Tagged: Spider-Man

With Great Power… by Michael Davis

It’s no secret that I think that people who worship celebrity are idiots. I mean, come on; do these people really think that Britney is thinking about them? Every night on a popular entertainment news program they have something called “Britney watch.” That is just nuts to me. This show follows Britney Spears everywhere. I mean EVERYWHERE! If she goes to Starbucks there are camera crews watching her sip from a cup. I’m not kidding.

Most of the people we hold up as stars are also looked up to by many as heroes. Really? With that in mind I wondered what would happen if our super heroes acted like today’s stars.

My apologies in advance to DC, Marvel, Archie and everyone else. Hey guys, satire is good for the soul!

High above the skies of Metropolis an epic battle rages. For hours Superman and the evil super villain have traded blow after terrific blow. Neither asking for quarter neither granting any. Finally Superman looks into the face of the evil super villain and shouts, “You can’t win evil, super villain!” The evil super villain produces a green rock from behind his back. He thrusts it out at Superman who withdraws in terror! “ Kryptonite!” Superman says the word as if its very mention is painful to him. The evil super villain flies closer to Superman who is struggling to remain airborne. “Now you will die!!” The evil super villain declares as Superman plummets from the sky! (more…)

Spider-Rat, by Ric Meyers

Last week I discussed how great, illuminating, extras can turn a flawed film into a DVD must-have. This week, the worm has turned. I now aim to show that all the extras in the world can’t make a misguided movie a keeper.

Spider-Man 3 was a mess. It was especially disappointing because director Sam Raimi showed such a sure helming hand on Spideys one and two. But, perhaps because he thought number three would be his last, he apparently decided to do everything else he ever wanted to do in one go. Whatever the cause, there were too many plots, villains, love interests, moods, approaches, and concepts.

It also suffered from a severe case of co-starilitis – the same affliction which struck Superman Returns’ Lois Lane and Rise of the Silver Surfer’s Sue Storm – in that the heroine’s desire for communication and closure trump any concern for the good of the many, be it city, world, or movie audience. The result is that scenes of relative insignificance go on for what seem like forever, while important junctures are dismissed within seconds (the teaming of Sandman and Venom) or just ignored (the new Goblin’s blackmail of Mary Jane).

What also happens in a film as overstuffed, and therefore unavoidably unfocused, as this one is that the filmmakers develop tunnelvision – concentrating on the “cool” parts (like the multi-million dollar cgi Sandman intro) and ignoring what obviously doesn’t work or come together. Thus we have Spider-Man 3: Two Disc Special Edition, which has reams and reams of extras, signifying essentially nothing.

Normally such stuff as featurettes, documentaries, and audio commentaries are completed during post-production – that is, in the time between the shooting wraps and the finished film premieres — so no talking head yet knows how the film actually fared in the big bad world. So it can be both entertaining and edifying to hear just how misguided the producers, actors, and director were (the techs are mostly invulnerable to these embarrassments, because their work is invariably exceptional and it’s not their fault that the core staff bit off more than they could eschew). (more…)

Happy 80th Birthday, Steve Ditko!

Eighty years ago on this day in Johnston, PA, Steve Ditko was born.

If you know anything about comics, you know Ditko’s work as the creator of Blue Beetle, the Creeper, Killjoy, Mr. A., the Odd Man, the Question, Shade, the Changing Man, and Speedball, and the co-creator of Spider-Man, Doctor Strange, Captain Atom, Hawk and Dove, Doctor Octopus, Dormammu, Electro, Green Goblin, Kraven the Hunter, Mysterio, the Sandman, the Scorpion, Squirrel Girl, Stalker, the Lizard, and the Vulture.

He is, of course, well known for a great many other things:

  • Ditko hands.
  • His incredible ability to hit deadlines. There are stories of him receiving a script at 9 and completing the eight page story by 5, pencils and inks.
  • philosophical stands, well discussed by Dial B for Blog in this piece on Mr. A.
  • His one of a kind backgrounds, so completely impossible to reproduce by anyone else that they had to use his art for 1602.
  • His complete reluctance to be interviewed– the photo at left is one of only four photos known to exist of the man. While most of the BBC documentary In Search Of Steve Ditko has been taken offline, here’s a clip from the show of Alan Moore talking about Mr. A:

We of the web salute this one-of-a-kind creator.

Green Lantern movie signs director

Warner Bros. inked a deal with Greg Berlanti to direct its live-action Green Lantern movie, based of course on the DC Comics character.  Known primarily for his writing and executive producing TV credits (e.g. Everwood, Dawson’s Creek, Jack & Bobby, Brothers & Sisters), Berlanti will pen the script for the movie with Brothers & Sisters writer/producer, Marc Guggenheim and Heroes co-executive producer Michael Green. 

