitter feed, a commercial, or a persona. Perhaps the best of the lot, though, is [[[Machete]]], inspired by a fake movie trailer. The film, now out on DVD from 20th Century Fox Home Entertainment, came about when director Robert Rodríguez fashioned a B-film trailer as part of [[[Grindhouse]]], the homage to trashy films of the past, made with Quentin Tarantino. Machete, with Danny Trejo in the lead, captured imaginations so Rodriguez and his brother Alvaro wrote a film to do the trailer justice.

I cannot tell you the last time I saw such an entertaining B film, which made me laugh out loud more than once. The thing is, beyond the gratuitous nudity and over-the-top violence, the film actually addresses a few of the day’s hot button issues giving it more heft than the films it emulates.

Once a Federale in Mexico, Machete watched his wife be killed by a drug lord (Steven Segal) and was left for dead. Three years later, he resurfaces in Texas as a day laborer just trying to get along. As luck would have it, corrupt political operative Jeff Fahey hires him to assassinate Senator Robert DeNiro. Before he can fire, though, someone else shoots the senator and frames Machete, igniting racial tensions throughout the city. At the same time, an independent militia, led by Don Johnson, is in cahoots with the senator and both want to shut down an operation called The Network, which has been helping illegals cross the border and begin a new life. It’s led by one woman, Michelle Rodriguez, and is hunted by another, ICE officer Jessica Alba. The rest of the movie is filled with action and mayhem with a script that barely holds the threads together but has more gaping holes than the border between countries.

Alba looks great and handles her official role well but does so without the requisite gravitas. Rodriguez, though, shines and has never looked hotter, especially during the climactic action sequence. Still, the film is all Trejo’s and he does it with a grim faced countenance that shows he’s taking no joy in doing his job or enacting long-awaited vengeance.

The rest of the cast generally is playing against type and most don’t have a chance to play anything but two-dimension figures but boy are they having fun. Noteworthy is how understated Cheech Marin is as Trejo’s brother and how welcome it was to see FX makeup genius Tom Savini on screen again (although a quick glance at IMDB shows me how many films of his I’ve missed). Lindsay Lohan is here as Fahey’s daughter and she looks fabulous in everything from a nun’s habit to her birthday suit but her character is so poorly written that she has nothing to play and comes across more clueless than calculated.

There’s plenty of blood as Machete fights his way in and out of trouble but there’s one time when he escapes from a hospital that has him use the most imaginative device I’ve seen in years. It’s also been a while since a film was just so pure entertaining and a great way to pass a cold winter’s night.

The Blu-ray transfer looks and sounds just fine. The film comes with a small number of extras but most missed is a commentary track from Rodriguez. We do get the green and red-band trailers, 10 minutes of deleted scenes, and an audience reaction track that is fun but unnecessary. Interestingly, an entirely Alba-centric sub-plot has been excised from the film but preserved through these deletions and you understand why the thread was removed.

The film ends with a promise of Machete returning for two sequels and trust me, I’ll be among the first to line up to see them.

ComicMix QuickPicks – January 16-18, 2009

The weekend wrap-up of comic-related news items that might not generate a post of their own, but may be of interest…

* Tom Mason interviews Dan Thompson about his new strip RIP HAYWIRE at Comix 411.

riphaywire010609-6775207

* The Comics Reporter: Dan Vado on the recent changes at Diamond:

…the thing that slaps us up in the face most is the raising of the Purchase Order benchmark to $2500. What that means is that every book needs to generate $2500 of revenue (that would mean a little over $6000 in sales at retail based on the discount we give to Diamond) in order to be listed with Diamond. That does not mean that Diamond is going to cancel or not carry books which appear in the Previews but do not reach that benchmark, but it does mean that if you have a line of books which consistently do not meet that mark, you will not be getting your books listed in the Previews for long…

…what few books we published as floppies will probably not ever see the light of day. While a first issue might sell well enough to meet the benchmark it is more than likely that everything from a second or third issue on will not. Again, I think your average reader might be shocked at how poorly some comics sell. So, if you’re a small publisher or a self-publisher and your plan is to release a mini-series and then collect it as a trade, those plans might change.

It’s a tough spot for everyone to be in. Diamond is in essence asking everyone to sell more in a recessionary environment or find themselves out of the catalog. Short term, a lot of publishers are going to find themselves with no distribution.

Read the whole thing.

* And while we’re getting depressed on comics economics, we have Ilan Strasser of Fat Moose Comics and Games on the Current State of the Comic Market. Via ICV2. Also, who says the Book Business Is Dead? Why, Jason Epstein does… here’s his Autopsy of the Book Business. I’d be slightly more worried if Jason hadn’t been calling the alarm for 15 years… on the other hand, it doesn’t mean he was wrong then or that he’s wrong now.

* It gets even uglier: Anderson News Warns of ‘Implosion’ in Mag Business:

Magazine distributor Anderson News CEO Charlie Anderson is warning of an “implosion in the business” as his company attempts to impose new charges on magazine publishers, according to a report in Folio. Anderson, which represents over 20% of magazine distribution in the U.S., is demanding that publishers pay an additional $.07 per copy distributed (gross, not net of returns) to return magazine distribution to profitability for his company.  “The business has not been profitable and has not been for a very long time,” Anderson said.  “What we are trying to do is give some stability in the channel.  Short of that, there will be an implosion in the business.”  Anderson says he believes that three of the four magazine wholesalers that distribute magazines nationwide are unprofitable.

* Even uglier than that: theBookseller.com reports that book sales were discounted by nearly a billion dollars in England last year.

* Can it get even worse? According to Tom Spurgeon, yes: more newspapers can fold– the Minneapolis Star Tribune just filed for Chapter 11 bankruptcy– or they could just cut back on their comics sections. And we haven’t even heard about bookstore returns.

