Tagged: Spider-Man

The Weekly Haul: Comics Reviews for July 26

  • News
  • July 26, 2008

Wait a second, reviews of actual comic book? Isn’t Comic-Con going on?

Yes and yes. I made it to the comics shop a bit belated this week on account of the San Diego craziness, but apparently real comics came to real comic book stores this week, although it was an understandably small batch. That being the case, it’s a somewhat truncated Weekly Haul this time around.

9999_400x600-8545251Book of the Week: X-Files #0 — One of the great all-time shows is back in a big way with this week’s movie and DC’s one-shot comic. Reviews aren’t kind to the movie, but the book (set in the show’s early years and scripted by one of the creators) is top-notch.

Comic adaptations are always tricky, as the art can go too far into trying to perfectly recreate actors and the writing can fall flat. But this issue reads and looks just like a classic episode.

Scully and Mulder investigate a series of weird deaths, where victims have no signs of injury or illness. Turns out there’s something playing the possession game, which puts the heroes into a fun game of chess with the invisible adversary.

It’s strong throughout, but the final reveal is a doozy, making it a must-read for fans.

Runners Up:

Daredevil #109 — This arc is (finally) all about Matt getting his life back on track, but of course he can only do so while bringing some gangsters, the FBI and the CIA down on his head. A tense read, as Matt and his crew pull themselves further into danger’s path with each page.

Invincible #51 — Lots of daddy issues surface as Mark shows Oliver the superhero ropes and they each get a new costume (in a sequence fairly ripped out of The Incredibles). A few big plot developments, but mostly this is Robert Kirkman doing the teenager-as-superhero thing better than it’s been done since Ditko’s Spider-Man.

(more…)

‘Dark Knight’ Sets Midnight Record

  • News
  • July 19, 2008

dark_knight_joker-8165829Extimators are already guessing at Dark Knight‘s opening take, figuring on an opening north of Iron Man‘s $100 million-plus first weekend in May. Variety reports:

Based on the enormity of tracking and advance ticket sales, “Dark Knight” has a shot at opening as high as “Dead Man’s Chest,” although anything over $100 million would be a big win. “Dead Man’s Chest” presently sports the second-best opening on record after that of “Spider-Man 3,” which nabbed $151.1 million over the May 4-6 weekend last year.

It’s off to an excellent start after the Thursday midnight opening. According to the main story on CNN.com, the film set a record for midnight openings.

The film already has the biggest midnight debut ever, with tracking firm Media By Numbers reporting “Dark Knight” made $18.5 million at its midnight showings alone. That breaks the record of $16.9 million held by “Star Wars Episode III: The Revenge of the Sith.”

During a survey of people who buy tickets through Fandango.com, 38 percent of those who are working said they would be taking either some time or the day off to see the movie.

The movie was expected to be shown on 9,400 screens in a record-breaking 4,366 theaters for its opening, according to its studio, Warner Bros.

 

gargoyles-t-shirt-2166293

Interview: Greg Weisman Talks ‘Gargoyles’

  • News
  • July 17, 2008

gargoyles-t-shirt-2166293When I was younger, there was a Disney cartoon that my friends and I loved and which impressed our parents with its maturity and layered story-telling. The series was called Gargoyles, and it told the story of a clan of warrior creatures from 10th Century Scotland who are brought to modern-day New York City via magical manipulation. Led by the noble gargoyle Goliath, the creatures find themselves to be strangers in a strange land, forced to hide while trying to find their new place in the 20th century. Soon enough, they wind up becoming superheroes, protecting the same humans who either fear them or don’t believe they exist.

Although the series lasted only two seasons (followed by the short-lived Goliath Chronicles series, which is considered apocryphal), its fan base remains extremely loyal — so much so, in fact, that a convention for Gargoyles fans, called the Gathering of the Gargoyles, has been held each year for more than a decade now. In recent years, we’ve seen much of the television series finally released on DVD, and Slave Labor Graphics has begun publishing an ongoing Gargoyles comic book series and spin-off miniseries, Bad Guys, headed up by series creator Greg Weisman and picking up where season 2 left off.

I spoke with Weisman (who also serves as story editor for the new Spectacular Spider-Man animated series) during the most recent Gathering of the Gargoyles event, and we chatted about the clan of winged Scottish warriors that he created so long ago and what the future holds for them. 

COMICMIX: So, we’re at the 12th annual Gathering of the Gargoyles convention. You have the new comic book series from SLG and the Bad Guys spin-off coming out now. You’re even talking about future spin-offs. All of this says there’s a decent fan base. So what’s happening that we still only have the first 26 episodes of season 2 on DVD?

GREG WEISMAN: Well, there’s a lot of turnover at Buena Vista Home Entertainment. You’ll have people there who are interested in the project and then you’ll have new people come in who aren’t so much. The ugly truth of it is that Season One sold very well, and the Season Two, Vol. 1 DVD did not sell so well. Even if, ultimately, it sold as well as the first season, we sort of lost Disney’s attention. So we need to get their attention all over again, and the best way to do that is by making sure that we continue to sell the DVDs that exist, show them that the comics are selling well. Gargoyles is SLG’s best-selling comic. (more…)

ComicMix Radio: Dark Knight Breaks Box Office Records

And there hasn’t even been a showing yet. We’ve got some interesting facts and figures in how the next Batman film is poised to make movie history over the next 72 hours, plus:

  • Lost and The Justice League both get Emmy nominations
  • You might be Spider-Man on Broadway
  • Girls + Monsters =  IDW’s The Claws Come Out

Our warmup act for San Diego continues with a few new surprises – just Press the Button!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-8241169 or RSS!

 

Review: ‘Strange and Stranger: The World of Steve Ditko’

As a history of Steve Ditko’s career as a comics artist, Strange and Strange: The World of Steve Ditko is an unquestionable triumph, the latest in a top-notch series of art books from Fantagraphics.

Blake Bell’s book ($39.99) features hundreds of beautifully reprinted Ditko pages, from his earliest horror stories to his triumph with Amazing Spider-Man run to his eventually paying-the-bills work in cartoon coloring books. This art comes with insightful analysis from Bell, who even gives side-by-side comparisons with art from some of the artists who inspired Ditko.

Yet, I came away from the book disappointed, because as well as it explains Ditko as an artist, it hardly begins to explain him as a man.

Admittedly, that’s a tough task, as the reclusive Ditko hasn’t been interviewed since bell bottoms were cool (or thereabouts), but it’s the task Bell sets out upon. The chapters accompanying the art read more than anything like a more-detailed Wikipedia page, full of facts but empty of story.

We hear about all the important moments in Ditko’s career, often fleshed out through the quotes of his acquaintances, but we hear less than whispers of his personal life or childhood. Perhaps Bell put on a reporter’s hat and tried to find some such information, but if so, he includes neither that information nor an account of how he failed to obtain it.

The few included quotes from Ditko are flatly boring descriptors of his work, overladen with parentheticals. And, again, they only hint at who he is.

For people who come in with a familiarity of Ditko’s story, like ComicMix editor Mike Gold, that’s a pardonable offense. But for any more unfamiliar reader looking to [[[Strange and Stranger]]] as a true biography, they’re sure to find it sorely lacking.

There’s a clear narrative to Ditko’s life; it’s a tragic story of a man who followed the philosophy he thought would make him great, but instead Ayn Rand’s objectivism would prevent him from achieving that greatness. And that story remains untold.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) comicmix (dot) com.

Comics’ Greatest Enigma, by Mike Gold

  • News
  • July 14, 2008

bbv11a-5671197If you’re interested in comics creators, it’s been a good couple months for biographies. First, we had Mark Evanier’s Kirby: King Of Comics (Abrams, $40.00); now we’ve got Blake Bell’s Strange and Stranger: The World of Steve Ditko(Fantagraphics, $39.99). We’ve covered Mark’s book extensively, and our very own Rick Marshall did a swell interview last March.

My column today is not really a review of Blake’s book; it’s a blather about comics’ greatest enigma. Blake is the ultimate Ditko historian, and his book (and website, Ditko Looked Up) reflects his passion. It’s well-written, well-researched, and wonderously designed by Adam Grano. If you’re into Ditko or comics history, it’s a must-have. Kudos to Blake; that’s my review.

Steve Ditko is another matter. I can’t say he’s been denied his rightful place in history – his is always the third name in the phrase “Marvel Comics as we know them was created by Jack Kirby, Stan Lee and Steve Ditko and together they brought comic books kicking and screaming to an adult audience.” If he gets short-shrift, it’s because Steve refuses all interview requests, convention appearances, and celebrity signings. He says he prefers to let his work speak for itself, and I’m sure that’s true. He’s also very shy and has no problem with one-on-one (or two-on-one) conversations in his studio, at the publishing houses, or in restaurants. That’s his prerogative.

On the other hand, he’s a public figure – even inadvertently. This makes him subject of many an article, long-winded editorial (like this), and Blake’s book. I’m told he’s not happy with the attention focused on him from Strange and Stranger; having known Ditko. I’m not surprised. Maybe a little disappointed, but again, that’s his prerogative.

I think from the commercial perspective Steve Ditko’s role in the success of Marvel Comics and its transcendence to the college-student market has been severely underrated. It was The Amazing Spider-Man that put Marvel on the map and in the college bookstores. It was Spider-Man that became the first comic book character to achieve icon status since Superman, Batman and arguably Wonder Woman. That’s the first in a generation. And, maybe, the last to date.