Guggenheim and Green are no strangers to comic books or fans, with Guggenheim having written for Marvel comic books such as Amazing Spider-Man and Wolverine among others, and the latter for DC Comics including Superman/Batman, and was also a writer/producer on Smallville.  Donald de Line is set to produce the picture, with Andrew Haas serving as executive producer.

Of course A Is A, by Mike Gold

I finally got around to watching Jonathan Ross’s excellent BBC-TV documentary In Search of Steve Ditko and I’ve gotta tell you, this week’s Wazoo is going to be about one-third disclosures.

Disclosure #1 – I know Jonathan Ross. I gave him his first tour of DC Comics. At the same time, Karen Berger was giving Neil Gaiman a tour. Jonathan is a major teevee star out in Britain but was largely unknown in the States at the time. A long, long time comics fan (he owned a London comics store with Rolling Stone correspondent and seminal letterhack Paul Gambaccini), I think Jonathan was really into the anonymity of the tour… until we turned the corner and smacked into Gaiman. Being British and familiar with Ross’s work, Neil turned into a babbling fanboy. Being a comics fan, Jonathan was already a babbling fanboy. The two got along famously, while Karen and I were having a nice chat on the side. This connection actually becomes relevant anon.

Disclosure #2 – I know Steve Ditko. I love his stuff; all of it. We worked together on several comics projects, one of my personal fanboy highlights was standing in his studio in the then-lower rent portion of Times Square, and we’ve had lunch and dinner together on several occasions, usually with my pal and his frequent collaborator Jack C. Harris. We talked politics (go figure) and philosophy. In private, Steve was always free about his experiences at Marvel. This, too, actually becomes relevant anon.

One of the more interesting experiences I enjoyed was introducing Steve to Ross Andru. Both came into the business at roughly the same time and, coincidentally, both had drawn Spider-Man… although, of course, only one had co-created the character. Ross was as quiet as he was fascinating. He was well-versed on the Illuminati conspiracy, which was a favored topic of ours. I digress. (more…)

(We Could Be) Heroes: Top Ten Rock Songs About Superman, by Martha Thomases

What does one hum on the way to the comic book store? If you’re a person of a certain age, with a certain history with certain illegal substances, you probably have a few songs about the original super-hero stuck in the part of your brain that should be storing French vocabulary words.

Even if you aren’t old, you probably listen to a few songs about super-heroes. The Marvel superhero movies have had fantastic soundtracks, even if most of the songs weren’t written specifically for the movies. The Prince Batman soundtrack is a winner (Vicki Vale!), and the Ramones did a fabulous cover of the cartoon Spider-Man theme.

And yet, the Man of Tomorrow is still the foremost inspiration for popular songs. From the alt-folkie to Eminem, there are Superman songs. Alas, some of the more hard-core take a rather literal approach to the term, “super-man” and imagine all kinds of sexual possibilities that seem to have nothing to do with Truth, Justice and the American Way (nor Kryptonian physiology, nor anything human – entertaining, though).

Here is my choice for the Top Ten songs about Superman: (more…)

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John Ostrander: Obit the Living

tp1902-5593800Obits – obituaries – are tough things to write. Their purpose is to commemorate the life of someone recently deceased, to list their accomplishments and achievements, to take note that someone has passed out of our lives. A last fanfare to the life of someone who is gone. Generally speaking, they are valedictory and complimentary.

Why do we wait until after a person has passed away to stand up and say these things? Okay, it might embarrass the person we’re talking about to hear the nice things we might say – and mean – about them but they’ll get over it. And they might like to hear them.

All of which is prelude to the fact that I am about to embarrass someone – a fellow member of ComicMix. Ladies and germs, let’s talk about Mr. Dennis O’Neil.

ComicMix readers tend to be a pretty knowledgeable lot, I’ve discovered. Unlike some comic book fans, they know their comic book history and know it extends prior to Marvel’s Civil War or DC’s Infinite Crisis. If you already know most of what I’m about to tell you, sorry – but I’m speaking for the record and for people who may not know Denny as well as they might or should.

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RIC MEYERS: Fantastic Up Creature – Rise of the Surf’s Comforts

ff2-8815270There were rumors to the effect that the first Fox Fantastic Four movie was the victim of studio interference that somehow moved a mid-film confrontation to the climax. But given its success, FF2 would be the full, unadulterated vision of director Tim Story. Right?

Well, with the “Power Cosmic 2-Disc Edition” DVD release of Fantastic Four: Rise of the Silver Surfer, it appears those rumors were merely wishful thinking. If you liked #1, you’ll probably be fine with #2, but if, like me, you felt #1 was lacking, you, like me, may find #2 essentially insupportable in terms of comedy, drama, action, and/or romance.

On the one hand, Sue Storm — a.k.a. Invisible Girl a.k.a. Jessica Alba — is given a nice wardrobe, especially her pre-wedding robe. On the other hand, she’s given Cleopatra’s  make-up and has gotten the same disease as Lois Lane in Superman Returns and Mary Jane Watson in Spider-Man 3 – that is, the safety of the world is nothing compared with her bee-otchy, selfish, superficial ego needs.

But what of the special features, which, nominally, this column’s about? If you’ll remember last time, the first film’s DVD was saved by some above average history of comics and the graphic FF. This time just about the only thing that buoys the effort is the  “Sentinel of the Spaceways: Comic Book Origins of the Silver Surfer Documentary.” There’s also some interest inspired by the “Character Design with Spectral Motion Featurette,” but the rest of the many, many extras are self-congratulatory ego-boo fests for a job mediocrely done.

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Halo 3 vs. Spider-Man 3?

spiderslip-4275673Nikki Finke points to Keith Boesky‘s comparison by the numbers of the release of Halo 3 (the video game) to Spider-Man 3 (the movie). Pretty impressive at first glance…

Even though the media trumpeted how the launch of Halo 3 was the largest single day financial event in entertainment history, the articles fail to address how much larger. The retail vs. box office numbers show revenue for first day sales of Halo was about 13% higher than Spider-Man 3, this year’s biggest movie opening weekend. This is pretty cool. However, when you compare the bottom lines, it is beyond pretty cool. It is really f’ing cool and cannot even be touched by the movie business. When you consider the nearly 50% audience growth over Halo 2 despite a nearly 50% smaller installed console base, it is even more incredible.

…BUT: Boesky’s numbers don’t count the millions of extra coin generated by Spider-Man 3 tie in products, including, for example, video games. And I really doubt anybody is going to be making Halo slippers any time soon. Without the licensing money, it’s a very incomplete picture.

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The Girl and Her Dinosaur

sa-md-coverwrkng3-2733659Coming this October to ComicMix –The Adventures of Simone & Ajax! This is the story of Simone, a fun-loving 20-year-old girl, and Ajax, her friend who happens to be a small, green dinosaur. Together they find themselves in a series of strange and wacky adventures, taking them to many different lands, times, and places. Simone is not so much the leader of the duo, but more the instigator, looking to have fun and often acting before she thinks, getting herself and Ajax into trouble and so into their adventures. She’s not dumb, just over-zealous. Ajax, the dinosaur, is the more sensible of the two. While deep down he loves adventure, too, he’d rather ponder and worry before leaping into the fray.

Simone & Ajax’s adventures take them around the world, and off it, as well as to any time or place, be it Atlantis, the Moon, Santa’s Workshop, Victorian England or the grocery store. Sometimes strange adventure comes to them at their home in the ruins of Rene de Chartre Cathedral. Their adventures are "a bit like the best issues of Cerebus, and a mood that harkens Bone" (Toph, Overstreet’s Fan #21). It’s a buddy strip, but all in all, The Adventures of Simone & Ajax is a fun and exciting comics series that will attract readers of all ages looking for exciting, zany adventure stories.

Creator Andrew Pepoy was born in 1969. After abandoning such worthless pursuits as becoming the President or an accountant, at age 10, he decided to draw comics. Soon after, he met the classic Buck Rogers artist, Rick Yager.

After many years of publishing fanzines, and while still attending Loyola University Chicago, Andrew sold my first professional work and was soon working for Marvel, DC, and other major comic book publishers on such characters as Superman, Spider-Man, Batman, The X-Men, Mutant X, Scooby Doo, Sonic the Hedgehog, The Simpsons, Betty & Veronica, Godzilla, Star Wars, G.I. Joe, and many more. Starting in 1995 I also wrote and drew my own comic book feature, The Adventures of Simone & Ajax.

In 2000, he was asked to redesign the Little Orphan Annie newspaper strip, which he drew for the next year. Andrew is currently working on various comic books, including writing and drawing a revival of Katy Keene for Archie Comics, and developing new ideas for comic books and comic strips.

Andrew lists his influences as “Roy Crane, Dan DeCarlo, Russell Keaton, Bob Lubbers, Matt Baker, Alex Raymond, Charles Schulz, Mark Schultz, Steve Ditko, Enoch Bolles, George Herriman, Henk Kuijpers, Francois Walthery, Wally Wood, Bob Oksner, Don Flowers, and so many more.”

You’ll find Andrew living in a condo with a turret on the north side of Chicago with his wife (and assistant), Chris Atkinson, and two odd cats.

Here’s what Andrew had to say about the upcoming stories.

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