* Exhibits examine ties between Jews and comic books — although it amazes me that I find out about an exhibit at Brown University in Providence, Rhode Island by reading a newspaper web site in Richmond, Indiana.

* Sir John Mortimer, the creator of Rumpole of the Bailey, has died.

Anything else? Consider this an open thread.

Manga Friday: The Dregs

Manga Friday took a little holiday for the last couple of weeks, and it may take more holidays in the weeks to come. Looking back on my recent columns, I’ve said an awful lot of “and here’s the next volume in a series I’ve reviewed four times” and “this week’s books have nothing in common” – and neither of those are quite what I’d hoped. I think I’m reviewing too many of the same manga, too often, so I expect to cut back on Manga Friday substantially in 2009, unless I start seeing more different things.

I expect to keep reviewing stuff here on Fridays, but there may be somewhat less of the specifically Japanese/Korean stuff for a while. (Or possibly not – whenever I try to predict something like this, I’m usually wrong.) But I’ll save the name “Manga Friday” for when I’m looking at books that would be called manga by that legal construct, the “reasonable man.”

So, for this week, I have three books, arranged in ascending order of volume number:

The Manzai Comics
Story by Atsuko Asano; Art by Hizuru Imai
Aurora, January 2009, $10.95

This opens with an odd hint of yaoi, as large, athletic, energetic, popular student Takashi Akimoto begs small, weak, timid (generic manga hero Type 1) Ayumu Seta to “please go out with me” and “do it with me.” Takashi actually wants to form a manzai comedy team with Ayumu, but he’s either too dim or too focused on himself to actually say that for several pages.

(Apparently – I have no personal knowledge of this, but several references agree – the dominant form of comedy in Japan is manzai, two-person acts, rather than sketch comedy or stand-up or improv. Think Abbot & Costello or Crosby & Hope.)

Ayumu is not just an ordinary shy boy – well, he’s a manga hero, so you know there’s got to be some horribly dramatic thing in his past – he considers himself responsible for the car-crash death of his father and older sister because he was clinically depressed (and completely untreated as well). So he has the standard “I just want to be normal” complex of the dweeby manga hero in spades. (more…)

Review: ‘Locke & Key: Welcome to Lovecraft’

locke-and-key-cover-3276813Locke & Key: Welcome to Lovecraft
By Joe Hill & Gabriel Rodriguez
IDW Publishing, October 2008, $24.99

Horror in comic books have always been an uneven affair.  These days, horror comics tend to feature zombies or H.P. Lovecraft adaptations but there’s so much more that can explored.  Fortunately, Joe Hill doesn’t mind going where others fear to tread.

His [[[Locke & Key]]] miniseries at IDW was a chilling affair, as much for its fresh take on the supernatural as for the superb art from Gabriel Rodriguez.  The six issues are collected today for the first time in a handsome hardcover volume that comes well recommended.

Too often horror offers you stock characters in a stock situations and how A Meets B is about the only variable.  You tend not to care a whit for the hero or victim and too often gore for gore’s sake overwhelms the storytelling.  Hill, instead, takes his time setting up the characters, the Locke family, and as wee progress through the 158 pages, we learn things.  As a result, we get to care for the three children whose father dies at the story’s beginning.  There’s Ty, the eldest who is conflicted over the father he had come to hate; Kinsey the young teen figuring out her place in the world and young Bode who becomes our focal point.

After their father is killed, Nina takes her children to live with her brother-in-law at Keyhouse in Lovecraft, MA. The large ramshackle property comes complete with a well house and its while visiting there that Bode comes in contact with a spirit. The growing relationship truly begins our story as the secrets of the Locke family and their connections to the other residents of the small island town are doled out in bite-sized chunks. 

(more…)

Review: ‘Dexter’ Episode #301

dexter-season-3The Crime Scene: “Our Father”
From Showtime: “[[[Dexter]]] begins to question his blind loyalty to his father’s memory. In an act of spontaneity, he wonders whether The Code of Harry is a necessity anymore. Dexter’s relationship with Rita intensifies. Angel becomes Sergeant, replacing the deceased Doakes. Dexter goes to desperate measures to cover up his latest murder, while meeting assistant district attorney Miguel Prado, who has history with Lt. LaGuerta. Meanwhile, the team discover the victim of another killer, which could just be bigger than the Bay Harbor Butcher.”

Blood Spatter Analysis

[[[The Dark Defender]]] is back, and he’s ready to kick ass and take blood samples.

Last season, blood spatter analyst cum vigilante killer Dexter Morgan nearly found himself on the wrong side of a prison cell. Sergeant James Doakes discovered that Dexter was the man behind the grizzly Bay Harbor Butcher slayings. Luckily, Dex was saved by the belle, the highly obsessive Lila, who killed Doakes to prevent Dexter from being discovered. Not so luckily for Lila, Dexter murdered the woman for killing Doakes, but not before pinning the murders on the deceased officer. With that monkey off his back, Dexter was free to resume his vendetta against Miami’s criminal underground… and resume he has!

As the third season begins, Dexter reflects upon his highly successful summer. His game has stepped up in every sense of the word. He’s back in the killing business, taking out all new bad guys and making up for lost samples with a new blood collection. He’s also upped his acting abilitiy, particularly notable when Dexter poses as a junkie to attain recon on his next victim, a murdering drug dealer named Freebo. Dexter’s social skills are at an all time high as well, both around the Miami Metro Police Department and at home with his girlfriend, Rita. In fact, Dexter’s progress as a killer might be second to his relationship progress with Rita. Let’s just say that he’s had his hands very, ah, full.

(more…)