As the 1960s progressed Steve became more and more political, embracing the values of a form of Objectivism so fundamentalist that it even scared its founder, Ayn Rand, who asked Ditko to print a note saying his work reflected his values and not necessarily hers. Objectivism, for the Google-challenged, is the philosophy that holds “there is no greater moral goal than achieving happiness. But one cannot achieve happiness by wish or whim. Happiness requires that one live by objective principles, including moral integrity and respect for the rights of others. Politically, Objectivists advocate laissez-faire capitalism. Under capitalism, a strictly limited government protects each person’s rights to life, liberty, and property and forbids that anyone initiate force against anyone else.” (Excerpted from The Atlas Society).

(more…)

ccbanana-bendis-1204915

ComicMix Radio: Kick-Starting The Ultimate Universe

ccbanana-bendis-1204915Late books and creator changes have plagued this once untouchable Marvel brand, but this summer both talent and publisher are dedicated to bringing it back to the glory days. At the front line is Brian Michael Bendis, who began it all with Ultimate Spider-Man, and has a lot to say on how the video game will tie into the title, why creators are late and the possibility of an Ultimate What If, plus

  • New Heroes webisodes this week
  • More new anime and Lost come to the Sci Fi Channel
  • Where have those Ghostbusters guys been, anyway?

Before you Press the Button, please note Bendis is NOT the guy in the banana suit,

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-6887868 or RSS!

Review: ‘The Spectacular Spider-Man’ Animated Series

Seriously, folks — [[[The Spectacular Spider-Man]]] animated television series on the “Kids WB” network is one of the best superhero adaptations I’ve ever seen (and trust me, I’ve watched more than anyone will probably consider reasonable). It’s fun, it’s smart, it’s mature, it’s witty and every episode leaves me wanting more.

Supervising Producer and Story Editor Greg Weisman brings the same level of intelligence to the program that made his acclaimed Gargoyles cartoon series so succesful. Teamed up with him in developing the series for television is Producer and Supervising Director Victor Cook, whose resume includes working on the Hellboy animated film Blood and Iron, Darkwing Duck and producing the animated series based on the popular [[[Lilo and Stitch]]] animated feature film. Together, they have brought us a series that is updated for the modern-day audience but is completely faithful to the spirit and atmosphere of the first several years of [[[The Amazing Spider-Man]]] comics.

How does it compare to Sam Raimi’s interpretation of [[[Spider-Man]]] as someone who whines, mopes and cries a little more often than I’m comfortable with? Forget him. This animated incarnation of Peter Parker is a true New York teenager, cracking jokes on instinct — even when it’s not necessarily the wisest move.

spectacular-spider-man-vulture1-1945102

For example, let’s talk about a brief scene from the first episode. The high-flying villain known as the Vulture grabs businessman Norman Osborn and tosses him to his death from a great height. Spider-Man shows up, catches Osborn in mid-air and remarks, “You guys play hot potato hardcore!” The Vulture screams that the skies belong to him, forcing Spider-Man to concede, “He may be right. I only rent.”

Now that’s the kind of dialogue and Bugs Bunny-like attitude I wish I’d seen out of Tobey Maguire.

(more…)

Review: Will Smith in ‘Hancock’

With comic franchises pouring from Hollywood’s every orifice this year, something like [[[Hancock]]] would normally be considered a breath of fresh, creative air. This can be said for the film on paper, but it fails to deliver in the latter half of the film. That said, Hancock is still good fun in a theater, and delivers with all the things we wanted to see Superman Returns do time and time again, but never came through.

The plot follows an unruly asshole (not being vulgar, this term is important to the character) of a superhero who resides in downtown Los Angeles, attempts to keep people safe from the ever-rising crime rate, but ends up causing more damage than he prevents. This makes Hancock (Will Smith) the ultimate antihero, being hated by just about everybody in the world (or at least L.A.) He crosses paths with an up-and-coming Public Relations guru (Jason Bateman) who thinks Hancock can become the hero that the world needs, but with a little bit of help.

[EDITOR’S NOTE: The text of this review posted after the jump contains descriptions of significant plot points, so consider this your official SPOILER ALERT. -RM]

(more…)

thessaly-6610434

Happy Birthday: Shawn McManus

  • News
  • June 30, 2008

thessaly-3441323Born in Brookline, Massachusetts in 1958, Shawn McManus got his comic book start in the early 1980s, working for Heavy Metal. He illustrated two issues of the Alan Moore run on Swamp Thing, then went on to draw most of the “A Game of You” storyline in Neil Gaiman’s The Sandman.

McManus also drew issues of Omega Men, Batman, Doctor Fate, and the Thessaly limited series in The Sandman Presents. He has done work for Marvel Comics (Peter Parker Spider-Man and Daredevil), Dark Horse (Cheval Noir), First Comics (GrimJack), Image (Supreme), America’s Best Comics (Tom Strong), and others.

In 1985 he was nominated for a Jack Kirby Award for Swamp Thing #32.

 

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks