Tagged: Spider-Man

MARTHA THOMASES: Last Man Standing

martha100-5988441When I was a teenager, the environment of my hometown became poisonous. To save me, my parents sent me to an alien environment that seemed to be a universe away, filled with people so different from me they might have been a different species altogether. No one knew anything about my home, nor about my people’s civilization and customs. Instead, I had to hide my true self until I understood how I fit in and what I had to offer the strangers with whom I lived.

No, I’m not Supergirl. I understand how you could be confused, because the resemblance is striking. However, I did find myself in a similar situation to Kara Zor-El. Instead of being a Kryptonian from Argo City sent in a rocket ship to Earth, I was a Jew from Ohio sent to an Episcopalian boarding school in Connecticut. Instead of being part of the majority as I was at my public school in Youngstown (there were so few kids in class during the High Holy Days that they could bring comics to school!), I had to go to chapel five times a week while the priest swung incense.

Many of my classmates had never seen a Jew before. Others, more worldly, would say things to me like, “You’re from Ohio? I have a friend in Wyoming. Do you know her?” For the first time in my life, I wasn’t part of the majority culture. I learned what it was like to be a minority.

There’s a lot to be learned from the majority culture.  Not the least of it is learning where you, as a minority, fit in. You learn your place. You learn how to get by. You learn another point of view, that of the majority.  That’s what taught in school. That’s what you see on television and in movies.

If you’re lucky, you take your experience as a minority and use it to understand how other minorities feel. You know what it’s like to be on the outside, looking in. In my case, as a Midwestern Jew, I could imagine how it would feel to be African-American, or gay, or Asian. I could take my own experience as a minority to imagine the experience of people who were other kinds of minorities.

Fiction helps. For example, when I read Amy Tan’s The Joy-Luck Club, I read about a society where, no matter what you did for your parents, it wasn’t enough, and that it was more important in a marriage to find a husband with money than with imagination. I was convinced that being Chinese felt just like being Jewish.

Comics help even more, if only because they are produced more quickly than novels. In The Legion of Super-Heroes, we can see how Chameleon can shape change to fit in – but chooses not to. Princess Projectra tried to hide her snake form at first, but learned to exult in it. The theme of three X-Men movies has been a metaphor for the dangers of the closet, of hiding your true self to pass for straight or, in this case, non-mutant. (more…)

Did Pirates really beat Spider-Man worldwide?

I held off on the breathless reporting on Pirates breaking all the records claimed in many weekend stories because I heard the numbers might be a bit suspicious, and it seems I had good reason to wonder. Nikki Finke has all the details:

First, I received a statement from Sony Pictures Entertainment, and then later today, a statement from Disney. Sony’s first: "While Disney and the filmmakers of Pirates of the Caribbean: At World’s End deserve their due on a remarkable opening worldwide, there are some irregularities in their claim regarding record-setting. There are at least two territories, Italy and France, where Buena Vista International opened the film on Tuesday —  in essence adding a seventh day of  grosses into Pirates‘ “six day record." While there may or may not be other territories that opened prior to Wednesday, we believe that as more and more day-and-date releases enter the marketplace, there should be a consistent standard in international box office reporting. This issue is larger than an opening week box office statistic. For the record, Spider-Man 3 grossed $418.1M in its first seven days of release worldwide with $256.7M generated from territories overseas and $161.4M accumulated in box office receipts from North America."

Now Disney’s: "By any measure, Pirates of the Caribbean: At World’s End clearly and deservedly holds the new record for a six-day opening at the global box office. A limited number of evening previews were held in Italy and France prior to the official opening day in those countries, but the grosses from those previews amounted to only $1.4M of the total. In the international marketplace, it is customary and common practice to include evening previews in the following opening day numbers. We are enormously proud of Pirates record-breaking worldwide opening gross of $404M. We look forward to the film’s subsequent openings in China and India."

But the Disney statement still leaves a lot of questions unanswered: Did they hold previews in other countries? (Sony didn’t do previews for Spider-Man 3). How many screens in Italy constitute "limited". (It’s believed that P3 was on a "substantial" number of the top national screens.)

Sony’s anger comes after Disney announced its Pirates 3 "shattered" global box office records with an unprecedented 6-day opening of $404M and claimed a record international opening gross of $251M in 102 international territories on an unprecedented 17,500 screens as well. Disney reports record-breaking industry openings in 17 territories: Argentina, Ecuador, Holland, Iceland, Israel, Japan, Korea, Latvia, Malaysia, Norway, Panama, Russia, Slovenia, Spain, Taiwan, Ukraine, Venezuela.

Sony isn’t questioning P3‘s new domestic milestone of the all-time biggest 4-day gross for a Memorial Day or any holiday weekend of $139.8M. Just the foreign and global #s. (Domestically, the Jack Sparrow third romp lagged behind the Peter Parker third thriller: P3’s 4-day gross didn’t even beat SM3‘s 3-day weekend gross.)

Will anyone in the news media correct the misinformation they reported? Right after they report that Saddam Hussein had nothing to do with 9/11, I’m sure.

(Oh, and speaking of accuracy and disclosure, my wife is an employee and shareholder of the Walt Disney Corporation.)

Saturday morning Spider-Man, Spider-Man…

If you’re like me, some of the happiest moments in the Spider-Man films came when Sam Raimi found a spot to slip in the theme from the ’67 animated series. So, for your listening pleasure, we have some cover versions of the song, from Michael Buble…

…to the Ramones.

And for some additional information about that animated series, we highly recommend Wallopin’ Websnappers for a look behind the scenes at the show.

Look out. Here comes the you-know-what.

MICHAEL DAVIS: I’m with the band… not.

michael-davis100-9345750I am a huge believer in personal choice. I think that you should be allowed to make up your mind freely on all matters. If you don’t like something you have every right to say so. If you do like something then you have the right to say that also. You don’t have to believe what I believe and vice versa.

For the most part I’m a liberal.  Well I’m a liberal except when it comes to violent crime, then I’m so conservative it hurts. Get it? Violent crime? Hurts?

No?

I firmly believe that if you commit a violent crime you should rot in jail or rot in Hell. If it were up to me, first you would rot in jail, then you would rot in Hell. But hey, that’s my belief. You can believe in rehabilitation if you want to, but let me see you hire that convicted murderer when he gets out of jail. Me? Oh hell no. Now that I think of it, I’m very conservative on many things. The reason I have not joined the conservative ranks fully is because they tend to want to tell you what to think. Usually it’s under some “moral” banner. They also throw God in the mix a lot.

Funny, as much as they bring up God, they never bring up “free will.” That seems to never make the moral argument. Also, some seem to think that their God is the God. That’s OK but why can’t I believe that my God is the true God without them calling me wrong or wanting to change my mind? Failing both, some conservatives would want me to simply disappear.

I think that whatever you believe is your right and if I disagree that’s all it is, a disagreement. We don’t have to go to war as some countries do. I think that disagreeing on faith to the point of war is the single stupidest thing on the planet. I frankly don’t believe that Allah has a problem with Jehovah.

So I hope it’s clear from my too long intro that I believe people should think for themselves. So, why don’t they?

I go to this great Karaoke bar in L.A. The KJ (that’s the host) loves Elvis so someone in my Karaoke group suggested that we do an Elvis night for his birthday. The sheer venom that rocketed across the insuring emails made it look like Elvis took part in 9/11. This from a group of people I love hanging out with. These are good people. Every year I get invited to great New Years Eve Parties given by A-list celebrities. I prefer to be at this Karaoke bar because the people are just really cool. (more…)

Shrek the Third is Number One

header_poster-7216321Even though most movie theaters haven’t opened yet, nor sold Sunday tickets, Variety is already reporting that Shrek the Third will rule the charts this weekend.  They do this because Friday ticket sales were $38.8 million, in 4,122 theaters.  That comes out to a per venue average of $9,423 — just for Friday.

Spider-Man 3, on the otherhand, earned $7.98 million, down 54% from last week.

UPDATE: Variety now says that, for the weekend, Shrek sold $122.9 million.  Spider-Man 3 came in second at $28.5 mil, down 51& over last weekend.  And 28 Weeks Later was third, with $5.1 million this weekend.

MICHAEL DAVIS: Ask Michael! Because I know.

michael-davis100-7476977Last week’s article on privilege and other ranting produced quite a few responses – so many, in fact, I feel it’s my duty to respond and elaborate on my views. So with that in mind, welcome to the first installment of Ask Michael! Because I know. 

The “What about me? What about my needs?” article garnered these important comments.

Terry at 7:58 AM on Fri May 11, 2007 writes:

“I hate that show more than slavery,” is the best sentence I will read this month.

Yes Terry, yes it is.

But let’s look deeper; let’s look to why? Do I really hate the show Sweet 16 more than slavery? Well, if given the choice to be a slave or to watch that show, it would be a tough decision but I will most likely have to go with watching that show. Yeah I think by a 51 to 49 vote I would have to go with the show. Unless we are talking about a MTV Marathon. Then it’s “take me to the cotton fields, because a marathon would be worst than Adam West thinking he can still play Bat-man.” Yes, that show is that horrible.

Mike Baron at 8:11 AM on Fri May 11, 2007 writes:

Ditto.

“Ditto?” This from one of the greatest writers in the history of comics? Ditto? Well, Let’s look deeper; let’s look to why. Maybe, Mike, you are realizing that the world is an eternal flame of duplication where nothing is left to say. With a simple Ditto. You can say to the world “There’s no originality left. Woe is me.” Or maybe you just agreed with Terry. Both would be right.

Rob at 9:22 AM on Fri May 11, 2007 writes:

Hey Michael!
I am new to this site. I thoroughly enjoyed your column and look forward to many more. I agree with you on Paris. The letter for leniency to the governor, made it seem like she thought she had been given a death sentence. Perhaps she should read up on people who spent time in prisons for things they were later exonerated for (then maybe doing time for something she did would make sense).

Yes, Rob. But Let’s look deeper; let’s look to why. You did enjoy my column and I will write many more. You know why you enjoyed my column? You know why you are looking forward to many more? Because you are a smart guy, Rob! I like you, Rob. Not in a Brokeback way but in a kind of “Hey that Rob is a smart guy who knows a good writer when he sees one” way.

Josh at 5:23 PM on Fri May 11, 2007 writes:

Agreed. 
The degrees of elitism and entitlement you see around these days is nothing short of disgusting. I’m really hoping the judge reneges on giving her a more private cell for her own security. Let her get some common sense the old-fashioned way – by having it beaten into her. And seeing some rich, white, no-sense punk get smacked feels great; DOING the smacking feels SOOOOO much better. (more…)

MICHAEL H. PRICE: Movies Is Comics and Comics Is Movies

price-brown-100-1768211I’ve gone into some detail elsewhere about how my Forgotten Horrors series of movie encyclopedias (1979 and onward) dovetails with my collaborative comic-book efforts with Timothy Truman and John K. Snyder III. More about all that as things develop at ComicMix. This new batch of Forgotten Horrors commentaries will have more to do with the overall relationship between movies and the comics and, off-and-on, with the self-contained appeal of motion pictures. I have yet to meet the comics enthusiast who lacks an appreciation of film.

Although it is especially plain nowadays that comics exert a significant bearing upon the moviemaking business – with fresh evidence in marquee-value outcroppings for the Spider-Man and TMNT franchises and 300 – the greater historical perspective finds the relationship to be quite the other way around.

It helps to remember a couple of things: Both movies and comics, pretty much as we know them today, began developing late in the 19th century. And an outmoded term for comics is movies; its popular usage as such dates from comparatively recent times. The notion of movies-on-paper took a decisive shape during the 1910s, when a newspaper illustrator named Ed Wheelan began spoofing the moving pictures (also known among the shirtsleeves audience as “moom pitchers” and “fillums”), with cinema-like visual grammar, in a loose-knit series for William Randolph Hearst’s New York American.

Christened Midget Movies in 1918, Wheelan’s series evolved from quick-sketch parodies of cinematic topics to sustained narratives, running for days at a stretch and combining melodramatic plot-and-character developments with cartoonish exaggerations. Wheelan’s move to the Adams Syndicate in 1921 prompted a change of title, to Minute Movies. (Don Markstein’s Web-based Toonopedia points out that the term is “mine-yute,” as in tiny, rather than “minnit,” as in a measure of time. No doubt an intended sense of connection with the Hearst trademark Midget Movies.) Chester Gould showed up in 1924 with a Wheelan takeoff called Fillum Fables – seven years before Gould’s more distinctive breakthrough with Dick Tracy. (more…)

parisinspidey3-8231846

Braintrust Question: Spider-Man 3

Every so often I come across a question that even I cannot answer. It saddens me to admit this, but there are times when it happens.

But now, I have an invaluable resource that I never had before — ComicMix readers.

So every once in a while, when we come across a question here that even our crack staff can’t answer, we’re going to throw it out to the floor and ask you, as we know that collectively, you guys are smarter than we are and know many things that we don’t.

So here’s our first question. Take a look at this shot from Spider-Man 3, about four minutes into the film.

parisinspidey3-8231846

See the girl at the far left? You see her on screen for just a few seconds, so it’s tough to tell, but– is that Paris Hilton?

I’m really hoping not, because I really don’t want to have to start covering Paris Hilton stories here…

Please post your answers in comments. Any documentable proof would be nice.

Spider-Man 3: woulda, shoulda

Ouch ouch ouch. A brutal recap of the film. Examples:

A huge crane swings around, very specifically knocking some floors out of the building where Gwen Stacey has a modeling job. She ends up hanging from something way up high. Down on the ground, Captain Stacey meets up with Eddie Brock, who is photographing the whole thing.

EDDIE: Hey, isn’t that your daughter in deadly danger?

CAPTAIN: *yawn*

EDDIE: Shouldn’t you be doing something?

CAPTAIN: Nah, these days we more or less just wait for Spider-Man. This is the best job ever!

EDDIE: By the way, I’m dating Gwen for some reason, although I too don’t seem especially concerned. Let me take pictures.

Spider-Man arrives and saves the day, despite nearly being thwarted by some errant CGI.

This, along with a brief discussion of ECMLS, is worth a read.

(Artwork copyright Marvel Characters, Inc. All Rights Reserved. La de do da dey. Hat tip: Andrew Wheeler.)

Spider-Man 3 covers costs

When the ticket stubs were counted in 107 markets, Spider-Man 3 made $382 million this past week.  This covers the cost of production, variously estimated to be between $250 million and $350 million.  Marketing costs have been estimated to be as much as another $150 million.

SM3 set records as the biggest opening weekend in 29 different countries, including the US, Canada, Japan, South Korea, China, Italy, Mexico anad Brazil. 

According to a company press release, the flick earned three times the money in South Korea as the previous record holder.  The film also set a record for the largest domestic gross at IMAX theaters, with $4.8 million.

So, what do you want to do next weekend?