Reboots abound!
With J.J. Abrams now confirmed as not only producing and scripting but also directing 2008’s Star Trek XI, the buzz has begun on the latest reboot of a beloved franchise. As one might imagine, fans of the series have been divided over whether or not this has been necessary, a debate we’ve all heard before.
The entire notion of a reboot is an interesting one because, looking back, reboots were largely throwing ideas against the wall to see what might stick. While there were fans of The Flash, there was certainly no groundswell of support demanding DC Comics bring Jay Garrick back. Instead, management created Showcase as a title to try new things and after three issues of straight-forward adventure, they thought it was time for something different. As legend has it, someone thought the time might be right for a new super-hero and all heads turned to the last editor with any success as characters without S-shields and bats: Julius Schwartz.
Instinctively, Schwartz knew Jay Garrick and his mercury-helmet felt too dated. Things in the 1950s were fresh and new, sleek and shiny. He kept the name and the powers and recreated from the ground up, perhaps pop culture’s first reboot.
Back in a previous life I was a very struggling actor in Chicago. One summer I was working with a small troupe that, among other things, did children’s plays outdoors and in various venues. This particular show we were doing was called Wiley and the Hairy Man, based upon a children’s book. I played the Hairy Man – a swamp-man/boogeyman – and, while I kept getting chased offstage by the Wiley in the title, my character kept sneaking back in. It was not a part of particular subtlety but it did require some finesse. I was the monster in a children’s play which meant I couldn’t be too scary; just enough to produce the tinglies and a lot of laughs.
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