Tagged: Star Trek

MIKE GOLD: Dangerous Old Farts

mikegold100-5090676murrayOur popular culture likes to mock young celebrities such as Lindsay Lohan, Paris Hilton and that Federline guy. That’s fine; there’s no reason to take our celebrities seriously. But I think we’re showing our ageist leanings by making it look like these children differ from their parents and grandparents. There are a lot of old fogies up to no damn good, and they deserve to be outed as well.

For example, last week actor Bill Murray was arrested for DWI. While driving a golf cart. Down the middle of a public road. In Sweden. As it turns out, he “borrowed” the golf cart from Stockholm’s Café Opera, although the owner is not pressing charges. In fact, he’s milking it for all it’s worth.

Well, Lenny Bruce pointed out society perceives a difference between dirty screwing and fancy screwing, and I’ve got to admit, getting busted for driving a golf cart down the middle of a public road in downtown Stockholm is fancy screwing. Or it’s the plot to one of Murray’s earlier movies; it’s kind of hard to tell.

William Shatner evolved from the butt of jokes to my personal hero. Nobody has turned his image around like Bill, thanks to a wonderful self-effacing sense of humor and a great role in Boston Legal, an amazingly iconoclastic teevee series. But even Bill has his meltdowns.

At a Star Trek convention in Las Vegas Hilton earlier this month, Shatner publicly railed against producer J.J. Abrams for casting Leonard Nimoy in next year’s Star Trek movie – but not him. According to the New York Daily News, “Shatner was so manic onstage that Leonard Nimoy actually said, ‘We’re worried about you.’”

0514shatner-7478775293457613_49ede24aca-6503500Then there’s George W. Bush. He’s always good for a few laughs. Rick Oliver, my old friend and successor as First Comics’ EIC, sent along this priceless quote: “One unmistakable legacy of Vietnam is that the price of America’s withdrawal was paid by millions of innocent citizens, whose agonies would add to our vocabulary new terms like ‘boat people,’ ‘re-education camps’ and ‘killing fields…’”

So much for “no child left behind.” George’s reference to the killing fields had nothing to do with Vietnam; that was Cambodia, under the petit-Hitler Pol Pot. Proportionately speaking, he was the greatest monster of the 20th Century, having slaughtered through slave labor, malnutrition, poor medical care and execution some two million of his people – fully one-third of Cambodia’s population.

Pot’s killing fields and re-education camps were brought to an end in 1979 by the Vietnamese – the same Commies Bush and his friends like to point to as an excuse for their continued gang-rape of Iraq. For the record, the world has the Vietnamese to thank for putting his career to an end. Pol Pot was kept under close house arrest for twenty years, until the day he died.

Nice going, Georgie. In comparison, President Paris Hilton doesn’t sound so bad.

Or should that be President Freedom Hilton?

Mike Gold is editor-in-chief of ComicMix.com.

RIC MEYERS: The Dark Labyrinth

ric-meyers-100-2021640Twenty-five years ago, the late, great Jim Henson, creator of the Muppets, tried to beat Lord of the Rings to the cinematic punch by co-writing and co-directing a similar and derivative, yet pioneering and daring, “adult” fantasy. Four years after that, approximately twenty-one years ago, he tried to combine Star Wars, Alice in Wonderland, The Wizard of Oz, Where the Wild Things Are, and M.C. Escher, among other things, to create a new coming of age teen tale.

This week, Sony Pictures Home Entertainment is releasing handsomely packaged, two-disc, special editions of both these cult classics – The Dark Crystal and Labyrinth. In each, Henson managed to find a mature theme to impart (that living beings are a combination of good and bad, not one or the other, and that teens should choose their own path and not put themselves in others’ power, be they loves or peers), but, unfortunately, communicated them in a stagy, plasticky, Las Vegas/ DisneyWorld/ Universal Studios Theme Park kind of way.

darkcrystal-5125456He seemed to have little choice, of course, since his chosen medium was the puppet, and, back in the 80s he was limited to what those puppets could achieve, no matter how hard he pushed their envelope. What these new DVDs have over his old movies is that very knowledge. Once a viewer knows how hard he tried and how much work was put into pulling the difficult concepts off, new admiration for the attempts, if not the finished products, is hard to suppress.

It’s little wonder that both special editions were released at the same time, since the extras for both were obviously made at the same time. Both include the original, Henson-produced “making of” documentaries released back in the 80’s, as well as two new behind-the-scenes featurettes incorporating “rediscovered” test footage and 21st century interviews with those involved – most of whom worked on both movies. Entertaining discoveries can be enjoyed on both.

For The Dark Crystal, co-directed by Henson (Kermit) and Frank Oz (Miss Piggy/Yoda), it becomes clear that Henson was the level-headed yin to Oz’s more forceful yang, and, like the team of Mel Brooks and Gene Wilder before them, never were quite as good separate as they were with each other.

