Tagged: Stan Lee

Stan Lee gets a pacemaker

Well, now we know why Stan Lee cancelled his recent convention appearances. Since we wouldn’t dare to paraphrase the Man himself, we’ll just run his press release:

POW! ENTERTAINMENT RELEASES A MESSAGE FROM ITS CHAIRMAN STAN LEE

BEVERLY HILLS, CA – SEPTEMBER 28, 2012 – POW! Entertainment (OTCQB: POWN) (Company), the media and entertainment company, today has a message from its founder and Chairman:

Attention, Troops!

This is a dispatch sent from your beloved Generalissimo, directly from the center of Hollywood’s combat zone!

Now hear this! Your leader hath not deserted thee! In an effort to be more like my fellow Avenger, Tony Stark, I have had an electronic pace-maker placed near my heart to insure that I’ll be able to lead thee for another 90 years.

But fear thee not, my valiant warriors. I am in constant touch with our commanders in the field and victory shall soon be ours. Now I must end this dispatch and join my troops, for an army without a leader is like a day without a cameo!

Excelsior!

Long may he wave!

Stan Lee’s Poetry – Soon For Posterity!

stan-6313908Way back in the early 1970s, Stan (The Man) Lee wrote… a whole lotta stuff. And among this stuff was a 167-line poem called God Woke.

Now, 40 years later, Stan is going into the studio to record his epic. There’s even better news: the profits will go to The Hero Initiative, a worthy cause if there ever was one.

Stan hasn’t recorded it as of yet, but we’ll keep you informed and advised. God Woke will be available on iTunes, and The Hero Initiative will get 35 cents from each sale.

Which, by the way, is about double cost of a Marvel Comic book around the time Stan wrote the poem.

Thanks and a tip of the brainpan to Denny O’Neil and Jim McLauchlin for the head’s up.

Dennis O’Neil: Superman, Spider-Man, and the God Particle

oneil-column-art-120719-1801460First, the good news. Scientists are prepared to say that, definitely, god exists.

Now the bad. (He) (she) (it)…oh dang, there are really no appropriate pronouns for a concept that transcends the very idea of gender. Let’s settle for “they” and start again: They – the god thingies – are called “Higgs bosuns,” nicknamed “god particles,” and they permeate the universe. And without them, nothing could exist, could ever have existed. (Unless, that is, there’s a kind of reality we can’t comprehend, and we’re not exactly willing to rule that out, but we’ll never know and anyhow, who cares?) Although physicists have been seeking the Higgs for a half-century because the accepted model of the universe indicated that the things had to be there, it wasn’t until July 4 that they were prepared to say, yep found it. I understand that there was some celebrating in the Land of Labs.

Me, I got my science fix when I went to see The Amazing Spider-Man at the local monsterplex and, later, caught a few minutes of Superman on the tube: the first big-budget Superman, released in 1978 and hyped with the line, “You’ll believe a man can fly.” (For the record, I didn’t.) That flick has flaws, but it’s pretty good, especially for something made when Hollywood was just beginning to learn how to make these kinds of entertainments. The only part I really dislike is the ending: the graphics, though they tell the story, are pretty crude compared to what’s preceded them. And the science…oh woe – the science. (If you want to consider this a spoiler alert, suit yourself.) Lois Lane dies in an earthquake and Superman flies counterclockwise around the Earth and thus – ready for this? – reverses time and goes back to before Lois died and happy endings all around.

Reverses time, does he? By flying counterclockwise. Uh huh.

Nothing in the Spidey flick is quite so nettlesome, but in this reinvention, the film folk chose to explain Spidey’s ability to shoot webs huge distances and make them, apparently, as strong as the occasion warrants the same way Stan Lee and Steve Ditko explained it in the first Spider-Man comic book story, way back in 1962: A teenage Spidey, who gets really good grades in science class, having acquiring amazing powers after being bitten by a radioactive spider, goes home and, you know, tinkers around and comes up with a gadget that a) does the web shooting stuff and b) is compact enough to be worn like an oversize wrist watch.

So: if he commanded such technology, why didn’t he use it for much greater good than he could achieve as a costumed vigilante and, incidentally, plunk his saintly Aunt May down in some swell digs?

For the same reason that Superman didn’t use his godlike time reversal stunt to undo every single bad thing on the whole planet? (I mean saving Lois was nice and all, but…war! Famine! Disease!)

Of course, this kind of story is basically fantasy and, I guess, we all have a private setting for our willing suspension of disbelief. I complain about plot devices that violate the story’s own “reality” and haul us out of the fiction while we try figure out how we’re supposed to accept what we’ve just seen.

Since, in superhero writing, there is a long tradition of writers using whatever’s in the zeitgeist at the moment, I expect we’ll be seeing some costumed dogooder involved with Higgs bosuns pretty soon. I hope I don’t have to mangle my willing suspension of disbelief to enjoy the story, god particle or no god particle.

FRIDAY: Martha Thomases

 

Stan Lee Talks About His Cameo in The Amazing Spider-Man

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Before you head out to see “The Amazing Spider-Man,” now in theaters and IMAX 3D, watch Spidey’s creator Stan “The Man” Lee as he shares more about his cameo in the film in a special vignette below!

Check out the full clip right here on Marvel.com, and for more Webslinging-action, see Spidey outrun New York’s finest or school Flash Thompson in some basketball. Better yet, get a glimpse of the villainous Lizard as he terrorizes Gwen Stacy!

 

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Dennis O’Neil: Comic Book Career Day

oneil-column-art-120517-4417872I leaned across the desk and shook his hand.

“Congratulations, young man,” I said. “You scored in the ninety seventh percentile on the comic book writing aptitude exam and so you’re my new Batman writer. I’ll need twenty-two pages by the end of the week.”

He smiled and left my office. A moment later, I glanced through the open door and saw him waiting for the elevator, straightening his tie. From forty feet away I could admire the gleam on his shoes.

Okay, it didn’t happen that way, or any way like that. It couldn’t, because there is no aptitude exam for aspiring comics writers. There is, as a matter of woeful fact, no defined career path, and if there were one, it would probably be changing about now.

But the god of full disclosure, if such there be, compels me to admit that, matter of fact, once there was a test for comics writing wannabes and I took it and I passed and that explains my life from about age 25 on. Roy Thomas, who had recently joined Stan Lee at Marvel Comics, sent the test to me at the office of the small newspaper where I was working and pissing people off. It consisted of four pages drawn by, I’m pretty sure, Jack Kirby, a piece of a comic book that was lacking words. The task was to add word balloons and maybe captions. Well, wouldn’t you have done it? Simple, easy, kind of fun. I typed something or other and sent it to Roy and late one evening a week or so later, he called offering me a job. I got into my battered station wagon and started trekking east…

I can’t say that I began a career in comics because I don’t consider what I’ve done a “career.” That term – career – implies planning and goals and maybe a timetable.  None of that for me, thank you. It was catch-as-catch-can, a series of jobs, meeting the right people at the right time, screwing up, being given second chances, getting fired, getting hired, finally settling into a position that was everything a butcher’s kid from north St. Louis could ask for and retiring still young enough to get angry at politicians.

So I am not the guy you come to for advice on how to become the next Neil Gaiman or Frank Miller or pick your personal favorite comic book success story. I didn’t do what those guys did and maybe I couldn’t do what those guys did. But will that stop me from pontificating on the subject? Who you talking to?

Ergo: next week I’ll share with you the paltry few strategies I employed when my various editorial gigs required me to hire staff members or freelance creative types.

The thrills just keep coming…

FRIDAY: Martha Thomases is Whedon Out Women

 

NTSF:SD:SUV Hits The Target

NTSF:SD:SUV comes from the mind of comedian Paul Sheer, and targets all those cop shows we’ve loved for so long. we talk to Paul and the show’s cast on how it all came to be – plus DC’s NEW 52 sells big and Stan Lee (in name only) drags Conan to court.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebookright here & toss us a “like” or follow us on Twitter @ThePointRadio.

NEW PULP PARTNERS WITH STAN LEE FOUNDATION

NEW PULP ANNOUNCES ROUND ROBIN TO BENEFIT STAN LEE FOUNDATION

New Pulp, a recently organized Branding Movement to unite creators and publishers of modern Pulp fiction under a collective banner, announces today its first collective New Pulp publication. According to New Pulp founder Tommy Hancock, this project is a twenty chapter novel currently being written in a round robin style, that meaning each chapter is written by a different author. This multiple author narrative, entitled PARIAH AND THE PURPLE PRINCE, is the inaugural project of writers and publishers under the New Pulp Banner.

“New Pulp,” according to Hancock, “is a designation that applies to creators and publishers who, having found their inspiration in the stories and style established by the writers of classic Pulp stories in the early Twentieth Century, are continuing to write, draw, and publish tales of action and adventure in that tradition. New characters, new stories, new ideas, all owing a debt to the Pulp greats, but also written to be the two fisted, high octane adventure stories of today and the New Pulp classics of tomorrow.”

“This current project,” Hancock states, “actually sprouted out of the first New Pulp convention, Pulp Ark, held this past May in Arkansas. Possibly the single largest gathering of New Pulp creators to date, more than 25 creators representing at least nine publishers attended this convention and, of course, many ideas and concepts were discussed and debated. One of those discussions centered around how this collection of writers, artists, and publishers, now standing together under the banner of New Pulp could not only present and produce a unified product, a work representative of all the variety that New Pulp has to offer, but also a way that we could contribute something worthwhile, not just great stories. That desire quickly became an idea for a novel, round robin style.”

PARIAH AND THE PURPLE PRINCE is a novel in progress that started with a bare bones minimalist plot suggested by Hancock. Twenty authors were invited to participate in this project, their names being written individually on single strips of paper. As these names were drawn, each writer was assigned a chapter in the order their name was selected, the first writer getting Chapter 1 and so forth. Each writer gets a month to complete their chapter, although Hancock reports that the fourth writer is nearly done with Chapter Four and the project is just over a month along. “We are all taking this very seriously,” Hancock reports, “not only because we want the world to see what New Pulp is about, but also we are excited about the opportunity to give of ourselves, our time and effort and whatever money this novel might raise to not only a worthy cause, but toward something we all have a stake in-Improving education and literacy.”

All proceeds resulting from the sale of PARIAH AND THE PURPLE PRINCE will go to The Stan Lee Foundation. Founded to carry on the legacy of Stan Lee, the creative genius behind Marvel Comics and creator of a literal universe of iconic characters, the Stan Lee Foundation’s primary goal is to make literacy, education, and involvement in the arts accessible across America. A non-profit organization, The Stan Lee Foundation develops, designs, and sponsors programs and events with the singular purpose of bringing literacy, knowledge, and artistic enrichment to Americans from coast to coast.

“It is an honor,” Hancock states, “for each and every writer and creator involved in this project to be a part of giving something to an organization started by a man that has given us as fans and the world itself so much. The chance to contribute to The Stan Lee Foundation, to help this group further the fantastic efforts into education it has already initiated, to be just a little part of the progress and success that its various endeavors will see, is the best payday any of us could receive. With the opportunity of New Pulp working with the Stan Lee Foundation in other ways in the future also being possible, we truly want to give our best to this novel project and intend for this work to benefit future artists, learners, and readers everywhere.”

PARIAH AND THE PURPLE PRINCE will be published by Pro Se Press, the New Pulp publisher Hancock is a partner in. The writers contributing a chapter each to the novel include Hancock, Joshua Reynolds, Ron Fortier, Barry Reese, Thomas McNulty, Megan Smith, Wayne Skiver, Terry Alexander, Sean Ellis, Van Allen Plexico, Derrick Ferguson, Nancy Hansen, Adam Garcia, Wayne Reinagel, Mike Bullock, Andrew Salmon, Jim Beard, Bill Craig, Rich Steeves, and Tim Byrd. Collectively, these writers represent work in nearly every genre imaginable, from western to science fiction to crime to horror and beyond within New Pulp and as a group have worked with multiple prose and comic publishers producing the finest New Pulp has to offer.

For more information concerning New Pulp or the round robin novel PARIAH AND THE PURPLE PRINCE, contact Hancock at proseproductions@earthlink.net and follow New Pulp on http://www.newpulpfiction.com/.

Twitter Updates for 2011-04-08

Beware the Tides of March… err… Bill O’Reilly

So, not so long ago, the American Atheist Group decided to buy a few billboards. So their president, one David Silverman, wanted to perhaps start a national debate on religion. Good idea? Well, we’ll leave that one up to the Lord (be it Allah, Ganesha, Buddha, Yahweh, Inky the Magical Leprechaun, or Stan Lee if you prefer). Billboards go up, and guess who get his panties in a bind? The answer rhymes with Shrill O’Bile-ly. Cut quickly to the O’Reilly Factor where Silverman was interviewed. And here’s where things get spicy.

During the interview, the debate whether the word “scam” is offensive is debated. And then the big guns get fired. Once Silverman dares to call organized religion “mythical”, Billy goes on the attack. “Let’s just be two guys. Not an atheist and a catholic. Just two guys…” O’Reilly throws out. Get this folks: The Tides. “They come in, and go out. Come in, and go out.” And why? According to O’Reilly… “It just happens. You can’t explain that.” Silverman, who didn’t have his high school physics book handy, forgot to PWN Bill by explaining tides move according to the gravity pull of Earth’s moon. He attempted a sidestep by saying “it doesn’t matter” that he couldn’t explain it, because at the root of his argument… explaining anything by way of an invisible man in the sky is silly. But Bill was Bill. He’d have nothing of it.

Enter the Internet. Now it’s become its own meme-in-the-making. So, ComicMixers… let’s discuss… what is there out in PopCultureLand that also can’t be explained by anything else than the mighty G-O-D? Consider this a contest folks. Use this meme-maker and post it in the comments below. Funniest meme gets a piece of the holy cross. Or a radioactive spider. Or the mighty Mjolnir. We’re not sure yet.

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#SDCC: Stan Lee and BOOM! Studios press conference

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During a press conference at Comic-Con International yesterday, Stan Lee’s POW! Entertainment and BOOM! Studios revealed the characters, series and creative teams for three superhero titles to be published by Stan Lee and BOOM! Studios this fall, as hinted at back in March. (And how are we supposed to stop those “POW! BOOM! Comics aren’t just for kids!” headlines now?)

The three titles are:

SOLDIER ZERO, written by Paul Cornell with art by Javier Pina, tells the story of a wheelchair-bound astronomy teacher who finds himself in a freak accident that bonds him with an alien weapon of war.

THE TRAVELER, written by Eisner Award-nominee and BOOM! Studios Chief Creative Officer Mark Waid with art by Chad Hardin, features a mysterious new superhero with time-traveling powers battling the Split-Second Men, super-powered assassins from the future.

STARBORN, written by Chris Roberson with art by Khary Randolph, tells the story of a regular guy who discovers he’s the heir to an intergalactic empire, putting him the center of a war between five alien races.

We have partial video of the press conference, recorded by Zennie62: