Tagged: Storm

Tweeks: A-Force Assemble!

Last week when Marvel announced the all-female team of Avengers, you better believe we were stoked! We studied the A-Force artwork to figure out who everyone was and got right to researching the superheroes we didn’t know. Now, we’re even more excited and can’t wait to read Secret Wars in May.

In this week’s video we’ll tell you why A-Force is rad, which mutant powers we’d use to make lunch, and our thoughts on the girls not included (namely Maddy’s #2 favorite superhero, The Unbeatable Squirrel Girl). A-Force Assemble, indeed!

Mindy Newell: Sephora Kicks Super-Ass!

“Beauty, to me, is about being comfortable in your own skin. That, or a kick-ass red lipstick.” – Gwyneth Paltrow

“I fought a killer and didn’t even smudge my makeup.” – Rose Pressey, Flip that Haunted House

After a fun time with my grandson – soon to be 14 months old! What’s that saying about time flying? – on Friday at Gymboree, I drove over to Sephora to buy some concealer for my 61 year-old under-eye bags and of course ended up spending too much money on other shit that I probably didn’t need and which I justified by telling myself that I hadn’t splurged on said self in a year so stop worrying and learn to love the bomb, as Kubrick so aptly put it.

Anyway, driving home I got to wondering about what kind of skin care and make-up the superheroes use.

There are dozens – hundreds? – of mascaras that claim to be waterproof (though I’ve never used one that stands up to the pool or the ocean) and that will stand up to the most exhausting and sweat-inducing workouts and ultra-triathlons. There are dozens – hundreds? – of foundations and blushes and lipsticks and eye shadows made by companies, from deluxe department store brands to those found on a drugstore carousel rack, that claim to “lasts all day!,” withstanding everything from a walk in a tropical monsoon in Mumbai to a passionate, epic 24 hour tumble between the sheets. And there dozens – hundreds? – of skin care products promising to turn back the clock and/or replace more invasive products like Botox or Juvaderm or – going all the way – cosmetic surgery.

So what does a superwoman wear while she’s pummeling – and being pummeled by – her equally meta-powered enemy? Surely Superman needs a little styling gel to keep those oh-so-sexy Kryptonian curls and waves mussed in just the right places?

After all, no super hero wants to be seen with puffy, dark-circled eyes and a turkey neck. Doesn’t inspire much confidence in the civilians to be seen looking “tired and drab” when you set out to stop the latest threat to Earth.

WHOOSH! The Flash needs help. Yeah, that – ahem – flashy red suit of his is designed to withstand the friction and wind he creates as he rushes to help, sometimes hitting velocities beyond the sound barrier. But what does he use to prevent the certain skin damage to his wind burned and chapped cheeks, chin, and lips?

Speaking of skin care, here’s some other meta-human types that could some help with their epidermis:

  • The Thing. ‘Nuff said!
  • Iron Man. “What?” you say. “Tony Stark is enclosed in technological armor. He doesn’t have to worry about sun exposure!” Yes, but it gets hot inside that face plate. After a hard day at the office, there’s nothing the man needs more than a really good skin care regimen to cleanse out those pores and remove the layer of dead cells. May I suggest a little exfoliation two to three days a week with an at-home peel?
  • Power Girl: You do a good job covering up, Kara, but you’re forgetting that delicate skin in your décolletage area. I recommend a moisturizer with an anti-antioxidant ingredient (vitamins C and E, for instance) and a SPF factor of at least 25. But stay away from moisturizers containing retinoid or alpha hydroxy acids, because they can make your skin more sensitive to the sun and its photo aging properties, especially in the summer or in equatorial climates where the sun is always strong.
  • Starfire: Lady, I know you’re an alien, and that orange skin indicates the presence of melanin which helps protect the skin from sun damage, but really! With that costume exposing more skin to photo aging than Bettie Page on a beach shoot, you are risking looking like a prune before you’re 30! Hey, I’m the first one to say flaunt it if you’ve got it, but – never mind the moisturizer, you must cover up if you don’t want to develop a raging case of melanoma!

If looking delectable and gorgeous is part of the “brand” of taking on super villains, do ultra-women deliberately choose to look their best as they beat the crap out of some megalomaniac with phasers and lasers or even “old-fashioned” dirty bombs and plans for world domination as a subtle means to throw their villains off their games? Think about it. Wouldn’t, say, Arcade, so taken with Storm’s exotic beauty, deliberately lower the level of “play” in his Murderworld so as the woman wouldn’t be too bruised or battered?

Or, on the other hand, would Diana’s Amazonian beauty, enhanced with the understated mineral powder foundation and bronzer, the finest kohl eyeliner, the warmest clay lipstick offered by the cosmeticians of Themiscrya, only work to throw Barbara Minerva, aka the Cheetah, into a jealous frenzy of the nth degree, giving her even more of an excuse to rip her talons into Wonder Woman’s face?

Maybe the Grecian powerhouse should rethink her look when she’s up against women who hate her.

Yeah, if I lived in the alternate realities of Marvel and DC and Image, et. al., and I was a smart marketing or R&D executive at Lancôme or MAC or Estee Lauder or Maybelline or Revlon or Urban Decay, et.al., I’d convince my bosses to develop a line of skin care products and make-up specifically tailored to the super set.

And if it’s good for them, just think of what it would do for us working slobs.

Talk about product placement!

 

Marc Guggenheim Takes Aim at the X-Men

X-Men_18_CoverThis August, comics superstar and Arrow Executive Producer Marc Guggenheim (Amazing Spider-Man, Wolverine) takes Marvel’s mutants into space for an explosive new mission for a brand-new 4-issue story arc kicking off in X-MEN #18!

High above the Earth in the floating space station known as The Peak, extraterrestrial threats are monitored by S.W.O.R.D. – the planet’s alien counterterrorism and intelligence agency. From the cold reaches of space, a familiar face returns. The ferocious Shi’Ar warrior Deathbird has landed on their doorstep, gravely wounded and inches from death. Unable to identify the who or what that caused her life threatening injuries, the X-Men are called in to investigate!

Speaking with Paul Montgomery at Marvel.com, Guggenheim shared where the idea for his upcoming arc originated: “The idea really came from the fact I’d been jonesing for an X-Men in space story as a reader. I’d been re-reading the Brood Saga and it reminded me how much I love that concept of the X-Men in outer space. It’s a milieu that suits them really well.”

What horrible dangers await Rachel Grey, Storm, Jubilee, Psylocke and Monet in the cold, lifeless vacuum of space? And are they equipped to handle it? Don’t miss the start of an epic sci-fi horror tale as Guggenheim takes the reins this August in X-MEN #18!

REVIEW: Ultimate Wolverine vs. Sabertooth

wolverine-vs-sabretooth-3306902Are they father and son? Brothers? Clones? It all depends on which incarnation of Wolverine and Sabertooth you are reading or watching. Their battles have been so frequent that it takes a lot these days to get you to pay attention to the banter and slashing.

Don’t let the title fool you since this is not the Ultimate Universe version of Wolverine but the Marvel Universe incarnation and the story is taken from Wolverine #50-55, one of the first stories written by Jeph Loeb when he returned to Marvel. Set at a time when there were just under 200 mutants on Earth, Sabertooth had been taken in by the X-Men but as one would expect, the Xavier Mansion is not big enough for the two bruisers. So they fight. And fight. And flashback to other fights through the years. And they fight. And they fight Black Panther and get lectured by Storm. And in the end, Sabertooth dies. For a little while anyway.

Loeb and artist Simone Bianchi crafted a fine fight for the duo that fans adored and inspired Marvel to turn into a Motion Comic. Now that conflict is being collected on Blu-ray by Shout! Factory, being released on Tuesday. The resurrection of Sabertooth took place some five years later, pretty long for a dead villain.

As with the other motion comics that have come from Marvel, they have been as dependent on the motion technology as they are with the artwork used as source material. Jae Lee’s fine work didn’t translate well in Origin and Bianchi’s similar work made me question how successful this could be. Thankfully, his dark, painterly style works far better – not great, but better.

The 66 minute slug fest faithfully adapts the story although once more, the vocal casting leaves something to be desired. The score helps a lot.

The disc also comes with a 24:00 retrospective as Loeb and Bianchi recount how they partnered up and struggled to find a fresh way to have these two engines of destruction fight one another without boring the reader. Both speak well and it’s a well-done piece that relies too heavily on clips and has Loeb practically  begging you to take Motion Comics seriously.

“Milestones” spotlights African-American comics, pop culture

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Michael Davis and Tatiana El-Khouri pose with contributors to Milestones at Geppi’s entertainment museum

Milestones, the new exhibit at Geppi’s entertainment museum in Baltimore premiered last Friday night with a gala that presented the collection in grand style.

The exhibition, assembled and curated by Michael Davis and Tatiana El-Khouri, showcases both the work of not only black creators, but black characters in comics, Such as Storm and Black Panther, rightly described as one of the most iconic black characters in the medium. Don Mcgregor, classic writer of Black Panther (and co-creator with Paul Gulacy of Sabre) was a guest of honor for the evening, along with a broad selection of comics creators.

It features art from both major publishers and independents, well-known and cult characters, and a wide array of black writers and artists.   Artwork includes Ken Lashley’s covers for Justice League of America, Shawn Martinbrough’s work on Thief of Thieves, and the Black Dynamite mini series Slave Island. Kyle Baker’s contributes art from his graphic novel King David, and Denys Cowan‘s careers is prominently featured, including some of Cowan’s initial designs for John Henry Irons, AKA Steel.

The work of the eponymous Milestone Media is included, including a tribute to the late Dwayne McDuffie; a portrait by Davis and an essay by Milestone President Derek Dingle.

A video presentation features interviews with Orlando Jones, Wayne Brady, Reginald Hudlin and more, all discussing the historic and modern contribution of black creators to pop culture.

Milestones runs from December 14th 2013 to April of 2014.  For more information, visit the museum’s website, or milestonestheshow.com

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Pulp Fiction Review and the Big Clear

New Pulp Author Ron Fortier returns with another Pulp Fiction Review. This time out Ron takes a look at The Big Clear by Christopher Harris.

THE BIG CLEAR
By Christopher Harris
Short Cypher Press
275 pages

Mason “Dub” Storm was a Special Forces sniper in the first Gulf War and then worked in East African locales such a Somalia with an elite secret platoon.  In the end Storm began to question his own justifications for his assignments and just who his puppet masters really were.  Ultimately he left the service and returned to his home base of Austin, Texas to pick up the pieces of whatever remained of his soul.

As the book opens, Dub, is a two bit stoner working, whenever he can get a customer, as a private investigator.  Because of his drug connections, he comes in contact with Angela Easley, the strung out youngest daughter of one of the richest men in Texas.  Her three year old son, Hunter Parsons, has been kidnapped and she begs Dub to find him for her.  Well aware he is venturing into a world as alien to him as the foreign battlefields of his past, the weary private eye agrees to help out until the police take over.  It all seems easy enough.

Right. Until Dub recalls Angela’s older sister, and her Daddy’s chief business assistant, is none other than the high school sexpot from his youth, Heather Easley.  One look at her in her expensive mannish business suit over her hour glass, trim body and Dub finds himself floating in ancient dreams that were never ever going to come true.  Then, a friend named Kid, who had been helping him with surveillance, is brutally murdered and Dub’s hands are once again covered in other people’s blood.  Gunfights, steamy sex and a mystery with enough twists to give us a queasy stomach abound in these pages.

Harris’s style is a mix of traditional noir and punk giving the narrative a smooth jolt throughout and becomes quickly addictive.  He deftly mixes Dub’s confused present with his hellish past and when the two collide viciously towards the finale, it is a satisfying resolution though still an ambiguous one.  Dub Storm is one of the most complicated heroes I’ve encountered in a long, long time and one I’m hoping to see in action again soon.  This is a well-executed thriller by a writer worth keeping an eye out.  Go pick up “The Big Clear” and prove my point.

REVIEW: Mission: Impossible – Ghost Protocol

Mission: Impossible is one of those malleable concepts that can tackle any content and is only as good as the concept, cast, and director. As a result, the film version of the classic 1960s television series has had its hits and misses, but seems to be getting stronger with each film. J.J. Abrams reinvigorated the franchise with the third installment and then handed it off to Brad Bird, making his live action debut with Ghost Protocol.

It’s been far too long since Ethan Hunt and IMF team were handed a mission after that strong outing so it’s thrilling to see Mission: Impossible – Ghost Protocol be such a rousing success. The movie is out this week on Blu-ray and DVD and is a Must Have because there’s so much to like about it. Bird, best known for the underrated Iron Giant and The Incredibles, takes everything from those animated adventures and brings them to the real world. Bird brings his sense of pacing and timing to the mission along with a much needed dose of humor, leavening the drama.

Hunt (Tom Cruise) is in a Russian prison for unknown reasons but an IMF team breaks him out and only then does he get told of a nuclear prophet determined to set off an atomic war to bring about change. His mission: find the man and stop him. Of course, nothing goes easy, especially when it appears the IMF is accused of bombing the Kremlin, a clever feint on the part of the real villain: Kurt Hendricks (Michael Nyqvist). As a result, the Secretary is in Russia to tell Hunt the president has executed the Ghost Protocol, effectively dissolving the IMF but handing Hunt and his team one final clandestine mission to save the world.

The team? The only regular from previous films is Benji Dunn (Simon Pegg), now promoted to field agent. He’s accompanied by Carter (Paula Patton), who lost her fellow agent and lover (Josh Holloway) to an assassin who is now connected to the new mission so she sees it as a chance for revenge. The fourth member is new to the IMF; Brant, a consultant to the secretary (Jeremy Renner) who it is learned was a former field operative who believes he was responsible for the death of Hunt’s wife, Julia Mead, (Michelle Monaghan).

The screenplay from André Nemec and Josh Appelbaum takes us throughout Eastern Europe and the Middle East at a breakneck pace, but always pausing long enough to dole out character revelations and a chance for the characters to actually talk to one another, a rarity in these kind of action films. Bird clearly can handle the adventurous aspects and dramatic bits with an even hand. The cast works well together and the leads are well supported by a fresh cadre of international performers, including Anil Kapoor, Léa Seydoux, keeping the film looking and feeling fresh.  There are two nice cameos towards the end which tie all four films together and for those who haven’t seen it, I don’t want to spoil it for you.

Visually, the film is breathtaking, as we see the splendor of Mumbai and elsewhere but of course the set piece, Hunt’s magnetic climb up the world’s tallest tower, is stunning. Bird and the scriptwriters have hit upon a series of obstacles that feel like M:I but updated for today, which is a strength.

If anything doesn’t work, it’s the more tried and true elements such as an overlong chase through a bazaar (even with a sandstorm) and a climactic battle inside a car park. Everyone struggles to beat the countdown clock but it all drags out just a bit and the film could have been tighter with a few judicious edits, but they’re minor quibbles. Helping overcome that is Michael Giacchino’ s wonderful score which honors the original series and gives it a flavor all its own.

The movie is spectacular on Blu-ray and sounds swell. Now, if you loved the film, you should seek out the Best Buy exclusive edition which has an hour’s worth of bonus material you won’t find on the regular Blu-ray release. Whereas the regular Blu-ray stuffs the extras with the film on a single disc, the Best Buy edition requires a disc just for the extras.

“Mission Accepted” (47:35) is found on both versions of the Blu-ray release while “Impossible Missions” (51:37) contains most of the Best Buy bonus material. In both you get 15 minutes of deleted scenes which makes for interesting watching and it’s recommended to use the Bird commentary. The regular Blu-ray offers up “Heating Up in Dubai” (17:36), a pretty travelogue; “Vancouver Fisticuffs” (12:01), a look at the climax, which happened to be shot in Canada; “The Sandstorm “ (3:06), which took two weeks to shot in Canada and Dubai; and “Props” (3:07).

The Best Buy material includes “Suiting Up in Prague” (17:58), “The Russian Prison” (11:49), “Shooting in IMAX” (3:33), “Art Department”  (2:56), “A Roll of Film”  (2:33), “Life Masks” (1:40), “Stepping Into the Storm”  (2:02), “Dubai Car Crash” (8:15), “Lens on the Burj” (:57), and “Composer” (10:42).  The two original theatrical trailers are also included.

A NEW HERO FROM AIRSHIP 27-ENTER CHALLENGER STORM!

PRESS RELEASE

Move over Doc Savage and Captain Hazzard, here comes America’s newest pulp hero –
CHALLENGER STORM

Airship 27 Productions and Cornerstone Book Publishers present another new pulp hero crafted in the mold of the classic 1930s adventurers. The sole survivor of a senseless tragedy, the heir to a massive fortune devotes himself to a life protecting the innocent and punishing the guilty. From his base of operations at the Miami Aerodrome Research & Development Laboratories, he and his colorful associates brave any danger to bring justice to those in need.

His name is Clifton Storm… the world will call him “Challenger”.

THE ISLE OF BLOOD

When a wealthy aviation tycoon asks Storm to help return his kidnapped daughter, the MARDL crew is plunged into a rescue-mission on the tiny island-nation of La Isla de Sangre. From the sunny streets of Miami to the assault on a guerrilla enclave & the ruins of a lost-city deep in the jungle, the action is non-stop in this debut pulp thriller. Can Storm rid La Isla de Sangre from the vicious warlords known as the Villalobos Brothers and defeat the mysterious Goddess of Death?

Join Challenger Storm and his loyal band of adventurers as they fly off on this, the first of a brand new series of pulp thrillers. Writer Don Gates and legendary graphic artist, Michael Kaluta join forces to unleash this exciting and original new pulp hero guaranteed to provide pulp fans with explosive thrill-a-minute entertainment. All brought to you by the always ground-breaking crew of Airship 27 Productions; Pulp Fiction for a New Generation!

ISBN: 1-613420-23-4
ISBN 13: 978-1-613420-23-2
Produced by Airship 27
Published by Cornerstone Book Publishers

Release date: 11/15/2011
Retail Price: $16.95
Digital Download Now Available for $3 –
(http://homepage.mac.com/robmdavis/Airship27Hangar/index.html)
11/20/2011 @ (www.IndyPlanet.com) for $15

ComicMix Six: Why Marvel’s ‘Secret Wars’ Was Better Than ‘Civil War’

 

[EDITOR’S NOTE: In last week’s edition of ComicMix Six, we told you why the Skrulls’ "Secret Invasion" probably isn’t worth losing sleep over, given our list of the worst moments in Skrull invasion history. This week, we’re playing in the sandbox of big events yet again, with a list of reasons why Marvel’s recent  Civil War event doesn’t stack up against one of its popular predecessors, the 1984 series Marvel Super Heroes Secret Wars. -RM]

Just over a year ago, Marvel shook up their universe with Civil War, a series-spanning event wherein the U.S. government decided, after a tragic accident involving super-powered heroes and villains, that anyone with superhuman powers would be required to register and become official federal operatives. Costumed crime-fighters picked sides, Marvel picked a slogan ("Whose Side Are You On?"), Spider-Man unmasked, and Iron Man’s pro-registration camp hunted down the anti-registration crowd led by Captain America. In the end, Cap tearfully surrendered, only to be "killed" for his troubles a few issues later.

Throughout the series’ seven issue (and countless tie-ins), the Merry Marvel Marketing team hailed Civil War as the most mind-blowing storyline since, well… ever.

Here at ComicMix, we’re not quite sure we agree. After re-reading Civil War and comparing it to one of the first epic Marvel crossover events, the ’80s action-fest Marvel Super Heroes Secret Wars, there’s a good argument to be made for the superiority of the earlier project.

Oh, and remember, what’s being discussed here is the 12-issue Secret Wars series, published by Marvel in 1984 (and featuring the first appearance of Spider-Man’s famous black costume), not to be confused with Secret War, the 2004-2005 five-issue series written by Brian Bendis.

Got it? Good. Now let’s begin…

6. REMEMBERING THE LESSONS ‘SESAME STREET’ TAUGHT THEM: In Civil War, heroes who fought alongside each other for years decide that the best way to debate the merits of a new law is to spy on one another and brawl at each and every opportunity. In Secret Wars, heroes who don’t necessarily trust each other decide that, despite their differences, teamwork and cooperation will improve their situation.

Sure, Spider-Man had a skirmish with the X-Men and the Hulk was shouting at everyone, but they still came together in the end. Wolverine and Captain America shared a heart-to-heart, and the heroes even accepted Magneto’s help, knowing that the greater good was more important than issues of mistrust.

(more…)