Tagged: strip

Bill Watterson on Richard Thompson and ‘Cul De Sac’

  • News
  • June 20, 2008

cdscover-4020322I already knew that Richard Thompson’s Cul De Sac was a damn fine comic, but it’s nice to have someone like Bill Watterson, creator of Calvin and Hobbes, confirm that assessment.

Watterson has provided the foreword for the upcoming collection of Thompson’s popular series, titled Cul De Sac: This Exit. According to Thompson, Watterson’s words "made me blush so hard I got a nosebleed."

Here’s an excerpt from the foreword:

I also like the nightmarish suburb that the Otterloop ("outer loop") family inhabits: the identical houses crammed in endless rows, the relentless highway traffic strangling the soulless development, the ugly shopping malls, the oppressive parking garages, and sticky-floored restaurants. Like most of us, the family negotiates this modern awfulness as a simple matter of course; the critique appears only in the drawings, where the strip suddenly works on another level.

The full text is available at amazon.com. The collection is scheduled for release this September.

(via TheDailyCartoonist)

Online Comic Book Reader Gets a Redesign at ComicMix

new-reader-4177623Last Friday, with no fanfare, we released the first major upgrade to our ComicMix online comic book reader since we launched our free online comics last October. We have done small upgrades every month or two — like adding the ability to link straight to a specific page, remembering what zoom level you like and remembering that you always want two-page spreads. But this upgrade was significant.

First, we eliminated those little page number links at the top of the screen. We were only using about 30 pixels for that strip, but vertical space is already limited by all the toolbars and junk in your browsers, so why waste any more? Since computer screens are almost always wider than tall, we put the page navigation on the right — the same way that applications like Adobe Acrobat, Apple’s Preview app, Quark and Pagemaker do.

Do you need to click on those little page thumbnails to flip through our comics? Of course not.

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Review: The Complete Peanuts, 1967 to 1968 by Charles M. Shulz

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The Complete Peanuts, 1967-1968
By Charles M. Schulz; foreword by John Waters
Fantagraphics, February 2008, $28.95

By 1967, [[[Peanuts]]] wasn’t just another comic strip in the local newspaper, it was a media phenomenon. The first TV special, A Charlie Brown Christmas, had won an Emmy amid universal acclaim two years earlier, and You’re a Good Man, Charlie Brown was about to open on Broadway. It was the epitome of mainstream entertainment – on May 24th, California Governor Ronald Reagan and the state legislature even proclaimed it “Charles Schulz Day.” The strip hadn’t quite hit its ‘70s mega-merchandising heyday, but it was getting there.

At the same time, not all that far from Schulz’s Santa Rosa home, Berkley was roiling with anti-war fervor and the Summer of Love had hit San Francisco. Peanuts had been seen as an edgy, almost countercultural strip in the early 1950s, but those days were long past, and Peanuts was the Establishment. In those days, you were with the pigs or with the longhairs, right? And where did Peanuts stand?

From the evidence here, Peanuts stood where it had always stood: on its own, only rarely commenting on specific issues of the day (such as the “bird-hippie” who would become Woodstock in another year or two), but talking around those issues in ways that most of America could laugh at… some more uncomfortably than others. Schulz was never one to declare himself on one side of an issue or the other; he’d just write and draw his cartoons, and let others make their interpretations.

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Wil Wheaton Goes Webcomic With ‘1981’

1981-wilwheaton-200-8725464Actor and InterWebs celebrity Wil Wheaton informed fans today that "Blue Light Special," a story he wrote in 2006, has been adapted into an episode of the collaborative webcomic BlogJam.

In the strip, Wheaton relates a story about the toy that "defined his childhood" — in this case, Star Wars action figures. Wheaton helped write the strip, titled "1981," and BlogJam’s Greg Williams provided the art.

There’s a stable link to "1981" accessible via Flickr, while the BlogJam submission guidelines and archive of past webcomics are available on the BlogJam website. BlogJam takes submissions for story ideas from readers, and selected stories are adapted into webcomic form by Williams.

Happy Birthday: Brad Anderson

Born in Jamestown, New York in 1924, Brad Anderson started cartooning as a child. He attended Brocton Central School for high school, and while there sold his first cartoons (to an aviation magazine).

Anderson served in the U.S. Navy during World War II, then attended Syracuse University’s School of Fine Arts. After graduating college, Anderson focused on advertising for a few years, but in 1953 decided to turn his full attention back to cartoons.

A year later, he created the cartoon strip Marmaduke. He still draws the strip today. In 1976, Anderson received the National Cartoonist Society Award for Best Panel, and in 1999 Syracuse University honored him with the George Arents Pioneer Medal.

Happy Birthday: Barbara Slate

slate-8997718Born in 1947, Barbara Slate started out in greeting cards before moving to comics. In 1974, she met with a greeting card buyer from Bloomingdales and showed him 24 feminist greeting cards she had designed. Thus, the "Ms. Liz" line was born.

Ms. Liz then became a comic strip in Cosmopolitan, and then an animated feature on The Today Show. Next, Slate spoke to Jenette Kahn of DC Comics, who hired her to create Angel Love. From there, Slate moved to Marvel to create Yuppies from Hell and Sweet XVI (which won a Forbie Award in 1991), and then began working on Barbie and Barbie Fashion (which won the Parent’s Choice Award in 1992 and 1993).

Slate has also written for Disney Comics (Pocahontas and Beauty and the Beast) and Archie Comics, among others. Currently Slate writes for Archie Comics, teaches graphic novel and sequential art workshops, and has a syndicated column called “You Can Do A Graphic Novel.”

‘Cul de Sac,’ the Comic Strip You Need to Read

  • News
  • April 1, 2008

I had all but given up on newspaper comic strips in recent years. My favorites (Calvin and Hobbes, The Far Side, Peanuts, etc.) had disappeared and every new innovative comic appeared online, not in the funny pages.

Then a friend pointed me to Cul de Sac by Richard Thompson of the Washington Post. Like many of the great strips, Cul de Sac features a young central character (Alice, in this case) who simultaneously looks at the world with the dreamy innocence of youth and the cynical sensibilities of an adult.

That balancing act is consistently funny on a daily basis, as Thompson finds the most creative ways to point out the lunacy of the world from both children’s and adult’s perspective. My favorite strip might be the one below, in which Alice’s brother opines on the world of comic books:

So, I have a new newspaper comics strip. Maybe the "funnies" page isn’t dead yet. Or maybe it is: I read Cul de Sac online.

The Guest Strip Project Recruits Fill-Ins For Charity

  • News
  • March 23, 2008

The fill-in artist is a staple of comics and webcomics alike, but Michael Rouse-Deane is making a year-long event out of the practice — and for a good cause.

April 1 is the scheduled start of The Guest Strip Project, in which a different webcomic creator will provide a strip each week, with proceeds from the advertising, store and donations headed to the Make-A-Wish Foundation. The project is described as follows:

One artist can only do one guest strip, they won’t be asked back, once their page is completed it’ll go into the archives and they can never return. This means its much more complicated but also allows other talented people out there to have a chance of making an impact.

At the side of each page are banners and also donation buttons where people can donate money to the Make-A-Wish Foundation. There’s also the store which will every so often have exclusive merchandise as well as spin-off books, posters, t-shirts and artwork up for grabs all donating to the Make-A-Wish Foundation.

Keep in mind that the project will be presented in the standard, no-charge webcomic format, so it will be interesting to see how successful a unique campaign like this, which relies upon advertising, merchandise sales and donations, will end up. Although the roster of creators currently expected to provide strips hasn’t been posted at this point, the "Links" page could provide some indication of the talent tapped for the kick-off.

 

(via Fleen)

Interview: Jeffrey Rowland on TopatoCo and ‘Overcompensating’

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Jeffrey Rowland, the creator behind popular webcomics Wigu and OverCompensating, has a new, full-time job these days — and it just might make him one of the most important people to watch in the world of webcomics.

Late last year, Rowland officially expanded TopatoCo, the online store where he sold shirts, stickers and other merchandise related to his webcomics, bringing several other popular webcomics’ stores under the TopatoCo banner and consolidating their merchandise operations. By doing so, fans of many of the most popular webcomics are now able to mix and match their orders among different creators’ designs, and TopatoCo has evolved from a basement business to a staffed, international operation Rowland runs out of an office building in Easthampton, MA.

According to Wikipedia, Rowland "can be considered one of the small number of professional webcartoonists, as running Overcompensating and Wigu, in addition to his merchandise company TopatoCo, is his full time job and source of income."

I spoke with Rowland about the growth of TopatoCo and the first few months of becoming a webcomic merchandising hub, as well as the status of his own webcomics, OverCompensating and Wigu. From the lure of running off to Mexico on a motorcycle to the Snakes on A Plane experience, Rowland shares his thoughts on making a living in the world of webcomics.

COMICMIX: You sound busy, Jeff. What’s going on at TopatoCo HQ today?

JEFFREY ROWLAND: Well, I’m just trying to get a handle on this whole business arrangement here.

CMix: Yeah, it sounds like you’re pretty deep into it these days…

JR: Well, the way we were doing it before was, everyone had their own individual sites up. Dinosaur Comics would have its little store, and then [Dinosaur creator Ryan North] would collect the orders throughout the week and send them to us in a file once a week or so. It wasn’t that bad, because everyone was doing a pretty good amount of business, but when I put them all together… Well, all of a sudden, it just exploded. It was bigger than I thought it was going to be. I think we’ve been up for about a month now, and we’re over 2000 products sold. Over 1000 transactions. Basically, it’s just two of us here working – sometimes three. I have one full-time employee — she’s "Tallahassee" in OverCompensating.

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South Korean Comic Labeled Anti-Semitic

  • News
  • March 17, 2008

The international comics scene is always interesting to keep an eye on, with bizarre stories cropping up every now and again. In that vein comes the news that the U.S. State Department made a report criticizing a South Korean comic book for being anti-Semitic.

According to the report, which was later presented to Congress, the book is the American volume of the Far Country, Neighbor Country series, according to this story in the Chosun newspaper. The series is intended for South Korean children, and it gives brief histories in comic book form of various countries around the world.

In the article, the anti-Semitic passages are listed as explaining the Sept. 11 terrorist attacks being caused by Muslims who hate the United States because "Jews use money and public discussion as weapons to make WASPs do what they want."

Here’s a few panels:

The article continued:

The series, written by Rhie Won-bok, a professor at Duksung Women’s University, was designed to teach youngsters the history and culture of other countries in comic book format. The "best-selling" children’s book series sold more than 10 million Korean-language copies, according to the report.

The report cited two examples of anti-Semitism in the book. One comic strip shows a newspaper, a magazine, a television, and a radio, each with a Star of David, and is captioned, "In a word, American public debate belongs to the Jews, and it’s no exaggeration to say that [U.S. media] are the voices of the Jews."

Another strip shows a man climbing a hill and then facing a brick wall inscribed with a Star of David and a STOP sign. The caption reads, "The final obstacle [to success] is always a fortress called Jews."

The author later acknowledged his mistake and pledged to write "in a more responsible way," the report said. In March 2007, the book’s publisher agreed to pull the controversial book from stores, the report added.

Like I said, lots of strange stuff here. For instance, it strikes me as strange to see anti-Semitism appear somewhere like South Korea. Also, I had no idea that the State Department’s duties include keeping tabs on anti-Semitism.

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