Tagged: Space

REVIEW: Cleopatra in Space

Cleopatra in Space: Target Practice
By Mike Maihack
169 pages, Scholastic Graphix, $12.99

cleo01_frontcover-e1395074030387-3389456The allure of Cleopatra VII has endured over the millennia and continues to be a source of fascination for people young and old. As a result, she is an easy subject to inject into novels, plays, and unfortunately, this graphic novel. What could have been a fun, interesting, character-driven fish out of water story became a by-the-numbers young adult graphic novel that bears no resemblance to the source.

Mike Maihack is a talent and clever storyteller and the art and color make the book a fun, if irritating, read. He has an open style that is expressive and a restrained color palette so you’re not overwhelmed. He’s been producing this as a webcomic since 2010 and the first cycle of stories is being collected by Scholastic’s Graphix imprint in April. A second volume is already promised for 2015 so they’re expecting great things.

Fifteen year old Cleopatra (or Cleo to her friends) is snatched from Egypt by a piece of technology that sends her far into the future where she has to attend an intergalactic school in order to fulfill her destiny of saving the universe. Her teacher Khensu, a talking cat, tries to mentor her, tempering her youthful exuberance and adolescent ways with exasperating results.

The future world is made up of species and races from around the galaxy, all of whom are looking to Cleo to save them from the Xerx War that threatens life as they know it. Additionally, they have no way of sending her home so she can fulfill her first destiny, to be the last great pharaoh of Egypt’s classic period.

History shows Cleopatra was fourteen when she was named co-regent with her father, Ptolemy XII, until his death when she was eighteen. So right here, the book makes little sense. Secondly, she arrives in the far future and at no point does she appear confused by the languages, the knowledge there is life beyond Earth, the technology, etc. Sher arrives, is assigned classes, and settles into dorm life where she is a slacker student but a deadly shot.

This is not the Cleopatra of history, the wily, tough leader who charmed two Roman leaders and oversaw her people after prolonged battle.  None of what we know of her personality is here, instead we’re given a modern day plucky teenager and we’ve seen that. We’ve seen the “savior” storyline, we’ve seen ti all before so plopping Cleopatra into this does nothing but trade on her name.

There is little explanation about why the organization that recruited her is acronymed .P.Y.R.A.M.I.D. or why there are Egyptian touches, such as her sphinx sky cycle, so far into the future on another world. Similarly, the Xerx is reminiscent of Xerxes, the Persian, conqueror of Greece as immortalized in 300 while their leader is Xarius Octavian (the surname being that of Caesar’s son who wound up with Egypt after Cleo killed herself).  The supporting cast is visually interesting but woefully under-utilized. What could have and should have been something different is a cookie-cutter approach to a young adult graphic novel, so it’s all the more disappointing that her 8-12 year old readers will know nothing of what the true Queen of the Nile was like.

The Rocket Rangers Need You!

  • Uncategorized
  • July 1, 2013
rocket-rangers-5851633

Cubicle 7 Entertainment has released a teaser image for their upcoming game, The Rocket Rangers.

“It’s an alternate history pulpy retro-sci-fi space opera planetary romance. It’s throttled up rocket packs burning radium on the long blast to the farthest reaches of the Solar System. It’s hunting thunder lizards in the upland jungles of Venus. It’s battling Ancient Martian killing machines piloted by the Deutsche Marserkorps across the baking red deserts of Mars. It’s exploring the deadly skies of Jupiter under the constant threat of Europan disintegration. It’s RAY gun wielding heroes bulls-eyeing mutants in the blasted ruins of Io” -Ken Spencer, Rocket Age Line Developer

Stay tuned.

cubicle-7-logo-5125764

About Cubicle 7 Entertainment:
Cubicle 7 Entertainment are the creators of high quality roleplaying and card games such as The Doctor Who Card Game, The One Ring, Doctor Who: Adventures in Time and Space, Primeval, The Laundry, Victoriana and Cthulhu Britannica.

Learn more here.

REVIEW: Prometheus

prometheus-6186619Ridley Scott rarely repeats himself, avoiding formulaic sequels, useless prequels, and remakes. Instead, the stylist conjures up new works and attempts to be thought-provoking time after time. You might have bought into the hype that this year’s Prometheus is an out and out set up to his Alien, but you’d be wrong. While tangentially connected to the first successful science fiction/horror film hybrid, this film is a pure science fiction film owing plenty to Stanley Kubrick.

The movie, now out on disc from 20th Century Home Entertainment, is an ambitious production with a strong cast, surrounded by amazing visuals. While we laughed at how weak the story and characterizations were in James Cameron’s Avatar, here, we are merely disappointed the story isn’t a match for the visual virtuosity on display. While far from Scott’s best, he deserves credit for trying something different and challenging his audience.

Scott sets his story in 2093, optimistically thinking we will be regularly working in space and ready to traverse the distant reaches of the galaxy. Scientists Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) find a map as part of a 30,000-year-old cave painting on the Isle of Skye, confirming there is sentient life elsewhere in the universe. Dubbed The Engineers, they seemingly beckon mankind to find them. The audience has already met them in an opening sequence that suggests they arrived on Earth with some goo that ignited the spark of life (and was also seen as the mummified Space Jockey way back in 1979). To discover the answer, deep-pocketed Peter Weyland (Guy Pierce) funds the construction of The Prometheus, which is thusly launched, its crew in hibernation en route to moon LV-223 and the evidence of intelligent life.

Heading up the crew is Mereditch Vickers (Charlize Theron) alongside the ship’s captain Janek (Idris Elba) with android David (Michael Fassbender), geologist Fifield (Sean Harris), and biologist Millburn (Rafe Spall). One trick he does reuse from Alien is that before long, things go horribly awry. The story has gaping, starship-sized plot holes and the grand themes – where do we come from? — do nothing to mask them. It would have been nice if the crew had more depth of character or interacted in more interesting ways.

Fassbender has the toughest job, making his eight generation android different than the others seen in earlier films making up the Alien universe. Theron is strong with her work but Rapace gives us the more interesting, nuanced performance.

Scott shot this for big screen 3-D, framing things to pop just so, and dazzle us with detail. Thankfully, that all transfers pretty nicely to the home screen and 2-D. The transfer is pretty spectacular both audio and visual.

The Combo Pack offers you the film on Blu-ray, DVD, and Ultraviolet (a larger Combo Pack with 3-D Blu-ray is also an option, with a fourth disc containing an amazing three-and-half-hour documentary by Charles de Lauzirika). The special features provided on the standard Blu-ray begins with Scott’s audio commentary, supplemented with one from co-writers John Spaihts and Damon Lindelof.

There are thirty-seven minutes of Deleted, Extended & Alternate Scenes which you can on their own or with audio commentary by editor Pietro Scalia and VFX supervisor Richard Stammers. These are all interesting to watch, several of which would have made the film stronger. The Peter Weyland Files (18:57) are culled from the Internet.

SPACE JUMP!

  • Uncategorized
  • October 14, 2012
felix-baumgartner-red-bull-stratos-01-3745778
Felix Baumgartner just seconds before the jump.

The Red Bull Stratos Space Jump aired live on The Discovery Channel and across the internet today. Although this isn’t pulp fiction, the brave man who performed the jump is the true definition of a pulp hero, brave and possibly just a little crazy.

All Pulp congratulates Felix Baumgartner on making history.

Win a Copy of Family Guy Vol. 10!

  • News
  • September 18, 2012

family-guy-season-10-300x300-6298247Family Guy’s tenth season saw the family travel through time and space, from revisiting the very first episode to crossing the Atlantic Ocean. They met famous folk like Ryan Reynolds and Robin Williams and had the usual assortment of antics.

Family Guy Season 10, containing all 14 episodes, is coming out on DVD and thanks to our friends at 20th Century Home Entertainment, we have three copies to give away.

You must live in the United States or Canada to be eligible to participate. To enter to win, tell us which era or location the family should visit this coming season – no repeats. We want your best ideas no later than 11:59 p.m., Monday, September 24. Prize winners will be selected on the 25th and prizes will be shipped directly from 20th Century Home Entertainment. The decision of ComicMix’s judges will be final.

Twentieth anniversary Power Rangers series revealed: Power Rangers Megaforce

  • News
  • August 29, 2012

pr-megaforce000-7857952

The folks at JEFusion.com shared footage from this year’s Power Morphicon of Saban Entertainment’s promo reel for next year’s Power Rangers series. Their seventeenth series, Power Rangers Megaforce, will be based on the thirty-fourth of Toei Company’s Super Sentai series, Tensou Sentai Goseiger.

Starting with the original Mighty Morphin’ Power Rangers in 1993, based on KyōryÅ« Sentai Zyuranger, Saban has been producing series using costumes, props and action footage from the Japanese originals.  The series have remained a perennial hit in the States, as the original series has done in Japan for the past thirty-six years.

It’s not the first time the name has appeared in entertainment either.  One of the original sentai series had “mega” in the title; Denji Sentai Megaranger, which was used to create 1998’s Power Rangers in Space. Action film fans may remember the Hal Needham directed MegaForce, starring Barry Bostwick and Persis Khambatta.  More important to the toy manufacturer side of the process, MegaForce was a line of military adventure vehicles from Kenner in 1998.  It’s assumed the trademarks for those series have already lapsed, otherwise Saban might have to pull a “Metro” and change the name (as Microsoft has been forced to for its new Windows 8 interface).

In addition to using footage from Goseiger, the new series will also be using footage from the sentai feature film, Gokaiger Goseiger Super Sentai 199 Hero Great Battle.  This was the film release for the NEXT Sentai series, Kaizoku Sentail Gokaiger, which featured a massive battle where all 35 of the sentai teams to date united to fight a massive alien threat.  However, since Megaforce is the anniversary series in America, the reunion footage will be used there.  Footage of the battles in the promo reel included shots of all past sentai teams, including series that were never used for American series, much to the delight of the audience.  Saban said there’s no confirmation if those non-MMPR heroes will appear in the final series.  They had asked Toei to film sequences featuring only Zyuranger forward – it’s unknown how much of the all-heroes footage will be used in the final product.

The promo reel was well received by fans at the convention, especially footage from the 199 hero great battle.  Saban has been experiencing a resurgence of popularity of the series.  After several series produced in association with other companies including Disney, the current series, Power Rangers Samurai, is the first they’ve produced on their own since 2001.  Saban has brought the Internet into their marketing in a big way- their website and Facebook page appeal to both new and long-time fans of the series.  They’ve also released DVD sets for the previous series, including a 40-DVD set from Time-Life of the first 7 series.

Power Rangers Samurai is currently running on Nickelodeon.

REVIEW: Whatever Happened to the World of Tomorrow?

Whatever Happened to the World of Tomorrow?
By Brian Fies
208 pages, $14.95, Abrams ComicArts

whatever-happened-to-the-world-of-tomorrow-292x450-6945886The future never turns out like people predict. Nostradamus was wrong. Authors, philosophers, painters, and clergy have all been wrong about what the world of tomorrow will turn out to be. Depending upon when you were born and where you were raised, the future is either shockingly surprising or deeply disappointing. Brian Fies’ Whatever Happened to the World of Tomorrow? falls into the latter category.

The 2009 book is now out in softcover and a personal essay on what the world has become since the 1939 World’s Fair, which also parallels the development of geek culture since, after all, that was the first place Superman made a personal appearance as his popularity was just beginning to soar. The sky was the limit, it seemed, and the World’s Fair promised peace and prosperity at a time that war was already being fought in Europe and Asia. The fair seemed to be willing to war to stay away from our shores.

The promise of space adventures, which first appeared monthly in the pulp magazines, took off at this same period thanks to adventure serials in newspapers, radio exploits doled out in fifteen minute installments and then fifteen chapter serials shot on a shoestring but told at a such a breakneck pace you just had to come back next week to learn what happened next. At the same time, war shook America out of the Depression doldrums and forced manufacturing, technology, and science to stay one step ahead of the Axis powers.

Whatever Happened to the World of Tomorrow?, the long-awaited follow-up to Mom’s Cancer, is a unique graphic novel that tells the story of a young boy and his relationship with his father.

Spanning the period from the 1939 New York World’s Fair to the last Apollo space mission in 1975, it is told through the eyes of a boy as he grows up in an era that was optimistic and ambitious, fueled by industry, engines, electricity, rockets, and the atom bomb. An insightful look at relationships and the promise of the future, award-winning author Brian Fies presents his story in a way that only comics and graphic novels can.

Interspersed with the comic book adventures of Commander Cap Crater (created by Fies to mirror the styles of the comics and the time periods he is depicting), and mixing art and historical photographs, this groundbreaking graphic novel is a lively trip through a half century of technological evolution. It is also a perceptive look at the changing moods of our nation-and the enduring promise of the future.

Fies, best known for his award winning Mom’s Cancer, followed up with this look back at the promises of the past and the failure of the future to deliver. The story stretches from the World’s Fair to the final Apollo mission in 1975 and is told entirely from the point of view of Pop and Buddy and thanks to the miracle of comic book storytelling, the two age incredibly slowly while the world moves ahead in real time. It’s a conceit, using them as metaphors not actual characters, that doesn’t entirely work despite an Author’s Note up front, but it’s at worst a minor annoyance.

Interestingly, the book also tells the story of American society by showing the mindset as world events changed around us, going from the anything is possible 1940s to the disillusioned 1960s. Also reflective of this evolution are a series of faux comics featuring Commander Cap Crater and the Cosmic Kid. Imitating the styles of the 1940-1970s, these stories also show how comic books have grown ever more sophisticated in reaction to the changing readership. Fies does a terrific job matching the bad color registration and subtly adjusts the paper yellowing to reflect the ages as well as the ever more complex indicias.

The book also nicely integrates actual photography from space or of the fair along with images taken from the great futurist artist Chesley Bonestell. The storytelling, artwork, layout, pacing, and color are terrific and does a nice job taking us era to era even as our main characters oh so slowly grow and age. Dad remains representative of an American society whose time has passed and maintains his conservative stance which ultimately causes conflict with Buddy, who yearns for the future to be here now.

It’s the 1960s when everything changes as the Russians reach space before the Americans and it has become clear that the promises of the 1930s will not be kept. There’s a sense of anger and loss at this realization which also makes the 1970s a sad period when there’s little to believe in.

Still, Fies offers up an optimistic ending, pointing out the current technology boom of the last 10-15 years has once more awakened the endless possibilities offered in the years ahead. We may not be getting jet packs and interplanetary travel any time soon, but we are reminded there is a lot to look forward to.

Vanguard Publishing announces Strange Worlds of Science Fiction – The Science Fiction Comics of Wally Wood

  • News
  • September 29, 2011
wallywood-5523239
The Science Fiction Comics of Wally Wood

PRESS RELEASE:

Vanguard Publishing announces
Title: Strange Worlds of Science Fiction
Subtitle: The Science Fiction Comics of Wally Wood
Series: Vanguard Wally Wood Classics

Tales from the Crypt and Weird Science publisher Bill Gaines
called Daredevil, THUNDER Agents, and Mars Attacks co-creator,
Wally Wood “the greatest Science Fiction artist of all time.”
Strange Worlds collects rare 1950s Wood sci-fi comics Strange Worlds,
Space Detective, Capt. Science, Space Ace, and more. If you like Vanguard’s Frazetta Classics, try Vanguard’s Wood Classics.
—
Partial list of Contents:
The Flying Saucers,
An Earthman On Venus,
Spawn of Terror,
Winged Death On Venus,
The Monster God of Rogor,
The Martian Slayers,
The Insidious Doctor Khartoum,
Time Door of Throm,
Death in Deep Space,
Bandits of the Starways,
The Opium Smugglers of Venus,
Trail to the Asteroid Hideout,
The Weapon Out of Time,
Kenton of the Star Patrol,
Sirens of Space,
Rocky X: Operation Unknown
—
Author-Illustrator: Wallace Wood
Editor: J. David Spurlock
Cover: Steranko & Wood
Hardcover: 200 color 8.5 x 11 pages
HC Retail: $39.95
Publisher: Vanguard
Release: October 31, 2011
Language: English
HC ISBN-10: 1934331406
HC ISBN-13: 978-1934331408
Printed in: China
http://www.vanguardpublishing.com

Outcasts

“This isn’t about humanity! This isn’t about the future!”

So said a member of the Outcasts cast late in the show’s abbreviated run and it’s a shame because a story set in the future should be about that very thing. Creator Ben Richards wrote earlier this year,

“The inspiration behind Outcasts was the desire to tell a pioneer story, and the only place you can do that really now is in space.

“I wanted to explore second chances, most fundamentally whether humanity is genetically hardwired to make the same mistakes again and again.

“The stories that kick start the series are intense, and hopefully moving, but the world view is never cynical or willfully pessimistic.”

In other words, he was hoping for the critical success of Battlestar Galactica but told stories more worthy of Space: 1999. The BBC series ran eight weeks earlier this year while it came to America in June to meet the same dismal critical reception. Now, BBC Video releases the complete series on a three-disc set.

Never heard of the show? That says a lot about how poorly received it was on both sides of the Atlantic. It was a serious-minded SF series, a counterpoint to the more over-the-top SF from England including Doctor Who, Torchwood, and Primeval. Sadly, it may have suffered more from self-importance than bad production.

Set in the middle of the 21st Century, mankind has ruined the Earth and its survivors have been coming in drips and drabs to the world of Carpathia, a mere five years’ travel distance. The remnants of humanity are trying to forge a new society but they all come with such baggage that fresh starts seem impossible. We join them ten years after the first colonists arrived and long after regular contact with the nuclear-devastated Earth was lost. A ship, perhaps the very last from Earth, arrives as we begin the series. We then see how life tries to work with the Protection and Security team keeping the peace while the Expeditionaries goes foraging for foods and medicines while studying their new home.

Richards wrote five of the eight episodes and may have had good intentions, but his internal story logic and execution left a lot to be desired. There’s a sprawling, attractive cast ill-served by their individual storylines and they never really gel as an ensemble. His talkative scripts rob the show of momentum and its slow pacing, reminiscent of 1999, doesn’t help.

His characters all feel like ones we’ve seen before, in far better science fiction concepts. There’s the President (Liam Cunningham), the madman (Jamie Bamber), the better former VP (Eric Maibus), the man with a secret past (Daniel Mays), and so on. It’s an international group, trying to reflect humanity so there’s Maibus the American, Bamber the Brit, and the South African (busty model Jeanné Kietzmann). If only we grew to care about them.

About the freshest element in the series is the notion of the Advanced Cultivars, artificially created humans designed to survive in the alien environment and blamed for unleashing a virus that killed many of the colony’s children, threatening the humans’ future.

The thing is, each episode should be advancing stories and themes but there are a lot of retreads and flashbacks and no real sense that the society is settling in. Still, there’s something, some quality to each episode that keeps you watching, keeps you hoping things get better. By the sixth episode, things feel like they are finally coming together then the subsequent episode spins its wheels and the final episode ends on a less-than-compelling cliffhanger. One that will never be resolved because the ratings dropped so dramatically that the series was yanked from its high profile time slot after five airings and dumped on late Sunday nights when good British telly watchers had gone to sleep. The day after the finale aired, the BBC announced the show’s cancellation.

The episodes look fine in high definition and there was at least some interesting thought into the colonization of this alien world that is as bleak as the stories told on its surface. One of the set’s extras if a set tour for Forthaven, which details the thinking.  The other is “Reach to the Stars”, a featurette that has cast and crew try to convince you they’re doing something unique and wonderful.

You can judge for yourself whether this was a missed opportunity or hidden gem. Either way, these eight installments are all you’re ever going to see of this world and its dreary inhabitants.

Review: “The Warrior’s Way”

Mixing genres can be fun. Take a traditional western story and set it in outer space. Take a submarine thriller and set it during the Civil War. Transplant a samurai to the western frontier. Should work, right?

The Warrior’s Way, a modestly budgeted flop from last year, is such a collection of joyless clichés that a sure-fire gimmick fails to impress, let alone entertain. The film, coming out this week from 20th Century Home Entertainment, had the makings of something fun or compelling or something instead of arriving limp

Yang (Jang Dong Gun) is an assassin for a clan in blood feud with a rival group. Without expression, he slices and dices his way through the opponents, turning the Japanese roads red with spilled blood. All that now remains is an infant girl and rather than kill her, he takes the babe with him and heads east to America. Somehow, other members of his clan find out this innocent child remains breathing and fear a renewal of the rivalry if she’s allowed to live, so they sail in search of Yang.

The stoic Asian arrives in a late nineteenth century town to seek a friend, who has died. Encouraged by Lynne (Kate Bosworth) to reopen the laundry, she teaches him how to wash clothing and a bond slowly forms. The oddball town has the local drunk with a past, Ron (Geoffrey Rush), and a carnival in residence, its misfit performers led by Eight Ball (Tony Cox). Life settles down and Yang becomes part of the fabric, enjoying the simple things such as planting a garden and delighting in the baby’s development.

Lynne, though, is a tortured soul, having seen her family gunned down by the corrupt ex-Army colonel (Danny Huston) who tried to rape her a decade earlier. When the Colonel returns to town, Lynne tries to exact revenge but is endangered. Yang is then forced to unseal his katana and defend her. The act, though, lets the sword sing, a sound heard leagues away by his clan who come seeking the baby.

After that it gets messily predicable until the end credits. We’ve seen the archetype characters before, all better written and the American cast has certainly done better work in similar roles. Even the wire work felt familiar and uninspiring. There’s little wonder the $42 million film grossed barely over $11 million worldwide. Been there, done that and done far better. This is neither clever or original, funny or a touching homage to what’s come before. This is just a clear misfire from the first frame forward.

I will give the video transfer props for looking great and the score sounds lovely. There are scant extras: a two minute production montage and 12 minutes of mildly interesting deleted scenes.

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks