Tagged: Star Trek

Review: ‘Star Trek’ Season One on Blu-ray

star-trek-the-original-series-season-1-blu-ray1-9346062All eyes are on what J.J. Abrams and his team have done to reinvigorate public interest in Star Trek. The reason the franchise, created by Gene Roddenberry, needs any attention at all is the result of inept studio focus during the 1990s and beyond. To Paramount’s management at the time, [[[Star Trek]]] was a cash cow to be milked dry as often and in as many ways as possible. Any care about creativity was a lucky happenstance, not by design. Therefore, they let [[[Star Trek: Voyager]]] limp along on their UPN network only to be followed by the even limper [[[Star Trek; Enterprise]]]. The film series, featuring [[[The Next Generation]]] characters, kept hitting the reset button until [[[Nemesis]]], which had a disinterested director foisted upon the series at a time it really needed to improve its game given the critical drubbing the television version of the franchise was receiving.

By the time [[[Enterprise]]] was canceled and Nemesis got ignored at the box office, everyone agreed it was time to let the entire behemoth rest. Some argued forever, others wisely knew Paramount would never let it go so bet on three to five years.

What everyone seems to have forgotten is what Roddenberry got away with back in the 1960s. Today, we’re reminded of that once more with the release of the first season of the Original Series on Blu-ray. The 29 episodes that NBC aired during the 1966-1967 television season have been carefully restored, remastered, and augmented for today’s technology and audiences.

(more…)

Paramount Allows Early Boarding on the Enterprise

  • News
  • April 15, 2009

Paramount Pictures has tweaked its release plans for Star Trek, allowing theaters to show the first screening on Thursday, May 7, beginning at 7 p.m. According to Coming Soon, this improves on the normal midnight screening used to create an event.
 

Scribe nominees announced; DeCandido gets IAMTW GrandMaster

  • News
  • March 30, 2009

The International Association of Media Tie-In Writers is pleased to announce this year’s nominees for the 2009 Scribe Awards, which honor excellence in licensed tie-in writing—novels based on TV shows, movies, comics, and games. In addition, Keith R.A. DeCandido, whose Farscape series for BOOM! has just gone to third printings on the first two issues and a second printing on #3, will be awarded the IAMTW Grandmaster Award at the awards ceremony at the San Diego Comic-Con– assuming he can get a hotel room.

The nominees for this year’s awards are:

Best General Fiction Original

Burn Notice: The Fix by Tod Goldberg
Criminal Minds: Finishing School by Max Allan Collins
CSI: Headhunter by Greg Cox

Best General Fiction Adapted

Death Defying Acts by Greg Cox
Indiana Jones And The Kingdom Of The Crystal Skull by James Rollins
The Tudors: King Takes Queen by Elizabeth Massie
The Wackness by Dale C. Phillips
X-Files: I Want To Believe by Max Allan Collins

Best Speculative Fiction Original

Ghost Whisperer: Revenge by Doranna Durgin
Ravenloft: The Covenant, Heaven’s Bones by Samantha Henderson
Stargate SG-1: Hydra by Holly Scott & Jamie Duncan
Star Trek: Terok Nor, Day Of The Vipers by James Swallow

Best Speculative Fiction Adapted

Hellboy II: The Golden Army by Bob Greenberger
The Mutant Chronicles by Matt Forbeck
Star Wars – The Clone Wars: Wild Space by Karen Miller
Underworld: Rise Of The Lycans by Greg Cox

Best Young Adult Original

Dr. Who: The Eyeless by Lance Parkin
Primeval: Shadow Of The Jaguar by Steven Savile
Disney Club Penguin: Stowaway! Adventures At Sea by Tracey West

Best Young Adult Adapted

Iron Man: The Junior Novel by Stephen D. Sullivan
The Dark Knight: The Junior Novel by Stacia Deutsch and Rhody Cohen
Journey To The Center Of The Earth 3D by Tracey West

ComicMix Quick Picks – what day is it? March 32nd?

What it’s been like here recently…

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Just way too much stuff to go through, and we’ve been very busy with the print announcement and rushing to get things ready for the Previews catalog, and I have dozens of tabs open to blog about and consolidate. Wheeee!

So this will be more of a high-speed link dump from the last few days. Onward:

  • The cast and crew of Battlestar Galactica at the United Nations – "We are all Cylons. We are all Colonials." Alex Epstein’s take on the last episode of BSG: Seriously? That’s What You Got? My favorite comment on the finale, from Sabrina: "There can be no more spoilers for BSG, because they spoiled it themselves."
     
  • Don’t forget tonight’s Family Guy/Star Trek The Next Generation crossover.
     
  • Non-comics link of the day: John Mellencamp on The State of the Music Business:
    Over the last few years, we have all witnessed the decline of the music business, highlighted by finger-pointing and blame directed against record companies, artists, internet file sharing and any other theories for which a case could be made. We’ve read and heard about the "good old days" and how things used to be. People remember when music existed as an art that motivated social movements. Artists and their music flourished in back alleys, taverns and barns until, in some cases, a popular groundswell propelled it far and wide. These days, that possibility no longer seems to exist. After 35 years as an artist in the recording business, I feel somehow compelled, not inspired, to stand up for our fellow artists and tell that side of the story as I perceive it. Had the industry not been decimated by a lack of vision caused by corporate bean counters obsessed with the bottom line, musicians would have been able to stick with creating music rather than trying to market it as well.
    Hmm– maybe it is a comics link after all.

    14576phantom-md-3224377

  • ‘The Phantom’ will be on SciFi or SyFy or whatever they’re calling it. Impress me: get Billy Zane to do cameos.
     
  • Speaking of SciFi’s name change: SciFi Founder Hates Syfy, Issac Asimov would have hated it, and yo9 for the win.


  • Dharma wants you… since the 70’s apparently.
     

Anything else? Consider this an open thread. (Cartoon by Dave Walker. Find more cartoons you can freely re-use on your blog at We Blog Cartoons.)

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IDW and ComicMix Join Forces

  • News
  • March 26, 2009

idw-cmx-logo-8952454Well, we’ve been hinting at this for about six months now. Some of you traditionalists have been asking when and how and where and when you can buy printed versions of the ComicMix comics. I’m proud to announce that we have partnered up with our friends at IDW (where GrimJack and Jon Sable Freelance and Mars last appeared) to produce one graphic novel and two comic books each month, starting this fall. Plus hardcovers and omnibuses and such, as the market demands.

O.K., I’m one of those traditionalists as well, and while I love reading this stuff online (particularly on my iPhone), I’m looking forward to seeing them in print. And I’m looking forward to running my typical long-winded introductions in the trades and letter columns — yet, genuine letter columns! — in the comics.

So if you’d like to email us a letter for publication, just post ’em as comments to the comics. Oh, yeah, we’re starting off with GrimJack: The Manx Cat and Jon Sable Freelance: Ashes of Eden in mini-series format. As if we should start somewhere else? IDW’s press release, for the record:

SAN DIEGO, CA (March 25, 2009) – IDW Publishing, a leading publisher of comic books and graphic novels, has begun an innovative partnership with ComicMix.com, a free website offering new and classic comics. Through this multi-year agreement, IDW will publish graphic novels, books and comics for ComicMix.com properties, enabling both companies to expand their offerings to customers and retailers, and combine their audience reach.

“ComicMix has a great line up of original and classic brands that are currently only available online, and despite the shift to the virtual world, there is still something unmistakable about reading a real-life book” said Greg Goldstein, chief operating officer of IDW. “IDW is known for producing some of the highest quality books in our industry, and we are looking forward to offering this to fans of ComicMix properties.”

Beginning in the fall of 2009, IDW will release trade paperbacks of ComicMix comics, as well as monthly comics, including many new stories that have previously been only available online at ComicMix.com. Initial titles will include GrimJack: The Manx Cat by John Ostrander and Timothy Truman, Jon Sable Freelance: Ashes of Eden by Mike Grell, and Hammer of the Gods by Mark Wheatley and Mike Avon Oeming, among others.

“This is a bit of a homecoming for many of us at ComicMix, because we have had a professional relationship with IDW Publishing over the past several years,” ComicMix Editor-In-Chief Mike Gold noted. “We’re honored to be among such first-rate comics and graphic novels. Quite frankly, I don’t think the ComicMix properties could find a better publishing home than IDW.”

The partnership with ComicMix allows IDW to distribute comics via mobile devices, increasing the company’s growing digital, downloadable publishing program, which already includes several major titles such as Star Trek: Countdown and Ghostbusters.

About IDW Publishing

IDW is an award-winning publisher of comic books, graphic novels and trade paperbacks, based in San Diego, California. As a leader in the horror, action, and sci-fi genres, IDW publishes some of the most successful and popular titles in the industry, including television’s #1 prime time series, CBS’ “CSI: Crime Scene Investigation;” Paramount’s “Star Trek;” Fox’s “Angel;” Hasbro’s “The Transformers;” and the BBC’s “Doctor Who.” IDW’s original horror series, "30 Days of Night," was launched as a major motion picture in October 2007 by Sony Pictures and was the #1 film in its first week of release. In April 2008, IDW released "Michael Recycle," the first title from its new children’s book imprint, Worthwhile Books. More information about the company can be found at IDWPublishing.com.

About ComicMix.com

Organized in 2007, ComicMix.com is the free website for brand-new comics, news, opinion and historical research. Organized by comics veteran Mike Gold (DC Comics, First Comics, Image Comics), Internet pioneer Brian Alvey (WebLogs Inc., Blogsmith, AOL, Netscape) and print and online publishing vet Glenn Hauman (Random House, Simon & Schuster, BiblioBytes, DC Comics), ComicMix has been leading the comics industry in the production and online distribution of new comic book stories by major talent.

The Point – March 23rd, 2009

BATTLESTAR may be over, but the online reviews rage on and the ratings are big. Meanwhile, we talk more with the writer, director and star of SUPER CAPERS while STAR TREK gets hit with an old school lawsuit and THE SIMS invade…ONE TREE HILL?

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And be sure to stay on The Point via badgeitunes61x15dark-1252891, RSS, MyPodcast.Com or Podbean

 

 

NPR’s Studio 360: ‘Watchmen’ in pop culture

  • News
  • March 6, 2009

This week on NPR’s Studio 360, you’ll be hearing a roundtable discussion between Farscape comic writer Keith R.A. DeCandido, Star Trek author David Mack, comic book historian Alan Kistler, ethicist Alexandra Honigsberg, editor Jeness Crawford, ComicMix contributor Kim Kindya, and yours truly, discussing Watchmen and its impact on pop culture. It’s wide ranging and a lot of fun. Take a listen:

 

Buck Rogers returns in May with 25 cent #0 issue

  • News
  • February 24, 2009

Dynamite Entertainment announces that its upcoming Buck Rogers comic book series will blast off in May with issue #0 with the low low cover price of 25¢.

"We’re planning Buck’s launch to be one of our biggest of 2009, one that will propel him into the comics future, "said Dynamite President Nick Barrucci. "We could think of no more appropriate way to welcome fans to this totally fresh take on one of comicdom’s first heroes than to offer his first new comics adventure in years at this incredible introductory price."

"Dynamite’s reinvention of Buck Rogers will follow the path Dynamite has blazed with its previous successful titles, and to ensure the comics audience can read the launch, we’re releasing the comic at a .25¢ cover price.  Dynamite is proud to be instrumental in re-inventing and continuing the legacies of  historical characters and their worlds with creators who can execute great stories.  We’re equally proud of the consistent critical and fan responses to our efforts, and are confident that Scott Beatty and Carlos Rafael will deliver.  We’re confident that Buck Rogers will extend Dynamite’s own tradition of creating and bringing together generations of fans in the most thrilling way possible, which is why we are launching it at an Introductory Priced.  This will allow retailers to stock it, and fans to try it, and see the quality, inexpensively."

According to series writer Scott Beatty "I can’t begin to describe my excitement in working with Dynamite and the Dille Estate to chronicle the all-new adventures of science fiction’s original spaceman, Buck Rogers."

"Buck is a sci-fi icon. We wouldn’t have STAR TREK or STAR WARS or many of the familiar trappings of the genre without the trails blazed by Buck with his trusty ray-gun and jet-pack. And with that in mind, I’m humbled by the fact that I get to work with such an important and indelible literary creation.

Featuring covers by John Cassaday on the series– and a special variant cover on issue #1 by Alex Ross– with story by Scott Beatty, and interior art by Carlos Rafael, Dynamite predicts Buck Rogers will be the smash hit sci-fi and adventure series of 2009 (and beyo-o-o-o-nd).

Star Trek setting licensing phasers on stun

  • News
  • January 30, 2009

As Yogurt the wise teaches us, "Merchandising, merchandising, where the real money from the movie is made. Spaceballs-the T-shirt, Spaceballs-the Coloring Book, Spaceballs-the Lunch box, Spaceballs-the Breakfast Cereal, Spaceballs-the Flame Thrower." CBS has learned their lessons well, one could even say it’s a paramount lesson.

CBS Consumer Products has cranked its Star Trek licensing up to 11 in preparation of the new Star Trek movie, which will debut on May 8th.  In addition to the IDW comics tying the movie to Next Generation continuity, the Pocket book publishing license, and the previously announced Star Trek Barbie Dolls, Mattel has also acquired the rights to create radio-controlled flying vehicles for its Tyco subsidiary, a Star Trek Scene-It DVD movie/TV game, and a 20Q Star Trek Trivia Game. (Bob Greenberger’s on our team, we take on all challengers.)

 

Other game tie-ins include a Star Trek-branded Monopoly edition from USAopoly, and co-branded games for UNO, Scrabble ("Ferengi" is a 61 point word, "Klingon" is 62– no ruling on whether words from their languages count), Phase Ten, All About Trivia, and a Magic 8 Ball. If only the good Kirk from "The Enemy Within" had one.

‘Star Trek: A Comics History’ Coming for Spring

  • News
  • December 24, 2008

hermesstartrek-lg-2-4892970Hermes Press recently signed a deal to publish Star Trek: A Comics History, described as “the complete saga of the Star Trek universe in comic books and comic strips.” The March release is being written by Alan J. Porter, best known for his James Bond: The History Of The Illustrated 007. The 208-page, all color, large format deluxe trade paperback is expected to chronicle the four-color history of Star Trek from the first Gold Key comics to the English newspaper strip, to Marvel and DC’s Star Trek titles and the present-day comic and manga iterations.

Star Trek: A Comics History promises creator interviews, unpublished art work, and a detailed checklist of Star Trek comic publications.  At the TrekkBBS, Porter said, “My intention is to include an index of the various comics by Stardate. At least I’m compiling one as I do the research and writing. I probably won’t have the time to create a full timeline (ouch – sorry about the pun), so if a story spans several time periods it will most likely only be listed by the establishing introductory Stardate. – But this is a work in progress so who knows.”

He also defended the steep $39.99 for a trade paperback, noting that Hermes Press books are “all published on very high quality glossy archival paper and designed to last. They aren’t mass market paperbacks, they are closer to glossy art books – hence the price point.”
 

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