The biggest kick on Labyrinth is the discovery that Star Trek the Next Generation’s doctor, Cynthia “Gates” McFadden, was the film’s dance choreographer. She expresses admiration for the project and love for Henson, as does the likes of conceptual artist Brian Froud, scriptwriter and Monty Python member Terry Jones, and producer George Lucas. (more…)

ELAYNE RIGGS: World Enough and Time

elayne200-8061372Everyone around my age seems to have a Twilight Zone episode that sticks with them the most.  For me, it’s the Burgess Meredith-starring "Time Enough At Last," which title I always misremember as World Enough and Time.  (Just my luck I’m about to become even more confused as that’s also the title of the new George Takei-starring Star Trek: New Frontiers episode debuting in two weeks.)  It’s about an obsessive reader who’s delighted he finally has time to pursue his favorite hobby after improbably escaping a bomb that wipes out the rest of the populace, only to have his glasses fall off his face and break, fade to black.

It was one of those episodes for which I refused to suspend disbelief because I kept thinking of all the ways Meredith’s character could remedy his fate.  What was preventing him from looking for new glasses?  If the NYPL building was still standing I’ll bet some optometry places were still around.  And after all, he had to go food-gathering to stay alive, he’d undoubtedly (and likely literally) bump into something.  And bombs tend to fuse things into lenses anyway.  All that aside, I refused to believe he totally couldn’t read without his glasses; my prescription is pretty strong and I’m to the point in life where, if I didn’t have bifocals, I’d have to remove my glasses to read.  And eyesight has been known to improve without the use of glasses, by means of various exercises and–

Well anyway, my point is, I went over all these machinations in my head for years because I could see a lot of myself in that character.  I love to read, always have.  Got it from my mom (hi Mom!); Dad wasn’t big on reading, but she’s always taken to it, as have her sister and brother, from whom I learned to like all sorts of genre stuff from the Happy Hollisters mystery series to fantasy and science fiction to fairy tales to the very occasional non-fiction foray.  Reading actively engages my mind like little else.  Reading has always been the way I found out about life, about myself.  Reading is dreaming using words (and pictures, if you’re talking about comics).

I’m never as happy as when I have time to catch up on my reading.  This week, for instance, I’m on "enforced" vacation — meaning that, because I don’t get to use up my allotted vacation time when I want to (due to my boss requiring me to be at my post whenever he’s in the country), I wind up accumulating too many days to carry over into my next service year and must "use or lose" them before my anniversary (next Monday).  As of the time I wrote this column I had no idea what I was going to do during this week other than read, read, and read some more.

And even then, there’s never time enough.

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Things That Make Your Eyeballs Go Huh?

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Three words you never expected to see all at once: KISS. yaoi. manga.  Our illustration today is, I’m afraid, only the beginning… [via Journalista!]

Chris’s Invincible Super-Blog not only reviews a bunch of new comics, but also has a picture of Jughead with a jetpack.

Speaking of Jugheads, the Joplin Independent is in love with Archie’s Double Digest #5.

Greg Hatcher of Comics Should Be Good admits to loving Stan Lee’s Who Wants To Be a Superhero? despite the fact that it’s completely insane.

Graeme’s Fantasy Book Review has been on a Walking Dead kick – he’s just reviewed (and loved) volumes two through four.

Historical fantasy author Alice Borchardt has died at the age of 67; she turned to writing as a second career after working in nursing for thirty years. Borchardt was also the older sister of Anne Rice.

SF Scope analyzes the story choices in Gardner Dozois’s latest Year’s Best Science Fiction anthology.

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MARTHA THOMASES: Space Oddity

x-1225417Jerome Bixby’s Man From Earth is a profoundly unfashionable film. Written by Bixby before he died and directed by Richard Schenkman, it’s a science fiction movie with no aliens, no space ships, not even any explosions. It’s a thoughtful movie, intimate, with adult actors dealing with complex philosophical ideas.

When I was first reading science fiction, I liked the books with lots of talking and big ideas. I liked Isaac Asimov’s Foundation trilogy and the robot books, where scientists explained large concepts and the societies these concepts would inspire. I liked it so much that I could often overlook inane plots and cardboard characters. When the books were more literate, that was even better.

Jerome Bixby is a science fiction writer from the old school. He wrote episodes of Twilight Zone and Star Trek, including “Mirror, Mirror.” He wrote screenplays, including Fanatastic Voyage, which was based on his short story. Just before he died, he wrote the screenplay to The Man From Earth.

It’s a small film, produced on a shoestring budget of $200,000. The closest thing to a celebrity in the cast is William Katt, formerly the star of The Greatest American Hero. Also in the cast is Richard Riehle, a character actor you’ve seen in a zillion movies, Annika Peterson, Ellen Crawford, John Billingsley, Tony Todd, Alexis Thorpe and David Lee Smith as the central character, John Oldman.

There is only one set, a cabin in the woods, and the entire story takes place over the course of a single day. John Oldman is a university professor packing his belongings to leave for a new job. His friends, other professors and a student, have come with food and drink to wish him well. Over the course of the day, he tells them that, to the best of his knowledge, he’s 14,000 years old.

For the rest of the film, these highly educated, polite people argue with each other about whether or not such a thing is possible, or is Oldman pulling some kind of cerebral practical joke. They consider religion, anthropology, history, and the other fields in which they are expert. No one attacks Oldman for a DNA sample to run tests, no one pulls out an old photograph or other evidence. The devout Christian character feels threatened, but does not condemn Oldman to Hell, nor does she stone him. They talk from mid-afternoon until night, when the last few people at the party go out to look at the stars. (more…)

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Overheard at San Diego, part 3

cartoonjedihead-5603555The most quotable things that have been said in public and overheard in private. Onward!

Overheard on the trolley, while looking at the guy to the right: "Is he getting off at the Imperial Transfer station to go to the Con or does he work at the Imperial Transfer Station?"

At the IDW panel, commenting on John Byrne’s art on the upcoming Star Trek: Romulans: "Everybody looks like Namor…"

DC’s new House of Mystery turns the old barn into a bar and restaurant where patrons sit around telling strange stories. Funny, but it seems like we’ve seen that in comics before… Something called Munden’s

Mike Grell and Mark Ryan (Bumblebee in Transformers) announced a new project called The Pilgrim. Grell starts working on it after he finishes his latest Jon Sable Freelance graphic novel.

Len Wein: "When I first met Hugh Jackman, he said ‘I apologize for being so tall.’ [Jackman is 6’3"; Wolverine, which Len created, is 5’1".] And I said, ‘It’s okay — you play short.’ "

And finally, a special hat tip to Mark Evanier, who mentioned the most heard phrase from Wednesday night.

Contributing writer: Mike Gold

Oh, My! More Book Reviews!

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Graeme’s Fantasy Book Review looks at Harry Potter and the Deathly Hallows.

The Guardian reviews Scarlett Thomas’s The End of Mr. Y.

OF Blog of the Fallen reviews Daniel Wallace’s Mr. Sebastian and the Negro Magician.

Blogcritics reviews Warren Hammond’s KOP.

The Kansas City Star reviews The Dark River by the secretive and mysterious John Twelve Hawks.

In the Washington Post, Jeff VanderMeer reviews Ian McDonald’s Brasyl, Kay Kenyon’s Bright of the Sky, Susan Palwick’s Shelter, and more.

Book Fetish reviews Yasmine Galenorn’s Changeling.

CA Reviews looks at Kristin Landon’s The Hidden Worlds.

Powells Books Blog reviews Matt Ruff’s new novel, Bad Monkeys.

Kate Nepveu reviews  Vernor Vinge’s Hugo-nominated novel Rainbows End.

Visions of Paradise reviews C.J. Cherryh’s Inheritor.

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Is Sylar Spock?

10-zack-quinto-5274776The Chicago Tribune‘s Maureen Ryan reports Paramount is "close" to signing Zachary Quinto to play young Spock in the next Star Trek movie. Right now, Quinto is playing bad-guy Sylar on Heroes.

If this comes to pass, a few changes might be in store for one of the few successful teevee shows launched last season, as Sylar was expected to play a major role. Quinto’s Trek shooting schedule might disrupt those plans.

An announcement is "expected" to be made at the San Diego Comic Con.

Science Fiction/Fantasy Book Reviews

highlord-3818281I should warn you about these link-lists: Mondays tend to be longer than usual (since there’s a lot of content that goes up on the weekend, or early on Monday), and the beginning of the month tends to be longer than usual. Since we’re just past both of those things, this is going to be a really long one…

Pat’s Fantasy Hotlist reviews Dragons of the Highlord Skies by Margaret Weis and Tracy Hickman.

A.N. Wilson reviews Kazuo Ishiguro’s novel Never Let Me Go in the Telegraph.

SF Crowsnest reviews a whole bunch of things this week:

  • first, here’s a review for Paranormal Borderlands of Science, edited by Kendrick Frazier – a collection of essays by scientists about the plausibility of and evidence for various paranormal claims.
  • and there’s a review of Cory Doctorow’s new short story collection, Overclocked
  • another review covers Kay Kenyon’s new science fantasy novel Bright of the Sky
  • a review of Ian McDonald’s Brasyl
  • a review of Eliot Fintushel’s Breakfast With the Ones You Love
  • a review of Kage Baker’s new “Company” short story collection, Gods and Pawns
  • a review of David Deveraux’s Hunter’s Moon
  • a review of a new art book – James Bama: American Realist – about the cover artist best known for his ‘70s Doc Savage series
  • a review of Charles de Lint’s Memory & Dream
  • a review of Chris Moriarty’s Spin Control
  • a review  of David Anthony Durham’s first fantasy novel, the epic Acacia
  • and several other reviews, too, but my fingers are getting tired.

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TV Cult Guide

According to TV Guide Online, here’s their latest top 30 cult teevee shows of all time.

I would scoff at this, but it turns out I really like at least a dozen of ’em.

30) Strangers with Candy (1999-2000)*

29) Absolutely Fabulous (1994-2003)

28) Stargate SG-1 (1997-2007)*

27) H.R. Pufnstuf (1969-1971)

26) Mary Hartman, Mary Hartman (1975-1978)

25) Firefly (2002-2003)*

24) Twin Peaks (1990-1991)

23) Dark Shadows (1966-1971)

22) Doctor Who (1963-present)

21) Freaks and Geeks (1999-2000)

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