Tagged: Spider-Man

Review: ‘Inkheart’ on DVD

After its success with [[[The Lord of the Rings]]], New Line wisely began scouring the bookshelves for other properties that could feed the appetite of a growing public to whom fantasy was no longer reserved for the geeks.  They snatched up several including Cornelia Funke’s German novel, which first saw print in fall 2003.  Inkheart is a well-received novel, first in a trilogy naturally, about a family whose father was a “silvertongue”, who by reading aloud could bring the written word to life.

New Line grabbed the rights and shot the film in fairly quick order but the hoped for December 2007 release got delayed and then the Writers’ Strike forced them to juggle their schedule and then Warner Bros. gobbled up New Line and before you knew it, [[[Inkheart]]] was quietly released in January. And here we are in June with an equally quiet video release, coming Tuesday.

Inkheart was the name of a fantasy book that Mortimer (Brendan Fraser) read one night to his young daughter Meggie. When its characters came to life, his life was changed as his loving wife Resa (Sienna Guillory) vanished at the same time, trapped in the book. Mo never read aloud again and began a quest for a new copy of the book to free his wife. However, Capricorn (Andy Serkis), leader of the foul beings that came through, fled and established a castle in Italy and built up a powerbase, not at all desiring to go home. In fact, the only one who desired a return to print was Dustfinger (Paul Bettany), a fire performer who missed his wife.  For years, Mo sought the rare book, only to have copies vanish from under him as Capricorn also sought the out-of-print tome to destroy.

Now, Meggie (Eliza Bennett) was 12 and Mo finally found a new copy at the same time as Capricorn’s goons. Meggie finally begins to learn the secret her father had been harboring and gets caught up in Capricorn’s machinations to seal his place on Earth.

The movie has tremendous potential for wonderment in addition to a rich relationship between father and daughter. There’s time for moody tension and opportunity for nice character bits and humor. Instead, we get a mashed up film where none of that potential is achieved. There’s little subtlety to the performances, save Bettany, and the story begs for better treatment. Instead, David Lindsay-Abaire’s screenplay misses every opportunity to rise up and be wonderful (and what’s scary for ComicMix readers is that he’s attached to [[[Spider-Man 4]]]). Director Iain Softley robs the film of its magic, delivering everything with the same tone and feel rather than using a full palette.

The Aunt, played by Helen Mirren who must have grandchildren, really has nothing to do and is more of an annoyance than participant. Jim Broadbent is wasted as the novel’s author although he has a sympathetic and briefly sketched character arc.

Watching it, I kept wondering why Mo didn’t just read a [[[Superman]]] comic or a strategically chosen book and bring with him an army to stop Capricorn’s evil plot? Never addressed. And then we get the climax which had the look and feel of the final scenes from [[[Raiders of the Lost Ark]]], spoiling a chance to redeem the film.

To see what the film could have been the one and only extra on the DVD is a lovely bit with Bennett reading from a chapter of the novel, a scene not included in the film.

The Point Yes Cap Is Back!

Did Marvel really expect us to be surprised? And what lies in the closet of the man who created SUPERMAN? Plus, how funny is back at the top of the box office for the second week!


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x-men-vol-11-7698575

Review: ‘X-Men’ Animated DVDs Volumes 1-2

x-men-vol-11-7698575In the 1970s, Chris Claremont was arguably the first comic book writer to advance Stan Lee’s style of writing for the Marvel super-heroes, delving deeper into his characters and exploring what it meant to be born a mutant in a world that feared the different. As a result, much as everyone glommed onto [[[Spider-Man]]] in the 1960s, Chris’ [[[X-Men]]] in the 1970s became the new standard for popularity.

Television was slow to recognize the resurgent popularity in super-heroes, not really adding a comic book to screen adaptation for years until [[[Batman: The Animated Series]]] debuted in the wake of the wildly successful Tim Burton film. With its critical acclaim and ratings success, the networks began looking for other series and they finally learned how popular Professor Xavier’s students had become in the intervening years.

Marvel Animation produced a very faithful comic book adaptation which debuted October 31, 1992 and ran for five seasons, totaling 76 episodes. It was the tipping point in making the franchise a big deal for merchandise and eventually, the long-awaited live-action film version.

The first 33 episodes have been collected into two volumes, released Tuesday by Buena Vista Home Entertainment, cannily in time for the [[[Wolverine]]] hysteria. The first volume of X-Men covers the first sixteen episodes from the two-part pilot “[[[Night of the Sentinels]]]” through “[[[Whatever it Takes]]]”.  Volume two starts with “[[[Red Dawn]]]” and ends with “[[[The Phoenix Saga]]]” Parts 1-5.

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Spider-Man meets Saturday Night Live (again)

And to think it only took another thirty-one years.

Spider-Man is having another encounter with the folks at Saturday Night Live — only this time, cast members of SNL are writing the adventures instead of appearing in it, as they did waaaay back when in Marvel Team-Up #74, back in 1978. Noted comics fans Bill Hader and Seth Meyers are writing the Spider-Man one-shot, "The Short Halloween" which will be on sale on May 13th. Rick Marshall over at MTV’s Splash Page has the details:

The single-issue story promised to take a tongue-in-cheek look at the misadventures of a costumed party-goer mistaken for the real wallcrawler and kidnapped by Spider-Man’s foes.

Along with an original story by the comics-savvy “SNL” duo, “The Short Halloween” features art by Kevin Maguire — the man who helped put the “funny” back in funnybooks during the late ’80s alongside another comedic duo, “Justice League” writers Keith Giffen and J. M. DeMatteis.

Rick also has a brief interview with editor Steve Wacker about the project.

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Marvel movie making news

Marvel Entertainment, Inc. announced an adjusted release pipeline for its self-produced feature film properties that reflects (choose one):

  1. the first time individual super hero characters and story arcs will be inter-woven and culminate in a multi-character motion picture.
     
  2. The ongoing trouble in securing financing to make multi-million dollar movies, thereby delaying and spreading out the hit to the credit line.

David Maisel, Chairman, Marvel Studios has his story straight. "This new schedule strongly sequences Marvel’s movie debut dates, big screen character introductions and momentum. It maximizes the visibility of our single character-focused films, leading to the highly anticipated release of the multi-character ‘The Avengers’ film in 2012."

Either way, a Marvel character-based film will now launch the summer box office season for three years in a row, from 2010 through 2012– Sony Pictures’ and Marvel Studios’ Spider-Man 4 is slated for May 6, 2011.

Below is Marvel Studios’ 2010-2012 updated release schedule for its slate of self-produced and financed feature films:

Marvel Studios Feature Film Pipeline
Film/Character – Prior Release Date – Current Release Date

Iron Man 2 – May 7, 2010 – May 7, 2010
Thor – July 16, 2010 – June 17, 2011
The First Avenger: Captain America – May 6, 2011 – July 22, 2011
The Avengers – July 15, 2011 – May 4, 2012

Meanwhile, in Iron Man news, Variety has confirmed that Mickey Rourke has officially signed on to play a villain in Iron Man 2, and Scarlett Johansson has signed on to play the role of Russian superspy Natasha Romanoff, better known to us as the Black Widow. Scarlett Johansson in a black leather bodysuit… what, we weren’t going to see the film anyway?

Interview: The scans_daily moderators

livejournal-logo-8165535With all the hullaballo as to what happened to scans_daily, we decided that we should hear from as many of the players as possible, especially the ones who have been silent so far. We’re still waiting on an official statement from LiveJournal, but we have been in contact with two of the moderators from the former scans_daily group, "Stubbleupdate" and "Rabican", and they’ve graciously responded to our questions.

ComicMix: What do you know about the circumstances of the shutdown? Has LiveJournal told you what prompted the shutdown? Were you given any warning, or any ability to address the situation?

Stubbleupdate: I crawled out of bed on Saturday morning (which meant that the community would have been deleted late evening/night on Friday, America time) and saw that my inbox had a lot of LJ friends requests from people on the community. I get that sometimes, but four overnight is unusual. They all wanted to know where the community had gone, which is the first that I had heard of it. A lot can happen in six hours on the internet.

There was also an email from the LJabuse team telling me that the account had been permanently suspended. That was it. LJ tends to take a “Shoot first, ask questions later” approach to getting rid of communities that it’s been told are against its policies or laws, so that part shouldn’t be surprising.

As for correspondence from LJ, they didn’t say what had prompted it, just that it had happened. I don’t expect them to.

Rabican: The shutdown occurred overnight while the mod team was asleep, so we’ve had to pull together the story of the shutdown from multiple accounts. The most likely scenario we’ve surmised is that Peter David reported a group of X-Factor #40 scans to Marvel around the 24th; Marvel complained to Livejournal, and the Livejournal Abuse Team shut us down the night of the 28th (US time). We were given no warning whatsoever and told that the account was permanently suspended. The justification, given by form mail, was that our community existed "primarily to host copyrighted material without the permission fo the copyright holder" and this was against Livejournal’s TOS. We’re still looking into finding out the details of the abuse report made to the LJ Abuse Team.

It’s worth noting that both Livejournal and, I suspect, most of the major comics publishers have known about us for years, so it’s interesting to speculate what prompted them to move against us now. It’s possible Peter David making the report removed all possibility of plausible deniability. Or, Marvel wasn’t nearly as well-informed as we thought they were. We don’t know whether they thought the poster had uploaded most or all of X-Factor #40 rather than the half she did upload, although legally it doesn’t matter. The Peter David situation may have been a coincidence and it wasn’t Marvel at all, but Livejournal doesn’t move against copyright violations without a complaint from the copyright owner, so we know it was a comics publisher.


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Marvel’s 4Q report: Studios and money making

marvellogo-7722713Marvel Entertainment announced today operating results for its 4th-quarter ended December 31, 2008 and record net sales, net income and earnings per share for the full year 2008. For Q4 2008, Marvel reported net sales of $224.3 million and net income of $63.0 million, or $0.80 per diluted share, compared to net sales of $109.3 million and net income of $27.6 million, or $0.35 per diluted share, in Q4 2007. “The improvement reflects recognition of $135.5 million in film production segment revenues principally associated with the DVD performance of Marvel’s Iron Man feature film,” the company said. For the full year 2008, Marvel reported net sales of $676.2 million and net income of $205.5 million, or $2.61 per diluted share, compared to net sales of $485.8 million and net income of $139.8 million, or $1.70 per diluted share, in 2007. The revenue and net income growth principally reflects the contribution from Marvel Studios which released its first two feature films, Iron Man and The Incredible Hulk, in the summer of 2008.

Below is an updated look at the Marvel Studios’ product pipeline. The company also announced today that Kenneth Branagh is set to direct Thor (our spies tell us sets are already being built) which Paramount Pictures will distribute worldwide. It will be released domestically on July 16, 2010. Also, Iron Man 2 will begin principal photography in early April.

Marvel Studios Entertainment Pipeline
(According to its 4th quarter earnings report. Scheduled release dates are subject to change)

Self-Produced Feature Film Line-Up

  • Iron Man 2 (Marvel), scheduled for May 7, 2010 release, starts principal photography in April, directed by Jon Favreau, stars Robert Downey Jr, Gwyneth Paltrow and Don Cheadle
  • Thor (Marvel), scheduled for July 16, 2010 release, directed by Kenneth Branagh
  • The First Avenger: Captain America (Marvel), scheduled for May 6, 2011 release
  • The Avengers (Marvel), scheduled for July 15, 2011 release

Licensed Feature Film Line-Up

  • X-Men Origins: Wolverine (Fox), scheduled for May 1, 2009 release

Self-Produced Animated TV Series Line-Up

  • Super Hero Squad (Marvel Animation) 26 thirty-minute episodes in production with Film Roman, scheduled for Q3 2009 release on Cartoon Network
  • The Avengers: Earth’s Mightiest Heroes (Marvel Animation) 26 thirty-minute episodes in production with Film Roman; scheduled for Q3 2011 release

Licensed Animated TV Series Line-Up

  • Fantastic Four: World’s Greatest Heroes (Moonscoop SAS – France), 26 thirty-minute episodes airing internationally and on Marvel.com and Marvelkids.com
  • Spectacular Spider-Man (Culver Studios – U.S.) Will air on Disney XD in the U.S. beginning in March and currently airing on various networks internationally
  • Wolverine and the X-Men (Marvel Animation / First Serve Toonz – India), 52 thirty-minute episodes. Episodes 1-26 are currently airing on Nicktoons in the U.S. and are on air internationally, Episodes 27-52 are currently in pre-production
  • Black Panther (Marvel Animation / BET) 8 thirty-minute episodes in production, scheduled for Q2 2009 release on BET
  • Iron Man: Armored Adventures (Marvel Animation / Method Films – France) 26 thirty-minute episodes in production, scheduled for Q2 2009 release in the U.S. on Nicktoons and various networks internationally

Licensed Animated Direct-to-DVD Projects

  • Thor: Son of Asgard (Lionsgate), scheduled for September 2009 release

Licensed Broadway Stage Project

  • Spider-Man, Turn Off the Dark, the Musical, Julie Taymor director; music & lyrics by U2’s Bono and The Edge (Hello Entertainment/David Garfinkle, Martin McCallum, Marvel Entertainment/David Maisel, Sony Pictures Entertainment and Jeremiah Harris) Slated for a February 18, 2010 opening

Would you buy a 30 page comic for $5?

A braintrust question for you, as you rush off to buy your Wednesday fix of comics, and you lament the upcoming price hike from $3 to $4. Please take a second to consider…

The average comic gives you around 22 pages of story and art. And there are a lot of marginal titles out there that probably will be axed. There are also a lot of comics writers and artists without regular assignments and idle time on their hands. Would it be a better deal to bump the price to $5 and raise the page count to 30?

Surely there would be a lot of books this could work for. Spider-Man is already published three times a month, an eight page back up story would be the equivalent of an extra issue a month now.

Or do you think that in this economy, five dollars is just too much for any comic, even one with 30 pages of story and art?

Leave your thoughts on the matter in the comments section, please.